MUZ Muziek
Het forum voor 's werelds enige universele hobby! Snaren of toetsen, vinyl of cd, eendagsvlieg of rasartiest, op de radio of op een festival! Hier kun je al je ongebreideld enthousiasme, maar ook je weldoordachte kritische noten kwijt over muziek
Jimi Hendrix adoratietopic #3
Topic 1.
Topic 2.
Officiële Jimi Hendrix website.
Just Ask The Axis: optredens van Hendrix
Discografie van tijdens Hendrix zijn leven: (demo'tjes zijn via de links te beluisteren)
Jimi Hendrix is geboren op 27 november 1942 in Seattle als Johnny Allen Hendrix, later veranderde zijn vader zijn naam in James Marshall Hendrix.
Are You Experienced (UK) - The Jimi Hendrix Experience - 12 mei 1967
Are You Experienced (US)- The Jimi Hendrix Experience - 23 augustus 1967
Axis: Bold As Love - The Jimi Hendrix Experience - 10 januari 1968
Electric Ladyland - The Jimi Hendrix Experience - 25 oktober 1968
Band Of Gypsys - Band Of Gypsys - 25 maart 1970
Jimi Hendrix is gestorven op 18 september 1970 in Londen.
The Jimi Hendrix Experience:
Jimi Hendrix - gitaar, zang
Noel Redding - bas (soms zang) (links op de foto)
Mitch Mitchel - drums
Band Of Gypsys
Jimi Hendrix - gitaar, zang
Billy Cox - bas, achtergrondzang
Buddy Miles - drums, zang
[ Bericht 49% gewijzigd door Big_Boss_Man op 12-09-2005 16:54:12 ]
Topic 1.
Topic 2.
Officiële Jimi Hendrix website.
Just Ask The Axis: optredens van Hendrix
Discografie van tijdens Hendrix zijn leven: (demo'tjes zijn via de links te beluisteren)
Jimi Hendrix is geboren op 27 november 1942 in Seattle als Johnny Allen Hendrix, later veranderde zijn vader zijn naam in James Marshall Hendrix.
Are You Experienced (UK) - The Jimi Hendrix Experience - 12 mei 1967
Are You Experienced (US)- The Jimi Hendrix Experience - 23 augustus 1967
Axis: Bold As Love - The Jimi Hendrix Experience - 10 januari 1968
Electric Ladyland - The Jimi Hendrix Experience - 25 oktober 1968
Band Of Gypsys - Band Of Gypsys - 25 maart 1970
Jimi Hendrix is gestorven op 18 september 1970 in Londen.
The Jimi Hendrix Experience:
Jimi Hendrix - gitaar, zang
Noel Redding - bas (soms zang) (links op de foto)
Mitch Mitchel - drums
Band Of Gypsys
Jimi Hendrix - gitaar, zang
Billy Cox - bas, achtergrondzang
Buddy Miles - drums, zang
[ Bericht 49% gewijzigd door Big_Boss_Man op 12-09-2005 16:54:12 ]
feest
Ik vind 't al een vrij informatierijke OP. Lekker alle albums op een rijtje enzo
Veel meer zou ik er niet aan doen.
Veel meer zou ik er niet aan doen.
http://hendrix.free.fr/images.htm
site met veel fotos
http://www.fotobaron.com/music/jimihendrix/jimicat/
http://www.jimihendrixphotos.com/Jimi_Hendrix_photos/index.htm
http://www.jimihendrix.dk/index.php?lang=da&page=videoer.php
streaming filmpjes kijken van optredens
http://www.hendrix-links.de/links.html
site met bijna
http://perso.wanadoo.fr/hendrix.guide/hendrix2.htm
ik denk de meest uitgebreide site als het gaat over albums
site met veel fotos
http://www.fotobaron.com/music/jimihendrix/jimicat/
http://www.jimihendrixphotos.com/Jimi_Hendrix_photos/index.htm
http://www.jimihendrix.dk/index.php?lang=da&page=videoer.php
streaming filmpjes kijken van optredens
http://www.hendrix-links.de/links.html
site met bijna
http://perso.wanadoo.fr/hendrix.guide/hendrix2.htm
ik denk de meest uitgebreide site als het gaat over albums
Jimi met brian jones (ex-rollingstones)
http://www.rocksoff.org/mylittleone-jimiandbrian-jan68-take1.wma
http://www.rocksoff.org/mylittleone-jimiandbrian-jan68-take2.wma
deze nummers vind je outtakes albums maar die kan je niet overal kopen
http://www.rocksoff.org/mylittleone-jimiandbrian-jan68-take1.wma
http://www.rocksoff.org/mylittleone-jimiandbrian-jan68-take2.wma
deze nummers vind je outtakes albums maar die kan je niet overal kopen
http://flamevault.com/~hobbit/5/Jimi.mpg
the wind cries mary gespeeld in stockholm
http://polyglot.lss.wisc.(...)HENDRIXChristmas.mp3
hendrix speelt kerstnummer
the wind cries mary gespeeld in stockholm
http://polyglot.lss.wisc.(...)HENDRIXChristmas.mp3
hendrix speelt kerstnummer
Huis Jimi Hendrix op het nippertje gered
Onderwerp:Aan:Jouw naam:Jouw email-adres:(Novum) - Het huis waar Jimi Hendrix als kind woonde, is op het nippertje gered van de sloop. Een stichting die een muziekcentrum van het huis wil maken, heeft eindelijk een oplossing gevonden om het huis te redden. Het huis in Seattle wordt verplaatst naar de overkant van de begraafplaats waar de legendarische zanger sinds 1970 zijn laatste rustplaats heeft.
Een rechter bepaalde vorige maand dat de gemeente het recht heeft het huis te slopen. De James Marshall Hendrix Foundation had tot 1 september de tijd om een oplossing te zoeken. De stichting, die door de jongere broer van Hendrix is opgericht, heeft de deadline gehaald en is van plan het huis te renoveren.
Vier jaar geleden betaalde de stichting dertigduizend dollar voor de bescheiden woning in King County, Washington, waar de gitarist van 1953 tot 1956 woonde. Het huisje werd daarop verplaatst naar een terrein dat eigendom is van de stad. Volgens de gemeente hield de stichting zich niet aan de gemaakte afspraken en staat het huis er donder doel. Daarom moest het huis zo snel mogelijk worden verplaatst of gesloopt.
De Hendrix-aanhangers vonden echter dat de gemeente beloften had gebroken waarin medewerking werd aangeboden het huis op te knappen en het een mooie plek in de stad te geven.
De woning wordt nu omgebouwd tot een centrum waar muzieklessen kunnen worden gevolgd en waar voor weinig geld instrumenten kunnen worden gehuurd.
Onderwerp:Aan:Jouw naam:Jouw email-adres:(Novum) - Het huis waar Jimi Hendrix als kind woonde, is op het nippertje gered van de sloop. Een stichting die een muziekcentrum van het huis wil maken, heeft eindelijk een oplossing gevonden om het huis te redden. Het huis in Seattle wordt verplaatst naar de overkant van de begraafplaats waar de legendarische zanger sinds 1970 zijn laatste rustplaats heeft.
Een rechter bepaalde vorige maand dat de gemeente het recht heeft het huis te slopen. De James Marshall Hendrix Foundation had tot 1 september de tijd om een oplossing te zoeken. De stichting, die door de jongere broer van Hendrix is opgericht, heeft de deadline gehaald en is van plan het huis te renoveren.
Vier jaar geleden betaalde de stichting dertigduizend dollar voor de bescheiden woning in King County, Washington, waar de gitarist van 1953 tot 1956 woonde. Het huisje werd daarop verplaatst naar een terrein dat eigendom is van de stad. Volgens de gemeente hield de stichting zich niet aan de gemaakte afspraken en staat het huis er donder doel. Daarom moest het huis zo snel mogelijk worden verplaatst of gesloopt.
De Hendrix-aanhangers vonden echter dat de gemeente beloften had gebroken waarin medewerking werd aangeboden het huis op te knappen en het een mooie plek in de stad te geven.
De woning wordt nu omgebouwd tot een centrum waar muzieklessen kunnen worden gevolgd en waar voor weinig geld instrumenten kunnen worden gehuurd.
* Tranceptor rekt zich uit
voor Jimi, wat een geweldenaar!
Ik heb alleen Band of Gypsies uit de OP nog niet.
voor Jimi, wat een geweldenaar!
voor Jimi, wat een geweldenaar! 
Ik heb alleen Band of Gypsies uit de OP nog niet.
In 1942, Al Hendrix was in the United States Army. He was not in Seattle with his young wife, Lucille, on 27 November, when she gave birth to a son, and named him John Allen Hendrix. In fact, when Al did return, three years later, the boy had been fostered out to a family, as lucille could not cope on her own. Al took John back, and on 11 September 1946, in a gesture of starting afresh, renamed him James Marshall Hendrix.
James was a quiet boy, and had an uneventful childhood. His abiding passion from an early age was music, and, because guitars were always around in the homes of friends, the instrument became his favourite. His main influence was the blues of the greats, such as Muddy Waters and B B King, but he was open to the rock 'n' roll of the 1950's, and he taught himself to play through listening to a wealth of different styles. His left handedness would provide the odd visual of playing a right handed guitar upsidedown, and his eclectic influences continued to present a sound that mimicked none of them.
His first gigs were as a member of a covers band while he was in High School, and when he dropped out aged 17 and joined the army, to avoid the draft, his guitar went with him. He made 25 parachute drops as a private in the 101st Airborne, before breaking his ankle and receiving an honourable discharge. He always counted himself lucky at having got out just before the Vietnam War started. While in the army, he formed a band called The King Kasuals with fellow serviceman Billy Cox, and after his discharge he continued plying with Cox and other Rhythm & Blues outfits around the southern United States, until, tired of a static scene in Tennessee, he moved up to New York.
Soon after moving, he won $25 in an amateur music contest, and met 'Faye' Prigeon, a Harlem club regular, with whom he struck up an immediate bond. He moved in with her, and soon her network and his musical prowess came together. The Isley Brothers arrived in town and needed a guitarist - Hendrix was given an audition and the job. The fruits of his time with the Isley Brothers appeared on six recorded songs in 1964/5, though none of them was a hit, during a time when The Beatles and The Rolling Stones were taking turns at the top of the charts. His duties as a sideman did not stretch him however, and bored, he soon dropped out, to play with a variety of bands. His Rhythm & Blues talent was noticeable by now, and the names he played behind make impressive reading: B B King, Jackie Wilson and Sam Cooke, Ike and Tina Turner, Little Richard, Wilson Pickett and King Curtis. But again, he quickly tired of each job, and it was obvious that he needed to have more control over what he played. His first such experience came in late 1965 when he joined Curtis Knight and the Squires.
With Curtis Knight, he gained his first songwriting credits, and had more access to studios during the band's attempts to crack the record charts - though the plethora of recordings that have been released from Hendrix's tenure with the band belies its brevity. During one gig at the Cheetah Club, he was noticed by Linda Keith, British fashion model and girlfriend to Keith Richards, who could not believe that someone of his skills was playing such a background role in a band. She was determined to use her contacts to help Hendrix win some financial backing, and with her help he gathered a band together which he called Jimmy James and The Blue Flames.
At this time Hendrix was noticeably shy about his singing, feeling that his voice would be unacceptable in comparison with the tones of his blues heroes. Keith tried to persuade him otherwise, realizing that his lack of confidence was actually rooted in his Cherokee and Afro-American heritage. The Blue Flames were a collection of whites from Greenwich Village, and the gigs they booked were local to the area. Hendrix wanted to develope a style that gave vent to his personal and musical background, but it would have to hit the spot with the audience too.
Linda Keith arranged a showcase with Andrew Loog Oldham, manager of The Rolling Stones, for which she 'liberated' a white Fender Stratocaster from Keith Richards. Oldham did not take the bait, nor did other influential contacts. But in July 1966, an introduction to Animals' bassist and hopeful producer Chas Chandler set Hendrix onto the fast lane. The Animals were in America for a farewell tour, after which Chandler wanted to scout for new acts to break. Hearing Hendrix at the Cafe Wha was all it took for Chandler to offer Hendrix a trip to London, an offer which received a positive, if guarded, 'fair enough'. It was not as if America had 'discovered' Hendrix, or even paid him more than a subsistence level wage, and British music had recently stormed America, with The Beatles leading the charge.
Although Chandler's musical success had not made him rich, he was able to arrange an advance of cash from his parent company, Yameta, to pay for Hendrix's uprooting. There was more of a problem with a passport, there being no record of Hendrix's birth, until his original name was discovered. On 24 September 1966, Hendrix left New York without a work permit, and with many doubts concerning his acceptance in London. On arrival, he managed to get a seven-day visa, and to allay his fears, Chandler took him immediately to a three-hour jam, with a much impressed blues player, Zoot Money, and this was day one! A week later, on 1 October, through Chandler having bumped into Eric Clapton and Jack Bruce, Hendrix was invited to play with Cream at their Regent Polytechnic gig. Within the first few bars of Howlin' Wolf's 'Killin' Floor', Clapton's mouth had dropped open, and his subsequent regular visits to Chandler's flat, where Hendrix now lived, was an obvious endorsement of the new talent in town.
Britain was rocking to the sounds of The Beatles' Revolver as Chandler set about auditioning a band for Hendrix. Ex-Loving Kind rhythm guitarist Noel Redding was persuaded to switch to bass, and Hendrix liked enough of what he saw to want him in the band. Redding's red fizzy hair was similar in style to Hendrix's, which gave potential to the visual aspect, and his lack of experience with the instrument gave Hendrix the opportunity to develope Redding's playing with his own style. Drummer Mitch Mitchell had both rock and jazz experience, most notably with Georgie Fame and the Blue Flames. His technical expertise would become more and more apparent as the band grew, testing Hendrix's limits in a musical competition, but the ball always came right back into Mitchell's court, as the guitarist's skills coped with and in turn challenged the drummer. There was no need to recruit another guitarist, as Hendrix's playing was versatile enough to fill all the gaps.
The band was finalized just in time, for Hendrix's jam at Blaise's club caught the attention of French star Johnny Hallyday, who invited him to back him on a tour of France starting ten days later. With minimal rehearsing, a name change from Jimmy to Jimi, and the decision to call the band the Jimi Hendrix Experience, they were off. Their short, blazing sets were acclaimed by the audiences, with a finale at the giant Olympia in Paris. The power of the trio was largely due to the showmanship of its frontman, gained from his years on the road, playing with one hand, behind his back, on his head, even with his teeth.
Returning to England, The Experience played several showcase gigs at clubs which drew the music industry's key players. With the social network of Linda Keith, and the word of mouth from those who had witnessed the new phenomenon, Hendrix was being tested at the highest level, and he passed with distinction. Members of The Beatles, The Stones and The Who came backstage, and the respect that he was shown helped Hendrix's confidence - a boost which must have put into thankful perspective the initial press interest, which revolved more around descriptions of him as the 'Wild Man of Borneo', and a 'Mau Mau' than as a musician of amazing skill. Britain had not witnessed a black rock musician before, especially one who played with such flamboyant virtuosity, and the choice of two white Britons behind him made a statement before the band had even played a note. The acceptance of his musical peers was therefore an important indicator for anyone serious about checking out the music behind Hendrix's immediate press profile.
In between gigs and rehearsals, the band recorded 'Hey Joe', the song which had most struck Chandler when he first saw Hendrix. It was Jimi's first vocal recording, and Chandler's first production job, and the result made it obvious that both had made the right decision in joining up together. 'Hey Joe' was backed with Hendrix's first original composition, 'Stone Free', and there was immediate evidence of the energy and the potential of The Experience. The distinctive sound was sold at the Scotch of St James club, when Track Records co-owner Kit Lambert saw a perfect act for his left-field label. The deal was struck then and there, although because the label was not quite ready, 'Hey Joe' was released on Polydor in time for the Christmas market on 16 December 1966, with the top of the charts seeing Tom Jones' 'Green Green Grass of Home' take over from The Beach Boys' 'Good Vibrations'. Hendrix's underground exposure, and a Track Records organized appearance on the television programme Ready Steady Go! three days before, helped the hard-edged single get a wider coverage and it entered the charts at number 38, peaking at number 4. Meanwhile, the 'Wild Man' press image was turned to advantage as the country's youth took Hendrix's visual style to its rebellious hearts, and the single's ascent warranted a performance on Top of the Pops.
Hendrix had been unleashed, and followed his first self-penned song with 'Purple Haze / 51st Anniversary', songs which saw the studio team searching for technical answers to the musical questions which Jimi's innovation posed. More gigs followed, including backing The New Animals and a prestigious show at the Saville Theatre supporting The Who, another Track Recordings signing. By the end of January 1967, Hendrix had taken just four months to win over London's musical elite.
James was a quiet boy, and had an uneventful childhood. His abiding passion from an early age was music, and, because guitars were always around in the homes of friends, the instrument became his favourite. His main influence was the blues of the greats, such as Muddy Waters and B B King, but he was open to the rock 'n' roll of the 1950's, and he taught himself to play through listening to a wealth of different styles. His left handedness would provide the odd visual of playing a right handed guitar upsidedown, and his eclectic influences continued to present a sound that mimicked none of them.
His first gigs were as a member of a covers band while he was in High School, and when he dropped out aged 17 and joined the army, to avoid the draft, his guitar went with him. He made 25 parachute drops as a private in the 101st Airborne, before breaking his ankle and receiving an honourable discharge. He always counted himself lucky at having got out just before the Vietnam War started. While in the army, he formed a band called The King Kasuals with fellow serviceman Billy Cox, and after his discharge he continued plying with Cox and other Rhythm & Blues outfits around the southern United States, until, tired of a static scene in Tennessee, he moved up to New York.
Soon after moving, he won $25 in an amateur music contest, and met 'Faye' Prigeon, a Harlem club regular, with whom he struck up an immediate bond. He moved in with her, and soon her network and his musical prowess came together. The Isley Brothers arrived in town and needed a guitarist - Hendrix was given an audition and the job. The fruits of his time with the Isley Brothers appeared on six recorded songs in 1964/5, though none of them was a hit, during a time when The Beatles and The Rolling Stones were taking turns at the top of the charts. His duties as a sideman did not stretch him however, and bored, he soon dropped out, to play with a variety of bands. His Rhythm & Blues talent was noticeable by now, and the names he played behind make impressive reading: B B King, Jackie Wilson and Sam Cooke, Ike and Tina Turner, Little Richard, Wilson Pickett and King Curtis. But again, he quickly tired of each job, and it was obvious that he needed to have more control over what he played. His first such experience came in late 1965 when he joined Curtis Knight and the Squires.
With Curtis Knight, he gained his first songwriting credits, and had more access to studios during the band's attempts to crack the record charts - though the plethora of recordings that have been released from Hendrix's tenure with the band belies its brevity. During one gig at the Cheetah Club, he was noticed by Linda Keith, British fashion model and girlfriend to Keith Richards, who could not believe that someone of his skills was playing such a background role in a band. She was determined to use her contacts to help Hendrix win some financial backing, and with her help he gathered a band together which he called Jimmy James and The Blue Flames.
At this time Hendrix was noticeably shy about his singing, feeling that his voice would be unacceptable in comparison with the tones of his blues heroes. Keith tried to persuade him otherwise, realizing that his lack of confidence was actually rooted in his Cherokee and Afro-American heritage. The Blue Flames were a collection of whites from Greenwich Village, and the gigs they booked were local to the area. Hendrix wanted to develope a style that gave vent to his personal and musical background, but it would have to hit the spot with the audience too.
Linda Keith arranged a showcase with Andrew Loog Oldham, manager of The Rolling Stones, for which she 'liberated' a white Fender Stratocaster from Keith Richards. Oldham did not take the bait, nor did other influential contacts. But in July 1966, an introduction to Animals' bassist and hopeful producer Chas Chandler set Hendrix onto the fast lane. The Animals were in America for a farewell tour, after which Chandler wanted to scout for new acts to break. Hearing Hendrix at the Cafe Wha was all it took for Chandler to offer Hendrix a trip to London, an offer which received a positive, if guarded, 'fair enough'. It was not as if America had 'discovered' Hendrix, or even paid him more than a subsistence level wage, and British music had recently stormed America, with The Beatles leading the charge.
Although Chandler's musical success had not made him rich, he was able to arrange an advance of cash from his parent company, Yameta, to pay for Hendrix's uprooting. There was more of a problem with a passport, there being no record of Hendrix's birth, until his original name was discovered. On 24 September 1966, Hendrix left New York without a work permit, and with many doubts concerning his acceptance in London. On arrival, he managed to get a seven-day visa, and to allay his fears, Chandler took him immediately to a three-hour jam, with a much impressed blues player, Zoot Money, and this was day one! A week later, on 1 October, through Chandler having bumped into Eric Clapton and Jack Bruce, Hendrix was invited to play with Cream at their Regent Polytechnic gig. Within the first few bars of Howlin' Wolf's 'Killin' Floor', Clapton's mouth had dropped open, and his subsequent regular visits to Chandler's flat, where Hendrix now lived, was an obvious endorsement of the new talent in town.
Britain was rocking to the sounds of The Beatles' Revolver as Chandler set about auditioning a band for Hendrix. Ex-Loving Kind rhythm guitarist Noel Redding was persuaded to switch to bass, and Hendrix liked enough of what he saw to want him in the band. Redding's red fizzy hair was similar in style to Hendrix's, which gave potential to the visual aspect, and his lack of experience with the instrument gave Hendrix the opportunity to develope Redding's playing with his own style. Drummer Mitch Mitchell had both rock and jazz experience, most notably with Georgie Fame and the Blue Flames. His technical expertise would become more and more apparent as the band grew, testing Hendrix's limits in a musical competition, but the ball always came right back into Mitchell's court, as the guitarist's skills coped with and in turn challenged the drummer. There was no need to recruit another guitarist, as Hendrix's playing was versatile enough to fill all the gaps.
The band was finalized just in time, for Hendrix's jam at Blaise's club caught the attention of French star Johnny Hallyday, who invited him to back him on a tour of France starting ten days later. With minimal rehearsing, a name change from Jimmy to Jimi, and the decision to call the band the Jimi Hendrix Experience, they were off. Their short, blazing sets were acclaimed by the audiences, with a finale at the giant Olympia in Paris. The power of the trio was largely due to the showmanship of its frontman, gained from his years on the road, playing with one hand, behind his back, on his head, even with his teeth.
Returning to England, The Experience played several showcase gigs at clubs which drew the music industry's key players. With the social network of Linda Keith, and the word of mouth from those who had witnessed the new phenomenon, Hendrix was being tested at the highest level, and he passed with distinction. Members of The Beatles, The Stones and The Who came backstage, and the respect that he was shown helped Hendrix's confidence - a boost which must have put into thankful perspective the initial press interest, which revolved more around descriptions of him as the 'Wild Man of Borneo', and a 'Mau Mau' than as a musician of amazing skill. Britain had not witnessed a black rock musician before, especially one who played with such flamboyant virtuosity, and the choice of two white Britons behind him made a statement before the band had even played a note. The acceptance of his musical peers was therefore an important indicator for anyone serious about checking out the music behind Hendrix's immediate press profile.
In between gigs and rehearsals, the band recorded 'Hey Joe', the song which had most struck Chandler when he first saw Hendrix. It was Jimi's first vocal recording, and Chandler's first production job, and the result made it obvious that both had made the right decision in joining up together. 'Hey Joe' was backed with Hendrix's first original composition, 'Stone Free', and there was immediate evidence of the energy and the potential of The Experience. The distinctive sound was sold at the Scotch of St James club, when Track Records co-owner Kit Lambert saw a perfect act for his left-field label. The deal was struck then and there, although because the label was not quite ready, 'Hey Joe' was released on Polydor in time for the Christmas market on 16 December 1966, with the top of the charts seeing Tom Jones' 'Green Green Grass of Home' take over from The Beach Boys' 'Good Vibrations'. Hendrix's underground exposure, and a Track Records organized appearance on the television programme Ready Steady Go! three days before, helped the hard-edged single get a wider coverage and it entered the charts at number 38, peaking at number 4. Meanwhile, the 'Wild Man' press image was turned to advantage as the country's youth took Hendrix's visual style to its rebellious hearts, and the single's ascent warranted a performance on Top of the Pops.
Hendrix had been unleashed, and followed his first self-penned song with 'Purple Haze / 51st Anniversary', songs which saw the studio team searching for technical answers to the musical questions which Jimi's innovation posed. More gigs followed, including backing The New Animals and a prestigious show at the Saville Theatre supporting The Who, another Track Recordings signing. By the end of January 1967, Hendrix had taken just four months to win over London's musical elite.
When Chas Chandler brought Jimi Hendrix to London, he had talked business with Animals' manager, Mike Jeffery. Jeffery was an astute nightclub owner who had utilized an offshore tax-haven for his wards in the pursuit of an advantageous situation for the sometimes short, if very sweet, lifetime of a rock band. The two agreed to share a management deal with Hendrix, with Jeffery seeing to financial needs and Chandler providing the personal and technical supervision. The relocation of Hendrix in London had cost the pair a fair amount of money, and had also included Jeffery's buying-out of contracts that Hendrix had entered into in America - not an easy task, as Jimi had no copies of anything, and did not seem to have considered important the length of a contract after the initial project for which it was signed.
With Hendrix signed to Yameta, Jeffery's Bahamas-based tax-shelter, Jeffery and Chandler looked forward to sharing a healthy 40 per cent of Hendrix's financial gain. Jeffery followed up leads to sign him through Yameta to an American record company. (Redding and Mitchell were only ever on a wage, and though it was a 50-25-25 split with Hendrix for fees, there was never any doubt as to who the star was.)
Jeffery had left instructions with his New York lawyers to look into the possibility of a deal with Warner/Reprise, and while the Jimi Hendrix Experience continued touring, and recorded 'The Wind Cries Mary' with one eye on the hourly rate (Chandler had been pawning his guitars to ensure that Hendrix's ideas could be committed to tape), possibility became reality. In a deal which consolidated Jeffery's negotiating reputation, Warner put up a $20,000 promotional budget, a $40,000 advance, and a soundtrack exclusion, whereby Warner would not have any rights to a film score by their new artist. The size of the deal was big enough by normal standards, but this one was not only signed through a third agency (Yameta), but was for an artist whose band had released nothing in America. What's more, Yameta retained ownership of the recordings.
'Purple Haze' was released on 27 March 1967, entering the charts at number 37, and, with the influx of money from Warner, Chandler could afford to take The Experience to a better quality studio to continue recording. At Olympic Studios they met Eddie Kramer, a well respected engineer, who seemed to understand Hendrix immediately. Although Chandler had the overall production responsibilities, Hendrix was beginning to focus more on the actual sounds he was trying to fix on tape and Kramer was able to translate his vocabulary of thoughts and colours, arranging the recordings to facilitate Hendrix's desire to overdub without losing the original backing section - not an easy thing to do on a four track machine. With the pressing need to prepare material for a debut album, which would not contain any of the band's single releases, there was suddenly the right team to make it work.
In the meantime, Chandler had got the group a place on the Walker Brothers tour, with Englebert Humperdinck and Cat Stevens. The first two acts had got to number 1 in the last year, so Hendrix was guaranteed a record-buying audience. At the Astoria gig, Hendrix set his guitar alight with lighter fuel for the first time, causing a sensation amongst the crowd and winning national news coverage. It helped the second single climb to number 3 in the charts. However, the audience reaction on the tour caused more than a little aggravation from the headliners, who were being upstaged not only by the music and the show, but by increasing numbers of female fans, attracted amongst other things, to the psychedelic clothes which Hendrix was now wearing. The experimental ethos of American flower power had arrived in London, and Hendrix's colour, dress, showmanship and musical originality made him a natural figurehead for a youth which would rally to anyone considered outrageous by the older generation.
During and after the tour, sessions continued for the album. Songs like 'Foxy Lady' and '3rd Stone from the Sun' had appeared like magic out of previous sessions, often starting with a riff that Chandler would call attention to during a jam, sometimes based on ideas that Hendrix had worked out beforehand. The volume of quality material that he was coming up with took everyone by surprise, and at Olympic Studios numbers from live sets such as 'Fire' and 'May This Be Love' were polished by the different elements of the team. Redding's solid basslines gave Mitchell a chance to show more of his jazz influence, and Hendrix impressed them all with the sounds that he could squeeze out of the strings. Just after 'The Wind Cries Mary/Highway Chile' was released in Britain, and 'Hey Joe' in America, Are You Experienced? was brought out on 14 May and leapt to number 3 in the album charts. And at the beginning of June, with the help of a good word from Hendrix fan Paul McCartney, The Experience were booked to make their first American appearance at the Monterey festival, on the 18th of that month.
Upon their arrival in America, Jeffery, realizing that a single live date was not going to be enough to break a band which had only put out one single, organized a booking agency, a merchandising company and a publicity agent for The Experience. In London, Chandler's contacts were an obvious promotional asset, but America held no such advantages. There was a great deal to be won or lost from the Monterey appearance, and the band was billed to follow the spectacular instrument destroying demonstration of The Who. In reply, Hendrix led The Experience on a masterclass of live entertainment. He brought all of his showmanship into play for a gale-force 'Like a Rolling Stone', the anthem-in-the-making 'Purple Haze', and a definitive version of The Troggs' 'Wild Thing', ending with a guitar burning and breaking that left the crowd breathless, and which was caught forever by the cameras recording the event.
