Fok! Muziek Trivia deel CDXXV

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I'm in the phone booth
It's the one across the hall....

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Op zaterdag 28 mei 2005 04:11 schreef Neleos het volgende:

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Doet geen belletje ringelen.

Maar thuisbrengen

Golden Earring - Back Home?

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Op zaterdag 28 mei 2005 04:17 schreef Neleos het volgende:

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Nooit hoger gekomen dan nr. 21 in 1979.
Die ken ik vast niet. Vrees ik.

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Op zaterdag 28 mei 2005 04:23 schreef MagStar_3590 het volgende:
Blondie en wave klassiekers?

Kom op!

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Blondie was the most commercially successful band to emerge from the much-vaunted punk/new wave movement of the late '70s.

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Op zaterdag 28 mei 2005 04:26 schreef Neleos het volgende:
Oh Magstar zegt ook Blondie.

Is het nummer dan Denis?

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Op zaterdag 28 mei 2005 04:28 schreef MagStar_3590 het volgende:

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Je zegt het zelf:

Commercie...

En dan is het geen wave meer.

Blondie is AVRO's RTV tip geweest......

En dan houd het op.

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Op zaterdag 28 mei 2005 04:30 schreef MagStar_3590 het volgende:
Joy Division is WAVE.

Toen Paul Young "Love will..." deed was dat dus geen wave meer.

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Op zaterdag 28 mei 2005 04:40 schreef MagStar_3590 het volgende:

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Je blijft met je poten van Curtis af, dat was voor mij de reden.

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Op zaterdag 28 mei 2005 04:44 schreef MagStar_3590 het volgende:
Of wat dieper: Stel nou dat Metallica een nummer van The God Machine gaat doen..

Dat kan gewoon niet!

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Op zaterdag 28 mei 2005 04:33 schreef MagStar_3590 het volgende:

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Maar goed, leg even uit waarom blondie dan wave is?

Muiziek dicussie op dit tijdstip, altijd goed......

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During the late '70s and early '80s, New Wave was a catch-all term for the music that directly followed punk rock; often, the term encompassed punk itself, as well. In retrospect, it became clear that the music following punk could be divided, more or less, into two categories — post-punk and new wave. Where post-punk was arty, difficult, and challenging, new wave was pop music, pure and simple. It retained the fresh vigor and irreverence of punk music, as well as a fascination with electronics, style, and art. Therefore, there was a lot of stylistic diversity to new wave. It meant the nervy power pop of bands like XTC and Nick Lowe, but it also meant synth rockers like Gary Numan or rock revivalists like Graham Parker and Rockpile. There were edgy new wave songwriters like Elvis Costello, pop bands like Squeeze, tough rock & rollers like the Pretenders, pop-reggae like the Police, mainstream rockers like the Cars, and ska revivalists like the Specials and Madness. As important as these major artists were, there were also countless one-hit wonders that emerged during early new wave. These one-hit groups were as diverse as the major artists, but they all shared a love of pop hooks, modernist, synthesized production, and a fascination for being slightly left of center. By the early '80s, new wave described nearly every new pop/rock artist, especially those that used synthesizers like the Human League and Duran Duran. New wave received a boost in the early '80s by MTV, who broadcast endless hours of new wave videos in order to keep themselves on the air. Therefore, new wave got a second life in 1982, when it probably would have died out. Instead, 1982 and 1983 were boom years for polished, MTV-radio new wave outfits like Culture Club, Adam Ant, Spandau Ballet, Haircut 100, and A Flock of Seagulls. New wave finally died out in 1984, when established artists began to make professional videos and a new crop of guitar-oriented bands like the Smiths and R.E.M. emerged to capture the attention of college-radio and underground rock fans. Nevertheless, new wave proved more influential than many of its critics would have suspected, as the mid-'90s were dominated by bands — from Blur to Weezer — that were raised on the music.

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Op zaterdag 28 mei 2005 04:54 schreef Neleos het volgende:
Ik ga pitten GLO, misschien dat de ochtenploeg de vraag weet.
Truste!

_{en ook truste MagStar}