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  dinsdag 29 mei 2007 @ 15:17:03 #1
94264 Uzumaki_Naruto
Fearless Vampire Killer
pi_49890045
Disclaimer :dit gaat over de Rock,Pop & Folk variant,dus niet over Goa/Psytrance


naar aanleiding van

dit in het officiele Slow Chat topic:
quote:
Op zaterdag 26 mei 2007 19:33 schreef le_knightclub_soda het volgende:
Iemand bekend met dit album? Draai 'm de hele week al nonstop, beste album wat ik dit jaar ontdekt heb!
[afbeelding]
[..]

Of in welk topic ik deze vraag eigenlijk zou moeten posten?
laat ik maar eens beginnen

King George Discovery-s/t



aanrader voor fans van jim hendrix

George met Jimi Hendrix. At the time Jimi had left the Isley Brothers and Little Richard. Jimi was playing on and off with King Curtis and Curtis Knight during that period.


Jimi and George hung out quite a bit. Together they saw the Mc Coys; George once jammed with Jimi, together with drummer Jimmi Castor (later of Castor Bunch "fame"; George was also present when the Rolling Stones came to see Jimi perform in New York City on 2 July 1966 after the Stones concert at Forest Hills Stadium.

Scandinavian agents heard King George and offered him a contract to come to Europe to sing with an all-black soul band, called the Harlem Kiddies. They arrived in Stockholm in 1966 for three months but ended up touring around two years instead. At that time Chas Chandler brought Jimi to England. George was proud of the fact that he did have a contract, while Jimi didn't. Later, of course, it turned out that Jimi did a lot better than him. Jimi and George ran into each other in Scandinavia, where the Harlem Kiddies warmed up for Jimi Hendrix. George met Jimi again when the Experience played in Copenhagen (21 May 1967). George had two bands during the period: the Harlem Kiddies (playing R&B) and the King George Discovery (playing more psychedelic stuff). After that, George met Jimi a few times in Sweden. George claims that he wasn't too found of Noel Redding, but liked Mitch Mitchell a lot more. George also knew Buddy Miles from his Wilson Pickett period, and also met Billy Cox. When George asked Billy where he came from Billy answered, "we're a band of Gypsies, we come from everywhere.

Discovery took their name from the Charles Lloyd album, but their music was particularly influenced by Jimi Hendrix Experience and soul artists. Discovery was a well-celebrated live band, and they performed for instance at the Sweden's biggest festival of 1968 in Timr. Also their self-titled LP released in 1968 got an excellent reception.

Right then when everything seemed to look bright, the bassist Sundlin left the group because of differing musical opinions, and besides singing, Clemons began now to play the bass. King George Discovery eventually broke up in 1969 when the guitarist Nordh left them to join a pop band called Blond.

game on!

[ Bericht 0% gewijzigd door Uzumaki_Naruto op 29-05-2007 17:08:51 ]
pi_49893616
Nou TVP dan maar. Ga dit album v.d. week even checken.

Bigshadow, dat Relatively Clean Rivers album nog geluisterd?
pi_49893802
13th floor elevators - May the circle remain unbroken
Bee gees - Every christion lion hearted man will show you
Soft machine - Fire engine passing with bells clanging
Simply saucer - Mole machine
Galaxie 500 - Snow is falling
Chocolate watchband - Psychedelic trip (geweldige titel)
Spirit - Space child

Voorts is het aangenaam naar internetradio's waarop obscure kraut-, garage- en canterburyrock wordt gespeeld, te luisteren. Onder andere te vinden op www.live365.com .
  dinsdag 29 mei 2007 @ 17:00:18 #4
94264 Uzumaki_Naruto
Fearless Vampire Killer
pi_49894303
quote:
Op dinsdag 29 mei 2007 16:47 schreef Laurens. het volgende:
13th floor elevators - May the circle remain unbroken
Bee gees - Every christion lion hearted man will show you
Soft machine - Fire engine passing with bells clanging
Simply saucer - Mole machine
Galaxie 500 - Snow is falling
Chocolate watchband - Psychedelic trip (geweldige titel)
Spirit - Space child

Voorts is het aangenaam naar internetradio's waarop obscure kraut-, garage- en canterburyrock wordt gespeeld, te luisteren. Onder andere te vinden op www.live365.com .
vertel er dan ook iets bij

en dit topic gaat over albums en met een uitzondering mischien singles
  dinsdag 29 mei 2007 @ 17:57:56 #5
63598 bigshadow
Fan van iedereen
pi_49896464
quote:
Op dinsdag 29 mei 2007 16:43 schreef le_knightclub_soda het volgende:
Nou TVP dan maar. Ga dit album v.d. week even checken.

Bigshadow, dat Relatively Clean Rivers album nog geluisterd?
Ja, maar ik moet bekennen dat het nog geen groot kwartje was. Gooi hem direct weer in de que voor ronde 2!