The performance gained The Experience a run of dates with Jefferson Airplane and Big Brother and The Holding Company at the Fillmore West, together with an unannounced free show in Golden Gate Park in San Francisco. They played and partied their way into the hearts of the city, and it was during this visit that Hendrix was introduced to the dangerous pleasures of LSD. Although more dates were added, including a Central Park gig that gave Hendrix the chance to show his old friends what he had achieved since leaving the country, Mike Jeffery had set up a tour backing The Monkeys. Everybody was shocked by his matching of Jimi's music with that of the 'pre-fab four', but they were obliged to fulfil the contract. Touring was the main way to keep the cash flowing, and there was a lot of money being spent on promoting Hendrix as a major contender.
After some studio sessions which captured, most notably, 'The Burning of the Midnight Lamp' on tape, the tour got underway, with the teenage fans crying for The Monkees almost before Hendrix had finished his first solo. An escape plan was hatched, and The Experience were able to leave the tour part-way through by claiming they had been threatened with legal action by the vigilantes of moral rectitude, the Daughters of the American Revolution. Although the story was fake, it was not questioned, and in fact got the band national press coverage and a healthy counter-culture reputation amongst the politically aware youth of the flower-power movement.
There was, however, one disadvantage in Hendrix's sudden rise to commercial viability. This came in the shape of Ed Chalpin and his PPX Industries. Hendrix had signed a three-year contract with Chalpin in 1965, when he was with Curtis Knight, and Jeffery had not known of it when he was clearing up Hendrix's outstanding obligations early in 1967. Chalpin filed lawsuits claiming exclusive rights to all Hendrix's music, including the flood of ideas which Chandler and Jeffery had helped to make possible. To complicate matters even further, Hendrix went to see his old band in New York in July 1967 and participated in two recorded jam sessions, which gave Chalpin indisputable evidence of brand new PPX/Hendrix demos (in addition to tapes from 1965). If old friends covered only by a spoken agreement to keep his name out of any vinyl result, he was naively unaware of the commercial power that his name now carried. The fact that he was blowing headliners like Scott MacKenzie and the Mamas and the Papas off the stage at the Hollywood Bowl should have made that obvious.
With Hendrix signed to Yameta, Jeffery's Bahamas-based tax-shelter, Jeffery and Chandler looked forward to sharing a healthy 40 per cent of Hendrix's financial gain. Jeffery followed up leads to sign him through Yameta to an American record company. (Redding and Mitchell were only ever on a wage, and though it was a 50-25-25 split with Hendrix for fees, there was never any doubt as to who the star was.)
Jeffery had left instructions with his New York lawyers to look into the possibility of a deal with Warner/Reprise, and while the Jimi Hendrix Experience continued touring, and recorded 'The Wind Cries Mary' with one eye on the hourly rate (Chandler had been pawning his guitars to ensure that Hendrix's ideas could be committed to tape), possibility became reality. In a deal which consolidated Jeffery's negotiating reputation, Warner put up a $20,000 promotional budget, a $40,000 advance, and a soundtrack exclusion, whereby Warner would not have any rights to a film score by their new artist. The size of the deal was big enough by normal standards, but this one was not only signed through a third agency (Yameta), but was for an artist whose band had released nothing in America. What's more, Yameta retained ownership of the recordings.
'Purple Haze' was released on 27 March 1967, entering the charts at number 37, and, with the influx of money from Warner, Chandler could afford to take The Experience to a better quality studio to continue recording. At Olympic Studios they met Eddie Kramer, a well respected engineer, who seemed to understand Hendrix immediately. Although Chandler had the overall production responsibilities, Hendrix was beginning to focus more on the actual sounds he was trying to fix on tape and Kramer was able to translate his vocabulary of thoughts and colours, arranging the recordings to facilitate Hendrix's desire to overdub without losing the original backing section - not an easy thing to do on a four track machine. With the pressing need to prepare material for a debut album, which would not contain any of the band's single releases, there was suddenly the right team to make it work.
In the meantime, Chandler had got the group a place on the Walker Brothers tour, with Englebert Humperdinck and Cat Stevens. The first two acts had got to number 1 in the last year, so Hendrix was guaranteed a record-buying audience. At the Astoria gig, Hendrix set his guitar alight with lighter fuel for the first time, causing a sensation amongst the crowd and winning national news coverage. It helped the second single climb to number 3 in the charts. However, the audience reaction on the tour caused more than a little aggravation from the headliners, who were being upstaged not only by the music and the show, but by increasing numbers of female fans, attracted amongst other things, to the psychedelic clothes which Hendrix was now wearing. The experimental ethos of American flower power had arrived in London, and Hendrix's colour, dress, showmanship and musical originality made him a natural figurehead for a youth which would rally to anyone considered outrageous by the older generation.
During and after the tour, sessions continued for the album. Songs like 'Foxy Lady' and '3rd Stone from the Sun' had appeared like magic out of previous sessions, often starting with a riff that Chandler would call attention to during a jam, sometimes based on ideas that Hendrix had worked out beforehand. The volume of quality material that he was coming up with took everyone by surprise, and at Olympic Studios numbers from live sets such as 'Fire' and 'May This Be Love' were polished by the different elements of the team. Redding's solid basslines gave Mitchell a chance to show more of his jazz influence, and Hendrix impressed them all with the sounds that he could squeeze out of the strings. Just after 'The Wind Cries Mary/Highway Chile' was released in Britain, and 'Hey Joe' in America, Are You Experienced? was brought out on 14 May and leapt to number 3 in the album charts. And at the beginning of June, with the help of a good word from Hendrix fan Paul McCartney, The Experience were booked to make their first American appearance at the Monterey festival, on the 18th of that month.
Upon their arrival in America, Jeffery, realizing that a single live date was not going to be enough to break a band which had only put out one single, organized a booking agency, a merchandising company and a publicity agent for The Experience. In London, Chandler's contacts were an obvious promotional asset, but America held no such advantages. There was a great deal to be won or lost from the Monterey appearance, and the band was billed to follow the spectacular instrument destroying demonstration of The Who. In reply, Hendrix led The Experience on a masterclass of live entertainment. He brought all of his showmanship into play for a gale-force 'Like a Rolling Stone', the anthem-in-the-making 'Purple Haze', and a definitive version of The Troggs' 'Wild Thing', ending with a guitar burning and breaking that left the crowd breathless, and which was caught forever by the cameras recording the event.
The performance gained The Experience a run of dates with Jefferson Airplane and Big Brother and The Holding Company at the Fillmore West, together with an unannounced free show in Golden Gate Park in San Francisco. They played and partied their way into the hearts of the city, and it was during this visit that Hendrix was introduced to the dangerous pleasures of LSD. Although more dates were added, including a Central Park gig that gave Hendrix the chance to show his old friends what he had achieved since leaving the country, Mike Jeffery had set up a tour backing The Monkeys. Everybody was shocked by his matching of Jimi's music with that of the 'pre-fab four', but they were obliged to fulfil the contract. Touring was the main way to keep the cash flowing, and there was a lot of money being spent on promoting Hendrix as a major contender.
After some studio sessions which captured, most notably, 'The Burning of the Midnight Lamp' on tape, the tour got underway, with the teenage fans crying for The Monkees almost before Hendrix had finished his first solo. An escape plan was hatched, and The Experience were able to leave the tour part-way through by claiming they had been threatened with legal action by the vigilantes of moral rectitude, the Daughters of the American Revolution. Although the story was fake, it was not questioned, and in fact got the band national press coverage and a healthy counter-culture reputation amongst the politically aware youth of the flower-power movement.
There was, however, one disadvantage in Hendrix's sudden rise to commercial viability. This came in the shape of Ed Chalpin and his PPX Industries. Hendrix had signed a three-year contract with Chalpin in 1965, when he was with Curtis Knight, and Jeffery had not known of it when he was clearing up Hendrix's outstanding obligations early in 1967. Chalpin filed lawsuits claiming exclusive rights to all Hendrix's music, including the flood of ideas which Chandler and Jeffery had helped to make possible. To complicate matters even further, Hendrix went to see his old band in New York in July 1967 and participated in two recorded jam sessions, which gave Chalpin indisputable evidence of brand new PPX/Hendrix demos (in addition to tapes from 1965). If old friends covered only by a spoken agreement to keep his name out of any vinyl result, he was naively unaware of the commercial power that his name now carried. The fact that he was blowing headliners like Scott MacKenzie and the Mamas and the Papas off the stage at the Hollywood Bowl should have made that obvious.
The Experience returned to London at the end of August 1967, to see 'The Burning of the Midnight Lamp' charting at number 29 in a country whose state of happy confusion over the lyrics of Procul Harum's number 1 'A Whiter Shade of Pale', was matched by their enjoyment of the hip cinema release Blow Up. The band was getting regular press and television attention now, and could charge more for gigs, which meant that they could afford to return to the studio to catch up on making permanent records of their progress. Work was begun on material for the follow-up to Are You Experienced? and Hendrix spent more time in the studio, dissatisfied with note-perfect songs which no one else could see any problem with. Eddie Kramer's rapport with Hendrix continued to be of immense value to him, although he was starting to take more control behind the mixing desk, but Chas Chandler was more impatient with the constant overdubbing, and aware that his role was becoming more that of facilitator than producer.
Hendrix's reputation was also making the organization of sessions more difficult, not only with the number of musicians who wanted to play on sessions, but also with hangers-on, who, as well as providing a distraction outside the studio, were more likely to continue the party inside it. Songs like 'If Six Was Nine' and 'She's So Fine' needed little work, as they had been demoed for the first album, but the new work was more complicated and there were more instruments being tried out for them, as well as custom-made effects which Hendrix got from Roger Mayer, an electronics enthusiast who helped satisfy the guitarist's demand for innovation. Hendrix was keen to make the records a different experience from the live sound; 'EXP' and 'One Rainy Day' were songs that would rarely be heard live because of this. The track 'Bold as Love' featured an early phasing technique with which he was so pleased that the finished album Axis: Bold as Love would be named after the song. The only major glitch before the release of the album was that Hendrix left the master of side one in a taxi, after going to a party. With no safety copy having been made, the team was forced to remix the whole thing over-night from the multi-track, compressing what had been days of work into just a few hours.
What would prove to be The Experience's last British tour got them through November and early December, as Axis: Bold as Love entered the album charts at number 8, while The Beatles' Sergeant Pepper's Lonely Hearts Club Band rode the top of the charts. More studio work in December laid the foundations for the next album; it also exposed the cracks between Hendrix and Chandler, which had been widened by Chandler's opposition to Hendrix's drug-taking. Marijuana and speed had regularly been a part of Hendrix's socializing, but his introduction to LSD in America had come as a surprise to Chandler. Although Jimi could not handle much alcohol, his drug intake seemed to grow with the increasing number of parties at which he was a welcome and enthusiastic guest. The disruptive power of LSD came between the two friends, and their working relationship fell apart.
There was more commercial disruption caused in December by the American release of Get That Feeling: Curtis Knight Sings, Jimi Hendrix Plays, which Ed Chalpin had licensed to Capitol Records. It was marketed to emphasize sideman Hendrix over bandleader Knight, and confused the public into buying what they thought was the new Hendrix album, not a collection of old songs and the more recent demos. The January release Axis: Bold as Love in the United States suffered from the confusion, despite negative reviews of Get That Feeling and a successful injunction against its misleading cover, but it still reached number 75 in the charts, selling albums which the Hendrix camp felt strongly were of a standards well below that which he wanted fans to associate him. In addition, the injunction would not stop Chalpin from making other releases until Hendrix's three-year contract with him expired in October 1968.
In January 1968 Hendrix got out of control on a Swedish tour, and he was arrested after a hotel fight. He was allowed to play the concerts, but had to report daily to the police station, and was released with a fine only due to the help of Swedish family connections of Chandler. The band left London to its diet of The Sound of Music and flew to New York, which had been decided upon as the new base for The Experience, despite Chandler, Redding and Mitchell's preference for the London life. Jeffery considered the British nut to have been cracked, and the American kernel promised a lot more oil. He had set up a lengthy tour, putting into place a mould-breaking promotional plan, in which the system of local agents booking concerts for a band was replaced by fewer agencies taking a larger area, for a smaller percentage, yet a larger net gain. This meant that The Experience took a greater percentage of the profit, and could also be assured of a better organized and more comfortable tour.
The Experience roared into San Francisco on a bill with Albert King and John Mayall's Bluesbreakers, and set off around the country with backing which included Eric Burden's Animals, Soft Machine and The Electric Flag, whose drummer, Buddy Miles, was a friend of Jimi's from the Isley Brothers days. The tour gave the band very few days off, and the post-gig parties were almost clichés of rock excess; in Philadelphia a group of girls arrived at the band's hotel to 'pay their respects' with clothes painted onto their naked bodies. There was also a degree of racial trouble, most notably in Texas, where the show was stopped by a stage invasion.
Back in New York after a well-deserved holiday, Hendrix settled into a Manhattan scene of club jams and after-hours sessions, including one with a stoned Jim Morrison taking the microphone in exhibition of obscenity which was recorded for posterity.
The Record Plant was chosen as the studio to work in; it had Gary Kellgren as an engineer, whom Hendrix had worked with previously, and one of the first twelve track machines in the country. Its producer, Tom Wilson, persuaded Eddie Kramer to come over to the States to add his reputation to the new studio's pulling power. He arrived in the middle of April, and they got straight down to work.
The heavy touring schedule had filled the coffers, so there was no need to watch the clock, which was a good job, since Hendrix wanted to make the next album in his own time, and his labour-intensive recording needs were increased by the stream of onlookers he could not bring himself to bar. 'Little Miss Strange' and 'Gypsy Eyes' were brought to a satisfactory state, but the tensions in the studio were more obvious than ever. Hendrix had got his own flat, and had lost the rapport with Chandler that had grown in London. Redding and Mitchell were also doing their own thing, and Jeffery was not helping by bringing round different drug samples for Hendrix to share. Chandler decided to abandon any production work on what had turned into a double album, and would continue to have involvement only on the managerial side of The Experience.
A Fillmore East concert in May with Sly and the family Stone won acclaim from the critics, but the profits from the show, along with other assets, were frozen by a court order set up by PPX. Jeffery had tried to buy out Chalpin with a $70,000 offer, but Chalpin could see for himself, now that Hendrix was based in America, the sort of earning potential that he might be able to share.
The battle between PPX and Yameta came to court in May 1968, with both sides claiming their right over Hendrix. Warner was standing on the sidelines, until it was pointed out to them that their contract was with Yameta, not with Hendrix. If Yameta lost, they lost. The very next day a gaggle of corporate lawyers thrashed out a settlement, giving PPX a percentage of all Hendrix's profits until 1972, and giving Yameta control of any Hendrix material released by PPX. Chalpin was also guaranteed an album of Experience material fir release by Capitol. The agreement gave Warner a buy-out or the Yameta/Hendrix contract, and an exclusive deal with the artist, for which they paid $450,000. Although Chandler and Jeffery still held managerial positions in the new order, with healthy percentages attached, Chandler decided to go back to England to find new bands to produce, and would remain bitter about the way Jeffery treated Jimi as an asset rather than the artist Chandler had helped him to become.
Hendrix's reputation was also making the organization of sessions more difficult, not only with the number of musicians who wanted to play on sessions, but also with hangers-on, who, as well as providing a distraction outside the studio, were more likely to continue the party inside it. Songs like 'If Six Was Nine' and 'She's So Fine' needed little work, as they had been demoed for the first album, but the new work was more complicated and there were more instruments being tried out for them, as well as custom-made effects which Hendrix got from Roger Mayer, an electronics enthusiast who helped satisfy the guitarist's demand for innovation. Hendrix was keen to make the records a different experience from the live sound; 'EXP' and 'One Rainy Day' were songs that would rarely be heard live because of this. The track 'Bold as Love' featured an early phasing technique with which he was so pleased that the finished album Axis: Bold as Love would be named after the song. The only major glitch before the release of the album was that Hendrix left the master of side one in a taxi, after going to a party. With no safety copy having been made, the team was forced to remix the whole thing over-night from the multi-track, compressing what had been days of work into just a few hours.
What would prove to be The Experience's last British tour got them through November and early December, as Axis: Bold as Love entered the album charts at number 8, while The Beatles' Sergeant Pepper's Lonely Hearts Club Band rode the top of the charts. More studio work in December laid the foundations for the next album; it also exposed the cracks between Hendrix and Chandler, which had been widened by Chandler's opposition to Hendrix's drug-taking. Marijuana and speed had regularly been a part of Hendrix's socializing, but his introduction to LSD in America had come as a surprise to Chandler. Although Jimi could not handle much alcohol, his drug intake seemed to grow with the increasing number of parties at which he was a welcome and enthusiastic guest. The disruptive power of LSD came between the two friends, and their working relationship fell apart.
There was more commercial disruption caused in December by the American release of Get That Feeling: Curtis Knight Sings, Jimi Hendrix Plays, which Ed Chalpin had licensed to Capitol Records. It was marketed to emphasize sideman Hendrix over bandleader Knight, and confused the public into buying what they thought was the new Hendrix album, not a collection of old songs and the more recent demos. The January release Axis: Bold as Love in the United States suffered from the confusion, despite negative reviews of Get That Feeling and a successful injunction against its misleading cover, but it still reached number 75 in the charts, selling albums which the Hendrix camp felt strongly were of a standards well below that which he wanted fans to associate him. In addition, the injunction would not stop Chalpin from making other releases until Hendrix's three-year contract with him expired in October 1968.
In January 1968 Hendrix got out of control on a Swedish tour, and he was arrested after a hotel fight. He was allowed to play the concerts, but had to report daily to the police station, and was released with a fine only due to the help of Swedish family connections of Chandler. The band left London to its diet of The Sound of Music and flew to New York, which had been decided upon as the new base for The Experience, despite Chandler, Redding and Mitchell's preference for the London life. Jeffery considered the British nut to have been cracked, and the American kernel promised a lot more oil. He had set up a lengthy tour, putting into place a mould-breaking promotional plan, in which the system of local agents booking concerts for a band was replaced by fewer agencies taking a larger area, for a smaller percentage, yet a larger net gain. This meant that The Experience took a greater percentage of the profit, and could also be assured of a better organized and more comfortable tour.
The Experience roared into San Francisco on a bill with Albert King and John Mayall's Bluesbreakers, and set off around the country with backing which included Eric Burden's Animals, Soft Machine and The Electric Flag, whose drummer, Buddy Miles, was a friend of Jimi's from the Isley Brothers days. The tour gave the band very few days off, and the post-gig parties were almost clichés of rock excess; in Philadelphia a group of girls arrived at the band's hotel to 'pay their respects' with clothes painted onto their naked bodies. There was also a degree of racial trouble, most notably in Texas, where the show was stopped by a stage invasion.
Back in New York after a well-deserved holiday, Hendrix settled into a Manhattan scene of club jams and after-hours sessions, including one with a stoned Jim Morrison taking the microphone in exhibition of obscenity which was recorded for posterity.
The Record Plant was chosen as the studio to work in; it had Gary Kellgren as an engineer, whom Hendrix had worked with previously, and one of the first twelve track machines in the country. Its producer, Tom Wilson, persuaded Eddie Kramer to come over to the States to add his reputation to the new studio's pulling power. He arrived in the middle of April, and they got straight down to work.
The heavy touring schedule had filled the coffers, so there was no need to watch the clock, which was a good job, since Hendrix wanted to make the next album in his own time, and his labour-intensive recording needs were increased by the stream of onlookers he could not bring himself to bar. 'Little Miss Strange' and 'Gypsy Eyes' were brought to a satisfactory state, but the tensions in the studio were more obvious than ever. Hendrix had got his own flat, and had lost the rapport with Chandler that had grown in London. Redding and Mitchell were also doing their own thing, and Jeffery was not helping by bringing round different drug samples for Hendrix to share. Chandler decided to abandon any production work on what had turned into a double album, and would continue to have involvement only on the managerial side of The Experience.
A Fillmore East concert in May with Sly and the family Stone won acclaim from the critics, but the profits from the show, along with other assets, were frozen by a court order set up by PPX. Jeffery had tried to buy out Chalpin with a $70,000 offer, but Chalpin could see for himself, now that Hendrix was based in America, the sort of earning potential that he might be able to share.
The battle between PPX and Yameta came to court in May 1968, with both sides claiming their right over Hendrix. Warner was standing on the sidelines, until it was pointed out to them that their contract was with Yameta, not with Hendrix. If Yameta lost, they lost. The very next day a gaggle of corporate lawyers thrashed out a settlement, giving PPX a percentage of all Hendrix's profits until 1972, and giving Yameta control of any Hendrix material released by PPX. Chalpin was also guaranteed an album of Experience material fir release by Capitol. The agreement gave Warner a buy-out or the Yameta/Hendrix contract, and an exclusive deal with the artist, for which they paid $450,000. Although Chandler and Jeffery still held managerial positions in the new order, with healthy percentages attached, Chandler decided to go back to England to find new bands to produce, and would remain bitter about the way Jeffery treated Jimi as an asset rather than the artist Chandler had helped him to become.
Back at the Record Plant more work was completed on the album, including the first credits to Buddy Miles, who had become a regular at the studio. The daytime sessions were for serious work with Kramer, and the nights were used for jamming, inspiration, or just not turning up. When they were jamming, the tape would simply be left running, a tactic which resulted in piles of unusable tapes, but which allowed any spark to be captured for a more serious look. The experimentation allowed for all sorts of different combinations and techniques to be tried out, and the most successful ones found their way onto Electric Ladyland. The array of influences showed Hendrix's appetite for any style of music, and put him in a completely different league from most rock bands, who tended to stick to a winning formula.
Hendrix's musical eclecticism reflected his general political stance. He could show sympathy with extremists like the Black Panther movement, as well as with the peaceful ideals of the flower-power culture, and was an individualist, not allied to a specific school of thought.
The best way for Hendrix to make his feelings known was through the songs he wrote. Although he was aware that his audience-base was primarily white, he made attempts to bring his musical vision of society to the black community in New York, without being used by the polarizing forces of straight, political statement. His biggest difficulty came from lack of crossover between black and white musical outlets. Radio play was locked into one or other community, and although the band's promotional tactics involved FM radio advertising, it was hard to gain national AM attention.
After a couple of months in the studio doing final overdubs for the album, The Experience set off on a three-month tour, which was sometimes complicated by the reputation which Hendrix's shows had gained for outrageousness and pyromania; there was a fair amount of paying-off to be done with local police and fire departments. They had very few rest days on a schedule which was arranged to maximize profits, including those from merchandising, which Jeffery had been careful to keep under his control, and which, due to Jimi's image, was highly profitable. Near the end of the tour they rented a house in Los Angeles, where they partied constantly. Their drug use escalated as the drudgery of touring got worse, especially for the road-veteran Hendrix.
Despite his time spent on the road, he did not have a driving licence, but could never resist taking the wheel of a Corvette, of which he bought several. In one incident he was almost killed, when his poor eye-sight resulted in him writing off a car, from which he luckily escaped with only minor bruising. He could easily afford the replacement which he bought a couple of days later. Luckily, he could also afford an out of court settlement after hitting a groupie with a brick in Los Angeles.
Electric Ladyland was released in October 1968, with The Hollies' Greatest Hits and Mary Hopkin's 'Those Were The Days' at the top of the British album and singles charts. Although the album was critically acclaimed, and is even now considered a highpoint of creativity, Hendrix was dissatisfied with the finished product, and had been totally unprepared for the cover picture of 19 naked women on the British Track Records version. He complained to the press that the seriousness of his art was being compromised by the attempts to mirror the 'Wild Man' public image on the album, but the fans did not seem to mind. In America the album entered the charts at number 31 on its way to number 1, with Are You Experienced? still in the top ten. To celebrate the band's second birthday they played three nights at Winterland in San Francisco, which were recorded, to be released in 1987.
Despite their popularity, which ensured a top five placing for the single 'All Along The Watchtower', The Experience was becoming more fragmented. Redding was the most dissatisfied, complaining that most of his work ended up being overdubbed by Hendrix, and responded by being so stoned at some sessions that he could hardly stand. They were beginning to take other directions, Redding with his band Fat Mattress, Mitchell with Mind Octopus, and Hendrix was jamming with a wide variety of musicians, more often including Buddy Miles. Just after Hendrix's 26th birthday party, which included a birthday cake containing more illegal ingredients than the average recipe, Redding and Mitchell returned to London, shortly before The Experience was named as Billboard's top rock band of 1968.
Hendrix was excited by Jeffery's arrangements to buy the lease on a nightclub in New York, The Generation, which were finalized in December. The plan was to add a studio to it, to allow live gigs to be recorded, thus providing a permanent studio for Hendrix to work on his material. The projected cash needs for the project demanded more touring, however, so a European itinerary was set up for January 1969, when the band also reunited for a riotous appearance on the Lulu Show in London. The tour suffered from some lacklustre performances, and the band did not have its previous unity, though a filmed show at the Albert Hall with Soft Machine and Traffic produced some memorable moments showing beyond doubt Hendrix's mastery of his art.
Back in America, the projected nightclub became a state-of-the-art recording studio, bearing in mind that Hendrix's status as a counter-culture icon would not make the granting of a club alcohol licence likely. Eddie Kramer was chosen as the best person to fit out what would become Electric Ladyland Studios.
Hendrix was producing for the Buddy Miles Express as well as working on new songs, and enjoying the after hours at clubs and parties. Hotel rooms would often suffer as a result; on one occasion, one of his party took to Hendrix's room with an axe, causing a great deal of damage. A record company lawyer recalled delivering some papers to Jimi, and finding five girls waiting outside the hotel suite, another answering the door, and one in the bedroom with the star. On another occasion, invited to a society dinner, Hendrix chose the end of the meal to get up on the table and dance, scattering the remaining cutlery and crockery and causing the hostess to faint.
The Experience re-formed for an American tour beginning in April 1969. Jeffery's organization promised the biggest profit-making to date, and an accountant was hired to take care of the gate receipts, which up to now had been taken to the bank in bags and suitcases. In between dates there were rehearsals for the fourth album, but there was no real progress beyond the demo stage. With Eddie Kramer working full-time on Electric Ladyland Studios there was a telling gap in the structure of sessions, not helped by the lack of unity in the band. At one stage Hendrix declared he was not going on with the tour, and was still in New York at 5 pm with a gig to play that night in Detroit. Tour manager Bob Levine persuaded Jimi to play, and scammed a Lear jet to fly him to Detroit by telling the hire company that it was for Frank Sinatra.
There was worse to come. The next day, Hendrix was detained at customs in Toronto when heroin was found in his baggage. This was despite the careful jettisoning of any suspicious substances following a rumour that the authorities were going to pay him special attention. Jimi's reputation was of course well known; he used to receive packets of drugs in the post from well-meaning junkie fans, but the possible damage to major sales resulting from a heroin bust put Jeffery's head in a spin. Due to the possibility of a riot if he did not turn up for the concert, the police allowed Hendrix to play a gig, which passed off well despite his obvious confusion at the day's events. Bail was arranged and the tour proceeded. It moved towards a sell-out night at Madison Square Gardens, whose profits of $75,000 for the evening give an indication of the sort of money Hendrix could bring in by now.
With a break in the tour The Experience went their separate ways, Hendrix going back into the studio with Buddy Miles, and also bringing in Billy Cox on bass. It seems that he needed the stability that came from sessions with his old friends. Maybe playing with black musicians gave him the hope of acceptance by the black population, which seemed for the most part to consider him strange. He believed that his music was the only way he could usefully make any change for the better, although at various times he was put under pressure by the Black Panthers to make a more overt, probably financial, statement in favour of black consciousness.
After the tour Hendrix returned to New York where he was living with his girlfriend Devon Wilson. Their relationship had begun in 1967, and they seemed to be a match for each other's sexual appetite. Jimi had a collection of home movies he called The Goodbye Films on which he documented each girl that he had slept with, waving a farewell to him at his door. Devon had a similar though undocumented collection of rock 'n' roll scalps, and her bisexuality gave rise to the rumour that she was in charge of quality control at the head of the queue for a night with Hendrix. Her enthusiasm for drugs matched his; she would often take herself near the limit, and would eventually go too far.
Hendrix's musical eclecticism reflected his general political stance. He could show sympathy with extremists like the Black Panther movement, as well as with the peaceful ideals of the flower-power culture, and was an individualist, not allied to a specific school of thought.
The best way for Hendrix to make his feelings known was through the songs he wrote. Although he was aware that his audience-base was primarily white, he made attempts to bring his musical vision of society to the black community in New York, without being used by the polarizing forces of straight, political statement. His biggest difficulty came from lack of crossover between black and white musical outlets. Radio play was locked into one or other community, and although the band's promotional tactics involved FM radio advertising, it was hard to gain national AM attention.
