Ik hoop het ook, na NSF een aantal van hun albums opgezet. Wel echt mijn ding.quote:Op woensdag 26 oktober 2022 19:29 schreef molloot200 het volgende:
[ twitter ]
Beter doet E-an-na weer mee, die waren vorig jaar de dikke vette televote winnaars.
The top three artists in Sanremo Giovani will be invited to compete in Festival di Sanremo 2023 and have the chance to represent Italy at the Eurovision Song Contestquote:Aisha – DiscoBranda (Universal Music Italia)
ALFA – 5 minuti (Arist First)
Arms Around – Prenditi cura di me (Visory)
Asteria – Profumo (Universal Music Italia)
Bais – Vuoto bestiale (Sugar)
BigMama – Malocchio (Sony Music Italy)
Calma – SABATO SERA (Orangle Records)
Capitolo Zerø – Devi starmi lontano (Milano Records)
Caterina – Causa Affetto (OTRLIVE)
COLLETTIVO – PAROLE DI NOTTE (Pulp Entertainment)
DAG – Lacrime addosso (Millenari)
Enula – Questa Terra (che rumore fa) (Universal Music Italia)
gIANMARIA – La città che odi (Sony Music Italy)
Giovanni Toscano – Arrogantissimo (LATARMA RECORDS)
Giuse The Lizia – Sincera (Maciste Dischi)
GrenBaud – Estraneo (Universal Music Italia)
Hal Quartièr – Aldilà (Sony Music Italy)
Iride & KTB – Alba (Wild Cosmo)
Kaze – Ultimo Tango a Parigi (Universal Music Italia)
Klaus Noir – Mi fai sanguinare (Nikto)
Malvax – Semafori rossi (Cello Communications Network)
Maninni – Mille Porte (Sony Music Italy)
Mida – Malditè (Believe Digital)
NICOL – UGUALI (HOKUTO EMPIRE)
Nuvola – Come te (Warner Music Italy)
Obi – Educati a farci male (SOUND TO BE)
OLLY – L’anima balla (Sony Music Italy)
Pablo – Bilbao (Occhio per Occhio entertainment)
Paulo – Ti odio (mi amor) (Sugar)
Réclame – Cena di famiglia (Giungla Dischi)
Samia – Tutto un fake (Leave Music)
Sarai – Non mi piace (talentoliquido>)
SECHI – Bugie nere (Musicantiere)
Senza cuore – 48H (Il Branco Publishing)
Sethu – Sottoterra (Carosello)
Shari – Sotto Voce (Sony Music Italy)
Simone Panetti – Una lettera alla paura (The Orchard)
Sina – Coltello (Universal Music Italia)
$uicide Gvng – Morirei x te (BeLite Italy)
TES – Tutti Esageratamente Stronzi – Giovani di mezza età (EBIM RECORDS)
UNO – SE SOLO FOSSI DI PIÙ (Aurora Dischi)
Will – Le cose più importanti (Universal Music Italia)
Yana C – Sola (All Entertainment)
De jury is deze keer dus geen probleem meer Ik hoop zo dat ze het gaan proberen en dan gaan. Dit kan na Oekraïne 2021 en Moldavië 2022 weleens de volgende dikke vette televoting hit worden.quote:Op woensdag 26 oktober 2022 19:36 schreef Momo het volgende:
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Ik hoop het ook, na NSF een aantal van hun albums opgezet. Wel echt mijn ding.
Al waren ze wel echt genaaid door die jury die ze eruit heeft gestemd met als reden dat ze niet van deze stijl muziek houden.
Toch nog iets van een Turkse inmenging in het ESF.quote:Voor de selectie van hun Songfestivalkandidaat grijpen de Finnen terug naar de gekende formule van Uuden Musikiin Kilpailu (UMK). Dat format werd in 2012 in het leven geroepen en is dus aan haar twaalfde editie toe. UMK 2023 vindt plaats op zaterdag 25 februari in Turku
quote:Op donderdag 27 oktober 2022 17:48 schreef Fred_B het volgende:
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Toch nog iets van een Turkse inmenging in het ESF.
