Nog meer onafgemaakte projecten als Smile?

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The Black Album zou oorspronkelijk het tiende album van de Amerikaanse popartiest Prince worden. Het zou worden uitgebracht in november 1987, maar werd eerst uitgesteld en een maand later geannuleerd, zonder officiële opgave van reden. Het werd uiteindelijk in november 1994 alsnog uitgebracht in een gelimiteerde oplage.

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Op dinsdag 30 maart 2010 14:24 schreef belsen het volgende:
[ afbeelding ]
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Wel afgewerkt, maar op het laatste moment teruggetrokken ten faveure van Lovesexy, waarop geen enkel nummer van The black album terugkeerde.

Prince heeft nog wel meer van dti soort projecten, maar dit is wel de meest legendarische. Een ander is Dream Factory dat werd teruggetrokken en voor een groot deel heropgenomen als Sign O the times.

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Op dinsdag 30 maart 2010 14:24 schreef belsen het volgende:
[ afbeelding ]
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Wel afgewerkt, maar op het laatste moment teruggetrokken ten faveure van Lovesexy, waarop geen enkel nummer van The black album terugkeerde.

Prince heeft nog wel meer van dti soort projecten, maar dit is wel de meest legendarische. Een ander is Dream Factory dat werd teruggetrokken en voor een groot deel heropgenomen als Sign O the times.

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Op dinsdag 30 maart 2010 14:37 schreef picodealion het volgende:

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In An Evening With Kevin Smith vertelt Smith heel uitgebreid over een docu die hij met Prince heeft opgenomen, die vervolgens doodleuk in de kluis is gelegd. Blijkbaar doet Prince dat veel vaker en moet er echt een schat aan nooit uitgebrachte releases van die man zijn

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Op dinsdag 30 maart 2010 14:46 schreef WeezerButler het volgende:
1e plaat van the Smiths (producer Troy Tate) ligt nog in een kluis. Bijna alle nummers zijn opnieuw opgenomen en staan op hun debuut.

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March 1978, the Jam released "News of the World", a non-album single that was both written and sung by Foxton. It charted at #27 in the UK, and was the band's second biggest hit to date. This was the only Foxton solo composition to be released as a Jam A-side. When the band went back into the studio to record a third album of primarily Foxton contributions, their songs were dismissed by producers as poor, and they held off recording an album in hopes that Weller would once again find inspiration.

Returning to his hometown of Woking, Weller spent much of his time listening to albums by The Kinks and coming up with new songs. The Jam released their next single, the double A-side "David Watts"/"'A' Bomb in Wardour Street". "David Watts" was a cover of the bouncy Kinks classic; Weller and Foxton traded lead vocals throughout the song. "'A' Bomb In Wardour Street" was a Weller original. One of their hardest and most intense songs, Weller cursed the violent thugs that plagued the punk rock scene over a taut two-chord figure. It became their most successful 7" since "All Around the World".

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In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album, intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be released from her contract. The label obliged, but kept the rights to the songs produced during these sessions (Atlantic had reportedly paid $180,000 to that point on the recordings).[6] Two tracks – "Mountains of Love" and "Fade Away" – were eventually released on a greatest hits collection entitled Gold Stars, while still another, "Can't Kill Myself," was available for download from Hatfield's official website. The remaining tracks have surfaced only as substandard bootleg versions (which do not meet Hatfield's approval) and she has rarely featured them in her subsequent live performances.[6]

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Op dinsdag 30 maart 2010 17:30 schreef ranja het volgende:
Juliana Hatfield - God's Foot
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Ligt nog steeds op de plank bij Atlantic

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Op dinsdag 30 maart 2010 18:25 schreef kuifkrullen het volgende:

Hola! Ik had nog nooit van Juliana Hatfield gehoord. Maar heb net het e.e.a. geluisterd, wat is dat mooi zeg.
Welke is een "must-have"?
Beautiful Creature?

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Op dinsdag 30 maart 2010 21:12 schreef kuifkrullen het volgende:

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Klopt allemaal, maar in hoeverre zijn dat echt legendarische onverschenen albums zoals SMiLe en de zwarte van Prince?
Aan die verhalen kleven hele geschiedenissen.

Ik kan me niet voorstellen dat aan bijvoorbeeld al die FZ-albums een prachtig verhaal zit, waarom het niet verscheen. Zelfde voor Marlyn Manson.
Dat een artiest iets maakt wat niet uitkomt is niet een heel raar verschijnsel denk ik.
Of zie ik dat helemaal verkeerd?

Díe legendarische albums, daar ben ik naar op zoek. En vooral naar die verhalen.