After a couple of months in the studio doing final overdubs for the album, The Experience set off on a three-month tour, which was sometimes complicated by the reputation which Hendrix's shows had gained for outrageousness and pyromania; there was a fair amount of paying-off to be done with local police and fire departments. They had very few rest days on a schedule which was arranged to maximize profits, including those from merchandising, which Jeffery had been careful to keep under his control, and which, due to Jimi's image, was highly profitable. Near the end of the tour they rented a house in Los Angeles, where they partied constantly. Their drug use escalated as the drudgery of touring got worse, especially for the road-veteran Hendrix.
Despite his time spent on the road, he did not have a driving licence, but could never resist taking the wheel of a Corvette, of which he bought several. In one incident he was almost killed, when his poor eye-sight resulted in him writing off a car, from which he luckily escaped with only minor bruising. He could easily afford the replacement which he bought a couple of days later. Luckily, he could also afford an out of court settlement after hitting a groupie with a brick in Los Angeles.
Electric Ladyland was released in October 1968, with The Hollies' Greatest Hits and Mary Hopkin's 'Those Were The Days' at the top of the British album and singles charts. Although the album was critically acclaimed, and is even now considered a highpoint of creativity, Hendrix was dissatisfied with the finished product, and had been totally unprepared for the cover picture of 19 naked women on the British Track Records version. He complained to the press that the seriousness of his art was being compromised by the attempts to mirror the 'Wild Man' public image on the album, but the fans did not seem to mind. In America the album entered the charts at number 31 on its way to number 1, with Are You Experienced? still in the top ten. To celebrate the band's second birthday they played three nights at Winterland in San Francisco, which were recorded, to be released in 1987.
Despite their popularity, which ensured a top five placing for the single 'All Along The Watchtower', The Experience was becoming more fragmented. Redding was the most dissatisfied, complaining that most of his work ended up being overdubbed by Hendrix, and responded by being so stoned at some sessions that he could hardly stand. They were beginning to take other directions, Redding with his band Fat Mattress, Mitchell with Mind Octopus, and Hendrix was jamming with a wide variety of musicians, more often including Buddy Miles. Just after Hendrix's 26th birthday party, which included a birthday cake containing more illegal ingredients than the average recipe, Redding and Mitchell returned to London, shortly before The Experience was named as Billboard's top rock band of 1968.
Hendrix was excited by Jeffery's arrangements to buy the lease on a nightclub in New York, The Generation, which were finalized in December. The plan was to add a studio to it, to allow live gigs to be recorded, thus providing a permanent studio for Hendrix to work on his material. The projected cash needs for the project demanded more touring, however, so a European itinerary was set up for January 1969, when the band also reunited for a riotous appearance on the Lulu Show in London. The tour suffered from some lacklustre performances, and the band did not have its previous unity, though a filmed show at the Albert Hall with Soft Machine and Traffic produced some memorable moments showing beyond doubt Hendrix's mastery of his art.
Back in America, the projected nightclub became a state-of-the-art recording studio, bearing in mind that Hendrix's status as a counter-culture icon would not make the granting of a club alcohol licence likely. Eddie Kramer was chosen as the best person to fit out what would become Electric Ladyland Studios.
Hendrix was producing for the Buddy Miles Express as well as working on new songs, and enjoying the after hours at clubs and parties. Hotel rooms would often suffer as a result; on one occasion, one of his party took to Hendrix's room with an axe, causing a great deal of damage. A record company lawyer recalled delivering some papers to Jimi, and finding five girls waiting outside the hotel suite, another answering the door, and one in the bedroom with the star. On another occasion, invited to a society dinner, Hendrix chose the end of the meal to get up on the table and dance, scattering the remaining cutlery and crockery and causing the hostess to faint.
The Experience re-formed for an American tour beginning in April 1969. Jeffery's organization promised the biggest profit-making to date, and an accountant was hired to take care of the gate receipts, which up to now had been taken to the bank in bags and suitcases. In between dates there were rehearsals for the fourth album, but there was no real progress beyond the demo stage. With Eddie Kramer working full-time on Electric Ladyland Studios there was a telling gap in the structure of sessions, not helped by the lack of unity in the band. At one stage Hendrix declared he was not going on with the tour, and was still in New York at 5 pm with a gig to play that night in Detroit. Tour manager Bob Levine persuaded Jimi to play, and scammed a Lear jet to fly him to Detroit by telling the hire company that it was for Frank Sinatra.
There was worse to come. The next day, Hendrix was detained at customs in Toronto when heroin was found in his baggage. This was despite the careful jettisoning of any suspicious substances following a rumour that the authorities were going to pay him special attention. Jimi's reputation was of course well known; he used to receive packets of drugs in the post from well-meaning junkie fans, but the possible damage to major sales resulting from a heroin bust put Jeffery's head in a spin. Due to the possibility of a riot if he did not turn up for the concert, the police allowed Hendrix to play a gig, which passed off well despite his obvious confusion at the day's events. Bail was arranged and the tour proceeded. It moved towards a sell-out night at Madison Square Gardens, whose profits of $75,000 for the evening give an indication of the sort of money Hendrix could bring in by now.
With a break in the tour The Experience went their separate ways, Hendrix going back into the studio with Buddy Miles, and also bringing in Billy Cox on bass. It seems that he needed the stability that came from sessions with his old friends. Maybe playing with black musicians gave him the hope of acceptance by the black population, which seemed for the most part to consider him strange. He believed that his music was the only way he could usefully make any change for the better, although at various times he was put under pressure by the Black Panthers to make a more overt, probably financial, statement in favour of black consciousness.
After the tour Hendrix returned to New York where he was living with his girlfriend Devon Wilson. Their relationship had begun in 1967, and they seemed to be a match for each other's sexual appetite. Jimi had a collection of home movies he called The Goodbye Films on which he documented each girl that he had slept with, waving a farewell to him at his door. Devon had a similar though undocumented collection of rock 'n' roll scalps, and her bisexuality gave rise to the rumour that she was in charge of quality control at the head of the queue for a night with Hendrix. Her enthusiasm for drugs matched his; she would often take herself near the limit, and would eventually go too far.
On 19 June 1969 Hendrix appeared at a court in Toronto for a hearing which fixed a trial date for 8 December. He then went down to California to headline at the Newport Pop Festival, with an appearance fee of $100.000. The Experience had a bad gig, the audience had was unforgiving, and Hendrix seemed unable to control his feedback, not helped by an apparently innocent drink which was spiked with acid. He returned to the festival on its third day to take part in an unbilled jam with a group of musicians from different bands at the event, an act which went a long way towards offsetting the disaster of The Experience's set.
Newport was followed by the Denver Festival, which included sets from Creedence Clearwater Revival, The Mothers of Invention, Joe Cocker and Iron Butterfly. The event was accompanied by a radical political presence, and crowd trouble came to a head during The Experience's show, with a display of tear-gas and riot control from the frustrated police force.
Immediately after the festival Noel Redding, unable to take the bad atmosphere, as well as being left out of any of the decision-making, announced his departure from the band. Billy Cox was the obvious replacement, and was introduced as the new bass player during Hendrix's appearance on The Tonight Show of 10 July. During his interview, Hendrix described his music in the same terms as religion, and expressed a hope to communicate spirituality through his songs. The live portion of the show was marred by the breakdown of Hendrix's amplifier, but the promotional value of the appearance helped the sales of Smash Hits, a compilation including several Hendrix tracks unreleased in America, which was selling well for Warner.
Jeffery could see Hendrix's need for a break, and rented him a house in Shokan, 12 miles from Woodstock. Eddie Kramer was called in to install some professional recording equipment, and formal jam sessions went on with Billy Cox, percussionists Jerry Velez and Juma Sultan, and guitarist Larry Lee, a multi-cultural mix that Hendrix called Gypsys Suns and Rainbows. There was plenty of drug-taking during the holiday despite the up-coming court case, Hendrix having resigned himselfe to a probable jail sentence as an example to young people. The band's jamming turned into more serious rehearsals, when Hendrix was announced as the headline act for the festival at Bethal, New York, which would become known as Woodstock. Jimi was the highest paid of an impressive list of artists which included Janis Joplin, The Who, Sly and the Family Stone, Creedence Clearwater Revival and Jefferson Airplane.
Arriving at the festival during the rain of the Sunday, Hendrix fell victim to the drug-infused drinking water, and it was doubtful that he would be able to play. Luckily, the organization of the event had collapsed and he was rescheduled for the following morning, after the official end of the festival. With the daylight exposing the battlefield of the arena, Gypsys Suns and Rainbows, including the returned Mitch Mitchell, took to the stage at the end of the event which has come to symbolize the hippy generation. He was the perfect man for the leading role, the epitome of the free-living experimental age, and performed an unusually long set for the audience. In contrast to the highs of his playing, the band was obviously under-rehearsed, and it was clear that songs written with The Experience were not helped by the increase in band membership. The renditions of 'Star-Spangled Banner' and 'Purple Haze', however remain as a monument to Hendrix's talent at the peak of his career, with 'Star-Spangled Banner' the perfectly timed statement for the anti-war consensus of the counter-culture.
Mike Jeffery was, however, a worried man. With the new band obviously unready to take over the mantle of The Experience, the costs of the new studio were escalating and it seemed that his perfect profit-machine might have lost its fuel supply. He booked a short tour of the southern United States, but in a letter of 9 September Hendrix refused to follow his plans. He did agree to a benefit gig for Harlem's United Block Association, arranged through his long-time friends, the Allen twins. It was an attempt to get his music across to the balck community, and although his lack of exposure on black radio stations meant that most people there didn't know who he was, he went down well on the day.
After a ramshackle appearance at the Salvation Club for what would be the last gig for Gypsys Suns and Rainbows, Hendrix made the mistake of leaving with Bobby Woods, the club's owner and Jimi's cocaine contact. Woods was murdered the next night by a drugs gang, and Hendrix was kidnapped in order to find out what he knew. Word was sent that he was being well treated, and that he would be released in a couple of days, but Jeffery's hackles were raised, and he called in an under-world favour to bring about Hendrix's immediate return. Jeffery was trying to show that he had control of any situation concerning his artist, but Hendrix shrugged the whole thing off, considering it rather silly. With the increasing number of drugs he was taking , reality was definitely moving into the background.
Mitch Mitchell returned to London in the middle of September, and with Billy Cox the only remaining Gypsy, there was plenty of room for Buddy Miles to stap into the breach. Hendrix and Jeffery were scarcely even talking to each other, and Hendrix started to rely on Alan Douglas, a jazz and spoken word producer who had overseen recordings by John Coltrane, Billie Holliday, Lenny Bruce and Alan Ginsberg. He was married to Hendrix's clothes-designer friend, Stella Douglas, and Hendrix asked him to take control of the jumble that his Record Plant sessions had become. A couple of unscheduled sessions, one with Stephen Stills, another with the Last Poets, were recorded, the latter showing a potential for putting spoken word with music in a way which would not be fully realized until rap found its way into the musical vocabulary. Douglas made an attempt to pair Hendrix with Miles Davis, who was apparently keen to work with Jimi, but at the last minute Davis demanded a $50,000 appearance fee, and the session had to be cancelled.
Douglas seemed to be able to open up Hendrix's creativity for the first time since Chas Chandler had left, but the obvious rapport he was building with Jimi angered the jelous Jeffery. The studio sessions produced new material such as 'Izabella' and 'Room Full of Mirrors' which would be released by Hendrix, Cox and Miles as the band of Gypsys, though as usual, Hendrix would want to overdub many more times before he was at all happy with the songs. At one point, Warner queried a studio bill for $36,000 for 'Room Full of Mirrors', thinking that it was a total for a completed album. They had to be told gently that it was for a single song.
Hendrix left for the Toronto trial on 8 December, and in a bizarre repetition, was again arrested for drug possession on the way into Canada. A capsule was taken away for analysis, and Hendrix's counsel was dumbfounded by the news. Luckily for Jimi, the capsule's contents were of such a strange mix that it could not be classified as a controlled substance, and he was let out of jail. The trial proceeded, with Chass Chandler coming specially to make a plea on Hendrix's behalf. Hendrix overturned all expectations in his defence by admitting to a list of the various substances that he had taken and the problems that he had, but declaring his innocence in the case of the heroin in his baggage. His up-front approach won him an acquittal.
Newport was followed by the Denver Festival, which included sets from Creedence Clearwater Revival, The Mothers of Invention, Joe Cocker and Iron Butterfly. The event was accompanied by a radical political presence, and crowd trouble came to a head during The Experience's show, with a display of tear-gas and riot control from the frustrated police force.
Immediately after the festival Noel Redding, unable to take the bad atmosphere, as well as being left out of any of the decision-making, announced his departure from the band. Billy Cox was the obvious replacement, and was introduced as the new bass player during Hendrix's appearance on The Tonight Show of 10 July. During his interview, Hendrix described his music in the same terms as religion, and expressed a hope to communicate spirituality through his songs. The live portion of the show was marred by the breakdown of Hendrix's amplifier, but the promotional value of the appearance helped the sales of Smash Hits, a compilation including several Hendrix tracks unreleased in America, which was selling well for Warner.
Jeffery could see Hendrix's need for a break, and rented him a house in Shokan, 12 miles from Woodstock. Eddie Kramer was called in to install some professional recording equipment, and formal jam sessions went on with Billy Cox, percussionists Jerry Velez and Juma Sultan, and guitarist Larry Lee, a multi-cultural mix that Hendrix called Gypsys Suns and Rainbows. There was plenty of drug-taking during the holiday despite the up-coming court case, Hendrix having resigned himselfe to a probable jail sentence as an example to young people. The band's jamming turned into more serious rehearsals, when Hendrix was announced as the headline act for the festival at Bethal, New York, which would become known as Woodstock. Jimi was the highest paid of an impressive list of artists which included Janis Joplin, The Who, Sly and the Family Stone, Creedence Clearwater Revival and Jefferson Airplane.
Arriving at the festival during the rain of the Sunday, Hendrix fell victim to the drug-infused drinking water, and it was doubtful that he would be able to play. Luckily, the organization of the event had collapsed and he was rescheduled for the following morning, after the official end of the festival. With the daylight exposing the battlefield of the arena, Gypsys Suns and Rainbows, including the returned Mitch Mitchell, took to the stage at the end of the event which has come to symbolize the hippy generation. He was the perfect man for the leading role, the epitome of the free-living experimental age, and performed an unusually long set for the audience. In contrast to the highs of his playing, the band was obviously under-rehearsed, and it was clear that songs written with The Experience were not helped by the increase in band membership. The renditions of 'Star-Spangled Banner' and 'Purple Haze', however remain as a monument to Hendrix's talent at the peak of his career, with 'Star-Spangled Banner' the perfectly timed statement for the anti-war consensus of the counter-culture.
Mike Jeffery was, however, a worried man. With the new band obviously unready to take over the mantle of The Experience, the costs of the new studio were escalating and it seemed that his perfect profit-machine might have lost its fuel supply. He booked a short tour of the southern United States, but in a letter of 9 September Hendrix refused to follow his plans. He did agree to a benefit gig for Harlem's United Block Association, arranged through his long-time friends, the Allen twins. It was an attempt to get his music across to the balck community, and although his lack of exposure on black radio stations meant that most people there didn't know who he was, he went down well on the day.
After a ramshackle appearance at the Salvation Club for what would be the last gig for Gypsys Suns and Rainbows, Hendrix made the mistake of leaving with Bobby Woods, the club's owner and Jimi's cocaine contact. Woods was murdered the next night by a drugs gang, and Hendrix was kidnapped in order to find out what he knew. Word was sent that he was being well treated, and that he would be released in a couple of days, but Jeffery's hackles were raised, and he called in an under-world favour to bring about Hendrix's immediate return. Jeffery was trying to show that he had control of any situation concerning his artist, but Hendrix shrugged the whole thing off, considering it rather silly. With the increasing number of drugs he was taking , reality was definitely moving into the background.
Mitch Mitchell returned to London in the middle of September, and with Billy Cox the only remaining Gypsy, there was plenty of room for Buddy Miles to stap into the breach. Hendrix and Jeffery were scarcely even talking to each other, and Hendrix started to rely on Alan Douglas, a jazz and spoken word producer who had overseen recordings by John Coltrane, Billie Holliday, Lenny Bruce and Alan Ginsberg. He was married to Hendrix's clothes-designer friend, Stella Douglas, and Hendrix asked him to take control of the jumble that his Record Plant sessions had become. A couple of unscheduled sessions, one with Stephen Stills, another with the Last Poets, were recorded, the latter showing a potential for putting spoken word with music in a way which would not be fully realized until rap found its way into the musical vocabulary. Douglas made an attempt to pair Hendrix with Miles Davis, who was apparently keen to work with Jimi, but at the last minute Davis demanded a $50,000 appearance fee, and the session had to be cancelled.
Douglas seemed to be able to open up Hendrix's creativity for the first time since Chas Chandler had left, but the obvious rapport he was building with Jimi angered the jelous Jeffery. The studio sessions produced new material such as 'Izabella' and 'Room Full of Mirrors' which would be released by Hendrix, Cox and Miles as the band of Gypsys, though as usual, Hendrix would want to overdub many more times before he was at all happy with the songs. At one point, Warner queried a studio bill for $36,000 for 'Room Full of Mirrors', thinking that it was a total for a completed album. They had to be told gently that it was for a single song.
Hendrix left for the Toronto trial on 8 December, and in a bizarre repetition, was again arrested for drug possession on the way into Canada. A capsule was taken away for analysis, and Hendrix's counsel was dumbfounded by the news. Luckily for Jimi, the capsule's contents were of such a strange mix that it could not be classified as a controlled substance, and he was let out of jail. The trial proceeded, with Chass Chandler coming specially to make a plea on Hendrix's behalf. Hendrix overturned all expectations in his defence by admitting to a list of the various substances that he had taken and the problems that he had, but declaring his innocence in the case of the heroin in his baggage. His up-front approach won him an acquittal.
A delighted Hendrix returned to New York, but he was experiencing a creative block in the studio. He was not able to direct himself in this new phase, although he now had the time and resources that he had dreamed of in the days of Are You Experienced? However, four New Year concerts at the Fillmore East brought an ecstatic reception for the band of Gypsys and their latest material, as well as songs from The Experience bag, and the shows were recorded in order to bring out a release on Capitol to fulfil the PPX settlement. The fussion which had entered into the sessions over the last six months came to the fore, as Hendrix's playing crossed over from rock into funk and jazz, showing the creative progress which he had made, as well as indicating the breadth of the ideas that he was trying to bring to life in the studio.
Jeffery's pressure had helped to get Douglas to give up his work with Hendrix, and he began to put the screws on Hendrix to get rid of Buddy Miles, who had the sort of close relationship with Jimi that scared him. The Band of Gypsys was due to play an anti-war benefit at Madison Square Gardens, which turned out to be a disaster. Hendrix was completely stoned, and managed only two songs before sitting on the stage and refusing to continue. Jeffery seized his chance, firing Buddy Miles on the spot, an action rooted in reasons both personal - his dislike of the man - and business - he could only see large profits coming in by getting The Experience back together. Having just made the drummer's job available, Jeffery called Noel Redding and offered him Billy Cox's bassist position. An interview with Hendrix, Redding and Mitchell in Rolling Stone angled the piece towards the probability of a reunion, although Cox managed to keep his job.
Meanwhile, with the help of a loan from Warners, one studio had been completed at Electric Ladyland. The complex had been designed with Hendrix in mind, and featured white carpeted walls and coloured lights which could be changed according to his mood. He was very proud of the studio, and found it hard to believe that he actually had a share in it. He dived into work on the piles of demos with a new enthusiasm, allowing restrictions to be put on hangers-on, and completing songs with a sense of the old team spirit. Eddie Kramer even managed to keep a ruling on the use of drugs during work, despite the presence of Devon Wilson. As the studio opened for other artists, Hendrix kept Studio A for his constant use, and other engineers knew better than to try to butt in on a Hendrix/Kramer session; most of them were shocked at the 16-hour, unstructured marathons.
Jeffery persuaded Hendrix to play a series of dates around America following the April 1970 release of the Band of Gypsys album, which was riding high in the American charts along with Simon and Garfunkel's Bridge over Troubled Water. The band was starting to find its live feet, and capacity crowds were appreciative of the rhythmic interplay that Cox brought to the trio, in new numbers like 'Hey Baby' and 'Freedom', which would appear on the Cry of Love album, as well as the old favourites. In between gigs, recording continued, and there were enough songs completed for Hendrix to be considering another double album.
Several of the gigs were filmed for Jeffery's planned film, Rainbow Bridge, which, due to the soundtrack exclusion in Hendrix's contract with Warner, could be sold to them despite their exclusive rights to the artist. The band flew to Hawaii in July to do some filming, and during one meal with some Warner executives Mitchell spiked the desert. There followed an impromptu dance session and a viewing of The Beatles' A Hard Day's Night, a black and white film which everyone swore was in colour and apparently contained many scenes with a red chicken.
Hendrix was back in the studio in August, trying to finish more tracks before a European tour which he was very unhappy about starting. He was only persuaded to come to the opening party for Electric Ladyland Studios by being promised his lifelong dream of a police escort to the airport to leave for London. His leave-taking was the last time his friends in America would see him.
Back in a Britain dominated by the rockier sounds of The Beatles' Let It Be, Led Zeppelin's Led ZeppelinII and The Rolling Stones' Get Your Ya Yas Out, Hendrix was booked to play several festivals around Europe, including the Isle of Wight show, which is more famous for being his last concert in England than for any particular musical highlight. Billy Cox started to display signs of paranoia which made his playing completely unpredictable, and he was not helped by a series of unruly concerts, especially a rain-delayed, fight-strewn show at Fehmarn, Germany, which would be the final performance. Cox was put on a plane back to America, and possible replacements were discussed. On his return to London, Hendrix declared his dissatisfaction with Jeffery, and made inquiries about the possibilities of breaking with his manager, even though such an action might be prohibitively expensive. He visited Chas Chandler, the man with whom Jimi had always felt most at ease, and asked him to come back to work with him. He also rang Eddie Kramer in New York and declared his intention to bring tapes back to London to work on.
During the day of 17 September, he ran several errands, spending most of the time with Monika Dannemann, a West German girlfriend. In the early hours of 18 September he took some sleeping pills, and at 11 am Dannemann noticed that he had been sick, and although his breathing was normal, she could not wake him. She called an ambulance. By the time he got to the hospital, the mixture of alcohol and sleeping tablets had killed him. He was only 27.
The newspapers leapt upon the death of the 'wild man of rock', inventing his last minutes, and Eric Burden declared that Hendrix had committed suicide, a statement that he later retracted. The stories surrounding his death built a wall around his work which would hide it for several years. Amidst all the publicity, Hendrix was buried in Seattle on 1 October 1970. He left behind him a mountain of half-finished work, a musical legacy which has made him one of the giants of the modern age, and which adds poignancy to his last lyrics: 'This story of/life is quicker/than the wink of an eye/The story of love/is hello and goodbye/Until we meet again.'
Jeffery's pressure had helped to get Douglas to give up his work with Hendrix, and he began to put the screws on Hendrix to get rid of Buddy Miles, who had the sort of close relationship with Jimi that scared him. The Band of Gypsys was due to play an anti-war benefit at Madison Square Gardens, which turned out to be a disaster. Hendrix was completely stoned, and managed only two songs before sitting on the stage and refusing to continue. Jeffery seized his chance, firing Buddy Miles on the spot, an action rooted in reasons both personal - his dislike of the man - and business - he could only see large profits coming in by getting The Experience back together. Having just made the drummer's job available, Jeffery called Noel Redding and offered him Billy Cox's bassist position. An interview with Hendrix, Redding and Mitchell in Rolling Stone angled the piece towards the probability of a reunion, although Cox managed to keep his job.
Meanwhile, with the help of a loan from Warners, one studio had been completed at Electric Ladyland. The complex had been designed with Hendrix in mind, and featured white carpeted walls and coloured lights which could be changed according to his mood. He was very proud of the studio, and found it hard to believe that he actually had a share in it. He dived into work on the piles of demos with a new enthusiasm, allowing restrictions to be put on hangers-on, and completing songs with a sense of the old team spirit. Eddie Kramer even managed to keep a ruling on the use of drugs during work, despite the presence of Devon Wilson. As the studio opened for other artists, Hendrix kept Studio A for his constant use, and other engineers knew better than to try to butt in on a Hendrix/Kramer session; most of them were shocked at the 16-hour, unstructured marathons.
Jeffery persuaded Hendrix to play a series of dates around America following the April 1970 release of the Band of Gypsys album, which was riding high in the American charts along with Simon and Garfunkel's Bridge over Troubled Water. The band was starting to find its live feet, and capacity crowds were appreciative of the rhythmic interplay that Cox brought to the trio, in new numbers like 'Hey Baby' and 'Freedom', which would appear on the Cry of Love album, as well as the old favourites. In between gigs, recording continued, and there were enough songs completed for Hendrix to be considering another double album.
Several of the gigs were filmed for Jeffery's planned film, Rainbow Bridge, which, due to the soundtrack exclusion in Hendrix's contract with Warner, could be sold to them despite their exclusive rights to the artist. The band flew to Hawaii in July to do some filming, and during one meal with some Warner executives Mitchell spiked the desert. There followed an impromptu dance session and a viewing of The Beatles' A Hard Day's Night, a black and white film which everyone swore was in colour and apparently contained many scenes with a red chicken.
Hendrix was back in the studio in August, trying to finish more tracks before a European tour which he was very unhappy about starting. He was only persuaded to come to the opening party for Electric Ladyland Studios by being promised his lifelong dream of a police escort to the airport to leave for London. His leave-taking was the last time his friends in America would see him.
Back in a Britain dominated by the rockier sounds of The Beatles' Let It Be, Led Zeppelin's Led ZeppelinII and The Rolling Stones' Get Your Ya Yas Out, Hendrix was booked to play several festivals around Europe, including the Isle of Wight show, which is more famous for being his last concert in England than for any particular musical highlight. Billy Cox started to display signs of paranoia which made his playing completely unpredictable, and he was not helped by a series of unruly concerts, especially a rain-delayed, fight-strewn show at Fehmarn, Germany, which would be the final performance. Cox was put on a plane back to America, and possible replacements were discussed. On his return to London, Hendrix declared his dissatisfaction with Jeffery, and made inquiries about the possibilities of breaking with his manager, even though such an action might be prohibitively expensive. He visited Chas Chandler, the man with whom Jimi had always felt most at ease, and asked him to come back to work with him. He also rang Eddie Kramer in New York and declared his intention to bring tapes back to London to work on.
During the day of 17 September, he ran several errands, spending most of the time with Monika Dannemann, a West German girlfriend. In the early hours of 18 September he took some sleeping pills, and at 11 am Dannemann noticed that he had been sick, and although his breathing was normal, she could not wake him. She called an ambulance. By the time he got to the hospital, the mixture of alcohol and sleeping tablets had killed him. He was only 27.
The newspapers leapt upon the death of the 'wild man of rock', inventing his last minutes, and Eric Burden declared that Hendrix had committed suicide, a statement that he later retracted. The stories surrounding his death built a wall around his work which would hide it for several years. Amidst all the publicity, Hendrix was buried in Seattle on 1 October 1970. He left behind him a mountain of half-finished work, a musical legacy which has made him one of the giants of the modern age, and which adds poignancy to his last lyrics: 'This story of/life is quicker/than the wink of an eye/The story of love/is hello and goodbye/Until we meet again.'
American original: Guitar wiz Jimi Hendrix--still at the top of the heap.
Hendrix video, CD tribute a mixed bag
By Greg Cahill
BRITISH POP star Eric Burdon once told Jimi Hendrix biographer David Henderson, in the 1978 book 'Scuse Me While I Kiss the Sky, "Everyone likes Jimi because they think his cock is bigger than theirs." That observation may have held up then, or it may have been sour grapes, but 28 years after his accidental death from barbiturates, a lot of folks are still grooving to Hendrix because the pyrotechnic rock guitarist left behind an impressive body of recorded work that is as challenging today as it was during his lifetime.
Want proof? Check out Searching for Jimi Hendrix, the EMI/Right Stuff video documentary by D. A. Pennebaker (Bob Dylan: Don't Look Back, Monterey Pop, The War Room) and soundtrack album featuring some of the cream of today's pop, blues, gospel, country, rap, and jazz worlds--many of whom seem stymied by Hendrix's material, though a few manage inspired interpretations.
For his part, Pennebaker chronicles the sessions in cinema verité style, shadowing artists so we get to see in alternating fashion all their fumbling first efforts progressing into the finished product. Which is to say that there's not a lot of filmmaking here--mostly edited recording sessions interspersed with artist interviews that shed little insight on Hendrix's influences.
You won't see Hendrix's legendary appendage (immortalized by the equally legendary Plaster Caster groupies). In fact, if you don't know anything about Hendrix, you won't learn much about the greatest rock guitarist of the '60s from this video, which never reveals his image, discusses his history, or shows his performances.
However, you will get to hear Sheena Staples of the Specials comment lamely that she never listened to Hendrix because he was "too weird." And while electronic experimentalist Laurie Anderson confesses that she "missed Hendrix the first time around" (just what the hell were you listening to at art school, Laurie?), she does manage a nicely deconstructed version of the ambitious sound painting "1983 (A Merman I Would Be)."
