Stoner Central #31: Fever Frey

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Op zondag 16 oktober 2011 18:23 schreef Trashcanman het volgende:

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Maar goed, als je niets met metal invloeden hebt zou je eens sucking the 70's moeten opzoeken. Allemaal 70's covers van hedendaagse stonerbands, geheid dat daar wel wat tofs voor je tussenzit.

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Op zondag 16 oktober 2011 18:24 schreef Trashcanman het volgende:

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O, wist niet dat dat dan weer automagisch veranderde per vers deel... MMMOOOOOOOODSSS!!

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Op zondag 16 oktober 2011 18:41 schreef Trashcanman het volgende:

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Moest jij niet een of andere wijvenserie kijken?

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Op zondag 16 oktober 2011 18:31 schreef Oidipous het volgende:

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Nu aan het downen, thx!

MARS RED SKY - Curse

Gomer Pyle - Bring On The Diesel (live)

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"For those who know me, yes, I have quit Black Pyramid. I could not continue. You might not understand. I do not care. I am happy, serene, and finally at peace."

-Adam Beresky

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Op maandag 17 oktober 2011 11:45 schreef Bosbeetle het volgende:
http://vimeo.com/leesakura/yobatroadburn10

dit was een tof concert

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Op maandag 17 oktober 2011 21:16 schreef Trashcanman het volgende:

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O deze post had ik helemaal over het hoofd gezien. Goede kwaliteit wel.

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Op maandag 17 oktober 2011 15:45 schreef Trashcanman het volgende:

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Laat me raden: jij bent ook in het bezit van die Welcome Back To Meteor City compilatie.

Wel zonde van BP, vind het wel fijne muziek.

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Op zondag 16 oktober 2011 18:38 schreef Darkestrah het volgende:

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Mijn god, doe je er 5 minuten over om een nieuw topic te openen, doe je het verkeerd.

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Op dinsdag 18 oktober 2011 07:27 schreef Ringel-S het volgende:

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Ha, klopt Weet eens meer hoe ik daar aan kom!

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Op dinsdag 18 oktober 2011 12:05 schreef arucard het volgende:

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Die werd gratis uitgedeeld op Roadburn, daar heb ik hem van in ieder geval

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Op dinsdag 18 oktober 2011 12:08 schreef Bosbeetle het volgende:

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Ooit in een grijs verleden had ik er één maar heb niet de kans gehad om het te beluisteren.

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Ulver‘s music career is a sonic kaleidoscopic epic that saw them start as a lo-fi black metal band, and then begin a continuous morphing through acoustic outsider folk, electronic ambient music, post-symphonic chamber music and electronic post-rock to their current sound which might be called goth / prog / electronic / experimental / art rock.

They are without question one of the most varied, unique and talented bands active today and Roadburn‘s colossally chuffed to welcome them to the 1967 edition of Roadburn, headlining on Thursday, April 12th at the 013 venue in Tilburg, Holland



Ulver cleave to a path of their own making, constantly carving out new sonic territories. They are by turns brilliant, perplexing, disconcerting, soothing, brooding, cogitative, thrilling and vexing. During the 1990′s they started with their “Black Metal Trilogy” (Bergtatt, Kveldssanger, Nattens Madrigal) which managed to run the gamut from primitive sounding black metal to folklore-inspired acoustic songs. They made their first major style shift with Themes from William Blake’s The Marriage of Heaven and Hell in which they incorporated elements of industrial and electronica and melded them to texts written by Blake.

The 2000′s found leader Kristoffer Rygg (Garm) assembling a completely new lineup based around programmer / keyboardist Tore Ylwizaker (who joined the band for Themes…) and Ulver was free to go off on their own unique musical path that resulted in an amazing array of styles: minimalist ambient works (Teachings in Silence), full-blown techno / electronica (Metamorphosis), electronic post-rock / trip hop (Perdition City), symphonic soundtrack music (A Quick Fix of Melancholy, Svidd Neger), complex psychedelic / avant-garde rock (Blood Inside) and finally, a more traditional band-playing-instruments approach on 2007′s haunting Shadows of the Sun.

Ulver‘s latest record, Wars of the Roses, adds multi-instrumentalist Daniel O’Sullivan (Guapo, Æthenor, Miasma & the Carousel of Headless Horses etc.) to the lineup and they are now a seamless amalgamation of the enormous spectrum of sounds that they have prospected during the last decade. It promises to be a wild musical ride at their 1967-performance, we can hardly wait!