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Carnival of Sound — Official Album Website

In 1967-68, following a decade of major chart success with Jan & Dean, Jan Berry returned to the studio after a life-threatening automobile accident in 1966.

The result was a Sunshine Pop / Psychedelic masterpiece — a big-studio Wrecking Crew album that officially remained shelved for more than 40 years . . . until 2010.

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Springsteen's critically acclaimed 1982 album, Nebraska, with its spare and haunting acoustic sound was actually the demo for the album recorded by Springsteen at home with a 4-track cassette recorder. A second version of the album was recorded with the full E Street Band but Springsteen and his producers felt that the demo worked much better so they released that instead. The full band version, nicknamed "Electric Nebraska" has never been released in any form and probably never will be.

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Homegrown is an unreleased country-rock album by Neil Young. It was so near to being released that a cover had been created. At the last moment however, Neil Young chose to drop Homegrown and release Tonight's the Night instead. Young stated that he had a playback party for Homegrown and Tonight's the Night happened to be on the same reel. He decided to release Tonight's the Night after that listening because of "its overall strength in performance and feeling" and because Homegrown "was just a very down album."

The album was largely acoustic, with many of the songs being solo performances of Young on guitar and harmonica. It was also quite personal, and revealed much of Young's feelings on his failing relationship at the time with actress Carrie Snodgress. Young has said that "Homegrown is the missing link between Harvest, Comes a Time, Old Ways and Harvest Moon."

Over the next few years many of the songs would be released on subsequent albums; "Pardon My Heart" on Zuma, "Star of Bethlehem" on American Stars 'N Bars, "Love Is a Rose" and "Deep Forbidden Lake" on Decade, and "Little Wing" and "The Old Homestead" on Hawks & Doves. "Homegrown" was re-recorded with Crazy Horse on American Stars 'N Bars, as was "White Line" for Ragged Glory. The lyrics of "Florida" were superimposed over the credits for On the Beach on the insert that accompanied the original vinyl release of Tonight's the Night. The song "Barefoot Floors" was covered by Nicolette Larson on her album Sleep, Baby, Sleep.

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Op dinsdag 30 maart 2010 14:48 schreef picodealion het volgende:
Overigens:

http://www.mansonwiki.com(...)ilyn_Manson_projects

Die kan er ook wat van.

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Op zaterdag 17 april 2010 11:35 schreef kuifkrullen het volgende:

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*gaat op onderzoek uit*

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Lifehouse was a science fiction rock opera by The Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album, Who's Next, though its songs would appear on various albums and singles by The Who, as well as Pete Townshend solo albums. In 1978, the Lifehouse project was revisited by The Who including new science fiction related songs by John Entwistle with a slightly changed plot on Who Are You.

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A subsequent solo album, entitled Gift of Screws, was recorded between 1995-2001 and presented to Warner Bros./Reprise for release. Executives at the label managed to persuade Buckingham to hold the album back and instead take several tracks from Gift of Screws and re-record them with Fleetwood Mac. Thus, seven songs from Gift of Screws appear on the Fleetwood Mac album Say You Will, in substantially the same form as Buckingham had recorded them for his solo release. Excellent bootleg copies of Gift of Screws -- taken from an original CD-R presented to Warner Bros/Reprise -- are known to exist, and have been widely distributed among fans through the use of torrent sites and other peer-to-peer networks.

In 2008, Gift of Screws was finally released, containing three tracks from the originally planned album, as well as seven others.

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In early 1970, Jimi Hendrix recorded an autobiographical song cycle in his Greenwich Village apartment that he titled Black Gold.[1] The tapes consisted of 16 songs, all created by a solo Hendrix armed only with his voice and a Martin acoustic guitar. Near the end of the collection lies an embryonic two-part rendition of his superhero themed funk-rock tune Astro Man, in which Hendrix sings lines from the 1950s Mighty Mouse cartoon theme and makes humorous references to Superman. Other songs from the Black Gold sessions were also further developed in the studio and have surfaced in the Hendrix catalogue (Stepping Stone, Machine Gun, and Drifting), but at least nine of the songs are known to be unique to the tapes.

Months later, at the Isle of Wight Festival, Hendrix gave the tapes to his drummer Mitch Mitchell to have him listen and comment on the necessary rhythm section requirements for recording the songs. After Hendrix's death in September 1970, Mitchell simply forgot about the tapes, apparently unaware that they were one-of-a-kind masters. For 22 years, the Black Gold tapes sat in a black Ampex tape box that Hendrix tied shut with a headband and labelled "BG".