The rest is a mixed bag. Los Lobos look very serious as they churn out a workmanlike psychedelic bar-band version of "Are You Experienced." Los Illegals--who actually do have insightful things to say on the video--rise to the challenge and transform "Little Wing" into an L.A. flower-pop-meets-flamenco-metal tour de force reminiscent of Arthur Lee's "Love."
Film composer and trumpeter Mark Isham delivers a powerful, percussion-driven Miles Davisinspired rendering of "Stone Free" that hints at the often fantasized Hendrix/
Davis collaboration that never happened; Miles brought his trumpet to Hendrix's funeral but didn't play, though his fusion years were influenced by Hendrix.
Rapper Chuck D samples "Freedom" as the backdrop for his own "Free at the Edge of an Answer," an angry meditation on free speech. Roseanne Cash kicks some serious country rock butt on "Manic Depression." Barroom belter Taylor Dane gets breezy with "The Wind Cries Mary."
Jazz diva Cassandra Wilson (with sax great Pharaoh Saunders) gives "Angel" the kind of soul Hendrix surely would appreciate. Bluesman Charlie Musselwhite reclaims the Delta roots of "Here My Train a' Comin'."
And the Five Blind Boys of Alabama put their patented gospel sound on "Drifting," transforming the tune into an old-timey spiritual that may be the best Hendrix cover ever.
A mixed bag. All of which proves that Jimi's real prowess was as an inspired and inspirational impressionist--peerless then, peerless now.
Hendrix video, CD tribute a mixed bag
By Greg Cahill
BRITISH POP star Eric Burdon once told Jimi Hendrix biographer David Henderson, in the 1978 book 'Scuse Me While I Kiss the Sky, "Everyone likes Jimi because they think his cock is bigger than theirs." That observation may have held up then, or it may have been sour grapes, but 28 years after his accidental death from barbiturates, a lot of folks are still grooving to Hendrix because the pyrotechnic rock guitarist left behind an impressive body of recorded work that is as challenging today as it was during his lifetime.
Want proof? Check out Searching for Jimi Hendrix, the EMI/Right Stuff video documentary by D. A. Pennebaker (Bob Dylan: Don't Look Back, Monterey Pop, The War Room) and soundtrack album featuring some of the cream of today's pop, blues, gospel, country, rap, and jazz worlds--many of whom seem stymied by Hendrix's material, though a few manage inspired interpretations.
For his part, Pennebaker chronicles the sessions in cinema verité style, shadowing artists so we get to see in alternating fashion all their fumbling first efforts progressing into the finished product. Which is to say that there's not a lot of filmmaking here--mostly edited recording sessions interspersed with artist interviews that shed little insight on Hendrix's influences.
You won't see Hendrix's legendary appendage (immortalized by the equally legendary Plaster Caster groupies). In fact, if you don't know anything about Hendrix, you won't learn much about the greatest rock guitarist of the '60s from this video, which never reveals his image, discusses his history, or shows his performances.
However, you will get to hear Sheena Staples of the Specials comment lamely that she never listened to Hendrix because he was "too weird." And while electronic experimentalist Laurie Anderson confesses that she "missed Hendrix the first time around" (just what the hell were you listening to at art school, Laurie?), she does manage a nicely deconstructed version of the ambitious sound painting "1983 (A Merman I Would Be)."
The rest is a mixed bag. Los Lobos look very serious as they churn out a workmanlike psychedelic bar-band version of "Are You Experienced." Los Illegals--who actually do have insightful things to say on the video--rise to the challenge and transform "Little Wing" into an L.A. flower-pop-meets-flamenco-metal tour de force reminiscent of Arthur Lee's "Love."
Film composer and trumpeter Mark Isham delivers a powerful, percussion-driven Miles Davisinspired rendering of "Stone Free" that hints at the often fantasized Hendrix/
Davis collaboration that never happened; Miles brought his trumpet to Hendrix's funeral but didn't play, though his fusion years were influenced by Hendrix.
Rapper Chuck D samples "Freedom" as the backdrop for his own "Free at the Edge of an Answer," an angry meditation on free speech. Roseanne Cash kicks some serious country rock butt on "Manic Depression." Barroom belter Taylor Dane gets breezy with "The Wind Cries Mary."
Jazz diva Cassandra Wilson (with sax great Pharaoh Saunders) gives "Angel" the kind of soul Hendrix surely would appreciate. Bluesman Charlie Musselwhite reclaims the Delta roots of "Here My Train a' Comin'."
And the Five Blind Boys of Alabama put their patented gospel sound on "Drifting," transforming the tune into an old-timey spiritual that may be the best Hendrix cover ever.
A mixed bag. All of which proves that Jimi's real prowess was as an inspired and inspirational impressionist--peerless then, peerless now.
Wat denk je, is Hendrix vermoord (waarom zijn al zijn huizen doorzocht), heeft Hendrix zelfmoord gepleegd omdat hij de huidige tour niet meer zag zitten en ruzie had met zijn manager of is het door de samenloop van omstandigheden niet goed gegaan zodat hij daar uiteindelijk aan bezwijkte? (slaappillen, overgeven in slaap en niet wakker worden waardoor er vocht in zijn longen kwam en stikte).
Of een andere mogelijkheid ...
Of een andere mogelijkheid ...
aan wie vraag je dat?quote:Op vrijdag 16 september 2005 16:20 schreef Devlinsect het volgende:
Wat denk je, is Hendrix vermoord (waarom zijn al zijn huizen doorzocht), heeft Hendrix zelfmoord gepleegd omdat hij de huidige tour niet meer zag zitten en ruzie had met zijn manager of is het door de samenloop van omstandigheden niet goed gegaan zodat hij daar uiteindelijk aan bezwijkte? (slaappillen, overgeven in slaap en niet wakker worden waardoor er vocht in zijn longen kwam en stikte).
Of een andere mogelijkheid ...
Overmorgen is Hendrix 35 jaar gestorven, hè.
Op mijn site staat trouwens ook nog een biografie. (link in sig)
Op mijn site staat trouwens ook nog een biografie. (link in sig)
feest
Zeg Hendrixfan, kan je voortaan die lappen tekst weglaten en ernaar verwijzen met een link. Dat maakt het topic een stuk beter leesbaar. (Niet dat ik de teksten niet interessant vind hoor.)
In fact, one thing you should look for is a scene where a nymphomaniac is getting reamed by a hunchback next to the carcass of a dead donkey in a shed. But they probabiy cut that part out for TV.
Ja is goed maar heb je deze teksten helemaal gelezen dan?quote:Op vrijdag 16 september 2005 20:18 schreef Gyan het volgende:
Zeg Hendrixfan, kan je voortaan die lappen tekst weglaten en ernaar verwijzen met een link. Dat maakt het topic een stuk beter leesbaar. (Niet dat ik de teksten niet interessant vind hoor.)
ik nietquote:Op vrijdag 16 september 2005 21:13 schreef hendrixfan het volgende:
[..]
heeft iemand the last 24 hours gezien van jimi hendrix?
feest
Vandaag dus. Bij deze een virtueel kaarsje.quote:Op vrijdag 16 september 2005 19:39 schreef Big_Boss_Man het volgende:
Overmorgen is Hendrix 35 jaar gestorven, hè.
ellendequote:Op zondag 18 september 2005 17:28 schreef hendrixfan het volgende:
bij bol.com is de nieuwe woodstock dvd te bestellen
feest
die the last 24 hours is ook wel bekend als feedback hij kost op frs.nl minder dan 10 euro kopen dus
ik heb gister de nieuwe dvd binnengekregen
het is echt een mooie dvd
mooie boxart enzo
Op de eerste dvd is er een kort filmpje van de aanloop naar woodstock toe vanaf het laatste concert dat noel redding meedeed in denver. Ze laten ook dat concert ff zien misschien dat die later op dvd uitkomt?. Daarna gewoon het concert nu dus met hear my train foxey lady message of love hey joe spanish castle magic en loverman.
Op de 2e dvd staat het concert maar dan in zwart- wit dat door iemand anders is gefilmd.
Verder staat er nog een persconferentie van hendrix op waar hij verteld over woodstock.
Billy Cox en Larry lee praten over hun vriendschap met jimi en vertellen over hun verhaal tijdens de chitlin circuit
Als laaste Eddie kramer die verteld over hoe alles werd op genomen op woodstock
Ook zit er een boekje bij met info maar ik moet die zelf ook nog lezen
het is echt een mooie dvd
mooie boxart enzo
Op de eerste dvd is er een kort filmpje van de aanloop naar woodstock toe vanaf het laatste concert dat noel redding meedeed in denver. Ze laten ook dat concert ff zien misschien dat die later op dvd uitkomt?. Daarna gewoon het concert nu dus met hear my train foxey lady message of love hey joe spanish castle magic en loverman.
Op de 2e dvd staat het concert maar dan in zwart- wit dat door iemand anders is gefilmd.
Verder staat er nog een persconferentie van hendrix op waar hij verteld over woodstock.
Billy Cox en Larry lee praten over hun vriendschap met jimi en vertellen over hun verhaal tijdens de chitlin circuit
Als laaste Eddie kramer die verteld over hoe alles werd op genomen op woodstock
Ook zit er een boekje bij met info maar ik moet die zelf ook nog lezen
Mijn eerste Hendrix LP heb ik gekocht juist voor mijn verjaardag. De dag later was ie dood. Het was Band of Gypsys. Beste nummer: Who Knows.
I'm not a number! Frontiers only exist in your head
nog nietquote:Op woensdag 28 september 2005 22:39 schreef hendrixfan het volgende:
Heeft iemand die nieuwe dvd al gekocht?
feest
23 euro duur?quote:Op donderdag 29 september 2005 14:33 schreef Devlinsect het volgende:
Ik zag hem gisteren liggen bij Fame in Amsterdam voor 23.99 ofzo. Vond het te duur...
het zijn wel 2 dvds he
Wat staat er allemaal op dan?quote:Op donderdag 29 september 2005 16:16 schreef hendrixfan het volgende:
[..]
23 euro duur?
het zijn wel 2 dvds he
feest
ja dat stond ook in de vorige topicquote:Op donderdag 29 september 2005 22:16 schreef Big_Boss_Man het volgende:
[..]
Wat staat er allemaal op dan?
ik snap niet waarom jullie het niet kopen
Ik heb 17 jaar zonder gedaan dus op die paar weken komt het niet aan. Ik kijk sowieso nooit naar m'n DVDs. Al zou ik 't toch wel graag willen hebben. Kan ik nog altijd het geluid rippen en op CD branden.quote:Op donderdag 29 september 2005 22:24 schreef hendrixfan het volgende:
[..]
ja dat stond ook in de vorige topic
ik snap niet waarom jullie het niet kopen
feest
of koop bij mediamarkt ofzo een outtakes cd 30 euro heb je 3 cds ofzo
ik kan iig niet altijd naar de zelfde albums luisteren
ik kan iig niet altijd naar de zelfde albums luisteren
Ik ook niet, maar ik gelukkig luister ik meer dan alleen Hendrix, al luister ik het meeste naar Hendrix.quote:Op zondag 2 oktober 2005 11:59 schreef hendrixfan het volgende:
of koop bij mediamarkt ofzo een outtakes cd 30 euro heb je 3 cds ofzo
ik kan iig niet altijd naar de zelfde albums luisteren
feest
ja maar ik bedoel de albums van hendrix.quote:Op zondag 2 oktober 2005 16:14 schreef Big_Boss_Man het volgende:
[..]
Ik ook niet, maar ik gelukkig luister ik meer dan alleen Hendrix, al luister ik het meeste naar Hendrix.
je hebt experienced ,axis, ladyland, bog en first rays op een gegeven moment ken je al die nummers wel op die outtake cds staan nummers die bijv nooit zijn uit gebracht en wel goed zijn
bijv nummers als Further On Up The Road, Valley Of Neptune, Highway Of Broken Hearts ,Send My Love To Linda , World Traveller
[ Bericht 5% gewijzigd door hendrixfan op 02-10-2005 16:40:13 ]
Jimi Hendrix - Away From This Rainy Cloud [no label 1CD]
Live at the Love and Peace Festival, Insel Fehmarn, Germany, Sept 6 1970.
Jimi’s last show. Sourced, merged and compiled from three audience tapes of the show.
Yo Hendrixfan.
Tof dat je hele verslagen hier neerzet of je laatste reactie met daarin wat concertopname / data, post is je reactie van de opname. Hoe je het vond. Was de gitaarsolo beter in Foxy Lady, deed Jimi wat anders in Red House in Parijs 1969 of werd er een leuke anekdote gemeld?
Dat zou ik graag van je zien i.p.v. hele lappen tekst posten. Zet er dan je reactie erbij zodat we erover kunnen discussiëren. Het topic bloed anders een beetje dood.
Tof dat je hele verslagen hier neerzet of je laatste reactie met daarin wat concertopname / data, post is je reactie van de opname. Hoe je het vond. Was de gitaarsolo beter in Foxy Lady, deed Jimi wat anders in Red House in Parijs 1969 of werd er een leuke anekdote gemeld?
Dat zou ik graag van je zien i.p.v. hele lappen tekst posten. Zet er dan je reactie erbij zodat we erover kunnen discussiëren. Het topic bloed anders een beetje dood.
ja dat zal ik gaan doen danquote:Op dinsdag 11 oktober 2005 18:08 schreef Devlinsect het volgende:
Yo Hendrixfan.
Tof dat je hele verslagen hier neerzet of je laatste reactie met daarin wat concertopname / data, post is je reactie van de opname. Hoe je het vond. Was de gitaarsolo beter in Foxy Lady, deed Jimi wat anders in Red House in Parijs 1969 of werd er een leuke anekdote gemeld?
Dat zou ik graag van je zien i.p.v. hele lappen tekst posten. Zet er dan je reactie erbij zodat we erover kunnen discussiëren. Het topic bloed anders een beetje dood.
pas als ik tijd dus dat zal in herfst vakantie zijn:p
ik begin dan met Jimi Hendrix Experience - Flamingo Club 4 Feb 1967
Artist: Jimi Hendrix Experience
1-9. Flamingo Club, London 4 Feb 1967
10-11. Corn Exchange, Chelmsford 25 Feb 1967
12-14. Grand & national Halls, London 22 December 1967
ik begin dan met Jimi Hendrix Experience - Flamingo Club 4 Feb 1967
Artist: Jimi Hendrix Experience
1-9. Flamingo Club, London 4 Feb 1967
10-11. Corn Exchange, Chelmsford 25 Feb 1967
12-14. Grand & national Halls, London 22 December 1967
Ik heb vanmiddag een DVD gekocht bij Fame van Jimi Hendrix op Woodstockquote:Op zondag 18 september 2005 17:28 schreef hendrixfan het volgende:
bij bol.com is de nieuwe woodstock dvd te bestellen
De nieuwe??quote:Op dinsdag 18 oktober 2005 23:43 schreef super-muffin het volgende:
[..]
Ik heb vanmiddag een DVD gekocht bij Fame van Jimi Hendrix op Woodstock
feest
Bij de Fame.
Ik ben er heel erg benieuwd hoe ie is. Ik heb een paar dagen terug de eerste Hendrix op Woodstock DVD nog eens bekeken. Geweldig!
Mja weet je wat het is, ik kijk bijna nooit DVDs dus ik vind het wel een beetje duur. Al ga ik wel als ik 'm heb het geluid rippen en op audioCD branden. Hoe lang duurt die DVD??
Mja weet je wat het is, ik kijk bijna nooit DVDs dus ik vind het wel een beetje duur. Al ga ik wel als ik 'm heb het geluid rippen en op audioCD branden. Hoe lang duurt die DVD??
feest
1942 - 1970
Dat is wel erg jong!
Ik ben iemand die over het algemeen niks weet over Jimi, kan iemand me even in het kort vertellen wat er met hem is gebeurd en zijn meest populaire songs neer schrijven?
Dat is wel erg jong!
Ik ben iemand die over het algemeen niks weet over Jimi, kan iemand me even in het kort vertellen wat er met hem is gebeurd en zijn meest populaire songs neer schrijven?
Billie Holiday is Lady Day!
Jim Morrison is ook 27 geworden.quote:Op vrijdag 21 oktober 2005 15:39 schreef super-muffin het volgende:
27 is een leeftijd waar nog een paar artiesten zijn gestorven, zo uit mn hoofd Kurt Cobain Janis Joplin en Jimi Hendrix, en nog iemand geloof ik. Wel erg jong ja, het verhaal weet ik niet precies, misschien kan iemand anders dat even vertellen.
Bekende nummers zijn Hey Joe, The Wind Cries Mary, Purple Haze, Little Wing en All Along The Watchtower.
feest
De dag dat bekent werd dat Jimi dood was zetten veel mensen iets op hun hand. Wat was dat ook alweer? Ben het vergeten
Xbox Live: koenpijl
Zeg, klein vraagje...
Ben opzich wel fan van Hendrix, maar zeker niet van zijn hele repertoire...
Vind nummers als Angel, Little Wing, Red House en All Along The Watchtower echt onwijs vet... Maar aan de andere kant krijg ik als ik een stapeltje nummers van hem download vaak een hoop -in mijn ogen- kolereherrie binnen... Mijn vraag dus:
Welke nummers in de trant van de nummers die hierboven staan, heeft hij nogmeer gemaakt... Bedoel dus de lekkere relaxte bluesy nummers...
Ben opzich wel fan van Hendrix, maar zeker niet van zijn hele repertoire...
Vind nummers als Angel, Little Wing, Red House en All Along The Watchtower echt onwijs vet... Maar aan de andere kant krijg ik als ik een stapeltje nummers van hem download vaak een hoop -in mijn ogen- kolereherrie binnen... Mijn vraag dus:
Welke nummers in de trant van de nummers die hierboven staan, heeft hij nogmeer gemaakt... Bedoel dus de lekkere relaxte bluesy nummers...
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
M'n vader heeft een oudere dvd van dat optreden, er staan maar rond de 5 nummers op. Liedjes van een kwartier, dat wel.quote:Op donderdag 20 oktober 2005 15:04 schreef super-muffin het volgende:
[..]
[afbeelding]
Als dat de nieuwe is wel ja
Anybody?quote:Op zondag 30 oktober 2005 10:30 schreef MikeyMan het volgende:
Zeg, klein vraagje...
Ben opzich wel fan van Hendrix, maar zeker niet van zijn hele repertoire...
Vind nummers als Angel, Little Wing, Red House en All Along The Watchtower echt onwijs vet... Maar aan de andere kant krijg ik als ik een stapeltje nummers van hem download vaak een hoop -in mijn ogen- kolereherrie binnen... Mijn vraag dus:
Welke nummers in de trant van de nummers die hierboven staan, heeft hij nogmeer gemaakt... Bedoel dus de lekkere relaxte bluesy nummers...
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
Ik weet niet wat je met teringherrie bedoelt en dan weet ik niet wat jij geen teringherrie vind.quote:
Koop anders een album ofzo.
feest
Jah, dat vind ik dus een beetje een probleem... Als ik een album koop (heb er al een tot m'n beschikking, is de helft van de nummers niet echt mijn smaak...) vandaar dat ik mij afvroeg of er nog meer nummers waren in de richting die ik hierboven aangeef...
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
Ga gewoon eens naar een CD zaak en als je ze daar Axis Bold As Love hebben dan beluister je die en dan weet je snel genoeg of je dat ook onder teringherrie vindt vallen. Als je dat zo vind kan je beter een CD van Greenday kopen ofzo.quote:Op maandag 31 oktober 2005 10:53 schreef MikeyMan het volgende:
Jah, dat vind ik dus een beetje een probleem... Als ik een album koop (heb er al een tot m'n beschikking, is de helft van de nummers niet echt mijn smaak...) vandaar dat ik mij afvroeg of er nog meer nummers waren in de richting die ik hierboven aangeef...
EDIT: welke heb je?
feest
Goed, ga ik daarnaar opzoek... Cd is van m'n pa... zal hem even tussen de stapel moeten opzoeken... Wat geen sinecure is Tnx voor de tip...
Tnx voor de tip...
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
Bedankt voor de tip nogmaals, heb hem vandaag binnengehad... Geweldige CD!quote:Op maandag 31 oktober 2005 11:06 schreef Big_Boss_Man het volgende:
[..]
Ga gewoon eens naar een CD zaak en als je ze daar Axis Bold As Love hebben dan beluister je die en dan weet je snel genoeg of je dat ook onder teringherrie vindt vallen. Als je dat zo vind kan je beter een CD van Greenday kopen ofzo.
EDIT: welke heb je?
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
Ik heb 'm vandaag nog beluisterd, geweldig stukje muziek.quote:Op donderdag 3 november 2005 15:14 schreef MikeyMan het volgende:
[..]
Bedankt voor de tip nogmaals, heb hem vandaag binnengehad... Geweldige CD!
feest
ik ken alleen die van het band of gypsys album en wild thingquote:Op zondag 6 november 2005 00:27 schreef hendrixfan het volgende:
heeft iemand alle concerten van fillmore east geluisterd?
feest
ja maar dat is een verzamel album ze hebben van elk concert een paar nummers erop gezet.quote:Op zondag 6 november 2005 17:51 schreef Big_Boss_Man het volgende:
[..]
ik ken alleen die van het band of gypsys album en wild thing
en ze hebben nummers ook ingekort zoals bijv. who knows in het echt duurt die versie 9 minuten (niet de versie die bijv. op de bog dvd staat)
Die 2 stone free versies van 17 en 13 minuten zijn echt geweldig je hoort echt al experimenteren en je hoort dingen die later op first rays zijn uitgekomen
En die andere versies van machine gun die hij speelde zijn minstens zo goed als de machine die we allemaal kennen van fillmore
Ik ken dus alleen de opnames van BoG en Wild Thing van de Fillmore East concerten. Ik ga wel nog eens die live CD kopen.quote:Op zondag 6 november 2005 21:26 schreef hendrixfan het volgende:
[..]
ja maar dat is een verzamel album ze hebben van elk concert een paar nummers erop gezet.
en ze hebben nummers ook ingekort zoals bijv. who knows in het echt duurt die versie 9 minuten (niet de versie die bijv. op de bog dvd staat)
Die 2 stone free versies van 17 en 13 minuten zijn echt geweldig je hoort echt al experimenteren en je hoort dingen die later op first rays zijn uitgekomen
En die andere versies van machine gun die hij speelde zijn minstens zo goed als de machine die we allemaal kennen van fillmore
feest
dit zijn de nieuwe albums die ik heb:d
Hendrix - 68-08-11 - Col Ballroom, Davenport, Iowa
JIMI HENDRIX EXPERIENCE
COL BALLROOM, DAVENPORT, IOWA
AUGUST 11, 1968
FROM BOOTLEG "CITY OF THE STICKS '68" (SHOUT TO THE TOP)
1. ARE YOU EXPERIENCED
2. LOVER MAN
3. FOXY LADY
4. RED HOUSE
5. I DON'T LIVE TODAY
6. FIRE
Jimi Hendrix & Traffic - A Session
Tracks:
1. Jam Thing 18:38
2. Guitar Thing 5:15
3. Session Thing 35:27
This is the often talked about session that Jimi recorded with the members of Traffic (Steve Winwood's band at the time).
This is an excellent quality soundboard recording from OH BOY...JOIN THE DE LUXE WAY. As the CD arts tells you "This session was
recorded at an unknown place in the late 60's."
A purely instrumental affair, alternately dated as 1968 or 1970, this studio material is among the most intriguing
unreleased pieces of either performer. The lineup is listed as Jimi Hendrix (guitar), Steve Winwood (piano), Chris Wood
(flute), Rick Grech (bass), and Jim Capaldi (drums), but the actual lineup of these recordings is uncertain. Only Hendrix
is identifiable with certainty. The overall sound resembles Traffic, and the piano and flute parts seem particularly
recognizable as Steve and Chris, respectively.
The music on this cd consists of jams that, in contrast to Traffic's usual melodic sensibilities, range from minor key to
almost atonal structure. Some of the magic of the "Voodoo Chile" session is also evident on this recording. The jams sound
basically spontaneous, organized around particular keys with shifting tempos, and lack a distinct song structure. None of
them sound like they were even intended to have vocal parts. For the most part, the piano and drums drive the rhythms while
the guitar and flute solo. The extraordinary aspect of the recording is the complementary interplay between Jimi and Chris.
While Jimi builds upon driving vamps that eventually erupt into molten solos, Chris counterbalances with his usual delicate,
mellowing flute. The result of this collaboration is at least interesting, and sometimes magical. Unlike other Hendrix jam
sessions, Jimi seems to have a lot of respect for Traffic and doesn't fully dominate the proceedings, which makes the
session perhaps unique to both entities.
This bootleg CD consists of three jams of excellent quality studio recordings. The insert states that the session "was
recorded at an unknown place in the late 60's". Credits are Jimi Hendrix (guitar), Chris Wood (flute and saxophone), Jim
Capaldi (drums), and Steve Winwood (organ). In the book Jimi Hendrix: Electric Gypsy (1995), by Harry Shapiro and Caesar
Glebbeek, the well researched discography section lists the CD as released in late 1990, and recorded in 1968 or 1969.
Jimi Hendrix
The Completer
Silver > EAC > FLAC
D1
Bold As Love 3:32
She's So Fine 2:42
Stars that play with laughing Sams dice 4:18
Little Miss Lover 2:22
Dream 2:08
Dance 1:52
Ain't Too Proud To Beg 8:10
Peace In Mississippi 6:59
Isabella/Machine Gun 15:17
Midnight Lightning 4:13
Country Blues 8:40
Cherokee Mist Blues 6:34
Machine Gun 8:07
D2
Lord I Sing The Blues For Me And You 9:54
Easy Blues 7:41
Ezy Ryder Jam 3:57
Beginning 5:35
Straight Ahead 4:09
Astro Man Jam 13:43
Ezy Ryder/Highway Of Desire Jam 14:28
Ships Passing In The Night 1:06
Jungle 6:37
Drivin' South/Sgt. Pepper's Jam 6:02
Jimi Hendrix
Electric Anniversary Jimi
01 Pride of Man (Valleys of Neptune Jam)
02 World Traveler
03 It's Too Bad
04 Cherokee Mist (Different Mix)(Record Plant 69/70)
05 You Make Me Feel
06 Jungle Jam
07 Calling All Devils Children (basic version)
08 Little Drummer Boy- Silent Night
09 Auld Lang Syne - with background choir
10 Instrumental Jams sending My Love to Linda/ Live & Let Live/ Valleys of Neptune Arising
11 Message From Nine To The Universe (With Devon Wilson)
Another disc of jam sessions, Electric Anniversary Jimi is comprised of tracks recorded mostly at the Record Plant studio. A lot of these tracks are available on other releases, either the same track or different takes of the same song. But there are a few that are new to me. World Traveller, It's Too Bad, and You Make Me Feel I haven't heard anywhere before and are pretty cool. Would have been interesting to see them in their final forms. Message From Nine To The Universe is the same as the one on the CD of the same title,
but here is in it's complete form, including some vocals from Devon Wilson, Jimi's girlfriend at the time. World Traveller, a pretty funky tune, features a strong organ melody and judging from the style, I'm guessing Steve Winwood.
It's Too Bad is blues all the way, and kinda reminds me of slow blues version of 1983...A Mermaid I Should Turn To Be from Electric Ladyland in feeling. All in all, a pretty decent package, offering a little something for both new and old collectors.
Jimi Hendrix - Welcome To The Electric Circus Vol. 1
Label: Midnight Beat
Copenhagen, Denmark 1/10/69
Sound Quality: S 8
Disc Times: 70min
Track Title
1 Fire
2 Foxy Lady
3 Tax Free
4 Spanish Castle Magic
5 Red House
6 Sunshine Of Your Love
7 I Don't Live Today-] Star Spangled Banner
8 Purple Haze
Jimi Hendrix - Newport CA 06-20-69 Vibratory Merge v1.00
Newport merge
01. Stone Free
02. Are You Experienced-] Stone Free
03. Sunshine Of Your Love
04. Fire
05. Hear My Train A Comin'
06. Red House
07. Foxy Lady
08. Like A Rolling Stone
09. Voodoo Child (slight return)
10.Purple Haze
Jimi Hendrix 1969-01-09 Kousterhaus Stockholm Sweden
Jimi Hendrix 1/9/69
Kousterhaus - Stockholm, Sweden
Disc 1 (Early Show)
1. Intro
2. Killing Floor
3. Spanish Castle Magic
4. Fire
5. Hey Joe
6. Voodoo Chile (Slight Return)
7. Red House
8. Sunshine Of Your Love
Disc 2 (Late Show)
1. Intro
2. I Don't Live Today
3. Spanish Castle Magic
4. Hey Joe
5. Voodoo Chile (Slight Return)
6. Sunshine Of Your Love
7. Red House
8. Fire
9. Purple Haze
10. Star Spangled Banner
Hendrix - One Inch Masters II (A Sea of Forgotten Teardrops)
One Inch Masters II: A Sea of Forgotten Teardrops ...