@:cyan9
Graag in het agenda topic, dat is overzichtelijker.quote:Op donderdag 27 oktober 2022 17:48 schreef Fred_B het volgende:
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Toch nog iets van een Turkse inmenging in het ESF.
@:cyan9
quote:Op donderdag 27 oktober 2022 20:54 schreef Momo het volgende:
Nexum in ESF / [2023] Albanië: Festivali i Këngës 61 #1
Dit klinkt al beter als de vorige keer!quote:How can Ireland turn this depressing trajectory around?
Speaking to RTÉ Entertainment, Michael Kealy (Irish Head of Delegation and RTÉ Executive Producer) outlined his advice for those wishing to represent Ireland in Liverpool.
“Have a look at last year’s Eurovision top ten,” Kealy begins, “and ask yourself if your song is really a contender in the biggest, most competitive music show in the world.”
Last year’s Top 10 was not only very strong, but also immensely varied. It featured many genres, including excellent alternative hip hop/folk (Ukraine’s winning Stefania); Latin pop (Spain’s SloMo); avant-pop (Serbia’s In Corpore Sano); folk (Moldova’s eclectic Trenulețul); and indie pop (Maro’s Saudade, Saudade).
To this end, Kealy stresses that there is no singular formula for a “Eurovision” song. The recipe, if one exists, is simply authenticity:
“Don’t try and write a ‘Eurovision’ song. There isn’t a ‘typical’ Eurovision song and audiences spot songs which lack artistic integrity and are inauthentic.”
Encouraging authenticity is always welcome. Looking again at 2022’s Top 10, successful entries frequently are the product of a deep personal connection between artist and song (for example, In Corpore Sano and Saudade, Saudade) and/or faithfully reflect a country’s musical heritage (eg. Ukraine and Moldova’s folk stylings, Spain’s Latin flair, and the United Kingdom’s clear Bowie and Elton John influences).
Last year, the Irish Eurosong contender I’m Loving Me met some criticism from fans in this regard. Many felt that the song, written by those behind Poland’s 2021 entry The Ride, was created purely to be a ‘Eurovision song.’
Fans hoping for the Irish language to be heard at the adult contest again may also have a reason to be hopeful. Kealy seems to suggest that the Delegation would like to receive some Irish-language submissions:
“It is worth remembering that songs in native languages have done particularly well in recent years.”
To date, Sandie Jones’ 1972 entry Ceol an Ghrá remains the only Irish-language entry to be performed on the adult Eurovision stage.
Sandie Jones’ ‘Ceol an Ghrá’ (1972) is to date the only Irish-language song to be entered to the adult Eurovision Song Contest.
“Performers must be outstanding,” Kealy adds, remarking that “being good isn’t enough any more.” Singers must be capable of performing flawlessly, as “one bum note on stage and it could be game over.”
Kealy’s comments join the list of criteria given by RTÉ for potential Eurovision entries. These include:
A “contemporary” artist who is “an accomplished songwriter with a proven track record of success in the music industry.”
A song with a performer already attached. The performer must be ready to perform in front of a massive audience.
Performers must also have “intrinsic and obvious appeal to the core youth audiences who make up a significant amount of Eurovision viewers and fans.”
RTÉ also noted that they also may extend their own invitations toward established artists and/or songwriters to compete.
Applications for Ireland’s selection show, The Late Late Eurosong Special, will close shortly — time will tell if a song will be found which satisfies the hopes of the Delegation and those of Irish Eurovision fans!
Klinkt alsof ze het toch een keer beginnen te snappen.quote:Op zondag 30 oktober 2022 17:50 schreef Momo het volgende:
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Dit klinkt al beter als de vorige keer!
Dat zijn inderdaad geluiden die licht optimistisch stemmen voor Ierland, als de HoD dat zegt.quote:Op zondag 30 oktober 2022 17:50 schreef Momo het volgende:
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Dit klinkt al beter als de vorige keer!
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