David Bowie #2

NAAM
David Robert Jones, geboren op 8 januari 1947.

DISCOGRAFIE
David Bowie (1967)
Space Oddity (1969)
The Man Who Sold the World (1970)
Hunky Dory (1971)
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Aladdin Sane (1973)
Pin Ups (1973)
Diamond Dogs (1974)
Young Americans (1975)
Station to Station (1976)
Low (1977)
"Heroes" (1977)
Lodger (1979)
Scary Monsters (and Super Creeps) (1980)
Let's Dance (1983)
Tonight (1984)
Never Let Me Down (1987)
Black Tie White Noise (1993)
1. Outside (1995)
Earthling (1997)
'Hours...' (1999)
Heathen (2002)
Reality (2003)

Vorig topic: David Bowie

Van zijn uitstekende laatste meest recente album

quote:

Is David Bowie Retiring From the Road?
"I'm not thinking of touring. I'm comfortable," rocker tells 'New York Times'

Jun 07, 2010

A brief update on long-absent David Bowie was buried at the bottom of a long New York Times profile on the rocker's supermodel wife Iman this weekend. "I'm not thinking of touring," he said. "I'm comfortable." The news is hardly a shock - Bowie has been on an unannounced hiatus for the last six years - but his quote to the Times confirms there will be no new Bowie shows in the near future. What's he been doing with his time? "He draws, paints and collects 20th-century British art," the Times piece says.

Earlier this decade, Bowie released two strong back-to-back albums (2002's Heathen and 2003's Reality) and went on a world tour that many fans considered to be his best in decades. It was cut short, however, when he suffered a heart attack in the summer of 2004. Over the next two years he made surprise appearances onstage with Arcade Fire, Alicia Keys and Pink Floyd's David Gilmour. In 2006, Bowie announced he was going to stage a full concert at the inaugural High Line Festival in New York, but a few months later he backed out. "Due to ongoing work on a new project, David Bowie has announced that it will not be possible for him to perform," a statement read. Four years later, there’s been no sign of that "new project."

Prior to this break, Bowie hadn't taken more than two-and-a-half years off between albums since he began recording in 1964. It's now been nearly seven years since he released a single new track. On her Twitter in May 2009, Iman did suggest he's working on something when asked by a follower if Bowie was recording new music. "He’s cooking up something I'm sure you will love" was her response. A May article published by the AARP noted that Bowie was also working on a new album, but a rep for Bowie denied it to Rolling Stone.

Bron: rollingstone.com

Nice

Space Oddity niet serieus nemen

Morgen (9 oktober) zou de 70e verjaardag van John Lennon zijn geweest. In dat kader, met daarbij de voetnoot dat vorige maand het zesde verzoek tot vrijlating van Mark Chapman is geweigerd en hij het over opnieuw twee jaar nog eens mag proberen, het volgende:

quote:

Honestly, no matter how thoroughly I prepare for an interview with a musician, I never can be totally certain of what might be revealed. I’ve been rattled more than once by a revelation from a musician for which there had been no previous report, but none more stunning than the one David Bowie gave me when the recording machine was turned off: according to Bowie, New York City police discovered that his name was second on a hitlist of targets of John Lennon’s assassin, Mark David Chapman.

At the time of Lennon’s December 8, 1980 murder outside of his Manhattan apartment, David Bowie was starring just blocks away on Broadway in the play “The Elephant Man”. “I was second on his list,” Bowie told me in the New York studio we shared near Madison Square Garden. ”Chapman had a front-row ticket to ‘The Elephant Man’ the next night. John and Yoko were supposed to sit front-row for that show, too. So the night after John was killed there were three empty seats in the front row. I can’t tell you how difficult that was to go on. I almost didn’t make it through the performance.”

The irony is that David Bowie’s first #1 hit “Fame”, from the “Young Americans” album, was co-written with Lennon who also played guitar on the track. And it was indeed their fame as rock stars which drew Mark David Chapman to stalk them, and subsequently, to murder Lennon.

Bron: In The Studio With David Bowie

Op 8 december a.s. dus 30 jaar geleden. RIP John.