(Collector's Disc (OIM/TIM 002 Rev.A) / 2003 / 1CDR)
Electric Ladyland 25th June (1-6) & 23rd July (7-14) 1970
plus 4 extra tracks (15-18)
1. Had To Cry Today (only one FTBFS ref#) 0:18 25.06.70
2. Drifting (6) 1:17 25.06.70 segue way into...
3. Drifting #2 (7) 1:56 25.06.70
4. Drifting #4 (5) 4:16 25.06.70
5. Freedom (7) 4:02 25.06.70
6. Cherokee Mist(8)/In From The Storm/(4) Valleys Of Neptune (24) 11:04
(FTBFS 06.34 plus 04.30 Valleys Of Neptune graft?) 25.06.70
7. Drifting (3) 3:34 23.07.70
8. Midnight Lightnin’(See Drifting (3)) 0:26 23.07.70
9. Drifting (4) 0:33 23.07 70
10. Drifting (4) 0:36 23.07.70
11. Drifting/Angel Jam (JS 27) 1:24 23.07.70
12. Angel (false start)/Angel(4) 5:08 23.07.70
13. Angel (2) 4:18 23.07.70
14. Belly Button Window (1) 5:11 23.07.70
15. Hear My Train A’Comin’ (52) 8:13 21.05.69 RP/BOG :blues OUTS
16. Jungle Jam (Buddy Miles Jam pt 4) (JS 24) 6:28 RP/Jimi/Buddy 14.11.69 :blues
17. Once I had A Woman (un-edited 1 ?) 8:15 RP/BOG 23.01.70 :blues OUTS
18. Belly Button Window (5) 3:53 22.08.70 EL/Solo :blues OUTS
JIMI HENDRIX & JACK BRUCE JAMS
T.T.G Inc. Sunset-Highland Recording Studios, 1441 North McCadden Place, Hollywood, CA
October 17, 1968
Line-up:
Jimi Hendrix: guitar, Jack Bruce: bass, Buddy Miles: drums, Jim McCarty: guitar
Tracklist:
1. 12 Bar In E Jam 1
2. 12 Bar In E Jam 2
3. 12 Bar In E Jam 3
4. 12 Bar Blues In D
5. Jam In D
6. Everythings Gonna Be Alright
7. Sunshine Of Your Love - Riff 1
8. Bruce Bass Jam
9. Sunshine Of Your Love - Riff 2
Jimi Hendrix - Freak Out Jam
Jimi Hendrix
Freak Out Jam
01. Intro by Jimi
02. Bright Lights, Big City
03. World Traveler
04. It's Too Bad
05. Message of Love
06. Things I Used To Do - inst.
07. Things I Used To Do - Vocals
08. Cherokee Mist Jam
09. Bolero mix no. 1
10. Hear My Train A Comin'
11. Driving South
12. Hollywood Jam
13. Mushy Name
14. Drifters Escape
15. Midnight Lightning (Rap)
16. Midnight Lightning
17. Hound Dog Acoustic
Jimi Hendrix - Blue Window
Jimi Hendrix
Blue Window
Studio Sessions
1. Izabella 10:09
2. Blue Window Jams with horns 33:50
3. Keep on Groovin' Sessions 25:00
Jimi Hendrix - Out Of The Studio 2 - Strongest Edition (FLAC)
JIMI HENDRIX EXPERIENCE
"OUT OF THE STUDIO 2 - STRONGEST EDITION" (No Label 560-1/2)
aka: ARE YOU EXPERIENCED SESSIONS
RECORDED AT "DE LANE LEA MUSIC LTD STUDIOS", LONDON, BETWEEN LATE OCTOBER 66 & LATE MARCH 67
EX SOUNDBOARD RECORDINGS, NO OFFICIALY RELEASED MATERIAL INCLUDED, A MUST HAVE !!!
Disc 1
01. I DON'T LIVE TODAY (X5)
02. RED HOUSE (X4)
03. PURPLE HAZE
04. NO NO NO (aka: LA POUPEE QUI FAIT NON)
05. FIRE (Instrumental)
06. THE WIND CRIES MARY (Instrumental)
07. CAN YOU SEE ME (X4)
08. 51st ANNIVERSARY (X3)
09. FIRE (X6)
10. 51st ANNIVERSARY
11. CAN YOU SEE ME
Disc 2
01. MANIC DEPRESSION
02. HEY JOE
03. I CAN'T TURN YOU LOOSE (Probably No JHE Involvment)
04. HEY JOE (X3)
05. RED HOUSE
06. REMEMBER (X6)
07. MANIC DEPRESSION
Hendrix - 68-08-11 - Col Ballroom, Davenport, Iowa
JIMI HENDRIX EXPERIENCE
COL BALLROOM, DAVENPORT, IOWA
AUGUST 11, 1968
FROM BOOTLEG "CITY OF THE STICKS '68" (SHOUT TO THE TOP)
1. ARE YOU EXPERIENCED
2. LOVER MAN
3. FOXY LADY
4. RED HOUSE
5. I DON'T LIVE TODAY
6. FIRE
Jimi Hendrix & Traffic - A Session
Tracks:
1. Jam Thing 18:38
2. Guitar Thing 5:15
3. Session Thing 35:27
This is the often talked about session that Jimi recorded with the members of Traffic (Steve Winwood's band at the time).
This is an excellent quality soundboard recording from OH BOY...JOIN THE DE LUXE WAY. As the CD arts tells you "This session was
recorded at an unknown place in the late 60's."
A purely instrumental affair, alternately dated as 1968 or 1970, this studio material is among the most intriguing
unreleased pieces of either performer. The lineup is listed as Jimi Hendrix (guitar), Steve Winwood (piano), Chris Wood
(flute), Rick Grech (bass), and Jim Capaldi (drums), but the actual lineup of these recordings is uncertain. Only Hendrix
is identifiable with certainty. The overall sound resembles Traffic, and the piano and flute parts seem particularly
recognizable as Steve and Chris, respectively.
The music on this cd consists of jams that, in contrast to Traffic's usual melodic sensibilities, range from minor key to
almost atonal structure. Some of the magic of the "Voodoo Chile" session is also evident on this recording. The jams sound
basically spontaneous, organized around particular keys with shifting tempos, and lack a distinct song structure. None of
them sound like they were even intended to have vocal parts. For the most part, the piano and drums drive the rhythms while
the guitar and flute solo. The extraordinary aspect of the recording is the complementary interplay between Jimi and Chris.
While Jimi builds upon driving vamps that eventually erupt into molten solos, Chris counterbalances with his usual delicate,
mellowing flute. The result of this collaboration is at least interesting, and sometimes magical. Unlike other Hendrix jam
sessions, Jimi seems to have a lot of respect for Traffic and doesn't fully dominate the proceedings, which makes the
session perhaps unique to both entities.
This bootleg CD consists of three jams of excellent quality studio recordings. The insert states that the session "was
recorded at an unknown place in the late 60's". Credits are Jimi Hendrix (guitar), Chris Wood (flute and saxophone), Jim
Capaldi (drums), and Steve Winwood (organ). In the book Jimi Hendrix: Electric Gypsy (1995), by Harry Shapiro and Caesar
Glebbeek, the well researched discography section lists the CD as released in late 1990, and recorded in 1968 or 1969.
Jimi Hendrix
The Completer
Silver > EAC > FLAC
D1
Bold As Love 3:32
She's So Fine 2:42
Stars that play with laughing Sams dice 4:18
Little Miss Lover 2:22
Dream 2:08
Dance 1:52
Ain't Too Proud To Beg 8:10
Peace In Mississippi 6:59
Isabella/Machine Gun 15:17
Midnight Lightning 4:13
Country Blues 8:40
Cherokee Mist Blues 6:34
Machine Gun 8:07
D2
Lord I Sing The Blues For Me And You 9:54
Easy Blues 7:41
Ezy Ryder Jam 3:57
Beginning 5:35
Straight Ahead 4:09
Astro Man Jam 13:43
Ezy Ryder/Highway Of Desire Jam 14:28
Ships Passing In The Night 1:06
Jungle 6:37
Drivin' South/Sgt. Pepper's Jam 6:02
Jimi Hendrix
Electric Anniversary Jimi
01 Pride of Man (Valleys of Neptune Jam)
02 World Traveler
03 It's Too Bad
04 Cherokee Mist (Different Mix)(Record Plant 69/70)
05 You Make Me Feel
06 Jungle Jam
07 Calling All Devils Children (basic version)
08 Little Drummer Boy- Silent Night
09 Auld Lang Syne - with background choir
10 Instrumental Jams sending My Love to Linda/ Live & Let Live/ Valleys of Neptune Arising
11 Message From Nine To The Universe (With Devon Wilson)
Another disc of jam sessions, Electric Anniversary Jimi is comprised of tracks recorded mostly at the Record Plant studio. A lot of these tracks are available on other releases, either the same track or different takes of the same song. But there are a few that are new to me. World Traveller, It's Too Bad, and You Make Me Feel I haven't heard anywhere before and are pretty cool. Would have been interesting to see them in their final forms. Message From Nine To The Universe is the same as the one on the CD of the same title,
but here is in it's complete form, including some vocals from Devon Wilson, Jimi's girlfriend at the time. World Traveller, a pretty funky tune, features a strong organ melody and judging from the style, I'm guessing Steve Winwood.
It's Too Bad is blues all the way, and kinda reminds me of slow blues version of 1983...A Mermaid I Should Turn To Be from Electric Ladyland in feeling. All in all, a pretty decent package, offering a little something for both new and old collectors.
Jimi Hendrix - Welcome To The Electric Circus Vol. 1
Label: Midnight Beat
Copenhagen, Denmark 1/10/69
Sound Quality: S 8
Disc Times: 70min
Track Title
1 Fire
2 Foxy Lady
3 Tax Free
4 Spanish Castle Magic
5 Red House
6 Sunshine Of Your Love
7 I Don't Live Today-] Star Spangled Banner
8 Purple Haze
Jimi Hendrix - Newport CA 06-20-69 Vibratory Merge v1.00
Newport merge
01. Stone Free
02. Are You Experienced-] Stone Free
03. Sunshine Of Your Love
04. Fire
05. Hear My Train A Comin'
06. Red House
07. Foxy Lady
08. Like A Rolling Stone
09. Voodoo Child (slight return)
10.Purple Haze
Jimi Hendrix 1969-01-09 Kousterhaus Stockholm Sweden
Jimi Hendrix 1/9/69
Kousterhaus - Stockholm, Sweden
Disc 1 (Early Show)
1. Intro
2. Killing Floor
3. Spanish Castle Magic
4. Fire
5. Hey Joe
6. Voodoo Chile (Slight Return)
7. Red House
8. Sunshine Of Your Love
Disc 2 (Late Show)
1. Intro
2. I Don't Live Today
3. Spanish Castle Magic
4. Hey Joe
5. Voodoo Chile (Slight Return)
6. Sunshine Of Your Love
7. Red House
8. Fire
9. Purple Haze
10. Star Spangled Banner
Hendrix - One Inch Masters II (A Sea of Forgotten Teardrops)
One Inch Masters II: A Sea of Forgotten Teardrops ...
(Collector's Disc (OIM/TIM 002 Rev.A) / 2003 / 1CDR)
Electric Ladyland 25th June (1-6) & 23rd July (7-14) 1970
plus 4 extra tracks (15-18)
1. Had To Cry Today (only one FTBFS ref#) 0:18 25.06.70
2. Drifting (6) 1:17 25.06.70 segue way into...
3. Drifting #2 (7) 1:56 25.06.70
4. Drifting #4 (5) 4:16 25.06.70
5. Freedom (7) 4:02 25.06.70
6. Cherokee Mist(8)/In From The Storm/(4) Valleys Of Neptune (24) 11:04
(FTBFS 06.34 plus 04.30 Valleys Of Neptune graft?) 25.06.70
7. Drifting (3) 3:34 23.07.70
8. Midnight Lightnin’(See Drifting (3)) 0:26 23.07.70
9. Drifting (4) 0:33 23.07 70
10. Drifting (4) 0:36 23.07.70
11. Drifting/Angel Jam (JS 27) 1:24 23.07.70
12. Angel (false start)/Angel(4) 5:08 23.07.70
13. Angel (2) 4:18 23.07.70
14. Belly Button Window (1) 5:11 23.07.70
15. Hear My Train A’Comin’ (52) 8:13 21.05.69 RP/BOG :blues OUTS
16. Jungle Jam (Buddy Miles Jam pt 4) (JS 24) 6:28 RP/Jimi/Buddy 14.11.69 :blues
17. Once I had A Woman (un-edited 1 ?) 8:15 RP/BOG 23.01.70 :blues OUTS
18. Belly Button Window (5) 3:53 22.08.70 EL/Solo :blues OUTS
JIMI HENDRIX & JACK BRUCE JAMS
T.T.G Inc. Sunset-Highland Recording Studios, 1441 North McCadden Place, Hollywood, CA
October 17, 1968
Line-up:
Jimi Hendrix: guitar, Jack Bruce: bass, Buddy Miles: drums, Jim McCarty: guitar
Tracklist:
1. 12 Bar In E Jam 1
2. 12 Bar In E Jam 2
3. 12 Bar In E Jam 3
4. 12 Bar Blues In D
5. Jam In D
6. Everythings Gonna Be Alright
7. Sunshine Of Your Love - Riff 1
8. Bruce Bass Jam
9. Sunshine Of Your Love - Riff 2
Jimi Hendrix - Freak Out Jam
Jimi Hendrix
Freak Out Jam
01. Intro by Jimi
02. Bright Lights, Big City
03. World Traveler
04. It's Too Bad
05. Message of Love
06. Things I Used To Do - inst.
07. Things I Used To Do - Vocals
08. Cherokee Mist Jam
09. Bolero mix no. 1
10. Hear My Train A Comin'
11. Driving South
12. Hollywood Jam
13. Mushy Name
14. Drifters Escape
15. Midnight Lightning (Rap)
16. Midnight Lightning
17. Hound Dog Acoustic
Jimi Hendrix - Blue Window
Jimi Hendrix
Blue Window
Studio Sessions
1. Izabella 10:09
2. Blue Window Jams with horns 33:50
3. Keep on Groovin' Sessions 25:00
Jimi Hendrix - Out Of The Studio 2 - Strongest Edition (FLAC)
JIMI HENDRIX EXPERIENCE
"OUT OF THE STUDIO 2 - STRONGEST EDITION" (No Label 560-1/2)
aka: ARE YOU EXPERIENCED SESSIONS
RECORDED AT "DE LANE LEA MUSIC LTD STUDIOS", LONDON, BETWEEN LATE OCTOBER 66 & LATE MARCH 67
EX SOUNDBOARD RECORDINGS, NO OFFICIALY RELEASED MATERIAL INCLUDED, A MUST HAVE !!!
Disc 1
01. I DON'T LIVE TODAY (X5)
02. RED HOUSE (X4)
03. PURPLE HAZE
04. NO NO NO (aka: LA POUPEE QUI FAIT NON)
05. FIRE (Instrumental)
06. THE WIND CRIES MARY (Instrumental)
07. CAN YOU SEE ME (X4)
08. 51st ANNIVERSARY (X3)
09. FIRE (X6)
10. 51st ANNIVERSARY
11. CAN YOU SEE ME
Disc 2
01. MANIC DEPRESSION
02. HEY JOE
03. I CAN'T TURN YOU LOOSE (Probably No JHE Involvment)
04. HEY JOE (X3)
05. RED HOUSE
06. REMEMBER (X6)
07. MANIC DEPRESSION
http://en.wikipedia.org/wiki/Hey_Joequote:Op zondag 6 november 2005 22:32 schreef _Yapser_ het volgende:
Wheeeeeeuj Joe!
Van wie is dat nou gecovered, of maakte hij wél het orgineel?
Don't put something in your mouth unless you're happy to swallow...
©DiscoveryChannel
©DiscoveryChannel
Woodstock dvd is geniaal!
Vooral als Jimi met z'n tanden gaat spelen
Schitterende uitvoering van "Hey Joe" ook.
Vooral als Jimi met z'n tanden gaat spelen
Schitterende uitvoering van "Hey Joe" ook.
The Jimi Hendrix Experience:
Live At The Isle Of Fehmarn
Our Price:
$15.00
Format:
Compact Disc
Item Number:
622-001-072
Shipping Weight:
0.375 lbs.
The Jimi Hendrix Experience: Live At The Isle Of Fehmarn marks the eighth release in Dagger Records' (http://www.daggerrecords.com) popular bootleg-style recording series. This historically significant album features The Jimi Hendrix Experience's final live performance on September 6, 1970 during the Love & Peace Festival held on the Isle Of Fehmarn in Germany.
Originally slated to perform on September 5th, The Experience's appearance at the festival was delayed by frequent rain storms that plagued the previous days shows. Having just completed a series of six concerts in six days including headlining shows at both the Isle Of Wight (August 30) and Berlin (September 4), the extra day of rest would serve the group well.
By the time The Experience took to the stage on September 6, audience tensions were guarded following a series of fights between German bikers, that had escalated in ferocity, and included the festival Box Office being robbed at gun point and Jimi Hendrix's own road manager, Gerry Stickells being attacked. Depsite these problems, The Experience delivered an enthusiastic hour-plus performance which saw Jimi lead the trio through a series of songs encompassing all of the different periods of the group's existence.
Jimi's Isle Of Fehmarn performance has been widely bootlegged over the last 35 years yet it was never professionally recorded. Amateur recordings made from the audience by fans have served as the only known documentation of this historic concert until now. As the eighth entry in this popular 'bootleg' series, Dagger presents a newly discovered recording made by the festival's promoters. Unbeknownst to Hendrix, the promoters captured the group's entire performance by feeding two overhead stage microphones into a consumer grade Revox reel-to-reel tape machine located off to the side of the stage. The resulting document, rough hewn and unmixed, is clear and not unlike the amateur audience recording featured on the initial Dagger offering Live At The Oakland Coliseum.
In addition to "Killing Floor," Live At The Isle Of Fehmarn also features "Spanish Castle Magic," "All Along The Watchtower," "Hey Joe," "Message To Love," "Hey Baby (New Rising Sun)," "Foxey Lady," "Red House," "Ezy Ryder," "Freedom," "Room Full Of Mirrors," "Purple Haze," and a particularly memorable rendition of "Voodoo Child (Slight Return)."
dat word de nieuwe release van dagger records zal over een paar maanden denk ik ook in nederland verkrijgbaar zijn. Ik heb de bootleg wel maar de originele is toch altijd beter dus ik koop em wel
Ik heb op alle 6 de nummers van Hendrix in de lijst gestemd en verder op niets.quote:Op vrijdag 25 november 2005 00:12 schreef hendrixfan het volgende:
stem op hendrix in de top 2000 www.radio2.nl
feest
Die zag ik liggen bij MM voor 8 euri. Is het nog wat?quote:Op vrijdag 25 november 2005 09:52 schreef Big_Boss_Man het volgende:
Ik heb de documentaire over Electric Ladyland gekocht.
red house en burning of the midnight lamp zijn nieuw toch? vorig jaar stonden die er niet bij volgens mijquote:Op vrijdag 25 november 2005 09:55 schreef Big_Boss_Man het volgende:
[..]
Ik heb op alle 6 de nummers van Hendrix in de lijst gestemd en verder op niets.
Godver. Ik heb er 20 voor betaald.quote:Op vrijdag 25 november 2005 10:48 schreef Devlinsect het volgende:
[..]
Die zag ik liggen bij MM voor 8 euri. Is het nog wat?
Is wel tof. Je komt erachter hoe ze te werk gingen en zo.
feest
Geen idee, dit is het eerste jaar dat ik stem. En ik heb gewoon een top 6 gemaakt van die nummers. All along the watchtower, Burning of the midnight lamp, Purple haze, Red house, Hey Joe en The wind cries mary. De laatste drie staan enigzins in willekeurige volgorde.quote:Op vrijdag 25 november 2005 14:59 schreef hendrixfan het volgende:
[..]
red house en burning of the midnight lamp zijn nieuw toch? vorig jaar stonden die er niet bij volgens mij
feest
op qmusic.nl kan je ook stemmen dat is dan voor de top1000 hier kan je stemmen op voodoo chile crosstown traffic foxy lady en voor de rest de nummers die je ook bij top2000 kan kiezen
neen, lijkt me wel tof. hoe krijg je dat?quote:Op vrijdag 2 december 2005 19:53 schreef hendrixfan het volgende:
heeft iemand gister ook de wintercatalogus gekregen van experience hendrix?
feest
ik ben lid bij die website nooit wat besteld ofzo hoor maar ik krijg gister plotseling dat boekje binnen
hier staat hoe je het krijgt:Dquote:Op vrijdag 2 december 2005 22:47 schreef Big_Boss_Man het volgende:
[..]
neen, lijkt me wel tof. hoe krijg je dat?
http://www.jimi-hendrix.com/news/news,catalog.html
nou dan moet je em binnenkort binnenkrijgenquote:Op zaterdag 3 december 2005 00:53 schreef Big_Boss_Man het volgende:
Ik heb me aangemeld!
stem op hendrix http://www.arrow.nl/rock/mailer/ ... http://www.cityfm.nl/cr1000window.php hier staan ook nummers als hey baby en valleys of neptune die je kan kiezen
Zou iemand voor mij de voorkant van Axis Bold As Love kunnen inscannen in een enigzins goede kwaliteit? Ik wil 'm gebruiken op een giropas en op het internet vind ik alleen foto's van baggerkwaliteit of te klein en ik heb zelf geen scanner. Je kan het opsturen via e-mail of MSN op dit adres: ton87 apenstaartje tomaatnet.nl Alvast bedankt!!!
feest
. Jimmy, echt een van de beste gitaristen ooit. .
Wij zijn artificial intelligence. Overclock jezelf maar hou jezelf wel goed koel.
Ik ben gematigd verslaafd aan drugs-ik kan stoppen voor een periode of altijd-maar altijd is zo lang-leef in zonde met mate(n)
http://pc-fr34k.hyves.nl/blog/
Ik ben gematigd verslaafd aan drugs-ik kan stoppen voor een periode of altijd-maar altijd is zo lang-leef in zonde met mate(n)
http://pc-fr34k.hyves.nl/blog/
misschien dat ik hem voor je heb. ben nu op het werk. mail me ff met je verzoek:quote:Op vrijdag 16 december 2005 11:11 schreef Big_Boss_Man het volgende:
Zou iemand voor mij de voorkant van Axis Bold As Love kunnen inscannen in een enigzins goede kwaliteit? Ik wil 'm gebruiken op een giropas en op het internet vind ik alleen foto's van baggerkwaliteit of te klein en ik heb zelf geen scanner. Je kan het opsturen via e-mail of MSN op dit adres: ton87 apenstaartje tomaatnet.nl Alvast bedankt!!!
username + hotmail.com
ik heb 't verzondenquote:Op vrijdag 16 december 2005 15:06 schreef Devlinsect het volgende:
[..]
misschien dat ik hem voor je heb. ben nu op het werk. mail me ff met je verzoek:
username + hotmail.com
feest
ik heb gister die special edition van a film about jimi hendrix gekocht bij fame in amsterdam
het is echt alleen voor hardcore fans interessant of voor mensen die de originele nog niet hadden
het is echt alleen voor hardcore fans interessant of voor mensen die de originele nog niet hadden
*Nieuwe digitale omzetting vanaf gerestaureerd beeld en klankmateriaal
*Soundtrack geremasterd in dolby digital 5.1 en dolby surround 2.0
*Van de Ukelele tot de strat:herinneringen aan hendrix door interviews met familie en vrienden
meest interessante van de extra's je komt veel achtergrond dingen te weten over ze leven
*Het maken van Dolly dagger:producer/opnameleider eddie kramer analyseert de mix
leuk voor de echte fans!!
*Stone free: nooit eerder vertoonde beelden van Hendrix' optreden op het atlanta pop festival 4 juli 1970
Is op het internet te downloaden alleen het beeld en geluid is hier veel beter!!
*Machine gun: opgenomen in december 1969 tijdens het band of gypsies concert
staat gewoon ook op de band of gypsies dvd!!
*Soundtrack geremasterd in dolby digital 5.1 en dolby surround 2.0
*Van de Ukelele tot de strat:herinneringen aan hendrix door interviews met familie en vrienden
meest interessante van de extra's je komt veel achtergrond dingen te weten over ze leven
*Het maken van Dolly dagger:producer/opnameleider eddie kramer analyseert de mix
leuk voor de echte fans!!
*Stone free: nooit eerder vertoonde beelden van Hendrix' optreden op het atlanta pop festival 4 juli 1970
Is op het internet te downloaden alleen het beeld en geluid is hier veel beter!!
*Machine gun: opgenomen in december 1969 tijdens het band of gypsies concert
staat gewoon ook op de band of gypsies dvd!!
Hmm, dat zijn wel dingen die ik eens zou willen zien. Maar die DVD zou wel full price zijn en aangezien ik toch bijna nooit naar DVDs kijk is het misschien niet zo'n goed idee om 'm te kopen.quote:Op vrijdag 23 december 2005 17:41 schreef hendrixfan het volgende:
*Nieuwe digitale omzetting vanaf gerestaureerd beeld en klankmateriaal
*Soundtrack geremasterd in dolby digital 5.1 en dolby surround 2.0
*Van de Ukelele tot de strat:herinneringen aan hendrix door interviews met familie en vrienden
meest interessante van de extra's je komt veel achtergrond dingen te weten over ze leven
*Het maken van Dolly dagger:producer/opnameleider eddie kramer analyseert de mix
leuk voor de echte fans!!
*Stone free: nooit eerder vertoonde beelden van Hendrix' optreden op het atlanta pop festival 4 juli 1970
Is op het internet te downloaden alleen het beeld en geluid is hier veel beter!!
*Machine gun: opgenomen in december 1969 tijdens het band of gypsies concert
staat gewoon ook op de band of gypsies dvd!!
feest
wow was maar 22 euro hoorquote:Op vrijdag 23 december 2005 19:01 schreef Big_Boss_Man het volgende:
[..]
Hmm, dat zijn wel dingen die ik eens zou willen zien. Maar die DVD zou wel full price zijn en aangezien ik toch bijna nooit naar DVDs kijk is het misschien niet zo'n goed idee om 'm te kopen.
Voor de mensen die te lui of te gierig zijn om een dvd te kopen van hendrix:
All along the watchtower videoclip
http://lazyblood.com/2001(...)the%20Watchtower.mpg
Fire live at woodstock
http://pdl.stream.aol.com(...)twoodstock_08_dl.mov
Foxy lady live at woodstock
http://pdl.stream.aol.com(...)twoodstock_05_dl.mov
Hey joe live at woodstock
http://pdl.stream.aol.com(...)twoodstock_14_dl.mov
Hey joe
http://www.drummerworld.com/Videos/mitchmitchellhey.mov
Izabella live at woodstock
http://pdl.stream.aol.com(...)twoodstock_07_dl.mov
Jam back at the house live at woodstock
http://pdl.stream.aol.com(...)twoodstock_06_dl.mov
Killing floor
http://nice.sexfolders.co(...)x_Killing_Floor.mpeg
Loverman live at woodstock
http://pdl.stream.aol.com(...)twoodstock_04_dl.mov
Message to love live at woodstock
http://pdl.stream.aol.com(...)twoodstock_01_dl.mov
Purple haze live at woodstock
http://pdl.stream.aol.com(...)twoodstock_11_dl.mov
Purple haze
http://download.ifilm.com/qt/portal/2677793_300.mov
Red house live at woodstock
http://pdl.stream.aol.com(...)twoodstock_03_dl.mov
Spanish castle magic live at woodstock
http://pdl.stream.aol.com(...)twoodstock_02_dl.mov
The star spangled banner live at woodstock
http://pdl.stream.aol.com(...)twoodstock_10_dl.mov
The wind cries mary stockholm 1967
http://flamevault.com/~hobbit/5/Jimi.mpg
Villanova junction
http://pdl.stream.aol.com(...)twoodstock_13_dl.mov
Voodoo chile live at woodstock
http://pdl.stream.aol.com(...)twoodstock_09_dl.mov
Woodstock improvisation live at woodstock
http://pdl.stream.aol.com(...)twoodstock_12_dl.mov
All along the watchtower videoclip
http://lazyblood.com/2001(...)the%20Watchtower.mpg
Fire live at woodstock
http://pdl.stream.aol.com(...)twoodstock_08_dl.mov
Foxy lady live at woodstock
http://pdl.stream.aol.com(...)twoodstock_05_dl.mov
Hey joe live at woodstock
http://pdl.stream.aol.com(...)twoodstock_14_dl.mov
Hey joe
http://www.drummerworld.com/Videos/mitchmitchellhey.mov
Izabella live at woodstock
http://pdl.stream.aol.com(...)twoodstock_07_dl.mov
Jam back at the house live at woodstock
http://pdl.stream.aol.com(...)twoodstock_06_dl.mov
Killing floor
http://nice.sexfolders.co(...)x_Killing_Floor.mpeg
Loverman live at woodstock
http://pdl.stream.aol.com(...)twoodstock_04_dl.mov
Message to love live at woodstock
http://pdl.stream.aol.com(...)twoodstock_01_dl.mov
Purple haze live at woodstock
http://pdl.stream.aol.com(...)twoodstock_11_dl.mov
Purple haze
http://download.ifilm.com/qt/portal/2677793_300.mov
Red house live at woodstock
http://pdl.stream.aol.com(...)twoodstock_03_dl.mov
Spanish castle magic live at woodstock
http://pdl.stream.aol.com(...)twoodstock_02_dl.mov
The star spangled banner live at woodstock
http://pdl.stream.aol.com(...)twoodstock_10_dl.mov
The wind cries mary stockholm 1967
http://flamevault.com/~hobbit/5/Jimi.mpg
Villanova junction
http://pdl.stream.aol.com(...)twoodstock_13_dl.mov
Voodoo chile live at woodstock
http://pdl.stream.aol.com(...)twoodstock_09_dl.mov
Woodstock improvisation live at woodstock
http://pdl.stream.aol.com(...)twoodstock_12_dl.mov
Jaja. Kheb de video's bekeken. Bedankt ervoor. Het meeste kende ik al :-)quote:Op dinsdag 3 januari 2006 10:47 schreef hendrixfan het volgende:
geen reacties op de videos???
en heeft iemand al de catalogus binenn gehad??