It was not until 1992 that Tony Brown, the avid Hendrix collector and biographer, interviewed Mitchell and learnt that the mythical Black Gold tapes, thought to have been stolen from Jimi's apartment by vandals who ransacked it for collectibles soon after his death, were lying in Mitchell's home in England. Mitchell also possessed the Martin guitar that was used to create the material. Brown was invited to review the tapes and published a summary of his account, but to date the material has not been released and is not available to Hendrix collectors.

Many aficionados consider Black Gold the "holy grail" of Hendrix collectibles. The themed songs, plus the label markings and conventions used by Hendrix to identify the tapes lead fans to believe that this demo represents a proposed fifth studio album and predict that the material will reveal the broadest extensions of Hendrix's intended musical direction.

Mitch Mitchell's association with Experience Hendrix LLC was an indicator that Black Gold might see worldwide release. Mitchell's death, however, means that the future and whereabouts of Black Gold are even more uncertain. In March 2010, Janie Hendrix stated that Black Gold will be released "this decade".

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Sketches for My Sweetheart the Drunk is a collection of polished studio tracks and four-track demos recorded by Jeff Buckley. Being dissatisfied with material recorded in the summer of 1996 and early in 1997, Buckley worked on many demos to reach the sound he was hoping to achieve. To be titled My Sweetheart, the Drunk, the album was never finished, as the rest of the band were traveling to meet Buckley at the time of his death. It was released posthumously on 26 May 1998. Despite its unfinished state, the album garnered many positive reviews; The Onion's AV Club called it "frustratingly incomplete, but mostly remarkable".

The title was intended by his mother and sole heir of his estate, Mary Guibert, to be rendered with parentheses, as Sketches (for My Sweetheart the Drunk), because Jeff's work was not finished, and therefore was just an outline, or "sketch", of what would have been released, had Jeff been able to complete this project.

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Op dinsdag 20 april 2010 10:49 schreef eriksd het volgende:
George Michael: Listen without Prejudice Vol. 2

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The expected following album, Listen Without Prejudice Vol. 2, was scrapped for reasons unknown, although possibly due to Michael's frustration with Sony. Among Michael's complaints was that Sony had not completely supported the release of his previous album, resulting in its poor performance in the US as compared to Faith. Sony responded that Michael's refusal to appear in promotional videos had caused the bad response.

Michael ended the idea for Listen Without Prejudice Vol. 2 and donated three songs to the charity project Red Hot + Dance, which gained money for AIDS awareness, while a fourth track "Crazyman Dance" was the B-side of 1992's "Too Funky".

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Op dinsdag 20 april 2010 11:29 schreef Sequencial het volgende:

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Achtergrondinfo:
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Ik moet die drie nummers naast Too Funky eens opzoeken, heb ze nog nooit gehoord.

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It ended up as Dark Night of the Soul, involving more than a dozen noteworthy musical collaborators as well as David Lynch, who signed on to create a 100-page book of original photography inspired by Linkous and Danger Mouse's music. As news leaked the buzz grew louder, and people were excited for a reason: Dark Night combined the best elements of a classic rock event with a very modern strategy. Links between the film, music, and art worlds were established, a ton of stars gathered together under the creative guidance of a couple of relative recluses, a regular old CD was marketed like a Hollywood blockbuster and packaged with a photo album for 50 bucks.

Unfortunately, it's even become a "lost album," as well-- the victim of a record label acting like a lawsuit-happy killjoy. In the last few weeks, it came to light that the record was being shelved due to some sort of mysterious copyright claim from EMI (who weren't too happy with Danger Mouse's first foray into recorded music, either). Danger Mouse, who has emerged as the public face of the project, issued a statement that the book would thus be issued with a blank CD, ostensibly for burning leaked copies of the album.

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Due to a dispute with the record label EMI, it was initially reported that the album may never be released,[1] however the book is available for sale on the official website for Dark Night of the Soul along with a blank recordable CD-R and all copies will be clearly labeled:

"For Legal Reasons, enclosed CD-R contains no music. Use it as you will."[5]

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Op dinsdag 27 april 2010 13:34 schreef Bosbeetle het volgende:
Tegenwoordig worden dit soort dingen vaak door de artiest op internet geplemt

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Op dinsdag 27 april 2010 14:16 schreef ranja het volgende:

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Als de artiest zelf de opnames heeft wel, ja.

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Op dinsdag 27 april 2010 14:44 schreef kuifkrullen het volgende:

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WTF?

Ik hou erg van Pink Floyd, maar hier wist ik niets van!
Is er ergens ook maar een flardje te beluisteren?

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Op dinsdag 27 april 2010 14:50 schreef Bosbeetle het volgende:

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Ik denk dat het of gewoon domweg niet waar is (tijdens een interview gezegd uit verveling) of inderdaad iets waarvan ze later dachten naaaaaaaah dat wordt hem niet.