Ben zelf niet echt een psychedelische muziekkenner, maar albums zoals Forever changes van Love en Ta det lungt van Dungen vind ik zeker leuk om zo nu en dan te luisteren. Het is maar goed dat onbekend tussen haakjes staat.
  dinsdag 29 mei 2007 @ 18:03:04 #6
94264 Uzumaki_Naruto
Fearless Vampire Killer
pi_49896635
ik voeg nog wel eentje toe


Rainbow Ffolly-Sallies Fforth(1967/68)


persoonlijk vind ik dit een van de psychedelische pop platen die bijna niet verveeld
wel een beetje minimalistisch/lo-fi ,maar dat komt om dat deze opnamen origineel bedoeld waren als demo opnames

het is gewoon een opgewekt album

maar toch klinkt het erg profesioneel


een leuke quote
quote:
The recording of the material took some months, with the Ffolly availing themselves of every possible moment of studio 'downtime'. Creative juices in full flow, they experimented with manufacturing new sounds. Ideas included John wrapping paper around the strings of the piano, and also placing a Neumann microphone wrapped in a polythene bag under the carpet and "jumping up and down to try and get a particular stamping noise." For the track Go Girl, John created a primitive phasing effect by singing into a hairdryer hose while twirling it around his head to the accompaniment of everyone else's hysterics!
"We had all sorts of ideas, some of which people are doing now," says John.
zie het all helemaal voor me met z'n haardroger


een aanrader voor fans van Sgt. Pepper van the beatles

nog een leuke quote
quote:
The Ffolly proudly recall their innovative stage show as being second-to-none, even though the costumes, stage props and dazzling effects were all home-made. The lighting unit was a wooden box covered with silver paper inside, and a 'strobe', in the form of a 200w lightbulb set behind a revolving disc with a hole, was utilised until it caught fire. John describes the Ffolly's gimmickry as "A bit like Sgt. Pepper, but before that". Eight-by-four hardwood screens were set in front of the speaker stacks. On them were depicted flame-spurting dragons painted in fluorescent colours. Behind the drum-kit an old mike-stand supported a cardboard carpet tube topped by a giant wooden lollipop – the Ffolly-pop, naturally – bearing the band's name. Sometimes the performance was enhanced by kettles, timed to boil and whistle at an appropriate moment, prompting the band to stop and make tea. Richard and John frequently bounced their guitars across the stage like pogo sticks. After one gig they discovered the impact had neatly removed small squares of lino from the village hall's new flooring!

For their extraordinary finale, the guitarists would throw down their instruments, leaving them howling. To the accompaniment of stage smoke, UV lighting and flashing strobe, Roger and John would lift the lightweight painted screens high, bringing them down slowly towards the audience. With the 'dragons' appearing on the point of attack, John Sparrowhawk would pull the plug, leaving instant darkness, silence and an audience of bemused, but well-entertained kids.

Although totally unfounded, the usual assumption was that this kind of psychedelic happening could not be achieved without the aid of mind-expanding substances. One night at London's trendy Flamingo Club, a guy asked John, "What are you on, man?" John gave his standard answer to this oft-asked question. "Smarties," he replied seriously, helpfully going on to describe the multi-coloured sweeties to his enthralled listener – whom he later discovered to have been a police plant

bron

fan myspace

[ Bericht 9% gewijzigd door Uzumaki_Naruto op 29-05-2007 18:08:18 ]
pi_49903212
Goed Topic!

ff aftrappen met een klassieker:

The Psychedelic Sounds Of The 13th Floor Elevators
Debuutplaat van de geniale gek Roky Erickson, met meesterwerkjes als "You're Gonna Miss Me" en "Rollercoaster".
De meesten hier zullen hem wel kennen, mocht dat niet zo zijn: meteen gaan luisteren!
All my favourite singers couldn't sing
pi_49918104
Dan raad ik degenen die hem nog niet hebben af de hier afgebeelde collectables-uitvoering aan te schaffen. De geluidskwaliteit daarvan is ondermaats. De beste technische kwaliteit die ik heb gehoord, is die van de boxset "The psychedelic world of".
pi_49919630

Ook wel aan te raden, deze Trap Door mixtape vol behoorlijk onbekende psych platen. Weet niet of ie nog te koop is, maar op die link staat wel een snippet van een kwartier.
  donderdag 31 mei 2007 @ 00:40:08 #10
94264 Uzumaki_Naruto
Fearless Vampire Killer
pi_49951171
quote:
Op woensdag 30 mei 2007 10:58 schreef le_knightclub_soda het volgende:
[afbeelding]
Ook wel aan te raden, deze Trap Door mixtape vol behoorlijk onbekende psych platen. Weet niet of ie nog te koop is, maar op die link staat wel een snippet van een kwartier.
Trapdoor mix is zeker tof

herkende zelfs enkele nummers/bands


track 12 is een nummer van een koreanse band (San Ul Lim)

maar over San Ul Lim schrijf ik hier zeker nog wel een keer
  donderdag 31 mei 2007 @ 14:48:11 #11
156288 wallofdolls
Making love with my ego
pi_49965408
Het wordt niet echt strikt als psychedelica gezien maar zo zie ik het wel. En echt onbekend is ie ook niet gok ik.