[ Bericht 0% gewijzigd door Sequencial op 08-10-2010 16:10:56 ]

quote:

“Fame”, from the “Young Americans” album, was co-written with Lennon who also played guitar on the track.

Volgens Wikipedia speelt Lennon hierop trouwens geen gitaar:

quote:

Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar’s guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon's voice is also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie's voice is heard singing the final lyrics of the song before the fade.

David Bowie's unreleased album Toy leaks online

Toy, the 2002 album never released by Virgin and now leaked online, has given Bowie fans first new music in almost a decade.

A decade after it was shelved by his label, David Bowie's 23rd studio album has been leaked on the internet. Toy, conceived as a reimagining of Bowie's early work, appeared on file-sharing websites this week, with Bowie's reps refusing to comment.

Toy was originally scheduled to be released in 2002. Together with long-time producer Tony Visconti and Bowie's touring band from 1999's Hours ..., the singer had laid down sessions at New York's Sear Sound studios, recording new versions of some of his earliest works. These included 1968's In The Heat of the Morning – with the strings taken out – and 1971 demo Shadow Man – with strings put in. Bowie also recorded a new version of his very first single, 1964's Liza Jane, first released under the name Davie Jones and the King Bees.

But Virgin Records did not release Toy. There were reports of rights issues, royalty disputes, and shortly thereafter Bowie set up his own label, ISO, licensed through Columbia. Five of Toy's tracks have since seen release, appearing on 2002's Heathen and as B-sides, although the bulk of Toy remained a mystery.

On Sunday, that changed. A week after an Australian man sold a purported copy of Toy on eBay (it sold for £62.98), a CD-quality MP3 version of the album suddenly appeared on BitTorrent, spreading like (ziggy) stardust. This release is missing two tracks from Toy's alleged track-list, Can't Help Thinking About Me and Karma Man, but includes two that were rumoured to have been cut.

Toy's unveiling will be of considerable interest to music-starved Bowie fans, who haven't had a new album since 2003. Outside of a handful of cameos – including work with Arcade Fire, Scarlett Johansson and David Gilmour – the Thin White Duke has been on an apparent musical hiatus since heart surgery in 2004.

quote:

Tracklist
1. Uncle Floyd
2. Afraid
3. Baby Loves That Way
4. I Dig Everything
5. Conversation Piece
6. Let Me Sleep Beside You
7. Toy (Your Turn To Drive)
8. Hole In The Ground
9. Shadow Man
10. In The Heat Of The Morning
11. Youve Got A Habit Of Leaving
12. Silly Boy Blue
13. Liza Jane
14. The London Boys

Oeeeehhhhhh! Vanavond ff opzoeken

Track info:

Uncle Floyd (6'14"): a new song written for Toy and later re-recorded for Heathen as 'Slip Away'. The Toy version opens with a lengthy excerpt of almost a minute from the Uncle Floyd Show, similar to the live version performed on the Reality tour. The production of 'Uncle Floyd' is less rich than 'Slip Away', for which David also re-recorded his vocal. There are minor lyrical differences (e.g. 'Once a time they nearly might have been Bones and Oogie on a moving screen'). The first 'Don't forget to keep your head warm' chorus in 'Slip Away' also is absent in Toy's 'Uncle Floyd'. All in all, 'Uncle Floyd' does not sound as mature and majestic as 'Slip Away', but it is by no means less melancholic.

Afraid (3'28"): another new song recorded for Toy which later appeared on Heathen. The original Toy version of this song has a slightly different instrumentation and additional backing vocals. However, David's original vocal has been maintained on the Heathen version. Essentially, the Heathen version is a remix, not a re-recording. Most obviously, it lacks the Tony Visconti string arrangement.

Baby Loves That Way (4'37"): this re-recording has been officially released on the Japanese 'Slow Burn' single (Sony SICP-162) and in the UK and EC on the 'Everyone Says 'Hi' CD single (ISO/Columbia 673134 5 and ISO/Columbia COL 673076 2). The Toy version is slightly different because it features a more prominent drum beat (including a simple beat instead of a drum roll in the intro) and has some studio banter (e.g. at 3'52" into the song) that has been removed from the released version. The latter is a couple of seconds longer (4'45") than the Toy version.