Nog geen catalogus binnen...
Ik krijg het idee dat jij de illusie hebt dat je pas een echte Hendrix fan bent als veel CDs en DVDs koopt en dat je, in het geval je daarvoor 'te lui' of 'te gierig' bent, jezelf dus niet bewezen hebt als hardcore fan. Dan vergeet je dat er ook het geval is van iemand die een echte fan is maar het zich niet kan veroorloven niet gierig of lui te zijn wat betreft CDs en dergelijke kopen.quote:Op dinsdag 3 januari 2006 10:47 schreef hendrixfan het volgende:
geen reacties op de videos???
en heeft iemand al de catalogus binenn gehad??
[ Bericht 2% gewijzigd door Big_Boss_Man op 03-01-2006 18:48:46 ]
feest
jonge is gewoon een grapje man:pquote:Op dinsdag 3 januari 2006 18:14 schreef Big_Boss_Man het volgende:
[..]
Ik krijg het idee dat jij de illusie hebt dat je pas een echte Hendrix fan bent als veel CDs en DVDs koopt en dat je, in het geval je daarvoor 'te lui' of 'te gierig' bent, jezelf dus niet bewezen hebt als hardcore fan. Dan vergeet je dat er ook het geval is van iemand die een echte fan is maar het zich niet kan veroorloven niet gierig of lui te zijn wat betreft CDs en dergelijke kopen.
ik koop ook alleen als ik het geld ervoor heb hoor aye axis en ladyland heb ik nie eens op cd:p
maar heb je nou die videos gekeken?? ik heb ze voor jouw gepost hoor:p
Hij is ze allemaal binnen aan het halen maar volgens mij gaat dat nog wel effe duren...quote:Op dinsdag 3 januari 2006 20:47 schreef hendrixfan het volgende:
[..]
jonge is gewoon een grapje man:p
ik koop ook alleen als ik het geld ervoor heb hoor aye axis en ladyland heb ik nie eens op cd:p
maar heb je nou die videos gekeken?? ik heb ze voor jouw gepost hoor:p
feest
ow ok ik hoor wel wat je er van vind oa. van hey joe at woodstockquote:Op dinsdag 3 januari 2006 23:03 schreef Big_Boss_Man het volgende:
[..]
Hij is ze allemaal binnen aan het halen maar volgens mij gaat dat nog wel effe duren...
Die Hendrix familie heeft ook wel erg veel geld nodig om zichzelf te kunnen bedruipen.
Ik heb zo'n idee dat er meer dan een dozijn gezinnen compleet op wijlen Jimi's zak teren.
Hendrix is gewoon erg duur. 40 euro voor vinyl re-issues....pssjjtttt.
Ik heb zo'n idee dat er meer dan een dozijn gezinnen compleet op wijlen Jimi's zak teren.
Hendrix is gewoon erg duur. 40 euro voor vinyl re-issues....pssjjtttt.
We blijven ons verzetten! En weten doen we niks...
ja ik vind dat ze wel wat meer mogen uitgeven er zijn zoveel bootlegs enzo en optredens die opgenomen zijn denk maaar aan royal albert hall en atlantaquote:Op woensdag 4 januari 2006 10:09 schreef turnpike het volgende:
Die Hendrix familie heeft ook wel erg veel geld nodig om zichzelf te kunnen bedruipen.
Ik heb zo'n idee dat er meer dan een dozijn gezinnen compleet op wijlen Jimi's zak teren.
Hendrix is gewoon erg duur. 40 euro voor vinyl re-issues....pssjjtttt.
En die opnames zijn gemaakt door amateuren. Dus dan krijg je van: jah, je mag wel mijn opname hebben om officieel uit te geven, zul je er flink voor moeten dokken.quote:Op woensdag 4 januari 2006 12:42 schreef hendrixfan het volgende:
[..]
ja ik vind dat ze wel wat meer mogen uitgeven er zijn zoveel bootlegs enzo en optredens die opgenomen zijn denk maaar aan royal albert hall en atlanta
die opnames zijn niet van amateurs hoorquote:Op woensdag 4 januari 2006 15:00 schreef Devlinsect het volgende:
[..]
En die opnames zijn gemaakt door amateuren. Dus dan krijg je van: jah, je mag wel mijn opname hebben om officieel uit te geven, zul je er flink voor moeten dokken.
op die deluxe dvd staat al een nummer van altanta dus kunnen ze ook het hele concert op dvd uitbrengen
UK MUSIC HALL OF FAME INDUCTION CEREMONY
Don't miss this exclusive jimihendrix.com video program featuring Mitch Mitchell and Slash inducting Jimi Hendrix into the UK Music Hall of Fame. This 17 minute film was recorded during a UK-televised event on November 16, 2005. Video program also features live performance of "Hey Joe" featuring Mitch Mitchell, Billy Cox, Slash, and Steve Winwood
http://www.jimihendrix.com/media/ukhof-video.ram
Don't miss this exclusive jimihendrix.com video program featuring Mitch Mitchell and Slash inducting Jimi Hendrix into the UK Music Hall of Fame. This 17 minute film was recorded during a UK-televised event on November 16, 2005. Video program also features live performance of "Hey Joe" featuring Mitch Mitchell, Billy Cox, Slash, and Steve Winwood
http://www.jimihendrix.com/media/ukhof-video.ram
Ik heb van mijn vriendin een tas van Jimi Hendrix gehad:
Is ie mooi of is ie mooi?
Is ie mooi of is ie mooi?
Xbox Live: koenpijl
tofquote:Op woensdag 25 januari 2006 13:58 schreef koen_pijl het volgende:
Ik heb van mijn vriendin een tas van Jimi Hendrix gehad:
[afbeelding]
[afbeelding]
Is ie mooi of is ie mooi?
feest
ja cool man:dquote:Op woensdag 25 januari 2006 13:58 schreef koen_pijl het volgende:
Ik heb van mijn vriendin een tas van Jimi Hendrix gehad:
[afbeelding]
[afbeelding]
Is ie mooi of is ie mooi?
ik had em in amsterdam gezien vorig jaar zomer in een klein kledingwinkeltje maar ik heb em maar niet gekocht ik had in die winkel al een truitje gekocht van hendrix van runspun ofzo:p
RegioDoc is de naam van een nieuwe programmaserie die de 13 regionale omroepen van Nederland de komende weken gezamenlijk uitzenden. Vanaf 27 november kunt u 13 zondagmiddagen genieten van prachtige documentaires die bij de regionale omroepen zijn uitgezonden.
'Mind and Fancy'
Jules Deelder heeft in 1967 een avond doorgebracht met Jimmy Hendrix, althans dat beweert hij. Er is een bedankbriefje van Hendrix, maar Jules heeft uitgerekend dit stille bewijs van een een legendarische avond, iets te goed opgeborgen...
Uitzendtijden
Zondag 16.00 uur op tv noord holland
'Mind and Fancy'
Jules Deelder heeft in 1967 een avond doorgebracht met Jimmy Hendrix, althans dat beweert hij. Er is een bedankbriefje van Hendrix, maar Jules heeft uitgerekend dit stille bewijs van een een legendarische avond, iets te goed opgeborgen...
Uitzendtijden
Zondag 16.00 uur op tv noord holland
http://youtube.com/watch?v=-8IUj62PiJ8&search=hendrix
video van optreden op madison square garden nog nooit uitgebracht zker de moeite waard
video van optreden op madison square garden nog nooit uitgebracht zker de moeite waard
Die kende ik zeker nog niet. Helaas niet op te slaan. Heeft iemand het (volledige) filmpje en kan het ergens opladen?quote:Op vrijdag 17 februari 2006 15:43 schreef hendrixfan het volgende:
http://youtube.com/watch?v=-8IUj62PiJ8&search=hendrix
video van optreden op madison square garden nog nooit uitgebracht zker de moeite waard
Mooi zegquote:Op woensdag 25 januari 2006 21:13 schreef super-muffin het volgende:
[afbeelding]
En dit heb ik ooit eens van Jimi gemaakt
En die muismat ben ik nog steeds kwijt.
nee das wel kutquote:Op vrijdag 17 februari 2006 17:44 schreef Devlinsect het volgende:
[..]
Die kende ik zeker nog niet. Helaas niet op te slaan. Heeft iemand het (volledige) filmpje en kan het ergens opladen?
tvp
SPOILEROm spoilers te kunnen lezen moet je zijn ingelogd. Je moet je daarvoor eerst gratis Registreren. Ook kun je spoilers niet lezen als je een ban hebt.PS4 online: micro_nl
Probeerde gisteren wat audio te beluisteren op www.jimihendrix.com. Wat oude concerten. Ik kon ze niet openen met RealPlayer. Herkend iemand dit of ligt het aan mijn systeem?
probeer media player classic die gebruik ik altijd.quote:Op maandag 17 april 2006 11:55 schreef Devlinsect het volgende:
Probeerde gisteren wat audio te beluisteren op www.jimihendrix.com. Wat oude concerten. Ik kon ze niet openen met RealPlayer. Herkend iemand dit of ligt het aan mijn systeem?
dit zag ik laatst bij de ako liggen
http://www.revolvermagazine.nl/index.cfm/menuid/1255/product/846
Oud nieuws. Jimi's ontvoeringsverhalen werden nooit serieus genomen.quote:Op maandag 17 april 2006 17:07 schreef hendrixfan het volgende:
[..]
probeer media player classic die gebruik ik altijd.
dit zag ik laatst bij de ako liggen
http://www.revolvermagazine.nl/index.cfm/menuid/1255/product/846
owke ik ga et toch wel gewoon lezen maakt niet uit of er waarheid in zitquote:Op dinsdag 18 april 2006 11:36 schreef Devlinsect het volgende:
[..]
Oud nieuws. Jimi's ontvoeringsverhalen werden nooit serieus genomen.
maar hebben jullie ook de nieuwe catalogus ontvangen van authentic hendrix??
en hoe is dat artikel?quote:Op dinsdag 18 april 2006 18:25 schreef hendrixfan het volgende:
[..]
owke ik ga et toch wel gewoon lezen maakt niet uit of er waarheid in zit
maar hebben jullie ook de nieuwe catalogus ontvangen van authentic hendrix??
Jep, lag vandaag in de bus. Die jacks van 1800 Dollarquote:Op dinsdag 18 april 2006 18:25 schreef hendrixfan het volgende:
[..]
owke ik ga et toch wel gewoon lezen maakt niet uit of er waarheid in zit
maar hebben jullie ook de nieuwe catalogus ontvangen van authentic hendrix??
Zitten een paar T-shirts bij die ik wel zou willen hebben.
ja er zitten veel dingen die ik wel zou willen hebben:Pquote:Op dinsdag 18 april 2006 19:53 schreef Devlinsect het volgende:
[..]
Jep, lag vandaag in de bus. Die jacks van 1800 Dollar
Zitten een paar T-shirts bij die ik wel zou willen hebben.
maar de meeste shirtjes kan je hier ook kopen en goedkoper
op zwarte markt heb ik laatst een hoody gekocht en 2 shirts
en op de meeste rockfestivals verkopen ze ook shirtjes
Er zijn alleen een aantal CDs die me wel tof lijken, maar het lijkt me dat je goedkoper bent als je ze hier bij een CD zaak haalt dan wanneer je ze uit de VS laat komen.quote:Op dinsdag 18 april 2006 21:49 schreef hendrixfan het volgende:
[..]
ja er zitten veel dingen die ik wel zou willen hebben:P
maar de meeste shirtjes kan je hier ook kopen en goedkoper
op zwarte markt heb ik laatst een hoody gekocht en 2 shirts
en op de meeste rockfestivals verkopen ze ook shirtjes
feest
ja maar sommige cds zijn niet te krijgen in nl alleen op bestelling.quote:Op woensdag 19 april 2006 15:32 schreef Big_Boss_Man het volgende:
[..]
Er zijn alleen een aantal CDs die me wel tof lijken, maar het lijkt me dat je goedkoper bent als je ze hier bij een CD zaak haalt dan wanneer je ze uit de VS laat komen.
bijv morning symphonys zie je niet in de winkel liggen
Bijna geen CDs die ik koop liggen in de winkel. Is niet echt een grote zaak.quote:Op woensdag 19 april 2006 23:29 schreef hendrixfan het volgende:
[..]
ja maar sommige cds zijn niet te krijgen in nl alleen op bestelling.
bijv morning symphonys zie je niet in de winkel liggen
feest
IMPORTANT!! Early Hendrix appearance
"Jimi appears as a guitar player in "The Royal Company" playing in the back-up band for Buddy & Stacey on the WLAC-TV Channel 5 show "Night Train" performing "Shotgun"." (http://www.earlyhendrix.com/over/time.htm)
http://www.youtube.com/watch?v=bmRXikp8GAo
"Jimi appears as a guitar player in "The Royal Company" playing in the back-up band for Buddy & Stacey on the WLAC-TV Channel 5 show "Night Train" performing "Shotgun"." (http://www.earlyhendrix.com/over/time.htm)
http://www.youtube.com/watch?v=bmRXikp8GAo
Dat lijkt me vet. Kan het hier niet tjekken i.v.m. werk.quote:Op woensdag 3 mei 2006 23:11 schreef hendrixfan het volgende:
IMPORTANT!! Early Hendrix appearance
"Jimi appears as a guitar player in "The Royal Company" playing in the back-up band for Buddy & Stacey on the WLAC-TV Channel 5 show "Night Train" performing "Shotgun"." (http://www.earlyhendrix.com/over/time.htm)
http://www.youtube.com/watch?v=bmRXikp8GAo
Die Elvis Presley tours, waar Elvis meezingt op een groot scherm met de volledige backline van Elvis in zijn goede jaren. Dat zouden ze met Hendrix moeten doen.
Bedankt voor de toffe link
ja het is echt geweldig om hem zo te zien en hij een tijdje later gwn de wereld heeft veroverd en die sam and dave wannabes amper wat hebben bereikt:P
ik hoop dat er nog meer filmpjes zoals dit uit komen:D
ik hoop dat er nog meer filmpjes zoals dit uit komen:D
http://javimoya.com/blog/youtube_en.phpquote:Op donderdag 4 mei 2006 20:04 schreef super-muffin het volgende:
Wow, dat filmpje is vet Kun je die nergens downloaden?
heb de link gefixedquote:Op donderdag 4 mei 2006 20:14 schreef super-muffin het volgende:
Weet je zeker dat dat de goede link is?
Toffe video inderdaad
alleen die dans pasjes
http://www.youtube.com/watch?v=rJM-YuXVVm4&search=hendrix
JIMI HENDRIX LIVE AT NEWPORT never seen before footage
de meeste kennen wel een clipje van newport maar daar zat geen geluid bij maar DEZE wel
checke dus
buddy miles was er ook bij. ZE spelen the sky is crying van Elmore James
JIMI HENDRIX LIVE AT NEWPORT never seen before footage
de meeste kennen wel een clipje van newport maar daar zat geen geluid bij maar DEZE wel
checke dus
buddy miles was er ook bij. ZE spelen the sky is crying van Elmore James
Ah, bedankt!quote:Op donderdag 4 mei 2006 20:17 schreef Uzumaki_Naruto het volgende:
[..]
heb de link gefixed
Toffe video inderdaad
alleen die dans pasjes
Eerst ff FireFox instaleren dan
Mijn Jimi Hendrix verzameling:
Op de foto is te zien:
- T Shirt van Jimi Hendrix. Is nergens anders te koop! Mijn vriendin heeft het shirt namelijk speciaal voor mij laten maken !
- Cd Mojo - The Roots Of Jimi Hendrix. Hier staan de artiesten op die Jimi Hendrix hebben geinspireerd.
- Cd Jimi Hendrix - Electric Ladyland.
- Cd-box Jimi Hendrix - Purple Haze.
- Twee ansichtkaarten.
- Mojo tijdschrift met groot artikel over Jimi Hendrix.
- Catalogus van de officiele Jimi Hendrix winkel.
- Het boek The Inner World Of Jimi Hendrix. Een engels boek met schilderijen en verhalen van/over Jimi door zijn verloofde.
- De orginele lp uit 1969 Jimi Hendrix - Band Of Gypsys.
- De orginele lp uit 1968 Jimi Hendrix - Smash Hits.
- De orginele lp uit 1980 met de beste liedjes van Jimi Hendrix.
- Een schoudertas met Jimi Hendrix daarop.
- Het blad revolver met een groot artikel over Jimi Hendrix.
Op de foto is te zien:
- T Shirt van Jimi Hendrix. Is nergens anders te koop! Mijn vriendin heeft het shirt namelijk speciaal voor mij laten maken !
- Cd Mojo - The Roots Of Jimi Hendrix. Hier staan de artiesten op die Jimi Hendrix hebben geinspireerd.
- Cd Jimi Hendrix - Electric Ladyland.
- Cd-box Jimi Hendrix - Purple Haze.
- Twee ansichtkaarten.
- Mojo tijdschrift met groot artikel over Jimi Hendrix.
- Catalogus van de officiele Jimi Hendrix winkel.
- Het boek The Inner World Of Jimi Hendrix. Een engels boek met schilderijen en verhalen van/over Jimi door zijn verloofde.
- De orginele lp uit 1969 Jimi Hendrix - Band Of Gypsys.
- De orginele lp uit 1968 Jimi Hendrix - Smash Hits.
- De orginele lp uit 1980 met de beste liedjes van Jimi Hendrix.
- Een schoudertas met Jimi Hendrix daarop.
- Het blad revolver met een groot artikel over Jimi Hendrix.
Xbox Live: koenpijl
You're just like crosstown traffic
So hard to get through to you
Crosstown traffic
I don't need to run over you
Crosstown traffic
All you do is slow me down
And I got better things on the other side of town
Wat een held, Jimi! hij staat steevast in de afspeellijst!
So hard to get through to you
Crosstown traffic
I don't need to run over you
Crosstown traffic
All you do is slow me down
And I got better things on the other side of town
Wat een held, Jimi! hij staat steevast in de afspeellijst!
Burning of the midnight lamp is mooi!
The morning is dead
And the day is, too
There's nothing left here to meet me
But the velvet moon
All my loneliness I have felt today
It's like a little more than enough
To make a man throw himself away
And I continue
To burn the midnight lamp
Alone
Now the smiling portrait of you
Is still hangin' on my frowning wall
It really doesn't, really doesn't bother me too much at all
It's just the ever falling dust
That makes it so hard for me to see
That forgotten earring layin' on the floor
Facing coldly towards the door
I continue
To burn the midnight lamp
Lord, alone
Loneliness is such a drag
So here I sit to face
That same old fire place
Gettin' ready for the same old explosion
Goin' through my mind
And soon enough time will tell,
About the circus in the wishing well
And someone who will buy and sell for me
Someone to toll my bell
But I continue
To burn the midnight lamp
Lord, alone
Darlin' can't ya hear me callin' you?
So lonely
Gonna have to blow my mind
Lonely
The morning is dead
And the day is, too
There's nothing left here to meet me
But the velvet moon
All my loneliness I have felt today
It's like a little more than enough
To make a man throw himself away
And I continue
To burn the midnight lamp
Alone
Now the smiling portrait of you
Is still hangin' on my frowning wall
It really doesn't, really doesn't bother me too much at all
It's just the ever falling dust
That makes it so hard for me to see
That forgotten earring layin' on the floor
Facing coldly towards the door
I continue
To burn the midnight lamp
Lord, alone
Loneliness is such a drag
So here I sit to face
That same old fire place
Gettin' ready for the same old explosion
Goin' through my mind
And soon enough time will tell,
About the circus in the wishing well
And someone who will buy and sell for me
Someone to toll my bell
But I continue
To burn the midnight lamp
Lord, alone
Darlin' can't ya hear me callin' you?
So lonely
Gonna have to blow my mind
Lonely
Xbox Live: koenpijl
fans van Jimi zouden Mecki Mark Men moeten uitchecken
zweedse 60's band soms bij als jimi hendrix klinkt
je zou bijna denken dat je jimi hendrix hoort zingen
http://www.progarchives.c(...)AND.asp?band_id=1465
zweedse 60's band soms bij als jimi hendrix klinkt
je zou bijna denken dat je jimi hendrix hoort zingen
http://www.progarchives.c(...)AND.asp?band_id=1465
wat vinden jullie het mooiste nummer van jimi (-_-)
je zult maar een eendagsvlieg zijn en je dag niet hebben
Jij begintquote:Op donderdag 1 juni 2006 20:03 schreef errol het volgende:
wat vinden jullie het mooiste nummer van jimi (-_-)
Kheb zo'n beetje alles van Jimi. Kan geen genoeg krijgen van Voodoo Chile Slight Return en daar verschillende live versies van
heey
weer wat nieuwe filmpjes van Hendrix
http://www.youtube.com/watch?v=mDjvavm8G8E&search=hendrix
villanova junction at rainbow bridge .. zit niet op de dvd wel interessant dus
http://www.youtube.com/watch?v=1jdcXE0Jmvo&search=hendrix
Hendrix neemt gloria op echt zeldzaam man!!
The Jimi Hendrix Experience live at TTG Studios in October 1968 recording the garage classic "Gloria".
weer wat nieuwe filmpjes van Hendrix
http://www.youtube.com/watch?v=mDjvavm8G8E&search=hendrix
villanova junction at rainbow bridge .. zit niet op de dvd wel interessant dus
http://www.youtube.com/watch?v=1jdcXE0Jmvo&search=hendrix
Hendrix neemt gloria op echt zeldzaam man!!
The Jimi Hendrix Experience live at TTG Studios in October 1968 recording the garage classic "Gloria".
Voodoo Chile en 1983.quote:Op donderdag 1 juni 2006 20:03 schreef errol het volgende:
wat vinden jullie het mooiste nummer van jimi (-_-)
feest
thanks!quote:Op donderdag 8 juni 2006 19:19 schreef hendrixfan het volgende:
heey
weer wat nieuwe filmpjes van Hendrix
http://www.youtube.com/watch?v=mDjvavm8G8E&search=hendrix
villanova junction at rainbow bridge .. zit niet op de dvd wel interessant dus
http://www.youtube.com/watch?v=1jdcXE0Jmvo&search=hendrix
Hendrix neemt gloria op echt zeldzaam man!!
The Jimi Hendrix Experience live at TTG Studios in October 1968 recording the garage classic "Gloria".
zal Gloria even downloaden
en converteren naar avi of mpg2
bij villanova junction doet ie 2 fingertapping iets over de helft van de clipquote:Op donderdag 8 juni 2006 19:19 schreef hendrixfan het volgende:
heey
weer wat nieuwe filmpjes van Hendrix
http://www.youtube.com/watch?v=mDjvavm8G8E&search=hendrix
villanova junction at rainbow bridge .. zit niet op de dvd wel interessant dus
http://www.youtube.com/watch?v=1jdcXE0Jmvo&search=hendrix
Hendrix neemt gloria op echt zeldzaam man!!
The Jimi Hendrix Experience live at TTG Studios in October 1968 recording the garage classic "Gloria".
correct me if i'm wrong
]quote:Op donderdag 8 juni 2006 19:42 schreef ruud_fr het volgende:
[..]
doen het hier ook goed....vooral die laatste
kennen jullie ook de acoustische versie?? van 1983
nog eentje
http://www.youtube.com/watch?v=qJ-qKb1FKX4
From Newport '69 at Devonshire Downs to you! Give it a minute and it will zoom in closer and Jimi will turn you on!
http://www.youtube.com/watch?v=qJ-qKb1FKX4
From Newport '69 at Devonshire Downs to you! Give it a minute and it will zoom in closer and Jimi will turn you on!
Michael Winslow (die van die maffe geluidjes in Police Academy) met een tribute aan Jimi!
http://video.google.com/videoplay?docid=-4249352539294038726&q=michael+winslow
beatboxend!
http://video.google.com/videoplay?docid=-4249352539294038726&q=michael+winslow
beatboxend!
Ik heb 1 CD-eetje van Jimi en kan best genieten zijn muziek.
Angel is heerlijk op rustige dagen.
Ik hou van vele soorten muziek ook al zijn de meeste van vóór mijn tijd, de muziek van nu heeft weining ziels inhoud of echte diepte.
Manic Depression en VooDoo Child (Slight Return) zijn super nummers
Angel is heerlijk op rustige dagen.
Ik hou van vele soorten muziek ook al zijn de meeste van vóór mijn tijd, de muziek van nu heeft weining ziels inhoud of echte diepte.
Manic Depression en VooDoo Child (Slight Return) zijn super nummers
hahaquote:Op donderdag 8 juni 2006 23:43 schreef Elusive het volgende:
Michael Winslow (die van die maffe geluidjes in Police Academy) met een tribute aan Jimi!
http://video.google.com/videoplay?docid=-4249352539294038726&q=michael+winslow
beatboxend!
Jimi Hendrix - Sotheby Plus Masters - CD2 - 04 - 1983 Acoustic Demoquote:Op donderdag 8 juni 2006 19:48 schreef hendrixfan het volgende:
[..]
]
kennen jullie ook de acoustische versie?? van 1983
bedoel je deze?
Kennen jullie de cd Healing Power van Jimi Hendrix? Super mooie cd met nummers die hij aan het proberen is. Heel veel verschillende versies van nummers en ook een nummer met drie liedjes door elkaar. Je meot maar eens op google kijken.
Ik was laatst bij media markt en daar lag de cd Jimi Hendrix feating Little RIchard voor 1 euro.
Ik was laatst bij media markt en daar lag de cd Jimi Hendrix feating Little RIchard voor 1 euro.
Xbox Live: koenpijl
Niet echt een geweldig spectaculaire cd. Staan een paar nummers op die ook op andere goedkope Hendrix albums staan. (is allemaal van hetzelfde merk, die hebben een heleboel goedkope cd's en ook een aantal van Hendrix en die hebben allemaal ongeveer hetzelfde erop, zo ook die met Little Richard)quote:Op zaterdag 10 juni 2006 09:42 schreef koen_pijl het volgende:
Ik was laatst bij media markt en daar lag de cd Jimi Hendrix feating Little RIchard voor 1 euro.
feest
Hoe doe je dat? Ik heb de firefox addon Videodownloader. Wanneer ik de video heb gedownload en wil openen, krijg ik een firefoxpagina met tekens. Of te wel, ik kan het niet openenquote:Op donderdag 8 juni 2006 19:23 schreef Uzumaki_Naruto het volgende:
[..]
thanks!
zal Gloria even downloaden
en converteren naar avi of mpg2
je kunt hem openen met dit programaquote:Op zondag 11 juni 2006 08:12 schreef Devlinsect het volgende:
[..]
Hoe doe je dat? Ik heb de firefox addon Videodownloader. Wanneer ik de video heb gedownload en wil openen, krijg ik een firefoxpagina met tekens. Of te wel, ik kan het niet openen
http://mpf.dzm.hu/
maar ik heb op m'n hd een programma waarmee je .flv naar:avi,mpg of mpg2 kunt re-encoden
ik email het je wel evenquote:Op zondag 11 juni 2006 10:44 schreef Devlinsect het volgende:
Wat is de naam van het progje?
Bedankt tot zover
http://www.sendspace.com/file/wxadrv
http://www.sendspace.com/file/75d6xw
deze 2 bestanden heb je nodig
flvconverter moet je starten
http://www.sendspace.com/file/75d6xw
deze 2 bestanden heb je nodig
flvconverter moet je starten
Nice
Heb een filmpje Gloria geript van youtube naar avi. Was ongeveer 1,4 gig
Converteer je naar MPEG1 of 2? (wat is beter)
Heb een filmpje Gloria geript van youtube naar avi. Was ongeveer 1,4 gig
Converteer je naar MPEG1 of 2? (wat is beter)
mpg2quote:Op zondag 11 juni 2006 11:39 schreef Devlinsect het volgende:
Nice
Heb een filmpje Gloria geript van youtube naar avi. Was ongeveer 1,4 gig
Converteer je naar MPEG1 of 2? (wat is beter)
maar je zou ook die Avi kunnen re-encoden naar Xvid of Divx
Enige Hoepla wat bekend is? Het is het enige wat ik heb gezien tot zo ver! Jammer dat de beelden niet passen bij de muziek die ze draaien.quote:Op zaterdag 8 juli 2006 19:20 schreef Uzumaki_Naruto het volgende:
http://www.youtube.com/watch?v=VMRQiijr318
Jimi Hendrix "Hoepla" dutch TV 1967
op youtube staan nog 2 hoepla filmpjesquote:Op zondag 9 juli 2006 13:16 schreef Devlinsect het volgende:
[..]