With the band in full artistic flower and Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights -- three long examples of Can at its absolute best. "Halleluwah" -- featuring the Liebezeit/Czukay rhythm section pounding out a monster trance/funk beat; Karoli's and Schmidt's always impressive fills and leads; and Suzuki's slow-building ranting above everything -- is 19 minutes of pure genius. The near-rhythmless flow of "Aumgn" is equally mind-blowing, with swaths of sound from all the members floating from speaker to speaker in an ever-evolving wash, leading up to a final jam. "Peking O" continues that same sort of feeling, but with a touch more focus, throwing in everything from Chinese-inspired melodies and jazzy piano breaks to cheap organ rhythm boxes and near babbling from Suzuki along the way. "Bring Me Coffee or Tea" wraps things up as a fine, fun little coda to a landmark record.
  donderdag 31 mei 2007 @ 14:52:39 #12
156288 wallofdolls
Making love with my ego
pi_49965563
En nog zo een



Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation," is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status. [An expanded edition of the LP featured back-to-back mono and stereo versions of the album, plus a tracking session of "Seven & Seven Is."]
  donderdag 31 mei 2007 @ 19:40:13 #13
94264 Uzumaki_Naruto
Fearless Vampire Killer
  vrijdag 1 juni 2007 @ 13:56:25 #14
17051 HAL9000S
you can become gitano...
pi_49999574
Tvp, vet topic.
Cop killer
Kill all the cops tonight
Kill them, cop killer
Kill all the cops in sight
pi_49999793
quote:
Op dinsdag 29 mei 2007 20:45 schreef cafca het volgende:
Goed Topic!

ff aftrappen met een klassieker:
[afbeelding]
The Psychedelic Sounds Of The 13th Floor Elevators
Debuutplaat van de geniale gek Roky Erickson, met meesterwerkjes als "You're Gonna Miss Me" en "Rollercoaster".
De meesten hier zullen hem wel kennen, mocht dat niet zo zijn: meteen gaan luisteren!
Ja baas
Ben sinds kort een beetje ermee bezig, en heb wat psychedelic experience verzamelalbumpjes geluisterd.
Electric Prunes, The Standells enzo, heel chill vind ik

Tevens tvp
  vrijdag 1 juni 2007 @ 16:05:13 #16
17051 HAL9000S
you can become gitano...
pi_50004209
Relatief bekende plaat maar wel een van m'n favourieten, Amerikaanse psychedelische folkzangeres Linda Perhacs met dr album Parallelograms.

quote:
As can be gleaned from the cover of her one and only record, Lindna Perhacs was a stunning, beautiful love child. Anyone who spent the $200-400 necessary to obtain copies of the original vinyl could attest that the music she made was comparably stunning and beautiful, infused with all the trappings of being a late-sixties love child (in the best possible way).
Ace of Discs reissued her album after unsuccessful attempts to track her down, mastering from a poorly pressed vinyl copy. For whatever reason, the first issue on CD was completely unlistenable on headphones, although delightful in the open air. Since that first go-round, Perhacs has come out of her obscure Pacific Northwest woods with quarter-inch reels of the sessions, and now that Ace of Discs comes round again with a vindicating, expanded reissue, the tray card photo reveals: she's still a babe.

Anyway you eye it, this is a magical, sublimely singular piece of gentle folk-psych that belongs with those lone album classics by folks like Skip Spence or Vashti Bunyan (or the countless other souls that only released one record before disappearing into history's communal farms or funny-farm madness, like Elyse). It is a sound so personal and intimate that I can only hear it in the privacy of my own room. Although it's been near-impossible to gain biographical information about her, the experience of hearing her music reveals so much about her soul and mindset at the time that I really don't think I could share it with anyone else.

As mentioned above, she's a love child in every sense, a young woman blossoming into her sensual world. Of the elements, every song culls its images from her forest environment, permeating down into her own physical core. "Chimacum Rain" is not only the forest's silence and that sound of rain washing over her, but the palpable sexual presence of her lover, too. In almost every evocation of a tactile natural image, there is a mysterious man who physically embodies these characteristics, a tension courses through her body as she sings about these near-deities. And as she reaches the bridge with lines such as "I'm spacing out/ I'm seeing silences between leaves...I'm seeing silences that are his," her voice begins to echo within itself, and her sung notes assuage open the aural synesthesia of the words. The diaphanous taste of lysergic acid creeps to the fore, and what was once a moderately played acoustic song about the forest expands into a hallucinatory clearing as her multi-tracked held tones meld with the infinite. As her voice dilates, so does the background, now all electrically-processed source sounds like xylophones and wind chimes, and all is enveloped by a low, distorted drone that would one day sound like Phill Niblock, created by-- as the liner notes so baldly state it-- "amplified shower hose for horn effects."