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3-day passes: ¤ 177,50 + service fees (1000 available)
4-day passes, including Afterburner: ¤ 197,50 + service fees (1500 available)
Single tickets for the traditional Afterburner event: ¤ 32,50 + service fees (500 available)

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Justin K Broadrick will be Artist in Residence at Roadburn Festival 2012. The resonance of Broadrick’s body of work — whether it’s with Birmingham grindcore godfathers Napalm Death, Head of David (1980s cult heroes), The Fall of Because, Godflesh, Jesu (most recently) or his numerous side projects — can be heard and felt through the entire festival and many of the bands invited to perform.

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Broadrick’s distinctive style involves coupling minimalistic drones with melodic, darkly layered, psychedelic guitar textures. He has an obvious willingness to experiment, as his influences range from shoegaze to dark ambient, from grindcore to industrial, from drum ‘n bass to power electronics. The styles he manifests by creating all-encompassing, yet devastatingly claustrophobic visions from minimalist means are all elements whose fumes have pervaded countless different acts at Roadburn over our many years.

Justin K Broadrick will carry on a tradition that began in 2010 with Enslaved (performing the Armageddon Concerto together with Shining, Norway as part of their residency), followed by Circle in 2011. Justin will play 3 different sets during Roadburn Festival 2012, starting off as White Static Demon vs JK Flesh on Thursday, April 12 at the Midi Theatre. That is Broadrick’s power electronics project followed by JK FLESH, his heavy electronic based project which encompasses dissonant textures coupled with post hip hop / dubstep / drum and bass stylings

On Friday, April 13th, Justin will perform as Final. Initially started as a two-piece punk band with a drummachine in 1982, the group recorded its first demo when Broadrick was thirteen years old. The project developed to embrace electronics and dark ambient throughout the years. Justin revived Final by himself in 1993.

Broadrick’s residency will lead into his main project, Jesu, performing on Saturday, April 14th. Named after the last song on the final Godflesh release (Hymns), Jesu (i.e. Broadrick) quickly got established as one of the seminal post-rock pioneers. Since the release of 2006’s Silver EP, which gained comparisons to My Bloody Valentine or Slowdive, Broadrick’s sound evolved further into pop and indie sounds, while maintaining the claustrophobic sonic density his work is renowned for.

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Op dinsdag 18 oktober 2011 16:26 schreef arucard het volgende:
prijzen zijn bekend:

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Op dinsdag 18 oktober 2011 16:26 schreef arucard het volgende:
prijzen zijn bekend:

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Op dinsdag 18 oktober 2011 20:04 schreef nipeng het volgende:
Ik zie eerder tegen 3x Justin K op.

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Op dinsdag 18 oktober 2011 21:50 schreef nipeng het volgende:
Tja 200 euro is best een aardige duit maar per dag bekeken valt het best mee.
Het is voor mij het enige festival dat een dergelijk bedrag waard is.

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Op dinsdag 18 oktober 2011 16:26 schreef Bosbeetle het volgende:
ai...

nee dat wordt hem dit keer niet

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Way out in the North West American wilderness, Evan Caminiti (Barn Owl) and Lisa McGee regroup for another exceptional, ethereal session as Higuma. 'Pacific Fog Dreams' is also their 2nd release for Root Strata, following their earliest collaborative release in '08 with 'Haze Valley', and 2010s 'Den Of The Spirits' LP for Digitalis, one of the finest of its ilk in recent years. Their sound is incredibly precious and achieves the rarest of tangible sensations with glooming, ghostly drones and billowing gaseous shapes shrouded in mystery. Unlike say, the isolationist ambient tones of Thomas Koner, who operates at roughly the same latitude, their vast sound is infused with the spirit of a North West heritage, shoegaze guitars look down rolling mountains over dense forests and deeply embedded folk harmonies drift into being, as though breathed by the vegetation. Their bleakness is balanced with a quietly soaring positivity, whether its from McGee's angelic vocal catharsis or Evan's elemental, overarching mastery of quiet/loud or soft/ dramatic dynamics, we're not sure, but their music is uncannily attuned to the ebb and flow of the senses with a dewy, sublime effervescence and spacious quality that leaves the small hairs on your arms tingling. 'Pacific Fog Dreams' was mastered by former Yellow Swan Pete Swanson and comes housed in full colour sleeve. Hugely recommended to romantic home listeners.

Higuma

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Op dinsdag 18 oktober 2011 20:23 schreef Bosbeetle het volgende:

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Ik ken wel 2 mensen die heel blij zouden zijn als hij met head of david zou komen