Enige Hoepla wat bekend is? Het is het enige wat ik heb gezien tot zo ver! Jammer dat de beelden niet passen bij de muziek die ze draaien.
van Frank Zappa en Soft Machine
http://video.google.com/videoplay?docid=-3981364972665945187&q=hendrix+woodstock
weet niet of hij al langs was gekomen maar hij is
weet niet of hij al langs was gekomen maar hij is
ijsbergvla
* Uzumaki_Naruto houdt van de firefox videodownloader extension!quote:Op zondag 9 juli 2006 15:02 schreef jaguar het volgende:
http://video.google.com/videoplay?docid=-3981364972665945187&q=hendrix+woodstock
weet niet of hij al langs was gekomen maar hij is
thanks!
Iedereen moet dat op z'n pc heben staan.quote:Op zondag 9 juli 2006 15:02 schreef jaguar het volgende:
http://video.google.com/videoplay?docid=-3981364972665945187&q=hendrix+woodstock
weet niet of hij al langs was gekomen maar hij is
Zyggie.
Geweldig!
Heb gisteren de cd First Rays Of The New Rising Sun gekocht bij Plato in Rotterdam voo 9 euro.
Heb gisteren de cd First Rays Of The New Rising Sun gekocht bij Plato in Rotterdam voo 9 euro.
Xbox Live: koenpijl
Das een lekker album! Net zoals alle andere albums van Hendrix, hij blijft nou eenmaal Hendrix!quote:Op zondag 9 juli 2006 15:14 schreef koen_pijl het volgende:
Geweldig!
Heb gisteren de cd First Rays Of The New Rising Sun gekocht bij Plato in Rotterdam voo 9 euro.
feest
http://www.youtube.com/watch?v=hfnxzexbthk&search=hendrix
heey.. jongens:P
dit is een nieuw filmpje..
het is van band of gypsies.. ik weet niet welk optreden maar hij staat iig niet op de dvd en cd
alleen de bootleg cds
het gaat om stepping stone(andere versie) en fire..
check it out zou ik zeggen:D
heey.. jongens:P
dit is een nieuw filmpje..
het is van band of gypsies.. ik weet niet welk optreden maar hij staat iig niet op de dvd en cd
alleen de bootleg cds
het gaat om stepping stone(andere versie) en fire..
check it out zou ik zeggen:D
http://www.youtube.com/watch?v=08zXecbh86I
Jimi plays Haleakala Dolly Dagger
een unreleased video van hendrix... eerst speelt ie dolly dagger daarna villanova junction en ook nog de intro van ezyrider..:D
http://www.youtube.com/watch?v=pjkEJ0Q2PGI
footage van hendrix in een tv show hij speelt manic depression!!!
de enige live video opname ervan:D
kijken dus...
1 tip.. download die filmpjes van you tube want ze kunne plotseling verdwenen zijn:S
Jimi plays Haleakala Dolly Dagger
een unreleased video van hendrix... eerst speelt ie dolly dagger daarna villanova junction en ook nog de intro van ezyrider..:D
http://www.youtube.com/watch?v=pjkEJ0Q2PGI
footage van hendrix in een tv show hij speelt manic depression!!!
de enige live video opname ervan:D
kijken dus...
1 tip.. download die filmpjes van you tube want ze kunne plotseling verdwenen zijn:S
Manic Depression filmpje is fucked up. Of ligt het aan mijn plugin? Er is een DVD met willekeurige optredens waar volgens mij ook Manic Depression opstaat. Lang geleden dat ik de DVD heb gezien. En hij treedt op in een talkshow. Zou deze kunnen zijn...quote:Op woensdag 12 juli 2006 22:14 schreef hendrixfan het volgende:
http://www.youtube.com/watch?v=08zXecbh86I
Jimi plays Haleakala Dolly Dagger
een unreleased video van hendrix... eerst speelt ie dolly dagger daarna villanova junction en ook nog de intro van ezyrider..:D
http://www.youtube.com/watch?v=pjkEJ0Q2PGI
footage van hendrix in een tv show hij speelt manic depression!!!
de enige live video opname ervan:D
kijken dus...
1 tip.. download die filmpjes van you tube want ze kunne plotseling verdwenen zijn:S
Weet iemand de naam van de DVD?
vandaag toevallig een DVD met meerdere optredens gezien bij Music Storequote:Op woensdag 12 juli 2006 22:30 schreef Devlinsect het volgende:
[..]
Manic Depression filmpje is fucked up. Of ligt het aan mijn plugin? Er is een DVD met willekeurige optredens waar volgens mij ook Manic Depression opstaat. Lang geleden dat ik de DVD heb gezien. En hij treedt op in een talkshow. Zou deze kunnen zijn...
Weet iemand de naam van de DVD?
ga ff zoeken
edit: kan hem niet vinden op hun site
[ Bericht 4% gewijzigd door Ruud op 12-07-2006 22:41:13 ]
welke dvd is dat dan.. ik heb em nog nooit gezien dus..quote:Op woensdag 12 juli 2006 22:30 schreef Devlinsect het volgende:
[..]
Manic Depression filmpje is fucked up. Of ligt het aan mijn plugin? Er is een DVD met willekeurige optredens waar volgens mij ook Manic Depression opstaat. Lang geleden dat ik de DVD heb gezien. En hij treedt op in een talkshow. Zou deze kunnen zijn...
Weet iemand de naam van de DVD?
mja het filmpje is fucked up maarja.. het is wel de enigste van manic depression.. hij treed hierop in een talkshow ja.. als je wat weet over die dvd.. wil k het graag weten:D
Rare clip from 2nd set.Eweryone knows that the 1st show was filmed but did you know that the 2nd was filmed too!!!
http://www.youtube.com/watch?v=-zWWL8I36MI&search=hendrix
Jimi Hendrix arriving to Fehrman70
http://www.youtube.com/watch?v=DtNLrzLozKM&search=hendrix
Jimi Hendrix -Live Are you experienced Live 1968
http://www.youtube.com/watch?v=DtNLrzLozKM&search=hendrix
Jimi Hendrix-Randall´s Island
Rare clip from Randall´s island.
http://www.youtube.com/watch?v=zLEeHgeRmXk&search=hendrix
Jimi Hendrix is death news!!
http://www.youtube.com/watch?v=xyzU2_-fgEg&search=hendrix
Boys posing and driving up and down hill with cars(Hendrix with his Corvette Stringway!!!), silent footage later added some rare music in the backround
http://www.youtube.com/watch?v=DIG2QgkIcXc&search=hendrix
jimi hendrix early purple haze
http://www.youtube.com/watch?v=MNbwI5PBL1Q&search=hendrix
Atlanta pop 4 -7-70 star spangled banner
http://www.youtube.com/watch?v=Cn2oB-mUOVA&search=hendrix
Cool interwiew from 1969
http://www.youtube.com/watch?v=NB0vfXNi0sI&search=hendrix
Jimi Hendrix-Complete Lulu showJimi Hendrix shows how to tune guitar and the audience.
http://www.youtube.com/watch?v=GKvn0ZuvcCM&search=hendrix
Jimi Hendrix jamming with janis Joplin´s guitarist and others at Generation club which he later bought and build his own studio Electric Ladyland in there.Poor quality but rare!!
http://www.youtube.com/watch?v=tZnnS6zKmRE&search=hendrix
http://www.youtube.com/watch?v=-zWWL8I36MI&search=hendrix
Jimi Hendrix arriving to Fehrman70
http://www.youtube.com/watch?v=DtNLrzLozKM&search=hendrix
Jimi Hendrix -Live Are you experienced Live 1968
http://www.youtube.com/watch?v=DtNLrzLozKM&search=hendrix
Jimi Hendrix-Randall´s Island
Rare clip from Randall´s island.
http://www.youtube.com/watch?v=zLEeHgeRmXk&search=hendrix
Jimi Hendrix is death news!!
http://www.youtube.com/watch?v=xyzU2_-fgEg&search=hendrix
Boys posing and driving up and down hill with cars(Hendrix with his Corvette Stringway!!!), silent footage later added some rare music in the backround
http://www.youtube.com/watch?v=DIG2QgkIcXc&search=hendrix
jimi hendrix early purple haze
http://www.youtube.com/watch?v=MNbwI5PBL1Q&search=hendrix
Atlanta pop 4 -7-70 star spangled banner
http://www.youtube.com/watch?v=Cn2oB-mUOVA&search=hendrix
Cool interwiew from 1969
http://www.youtube.com/watch?v=NB0vfXNi0sI&search=hendrix
Jimi Hendrix-Complete Lulu showJimi Hendrix shows how to tune guitar and the audience.
http://www.youtube.com/watch?v=GKvn0ZuvcCM&search=hendrix
Jimi Hendrix jamming with janis Joplin´s guitarist and others at Generation club which he later bought and build his own studio Electric Ladyland in there.Poor quality but rare!!
http://www.youtube.com/watch?v=tZnnS6zKmRE&search=hendrix
In het boekje van First rays heb ik gelezen over de nummers Valleys of Neptune, Heaven has no sorrow, Locomotion en This little boy. Er wordt ook vermeldt dat er van de laatste twee geen studio-opnames bestaan. Kennisneming van die informatie heeft bij mij de vraag opgewekt waar ik (live-)opnames van de laatste drie kan vinden (Valleys of Neptune heb ik al gedownload).
Edit: misschien is het leuk als we een lijst samenstellen met materiaal buiten Are you experienced, Axis: Bold as love en Electric ladyland, dat de moeite waard is, opdat we niets missen. Ik trap af met:
1. Freedom
2. Night bird flying
3. Izabella
4. Room full of mirrors
5. Hey baby (new rising sun)
6. Belly button window
7. Little wing [demo]
8. South saturn delta
9. Tax free
10. All along the watchtower [alternate mix]
11. Angel [demo]
12. Pali gap
13. Midnight lightning
14. Somewhere over the rainbow
15. She's a fox [live]
16. Star spangled banner [live]
17. Machine gun [live]
18. Good times [live]
19. Day tripper [live]
20. Hey baby (new rising sun) [live]
[ Bericht 25% gewijzigd door Laurens. op 28-07-2006 20:08:41 ]
Edit: misschien is het leuk als we een lijst samenstellen met materiaal buiten Are you experienced, Axis: Bold as love en Electric ladyland, dat de moeite waard is, opdat we niets missen. Ik trap af met:
1. Freedom
2. Night bird flying
3. Izabella
4. Room full of mirrors
5. Hey baby (new rising sun)
6. Belly button window
7. Little wing [demo]
8. South saturn delta
9. Tax free
10. All along the watchtower [alternate mix]
11. Angel [demo]
12. Pali gap
13. Midnight lightning
14. Somewhere over the rainbow
15. She's a fox [live]
16. Star spangled banner [live]
17. Machine gun [live]
18. Good times [live]
19. Day tripper [live]
20. Hey baby (new rising sun) [live]
[ Bericht 25% gewijzigd door Laurens. op 28-07-2006 20:08:41 ]
Ik ben al een ouwe lul en dan ook allang een Jimi Hendrix devotee sinds m'n 13de en dat is lang geleden, heel lang geleden Kwam bij toeval dit topic tegen, leuk.
Jimi leefde nog toen ik van hem hoorde middels de dubbelaar "Hendrix in New York", allemaal oude nummers met de band van Curtis Knight. Kort daarna, ergens eind 1966 werd ik geraakt door "Hey Joe" gelanceerd door Veronica. Ja en toen was het dus gebeurd, tot nu toe
Overigens is the ElectricSkyChurch the place to be for the die-hards.
M'n dat lijstje hierboven.
Ik heb dus redelijk veel op CD, lp's inmiddels allemaal geruild, wij verkopen nl. nooit iets van Jimi uitsluitend ruilwerk. En ik heb ook behoorlijk wat video materiaal en leeswerk, veel naslag ook 22 boeken.
Tip luister eens naar Woodstock improvisation (Video "Jimi at Woodstock")
Are You Experienced?
[ Bericht 10% gewijzigd door krab op 29-07-2006 00:05:26 ]
Jimi leefde nog toen ik van hem hoorde middels de dubbelaar "Hendrix in New York", allemaal oude nummers met de band van Curtis Knight. Kort daarna, ergens eind 1966 werd ik geraakt door "Hey Joe" gelanceerd door Veronica. Ja en toen was het dus gebeurd, tot nu toe
Overigens is the ElectricSkyChurch the place to be for the die-hards.
M'n dat lijstje hierboven.
Ik heb dus redelijk veel op CD, lp's inmiddels allemaal geruild, wij verkopen nl. nooit iets van Jimi uitsluitend ruilwerk. En ik heb ook behoorlijk wat video materiaal en leeswerk, veel naslag ook 22 boeken.
Tip luister eens naar Woodstock improvisation (Video "Jimi at Woodstock")
Are You Experienced?
[ Bericht 10% gewijzigd door krab op 29-07-2006 00:05:26 ]
NEIN!
Een paar maanden geleden heb ik deze compilatie die ik gemaakt heb geupload. Deze is van de opnames van "Hoepla" van de Vara 1967 Vitus Studios en komen uit een documentaire "Mind and Fancy" (RTV Rijnmond) over de ontmoeting van Julius the Joint (Jules Deelder) met Hendrix.Hierin gaat Deelder op zoek naar het briefje dat Jimi bij hem zou hebben achter gelaten nadat hij op een morgen vertrok uit het huis van Jules, dat was de morgen na het Ahoy concert op de "Hipopy Happy beusr voor Tieners en Twens" in Rotterdam. Meer over die beurs en dat concert hier Van dat concert zijn tot op heden geen geluidsopnames gevonden. Wel een aantal mensen die het concert bijgewoond hebben.
Stay Experienced.
Stay Experienced.
NEIN!
Electric Ladyland is mij behoorlijk tegengevallen. Are you experienced en Bold as love bevatten beide geen waarlijk zwakke tracks, maar Ladyland wordt er door gedomineerd. Ik verkies tracks als The wind cries Mary of Wait until tomorrow toch wel boven een bubblegum-niemendalletje als Little miss Strange, generiek rockertje als Gypsy eyes of Come on of een suffe jam zoals Voodoo chile.
Bedankt! Als je meer hebt, graag uploadenquote:Op zaterdag 29 juli 2006 00:17 schreef krab het volgende:
Een paar maanden geleden heb ik deze compilatie die ik gemaakt heb geupload. Deze is van de opnames van "Hoepla" van de Vara 1967 Vitus Studios en komen uit een documentaire "Mind and Fancy" (RTV Rijnmond) over de ontmoeting van Julius the Joint (Jules Deelder) met Hendrix.Hierin gaat Deelder op zoek naar het briefje dat Jimi bij hem zou hebben achter gelaten nadat hij op een morgen vertrok uit het huis van Jules, dat was de morgen na het Ahoy concert op de "Hipopy Happy beusr voor Tieners en Twens" in Rotterdam. Meer over die beurs en dat concert hier Van dat concert zijn tot op heden geen geluidsopnames gevonden. Wel een aantal mensen die het concert bijgewoond hebben.
Stay Experienced.
[ Bericht 4% gewijzigd door Devlinsect op 11-08-2006 14:57:21 ]
Ik vind Electric Ladyland het mooiste album van Hendrix.quote:Op vrijdag 11 augustus 2006 10:54 schreef Laurens. het volgende:
Electric Ladyland is mij behoorlijk tegengevallen. Are you experienced en Bold as love bevatten beide geen waarlijk zwakke tracks, maar Ladyland wordt er door gedomineerd. Ik verkies tracks als The wind cries Mary of Wait until tomorrow toch wel boven een bubblegum-niemendalletje als Little miss Strange, generiek rockertje als Gypsy eyes of Come on of een suffe jam zoals Voodoo chile.
feest
Als je de tracklist bekijkt vind ik dat nogal meevallen. Je moet toch eens meer naar Gypsy Eyes en Voodoo Chile (slight return) gaan luisteren voordat je dat degelijke uitspraken doet.Ondanks alles wordt ELL gezien als het beste album.quote:Op vrijdag 11 augustus 2006 10:54 schreef Laurens. het volgende:
Electric Ladyland is mij behoorlijk tegengevallen. Are you experienced en Bold as love bevatten beide geen waarlijk zwakke tracks, maar Ladyland wordt er door gedomineerd. Ik verkies tracks als The wind cries Mary of Wait until tomorrow toch wel boven een bubblegum-niemendalletje als Little miss Strange, generiek rockertje als Gypsy eyes of Come on of een suffe jam zoals Voodoo chile.
En met Koen ben ik het eens, prima song "Burning of the Midnight Lamp" Jimi op de harpsicor, ondanks dat vele dat niet met ons eens zullen zijn
@devlinsect, ja ik heb nog wel meer.
1. "...And The Gods Made Love" – 1:21
2. "Have You Ever Been (To Electric Ladyland)" – 2:12
3. "Crosstown Traffic" – 2:25
4. "Voodoo Chile" – 15:05
5. "Little Miss Strange" (Noel Redding) – 2:50
6. "Long Hot Summer Night" – 3:30
7. "Come On (Part 1)" (Earl King) – 4:10
8. "Gypsy Eyes" – 3:46
9. "Burning Of The Midnight Lamp" – 3:44
10. "Rainy Day, Dream Away" – 3:43
11. "1983... (A Merman I Should Turn To Be)" – 13:46
12. "Moon, Turn The Tides...Gently Gently Away" – 1:01
13. "Still Raining, Still Dreaming" – 4:24
14. "House Burning Down" – 4:35
15. "All Along The Watchtower" (Bob Dylan) – 4:01
16. "Voodoo Child (Slight Return)" – 5:14
NEIN!
Momenteel bezig met de upload van "Hey Joe", Paris Music hall 1967-5-11quote:Op vrijdag 11 augustus 2006 13:32 schreef Devlinsect het volgende:
[..]
Bedankt! Als je meer hebt, graag uploaden
http://www.youtube.com/watch?v=v61ZkBuU6Qg
En (gedeelte, normaal 12:38mins) Voodoo Chile, drumsolo Mitch
The Experience at The Konserthuset, Stockholm, 9 January 1969, .1st show
Dat hele concert moet je gewoon helemaal zien, is in omloop zowel audio alleen alsook op video Als je vragen hebt kun je me emailen, stuur me een PM.
http://www.youtube.com/watch?v=6X6nAzhMjQM
Van Jimi verkoop ik nooit iets of vraag er geld voor, behoudens kopieer, materiaal(CD videotape) en portokosten. Ik stel voor belangstellende eea terbeschikking. Keeping the flame burning zogezegd. Pure hobby voor mij, en al jarenlang
Plug your ears is voor referentie bedoeld. Het is ook als pdf te vinden. Kees de Lange, auteur van dit boek vond dat geen probleem toen ik hem hierover schreef.
avi's dus duurde het ff lang.
Veel plezier Stay Experienced.
NEIN!
Ben vaker op sites waar mensen hun mening geven over albums tegengekomen dat are you experienced en axis bold as love beter gewaardeerd worden dan electric ladyland. De 2 eerste albums luisteren waarschijnlijk wat makkelijker.quote:Op maandag 14 augustus 2006 16:12 schreef krab het volgende:
[..]
Als je de tracklist bekijkt vind ik dat nogal meevallen. Je moet toch eens meer naar Gypsy Eyes en Voodoo Chile (slight return) gaan luisteren voordat je dat degelijke uitspraken doet.Ondanks alles wordt ELL gezien als het beste album.
En met Koen ben ik het eens, prima song "Burning of the Midnight Lamp" Jimi op de harpsicor, ondanks dat vele dat niet met ons eens zullen zijn
@devlinsect, ja ik heb nog wel meer.
1. "...And The Gods Made Love" – 1:21
2. "Have You Ever Been (To Electric Ladyland)" – 2:12
3. "Crosstown Traffic" – 2:25
4. "Voodoo Chile" – 15:05
5. "Little Miss Strange" (Noel Redding) – 2:50
6. "Long Hot Summer Night" – 3:30
7. "Come On (Part 1)" (Earl King) – 4:10
8. "Gypsy Eyes" – 3:46
9. "Burning Of The Midnight Lamp" – 3:44
10. "Rainy Day, Dream Away" – 3:43
11. "1983... (A Merman I Should Turn To Be)" – 13:46
12. "Moon, Turn The Tides...Gently Gently Away" – 1:01
13. "Still Raining, Still Dreaming" – 4:24
14. "House Burning Down" – 4:35
15. "All Along The Watchtower" (Bob Dylan) – 4:01
16. "Voodoo Child (Slight Return)" – 5:14
feest
Ik denk dat het punt meer is dat Jimi geen kundige componist van funk of prog-rock is en dat Come on, Long hot summer night, Gypsy eyes en Little miss Strange iets te gemakkelijk in het gehoor liggen.
Geen kundige componist van funk of prog-rockquote:Op maandag 14 augustus 2006 19:46 schreef Laurens. het volgende:
Ik denk dat het punt meer is dat Jimi geen kundige componist van funk of prog-rock is en dat Come on, Long hot summer night, Gypsy eyes en Little miss Strange iets te gemakkelijk in het gehoor liggen.
ROTFLMAOquote:Op maandag 14 augustus 2006 19:46 schreef Laurens. het volgende:
Ik denk dat het punt meer is dat Jimi geen kundige componist van funk of prog-rock is en dat Come on, Long hot summer night, Gypsy eyes en Little miss Strange iets te gemakkelijk in het gehoor liggen.
Come On is niet door Jimi geschreven, maar door Earl King.
Little Miss Strange is ook niet door Jimi geschreven maar door Noel Redding.
Noel Schreef ook She's so Fine (Axis Bold As Love)
En ook Noel heeft een behoorlijke staat van dienst.
Verder waren dit soort nummer gewoon HOT in die tijd.
Kortom. Er blijft steeds minder over van je kwalificatie aangaande ELL en Jimi Hendrix's kwalificatie als componist.
Ik kan alleen maar zeggen. Get your facts straight
Voor de liefhebbers Jimi Hendrix-TTG studios 68_10-28 Niet door mij geupload
http://www.youtube.com/watch?v=w6AE3za7MLo
@Big_Boss_Man
Big Boss Man
De twee door jouw genoemde albums zijn juist veel moeilijker te doorgronden dan ELL. Met ELL nam Jimi afscheid van de voorgaande albums, het meer "freaky" stuff.
Hetzelfde gebeurde min of meer met de BoG (Band Of Gypsys) waarin ik in eerste instantie hevig teleurgesteld was maar door er meer en beter naar te luisteren het toch heb weten te waarderen.
Daar zit het punt. Het verschil van het meer "freaky" stuff naar de meer serieuzere Hendrix. Maarja. Soms moet je ergens aan wennen, zoals aan een andere vriendin
[ Bericht 22% gewijzigd door krab op 14-08-2006 21:35:29 ]
NEIN!
Het statement dat hij geen kundige componist van prog of funk is, staat los van het statement dat dat Come on, Long hot summer night, Gypsy eyes en Little miss Strange iets te gemakkelijk in het gehoor liggen. Btw, ROTFLMAO?
Verder met het enige waarom het gaat, de music en speciaal eentje voor Laurens, waarschijnlijk de eerste keer dat je dit ziet
The Wind Cries Mary, 1967-10-11, Montparnassee, Paris France
http://www.youtube.com/watch?v=p80g0HPfppk
En uit het Duits eprogramma "Beat Beat, Beat" 3 nummers, Stone Free, Hey Joe en Purple Haze, 18-5-1967
http://www.youtube.com/watch?v=oB4YAuwzhTA
Veel plezier weer en ik ga ff lekkerslapen.
NEIN!
Voor de Hendrix fans:
mocht je de film: The Last 24 Hours of Hendrix niet geizen hebben, ga hem kijken of koop de DVD. Alle aanwijzingen lijken erop dat Hendrix vermoord is.
mocht je de film: The Last 24 Hours of Hendrix niet geizen hebben, ga hem kijken of koop de DVD. Alle aanwijzingen lijken erop dat Hendrix vermoord is.
quote:Op zondag 20 augustus 2006 15:49 schreef Devlinsect het volgende:
Voor de Hendrix fans:
mocht je de film: The Last 24 Hours of Hendrix niet geizen hebben, ga hem kijken of koop de DVD. Alle aanwijzingen lijken erop dat Hendrix vermoord is.
[afbeelding]
En ik al die tijd maar denken dattie een pilletje teveel op had.
ja.. R.I.P
die kleren van hem zijn echt cool man:D
als iemand weet waar ze te koop zijn zou ik het graag willen weten...
zal ik nog wat nieuwe videos van hendrix op youtube hier posten??
die kleren van hem zijn echt cool man:D
als iemand weet waar ze te koop zijn zou ik het graag willen weten...
zal ik nog wat nieuwe videos van hendrix op youtube hier posten??
Ik vind zijn kleding toch wel kitscherig. Vooral die buckskinjas die ie op Woodstock droeg, is erg lelijk, terwijl normale bijzonder mooi zijn. Ik heb trouwens vernomen dat zijn kledingobsessie zelfs naar het verwijfde neeg. Hoe dan ook, hij maakte fijne muziek.
Ja, tof! Dat kan nooit kwaad!quote:Op dinsdag 19 september 2006 13:48 schreef hendrixfan het volgende:
ja.. R.I.P
die kleren van hem zijn echt cool man:D
als iemand weet waar ze te koop zijn zou ik het graag willen weten...
zal ik nog wat nieuwe videos van hendrix op youtube hier posten??
feest
Dat hoort mijn inziens bij Hendrix, die uitbundig kleding, dat was Hendrix nou eenmaal.quote:Op dinsdag 19 september 2006 14:54 schreef Laurens. het volgende:
Ik vind zijn kleding toch wel kitscherig. Vooral die buckskinjas die ie op Woodstock droeg, is erg lelijk, terwijl normale bijzonder mooi zijn. Ik heb trouwens vernomen dat zijn kledingobsessie zelfs naar het verwijfde neeg. Hoe dan ook, hij maakte fijne muziek.
Ik heb wel eens een replica van het jasje dat Hendrix draagt op de onderstaande foto gezien op marktplaats. Die had iemand laten maken toen ie meedeed aan een RTL4-achtig playback programma. Helaas was ie XXL ofzo en kostte ie ook vrij veel.
feest
tvp
The Holy Roman Church has been in power for two thousand years, and is responsible for great suffering and sexual repression.Despite all that, it has also given us the Catholic schoolgirl uniform, so I hereby declare all its sins forgiven.
Jimi Hendrix-TTG studios1968
http://www.youtube.com/watch?v=bvUL3xNXti8
Jimi Hendrix somewhere in time 1970 Cherokee Mist LIVE
http://www.youtube.com/watch?v=rz4bT5L4eRM
Jimi Hendrix-TTG studios 68_10-28
http://www.youtube.com/watch?v=w6AE3za7MLo
Jimi Hendrix Machine Gun Berkeley 1970
http://www.youtube.com/watch?v=qpYPr9N4tag
Jimi Hendrix - Star Spangled Banner live Berkeley
http://www.youtube.com/watch?v=w0Nj5wzu804
Jimi Hendrix Foxy Lady Royal albert hall
http://www.youtube.com/watch?v=g0Dpyyps0qo
Stone Free- Jimi Hendrix Beat club London
http://www.youtube.com/watch?v=tNlaGiG3J8k
Jimi Hendrix - Foxy Lady Live at Rainbow Bridge
http://www.youtube.com/watch?v=C8uaHmpAb4Q
Jimi Hendrix Ezyrider band of gypsies
http://www.youtube.com/watch?v=NEhsZjqgJzg
http://www.youtube.com/watch?v=bvUL3xNXti8
Jimi Hendrix somewhere in time 1970 Cherokee Mist LIVE
http://www.youtube.com/watch?v=rz4bT5L4eRM
Jimi Hendrix-TTG studios 68_10-28
http://www.youtube.com/watch?v=w6AE3za7MLo
Jimi Hendrix Machine Gun Berkeley 1970
http://www.youtube.com/watch?v=qpYPr9N4tag
Jimi Hendrix - Star Spangled Banner live Berkeley
http://www.youtube.com/watch?v=w0Nj5wzu804
Jimi Hendrix Foxy Lady Royal albert hall
http://www.youtube.com/watch?v=g0Dpyyps0qo
Stone Free- Jimi Hendrix Beat club London
http://www.youtube.com/watch?v=tNlaGiG3J8k
Jimi Hendrix - Foxy Lady Live at Rainbow Bridge
http://www.youtube.com/watch?v=C8uaHmpAb4Q
Jimi Hendrix Ezyrider band of gypsies
http://www.youtube.com/watch?v=NEhsZjqgJzg
leuk, ga zeker even kijkenquote:30-11 t/m 31-12-2006 JIMI HENDRIX: CAN YOU SEE ME? A LIFE THROUGH THE LENS
Samengesteld door Raj Prem Fine Art Photography, en in samenwerking met Plato Rotterdam, zal deze fototentoonstelling over Jimi Hendrix de grootste in zijn soort zijn die ooit in Europa te zien is geweest.