It's nothing compared to the album's peak, "Parallelograms". Perhaps you fantasize that Joni Mitchell teaches painting and pottery at your high school, or that Chan Marshall mumbles about the Apocalypse poets during English class, but Perhacs teaching geometry is tantrically hot for teacher. To just read the lyrics of "Quadrehederal/ Tetrahedral/ mono-cyclo-cyber-cilia" is to miss how she and producer Leonard Rosenman assuredly layer her heavenly-sung rounds in concentric circles over a cycling guitar-picked figure, a cumulative effect that reveals a dimension scarcely achieved anywhere else in the world of music. Closer to the Mysterious Voices of Bulgaria or Tim Buckley's cellular self-choir "Starsailor" than Melanie or Linda Ronstadt, Perhacs drops us into drifting clouds of reverberating bells, echoing flute, and ghostly effluence, her throat outside of time. That a dental assistant in Northern California could more effectively convey the psychedelic experience through the use of the technology of experimental effects, be it early Pink Floyd, Fifty-Foot Hose, or Buffy Saint-Marie's electroacoustic Illuminations, is, in every clich餠use of the word, mind-blowing.
http://www.pitchforkmedia(...)21094-parallelograms
Cop killer
Kill all the cops tonight
Kill them, cop killer
Kill all the cops in sight
  vrijdag 1 juni 2007 @ 16:52:14 #17
94264 Uzumaki_Naruto
Fearless Vampire Killer
  vrijdag 1 juni 2007 @ 17:14:51 #18
60922 Big_Boss_Man
Subtiel labiel
pi_50006480
psychedelische muziek, mijn favoriet
feest
  vrijdag 1 juni 2007 @ 17:58:16 #19
176114 Under_Score
Sarcastische lul
pi_50007818
The mermen

favo nummer : Curve

psychedelische surf muziek FTW

[ Bericht 24% gewijzigd door Under_Score op 01-06-2007 18:03:39 ]
pi_50007848
Interessant!
niet de vervaarlijke schaduw
met zijn dikke pens vol pistolen
beiden ingevet als een locomotief onder nul
  vrijdag 1 juni 2007 @ 17:59:25 #21
32346 Xebrozius
tactloze lul
pi_50007857
Wesley Willis... En dan ook AL zijn nummers.
  vrijdag 1 juni 2007 @ 20:59:29 #22
99899 turnpike
have spacesuit, will travel
pi_50013695
Ashra Tempel - Join-In

met Freak 'N Roll als absolute uitschieter....een nummer om je in te verliezen.
We blijven ons verzetten! En weten doen we niks...
pi_50039813
The Third Bardo - I'm five years ahead of my time

quote:
The Third Bardo recorded just one single, "I'm Five Years Ahead of My Time," which appeared on Roulette in 1967. That one single, however, is lauded by many collectors as one of the greatest 1960s garage/psychedelic tracks.
With its mysterious lead guitar lines that recalled the theme to the Twilight Zone, Eastern-like minor melody, creepy organ, and one of the most definitive sub-Jagger garage snarl lead vocals ever, it was worthy of more exposure than it got.
However, although it got some airplay on the East Coast, it was pulled off the radio, lead singer Jeff Monn has recalled, because of perceived drug associations, although in fact there are no overt drug references in the lyrics
http://reverendfrost.blog(...)head-of-my-time.html

hier kun je tracks luisteren www.myspace.com/thethirdbardo
  zaterdag 2 juni 2007 @ 22:36:41 #24
94264 Uzumaki_Naruto
Fearless Vampire Killer
pi_50044595
eentje van nederlandse bodem dit keer

Surprieze-zeer oude klanken en heel nieuwe geluiden



een van de meest obscure platen ooit gemaakt in nederland



aanrader

lees meer hier

[ Bericht 8% gewijzigd door Uzumaki_Naruto op 03-06-2007 11:33:51 ]
  zondag 3 juni 2007 @ 10:49:58 #25
2408 MuadDib
Getrouwd!
pi_50054020
Wat maakt psychedelische muziek eigenlijk psychedelisch? Eindeloze mantra-achtige herhalingen?
In dat Spaanse cafe danste wij ole, Maria Magdalena
Met je ogen zo zwart stal je heel mijn hart, Maria Magdalena
Sinds ik jou heb gekust vind ik nergens rust, Maria Magdalena
Ja, jou alleen wil ik steeds om mij heen, Jou en anders geen
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