I Dig Everything (4'52"): Like 'Baby Loves That Way' and many other tracks on Toy, 'I Dig Everything' was re-recorded a slower pace compared to the original. In this case, it has been reworked into a rather straightforward rock song, lacking the 60s feel of the original. The chorus prominently features backing vocalists Emm Gryner and Holy Palmer: 'Every/Everything/Every/Dig everything'.

Conversation Piece (3'52"): this Toy track probably is best known, because it appeared on the bonus disc of the 2CD edition of Heathen. The atmosphere of the re-recording is quite close to the 1970 original, but the production is much richer.

Let Me Sleep Beside You (3'14"): this re-recording for Toy is a fantastic, rather guitar-heavy re-recording with breathy vocals by Bowie.

Toy (4'46"): the third new song for Toy. It was offered as a free download (re-titled 'Your Turn To Drive') to customers who ordered their copy of Reality online from HMV. Later it was made available as an 'exclusive track' in the iTunes Music Store.

Hole In The Ground (3'33"): this song was demoed in (probably) 1970 by David, George Underwood, Herbie Flowers, Tim Renwick and Terry Cox. Musically, the Toy re-recording bears some resemblance to the 'do-do-do' part of 'Walk On The Wild Side'. The lyrics are not among Bowie's most interesting: 'There's a hole in my ground/But there's no one around/With my shoes on the street/And I'm quick on my feet/And I'm running to you/Just a-looking above me'.

Shadow Man (4'40"): this delicate re-recording of a 1971 demo is the highlight of the Toy album. A slightly longer version (4'48"), with an additional string section, was officially released on both EC editions of the 'Slow Burn' CD-single (ISO/Columbia COL 672744 1 and COL 672744 2) and on the UK 'Everyone Says 'Hi'' single (ISO/Columbia 673134 3). Its use as a B-side certainly does not do it justice.

In The Heat of the Morning (3'50"): Tony Visconti added his trademark string arrangement to the original from 1968. The Toy re-recording is quite close to the original, albeit slightly slower, but lacks the strings!

You've Got a Habit Of Leaving (4'49"): the Toy version featured on the EC 'Slow Burn' (ISO/Columbia COL 672744 2) and UK 'Everyone Says 'Hi' singles (ISO/Columbia 673134 5). The vocals of the Toy version are mixed more prominently in the foreground compared to the released version and the "megaphone-effect" on the line 'You could grow up if you wanted to' is absent. Also Bowie announces Earl Slick's guitar part at 3'49". There are also minor differences in instrumentation, e.g. the the kickdrum announcing the lengthy instrumental coda at 3'38" into the released version is absent in the Toy version.

Silly Boy Blue (5'33"): It is a first-rate, stately re-recording which resembles the version recorded in 1968 for the BBC (available on Bowie At The Beeb), including the "Chimi Chimi Chimi" part. The string arrangement is particularly beautiful. The long coda suggests this song might have closed the album.

The following two songs were probably intended as B-sides:

Liza Jane (4'47"): it's very hard to identify with the original 1964 version in this recording. The original arrangement has been reworked into what one might call 'swing jazz'! Except for the chorus, Bowie's vocals have been treated and are buried rather deep in the mix.

The London Boys (3'46"): although this re-recording sounds much more modern than the 1965 version, it is quite faithful to the original. In July 2002, a 1'26" excerpt of this Toy version was issued as a "secret B-side" on a section of BowieNet dedicated to the Heathen album. In August, another 1'30" excerpt appeared. However, both these teasers still did not cover the entire song.

bron

[ Bericht 0% gewijzigd door Sequencial op 24-03-2011 10:00:34 ]

quote:

Op donderdag 24 maart 2011 09:30 schreef cafca het volgende:

2. Afraid
*knip*

Zijn de enige nummers die ik nog niet kende

De bekende nummers zijn trouwens wel nieuwe versies

Maarre... Afraid staat op Heathen! Gij heiden!