Jimi Hendrix overleed in 1970, maar zijn legende is nog altijd springlevend. Hoewel zijn muzikale carrière slechts vier jaar duurde, veranderde hij het geluid van de rock ’n’ roll: na Hendrix zou de elektrische gitaar nooit meer hetzelfde klinken. Na zijn dood is de waardering voor zijn werk alleen maar toegenomen. In 2003 zette het Amerikaanse tijdschrift Rolling Stone bij het samenstellen van een top honderd van belangrijkste gitaristen Hendrix op de eerste plaats.
De tentoonstelling die van 30 november t/m 31 december in onze extra ruimte, rechttegenover V!P’s, te zien zal zijn, geeft een uniek overzicht van het korte, stormachtige muzikantenbestaan van Jimi Hendrix. Deelnemende fotografen zijn Jim Marshall, Baron Wolman, Elliott Landy en Ethan Russell, aan wie V!P’s al eerser succesvolle overzichtstentoonstellingen wijdde; Dominique Tarlé, die Hendrix in 1966 fotografeerde bij diens bezoek aan Parijs; geluidstechnicus Eddie Kramer, met bijzondere, zeldzame foto’s van Hendrix’ opnamesessies; Gered Mankowitz, maker van enkele van de bekendste Hendrix-portretten; David Montgomery, fotograaf van Electric Lady Land; de Nederlander Rob Bosboom, die Hendrix’ verblijf in Rotterdam fotografeerde; en verder fotograaf en filmregisseur Jerry Schatzberg, Eddie Caraeff, Bruce Fleming, Karl Ferris, Dezo Hoffman, Barry Levine, Magnus, Barry Peake, David Redfern en Herb Schmitz.
Een aantal van deze 19 fotografen, onder wie Gered Mankowitz, David Redfern, Dominique Tarlé en Eddie Kramer, zal persoonlijk aanwezig zijn op de spectaculaire opening van de tentoonstelling, die zal plaatsvinden op donderdag 30 november om 19.00 uur.
klikquote:De tentoonstelling die van 30 november t/m 31 december in onze extra ruimte, rechttegenover V!P’s, te zien zal zijn
Het is vandaag zijn geboortedag: 27 november 1942.
Verder weet ik ook niet wat iemand met die informatie moet... maar ja: bij deze toch maar ff gemeld...
Verder weet ik ook niet wat iemand met die informatie moet... maar ja: bij deze toch maar ff gemeld...
Heeft iemand al die Deluxe Edition van Woodstock DVD aangeschaft?
Bijv. Hey Joe e.d. staat er nu wel op:
http://www.authentichendrix.com/pgi-ProductSpec?622-002-016
Vind 25 EURO wel veel geld als je de andere versie al hebt.
Bijv. Hey Joe e.d. staat er nu wel op:
http://www.authentichendrix.com/pgi-ProductSpec?622-002-016
Vind 25 EURO wel veel geld als je de andere versie al hebt.
yep, heb ikquote:Op maandag 27 november 2006 16:43 schreef Devlinsect het volgende:
Heeft iemand al die Deluxe Edition van Woodstock DVD aangeschaft?
Bijv. Hey Joe e.d. staat er nu wel op:
http://www.authentichendrix.com/pgi-ProductSpec?622-002-016
Vind 25 EURO wel veel geld als je de andere versie al hebt.
de versie van Hey Joe is erg goed, net als de rest van de nummers
Ik heb zelf ook de eerste uitgave en vind het wel goed zo.quote:Op maandag 27 november 2006 16:43 schreef Devlinsect het volgende:
Heeft iemand al die Deluxe Edition van Woodstock DVD aangeschaft?
Bijv. Hey Joe e.d. staat er nu wel op:
http://www.authentichendrix.com/pgi-ProductSpec?622-002-016
Vind 25 EURO wel veel geld als je de andere versie al hebt.
Heb wel eens stukjes van die deluxe uitvoering gezien bij een vriend. Maar ik hoorde geen tweede gitarist of percussie en ik dacht dat ze bij deze uitgave dat juist wel erbij hadden gedaan.
feest
Dat laatste is een goede. Daar hebben we het hier eerder over gehad.quote:Op maandag 27 november 2006 16:46 schreef Big_Boss_Man het volgende:
[..]
Ik heb zelf ook de eerste uitgave en vind het wel goed zo.
Heb wel eens stukjes van die deluxe uitvoering gezien bij een vriend. Maar ik hoorde geen tweede gitarist of percussie en ik dacht dat ze bij deze uitgave dat juist wel erbij hadden gedaan.
Maar wel de extra nummers. Dat dan weer wel. Ik wacht nog ff tot die is afgeprijst.
"Jimi terug in Rotterdam"
Op donderdag a.s is ook Eddy Kramer, Hendrix technisian aanwezig. Maar ook Mankowitz, een van de belangrijkste Hendrix fotografen. Maar ook Byron Wolman en Jim Marshall.
I am going
http://www.vipsart.nl/
met dank aan Ad Bastiaanssen
Op donderdag a.s is ook Eddy Kramer, Hendrix technisian aanwezig. Maar ook Mankowitz, een van de belangrijkste Hendrix fotografen. Maar ook Byron Wolman en Jim Marshall.
I am going
http://www.vipsart.nl/
met dank aan Ad Bastiaanssen
NEIN!
Waar heb je dat gelezen?http://twtd.bluemountains.net.au/cream/jeff/ecjhgtr.htm En wie zou er dan als 2e gitarist mee moeten spelen, Larry Lee?quote:Op maandag 27 november 2006 16:46 schreef Big_Boss_Man het volgende:
[..]
Ik heb zelf ook de eerste uitgave en vind het wel goed zo.
Heb wel eens stukjes van die deluxe uitvoering gezien bij een vriend. Maar ik hoorde geen tweede gitarist of percussie en ik dacht dat ze bij deze uitgave dat juist wel erbij hadden gedaan.
Daarbij. Als je goed naar Hendrix luistert hoor je een tweede guitar, die van Jimi zelf. Aangezien hij daartoe in staat was.Welke guitar techieken dar zijn kun je nalezen in "Electric Gypsy"
Luister en kijk vooral eens naar "Woodstock improvisation" so real fucking great.Check die riff op 4:05
Dan heb je een idee waar Jimi toe in staat was
http://twtd.bluemountains.net.au/cream/jeff/ecjhgtr.htm
Chris Moise over Woodstock Deluxe schrijft:
"The recent EH Woodstock is absolutely essential. Loads of previously unseen footage. Disc Two is a mix of black & white video shot from the side of the stage and (mostly) alternate angle color footage. My only complaint is the ommission of the black & white Gyspy Woman footage."
In eerste instantie ben ik zeer skeptisch over dit soort releases van "Huize Hendirx LLC"
Overigens bij www.bol.com staat ie voor 19,99
Zo morgenavond ff Eddie Kramers handje schudden. De man die er bij was
[ Bericht 5% gewijzigd door krab op 29-11-2006 23:05:04 ]
NEIN!
Ja man, Larry Lee die staat daar toch de heule tijd op z'n gitaar te zwengelen. Om nog maar niet te spreken over dat percussiekoppel, die waren ook door het dolle heen.quote:Op woensdag 29 november 2006 22:16 schreef krab het volgende:
[..]
Waar heb je dat gelezen?http://twtd.bluemountains.net.au/cream/jeff/ecjhgtr.htm En wie zou er dan als 2e gitarist mee moeten spelen, Larry Lee?
Daarbij. Als je goed naar Hendrix luistert hoor je een tweede guitar, die van Jimi zelf. Aangezien hij daartoe in staat was.Welke guitar techieken dar zijn kun je nalezen in "Electric Gypsy"
Luister en kijk vooral eens naar "Woodstock improvisation" so real fucking great.Check die riff op 4:05
Dan heb je een idee waar Jimi toe in staat was
http://twtd.bluemountains.net.au/cream/jeff/ecjhgtr.htm
Chris Moise over Woodstock Deluxe schrijft:
"The recent EH Woodstock is absolutely essential. Loads of previously unseen footage. Disc Two is a mix of black & white video shot from the side of the stage and (mostly) alternate angle color footage. My only complaint is the ommission of the black & white Gyspy Woman footage."
In eerste instantie ben ik zeer skeptisch over dit soort releases van "Huize Hendirx LLC"
Overigens bij www.bol.com staat ie voor 19,99
Zo morgenavond ff Eddie Kramers handje schudden. De man die er bij was
feest
Je hoort inderdaad Larry Lee spelen. Hij pakt de slagaccoorden terwijl Jimi soleert.quote:Op woensdag 29 november 2006 23:16 schreef Big_Boss_Man het volgende:
[..]
Ja man, Larry Lee die staat daar toch de heule tijd op z'n gitaar te zwengelen. Om nog maar niet te spreken over dat percussiekoppel, die waren ook door het dolle heen.
En dat percussiekoppel was zo stoned als een garnaal.
@ruud _fr: hoor je dat percussiekoppel ook spelen? Op de eerdere DVD dus niet.
die gast achter de bongo's hoor ik nietquote:Op donderdag 30 november 2006 11:38 schreef Devlinsect het volgende:
@ruud _fr: hoor je dat percussiekoppel ook spelen? Op de eerdere DVD dus niet.
Leuk toch iedereen was stoned en Jimi zat meestal wel op een pilletje LSD. Maargoed dat is niet echt belangrijk.quote:Op donderdag 30 november 2006 11:38 schreef Devlinsect het volgende:
[..]
Je hoort inderdaad Larry Lee spelen. Hij pakt de slagaccoorden terwijl Jimi soleert.
En dat percussiekoppel was zo stoned als een garnaal.
@ruud _fr: hoor je dat percussiekoppel ook spelen? Op de eerdere DVD dus niet.
Wat wel belangrijk is is dat ik vanaviond die DVD Woodstock Deluxe heb gekocht op die foto tentoonstelling voor 14,99 bij Plato. Weer 5 euro goedkoper dan bij BOL.Dus hoe jullie nu aan 25 euro komen is mij een raadsel, Zit er nog een leuk boekje bij ook.
Ik ga dat eens bekijken ne beluisteren.
NEIN!
25 EURO bij Fame in Amsterdam. 25 EURO bij Van Leest en Mediamarkt.quote:Op vrijdag 1 december 2006 00:48 schreef krab het volgende:
[..]
Leuk toch iedereen was stoned en Jimi zat meestal wel op een pilletje LSD. Maargoed dat is niet echt belangrijk.
Wat wel belangrijk is is dat ik vanaviond die DVD Woodstock Deluxe heb gekocht op die foto tentoonstelling voor 14,99 bij Plato. Weer 5 euro goedkoper dan bij BOL.Dus hoe jullie nu aan 25 euro komen is mij een raadsel, Zit er nog een leuk boekje bij ook.
Ik ga dat eens bekijken ne beluisteren.
Hobbel zometeen gelijk naar de plato. Hoe vond je de foto tentoonstelling?
heey!!
jullie hebben het over larry lee lees ik
dan moeten jullie zeker deze liedjes horen
Jimi Hendrix - Gypsy Woman unreleased Woodstock performance
Larry Lee sings the lead vocals on a cover of The Impressions' "Gypsy Woman", seguing into Jerry Butler's "Aware Of Love". The pictures are just assorted photos of Hendrix. ... (more)
http://www.youtube.com/watch?v=PPeMmmyKwsI
Jimi Hendrix - Mastermind (unreleased Woodstock performance)
Gypsy Sun & Rainbow's performance of guitarist Larry Lee's song "Mastermind", with Lee on vocals. The pictures are all just of Hendrix because, well, they were easy to find. The video's not the focus here though, this is just a rare track I felt like sharing...."Gypsy Woman / Aware Of Love" is on the way
http://www.youtube.com/watch?v=tLp0MM2hYQE&mode=related&search=
jullie hebben het over larry lee lees ik
dan moeten jullie zeker deze liedjes horen
Jimi Hendrix - Gypsy Woman unreleased Woodstock performance
Larry Lee sings the lead vocals on a cover of The Impressions' "Gypsy Woman", seguing into Jerry Butler's "Aware Of Love". The pictures are just assorted photos of Hendrix. ... (more)
http://www.youtube.com/watch?v=PPeMmmyKwsI
Jimi Hendrix - Mastermind (unreleased Woodstock performance)
Gypsy Sun & Rainbow's performance of guitarist Larry Lee's song "Mastermind", with Lee on vocals. The pictures are all just of Hendrix because, well, they were easy to find. The video's not the focus here though, this is just a rare track I felt like sharing...."Gypsy Woman / Aware Of Love" is on the way
http://www.youtube.com/watch?v=tLp0MM2hYQE&mode=related&search=
@hendrixfan.
Je meent het;)
Goed. Er stonden een zooi interessante Hendrix foootages op Youtube, maar die zijn door de uploader helaas verwijderd omdat iemand zwaaide met de LLC, gewoon "zomaar" iemand. Ik kreeg het ook nog aan de stok met hem:)
Maar niet iedereen laat zich afschrikken zoals "Alrunen" hier Niet al die video's hebben geluid!. Ze zijn vnl gemaakt door iemand uit het publiek met 8mm want toen had je verder weinig.
Leuk is ook deze opname van "Tienerklanken" Belgische TV, toen nog BRT uit Maart 1967 "Stone Free click me Deze opname is "rare", zeldzaam.Uiteraard wel playback:(
[ Bericht 1% gewijzigd door krab op 14-01-2007 19:37:05 (corr) ]
Je meent het;)
Goed. Er stonden een zooi interessante Hendrix foootages op Youtube, maar die zijn door de uploader helaas verwijderd omdat iemand zwaaide met de LLC, gewoon "zomaar" iemand. Ik kreeg het ook nog aan de stok met hem:)
Maar niet iedereen laat zich afschrikken zoals "Alrunen" hier Niet al die video's hebben geluid!. Ze zijn vnl gemaakt door iemand uit het publiek met 8mm want toen had je verder weinig.
Leuk is ook deze opname van "Tienerklanken" Belgische TV, toen nog BRT uit Maart 1967 "Stone Free click me Deze opname is "rare", zeldzaam.Uiteraard wel playback:(
[ Bericht 1% gewijzigd door krab op 14-01-2007 19:37:05 (corr) ]
NEIN!
Is dit ook het Mitch Mitchell adoratietopic??
Mijn favoriete rockdrummer, boven Charlie Watts en Stewart Copeland. Echt ongelofelijk dat hij 19 jaar was tijdens Experienced en Axis en net 20 bij het opnemen van Electric Ladyland. En doodzonde en onbegrijpelijk dat hij - net als Jimi - na de jaren '60 nooit meer van de grond is gekomen.
Ik vind die Buddy Miles 3x niks, technisch veel minder dan Mitchell en dan dat oppervlakkige geshow van hem op Band of Gypsys Helaas is Mitchell op Monterey ver weggestopt, weet niet waarom, maar mede daarom ben ik niet zo kapot van die plaat. Woodstock vind ik een beetje een aanfluiting door die slecht ingespeelde band.
Daarom is tevens mijn vraag hier: wie kan mij een echt goed live album van Jimi aanraden, waarop ook Mitchell goed te horen is? Ben geen echte freak dus heb me nooit durven wagen aan die enorme berg Jimi releases, misschien zit daar genoeg tussen maar dat kan ik niet overzien
Mijn favoriete rockdrummer, boven Charlie Watts en Stewart Copeland. Echt ongelofelijk dat hij 19 jaar was tijdens Experienced en Axis en net 20 bij het opnemen van Electric Ladyland. En doodzonde en onbegrijpelijk dat hij - net als Jimi - na de jaren '60 nooit meer van de grond is gekomen.
Ik vind die Buddy Miles 3x niks, technisch veel minder dan Mitchell en dan dat oppervlakkige geshow van hem op Band of Gypsys Helaas is Mitchell op Monterey ver weggestopt, weet niet waarom, maar mede daarom ben ik niet zo kapot van die plaat. Woodstock vind ik een beetje een aanfluiting door die slecht ingespeelde band.
Helaas is Mitchell op Monterey ver weggestopt, weet niet waarom, maar mede daarom ben ik niet zo kapot van die plaat. Woodstock vind ik een beetje een aanfluiting door die slecht ingespeelde band.Daarom is tevens mijn vraag hier: wie kan mij een echt goed live album van Jimi aanraden, waarop ook Mitchell goed te horen is? Ben geen echte freak dus heb me nooit durven wagen aan die enorme berg Jimi releases, misschien zit daar genoeg tussen maar dat kan ik niet overzien
Ik vind het live dubbelalbum van het concert in de Royal Albert Hall in '69 erg lekker. (Jimi Hendrix - Albert Hall Experience) Maar veel verstand van drummen heb ik niet, dus ik weet niet hoe iemand die daar meer verstand van heeft het vindt.
feest
Ik zou ook wel willen weten wat een goed live album is, ik vind het live allemaal net wat lekkerder en rauwer klinken. Maar volgens mij bestaan er veel bootlegs van Jimi Hendrix, ik kom overal bootlegs tegen. Purple Haze heerlijk nummer ook.
Ik heb laatst Hendrix In The West gehaald, een live bootleg LP en hij is wel vet. Weet iemand nog bootlegs die aan te raden zijn? In die winkel hadden ze tientallen bootlegs maar volgens mij zit er veel rotzooi tussen.
Vast al tig keer voorbijgekomen (en ook vermeld in het gitaar topic)
http://youtube.com/watch?v=ao6JntNIPHc
stiekem een tvp
http://youtube.com/watch?v=ao6JntNIPHc
stiekem een tvp
Rainbow bridge was een van de betere optredens van Hendrix
check dus deze filmpjes:).. staan niet op de dvd!
Jimi Hendrix- Message to Love (Maui)
http://www.youtube.com/watch?v=3q2jjSgY2qY
Ezy Rider from Rainbow Bridge
http://www.youtube.com/watch?v=ZHEBPdGouLY
*Note* The footage of Hendrix is very short. Whoever made Rainbow Bridge thought it would be a great idea to replace the footage of Jimi with clips from the Easy Rider movie. ...
The second version of Hey Baby from Rainbow Bridge.
http://www.youtube.com/watch?v=qWaLmuF3AlI
Jimi Hendrix- Lover Man (Maui)
http://www.youtube.com/watch?v=Sdja3HwtOwg
Jimi Hendrix- Dolly Dagger (Maui)
http://www.youtube.com/watch?v=t4LJxHNMjSc
Jimi Hendrix- Spanish Castle Magic (Maui)
http://www.youtube.com/watch?v=5fG8IcL08PM
Jimi Hendrix- Hear My Train A Comin' (Maui) *Full Length*
http://www.youtube.com/watch?v=8DaIX8Y4WWE
check dus deze filmpjes:).. staan niet op de dvd!
Jimi Hendrix- Message to Love (Maui)
http://www.youtube.com/watch?v=3q2jjSgY2qY
Ezy Rider from Rainbow Bridge
http://www.youtube.com/watch?v=ZHEBPdGouLY
*Note* The footage of Hendrix is very short. Whoever made Rainbow Bridge thought it would be a great idea to replace the footage of Jimi with clips from the Easy Rider movie. ...
The second version of Hey Baby from Rainbow Bridge.
http://www.youtube.com/watch?v=qWaLmuF3AlI
Jimi Hendrix- Lover Man (Maui)
http://www.youtube.com/watch?v=Sdja3HwtOwg
Jimi Hendrix- Dolly Dagger (Maui)
http://www.youtube.com/watch?v=t4LJxHNMjSc
Jimi Hendrix- Spanish Castle Magic (Maui)
http://www.youtube.com/watch?v=5fG8IcL08PM
Jimi Hendrix- Hear My Train A Comin' (Maui) *Full Length*
http://www.youtube.com/watch?v=8DaIX8Y4WWE
Ik wil graag een DVD van Jimi Hendrix, ik zag bij bol.com dat er veel verschillende zijn. Is er eentje die er uitspingt qua beeld/geluid?
Eej devlinsect..... jouw avatar is de bizarste die ik ooit heb gezien.
Nu heb ik het eindelijk gezegd
Nu heb ik het eindelijk gezegd
The Holy Roman Church has been in power for two thousand years, and is responsible for great suffering and sexual repression.Despite all that, it has also given us the Catholic schoolgirl uniform, so I hereby declare all its sins forgiven.
zie hem regelmatig op tv(Hey Joe live @ Beat Club 67)quote:Op maandag 19 maart 2007 14:20 schreef Big_Boss_Man het volgende:
Hendrix
lang leve VH1 Classic!
Hier nog een jimi fan Ik hoor alleen niets over: cocain. Wat ikzelf toch een van zijn betere nummers vind.
Iemand hier die dit ook kent? Gedownload via limewire btw
Iemand hier die dit ook kent? Gedownload via limewire btw
--------------------------------------------------------------------------------------------
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Nooit van gehoord. Weet je zeker dat ie niet van Clapton is? Voor zover ik weet heeft Hendrix dat nummer nooit gedaan?quote:Op maandag 19 maart 2007 18:57 schreef DoimeN het volgende:
Hier nog een jimi fan Ik hoor alleen niets over: cocain. Wat ikzelf toch een van zijn betere nummers vind.
Iemand hier die dit ook kent? Gedownload via limewire btw
EDIT: ah, dit is in de tussentijd al geopperd.
feest
quote:Op maandag 19 maart 2007 10:45 schreef jehovaguerilla het volgende:
Eej devlinsect..... jouw avatar is de bizarste die ik ooit heb gezien.
Nu heb ik het eindelijk gezegd
Het is zeker niet die van clapton, die heb ik namelijk ook. Als ik 'jimi hendrix cocaine' intik bij google, vind hij een cover van jimi hendrix van eric clapton. Deze bedoel ik ook niet. Dit is een heel ander nummer.
Enig idee hoe ik dit lied online krijg zodat jullie hem kunnen luistern?
Enig idee hoe ik dit lied online krijg zodat jullie hem kunnen luistern?
--------------------------------------------------------------------------------------------
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Via www.rapidshare.com kan je dat doen, maar ik ben bang dat dat niet in overeenstemming is met de regels hier op fok... Ik ben wel benieuwd naar dat nummer.quote:Op dinsdag 20 maart 2007 09:24 schreef DoimeN het volgende:
Het is zeker niet die van clapton, die heb ik namelijk ook. Als ik 'jimi hendrix cocaine' intik bij google, vind hij een cover van jimi hendrix van eric clapton. Deze bedoel ik ook niet. Dit is een heel ander nummer.
Enig idee hoe ik dit lied online krijg zodat jullie hem kunnen luistern?
feest
Het mooiste nummer van Jimi vind ik nog altijd 1983...A merman I should turn to be
Een van de weinige long songs van de Experience, staat op Electric Ladyland volgens mij.
Die sfeer in dat nummer is echt zo relaxt...
Een van de weinige long songs van de Experience, staat op Electric Ladyland volgens mij.
Die sfeer in dat nummer is echt zo relaxt...
Though I\'ve reached a signpost, It\'s really not the end.
Like Old Sol behind the mountain I\'ll be coming up again.
Mijn Last.fm
Like Old Sol behind the mountain I\'ll be coming up again.
Mijn Last.fm
Ben ik met je eens, een van de mooiste nummers van Hendrix is dat!quote:Op dinsdag 20 maart 2007 09:41 schreef Soli het volgende:
Het mooiste nummer van Jimi vind ik nog altijd 1983...A merman I should turn to be
Een van de weinige long songs van de Experience, staat op Electric Ladyland volgens mij.
Die sfeer in dat nummer is echt zo relaxt...
feest
Tof! haast niemand kent dat nummer...quote:Op dinsdag 20 maart 2007 09:48 schreef Big_Boss_Man het volgende:
[..]
Ben ik met je eens, een van de mooiste nummers van Hendrix is dat!
Though I\'ve reached a signpost, It\'s really not the end.
Like Old Sol behind the mountain I\'ll be coming up again.
Mijn Last.fm
Like Old Sol behind the mountain I\'ll be coming up again.
Mijn Last.fm
Ok hier isie: http://rapidshare.com/fil(...)x_-_Cocaine.MP3.html
Dit alleen om hem aan te duiden
ik kan het btw ook helemaal fout hebben hoor maargoed luister maar
Dit alleen om hem aan te duiden
ik kan het btw ook helemaal fout hebben hoor maargoed luister maar
--------------------------------------------------------------------------------------------
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Het is Sunshine Of Your Love van Cream. Dus toch Clapton.quote:Op dinsdag 20 maart 2007 09:58 schreef DoimeN het volgende:
Ok hier isie: http://rapidshare.com/fil(...)x_-_Cocaine.MP3.html
Dit alleen om hem aan te duiden
ik kan het btw ook helemaal fout hebben hoor maargoed luister maar
feest
Sotheby plus masters dubbel cd echt helemaal verslaafd aan. Veruit het beste wat ik van Hendrix heb. Alleen zijn er over die opname weinig verhalen/ achtergrond info bekend.. Weet iemand er hier meer over?
Shiiiit, genept bij limewire, mijn foutquote:Op dinsdag 20 maart 2007 10:08 schreef Big_Boss_Man het volgende:
[..]
Het is Sunshine Of Your Love van Cream. Dus toch Clapton.
--------------------------------------------------------------------------------------------
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Als je gewoon je bek dicht houdt, is er niets aan de hand!
Dat komt vaker voor met limewire. Is overigens wel een relax nummer, die van Cream!quote:Op dinsdag 20 maart 2007 10:13 schreef DoimeN het volgende:
[..]
Shiiiit, genept bij limewire, mijn fout
feest
Sunshine of your Love is ook door Hendrix gedaan. Sterker nog, het nummer is zelfs geschreven n.a.v. een Jimi concert
http://en.wikipedia.org/wiki/Sunshine_of_Your_Love
Het eerste gedeelte de uitleg. In het midden van de pagina kun je lezen dat ook Hendrix het heeft gecoverd. Kheb de mp3 die hier is gepost niet geluisterd BTW...
http://en.wikipedia.org/wiki/Sunshine_of_Your_Love
Het eerste gedeelte de uitleg. In het midden van de pagina kun je lezen dat ook Hendrix het heeft gecoverd. Kheb de mp3 die hier is gepost niet geluisterd BTW...
whaha tof dat wist ik nietquote:Op dinsdag 20 maart 2007 12:56 schreef Devlinsect het volgende:
Sunshine of your Love is ook door Hendrix gedaan. Sterker nog, het nummer is zelfs geschreven n.a.v. een Jimi concert
Het mp3tje is de gewone Sunshine Of Your Love. Ik heb wel eens opnames van Hendrix gehoord waar hij dat nummer speelt. Hij zingt er niet bij en gebruik het liedje om wat op te jammen. En als Hendrix ging jammen was het altijd goed!quote:http://en.wikipedia.org/wiki/Sunshine_of_Your_Love
Het eerste gedeelte de uitleg. In het midden van de pagina kun je lezen dat ook Hendrix het heeft gecoverd. Kheb de mp3 die hier is gepost niet geluisterd BTW...
feest
een van de betere nummers iddquote:Op dinsdag 20 maart 2007 09:41 schreef Soli het volgende:
Het mooiste nummer van Jimi vind ik nog altijd 1983...A merman I should turn to be
Een van de weinige long songs van de Experience, staat op Electric Ladyland volgens mij.
Die sfeer in dat nummer is echt zo relaxt...
Jimi Hendrix
All Along The Watch Tower is echt een van de beste nummers ooit gemaakt.
All Along The Watch Tower is echt een van de beste nummers ooit gemaakt.
You realize that there's no point in doing anything if nobody's watching.
You wonder, if there had been a low turnout at the crucifixtion, would they have rescheduled?
You wonder, if there had been a low turnout at the crucifixtion, would they have rescheduled?
de versie van jimi was ook sneller!..quote:Op dinsdag 20 maart 2007 13:04 schreef Big_Boss_Man het volgende:
[..]
whaha tof dat wist ik niet
[..]
Het mp3tje is de gewone Sunshine Of Your Love. Ik heb wel eens opnames van Hendrix gehoord waar hij dat nummer speelt. Hij zingt er niet bij en gebruik het liedje om wat op te jammen. En als Hendrix ging jammen was het altijd goed!
maar dat cocaine gedoe is gwn fake.. net als dat hendrix, santana en clapton ''after midnight'' speelden die kan je ook vinden met de bekende p2p programma's
mja, de bekende p2p programma's puilen gewoon uit van de verkeerd getagde mp3tjesquote:Op woensdag 21 maart 2007 01:22 schreef hendrixfan het volgende:
[..]
de versie van jimi was ook sneller!..
maar dat cocaine gedoe is gwn fake.. net als dat hendrix, santana en clapton ''after midnight'' speelden die kan je ook vinden met de bekende p2p programma's
feest
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