Panda Bear Meets the Indie Reaper (Indie Central CCXVI)

quote:

Op woensdag 14 januari 2015 23:04 schreef Moody het volgende:

Ben Gibbard - Archie, Marry Me (Little Big Show #10)

Mooi gecoverd

quote:

Op donderdag 15 januari 2015 15:05 schreef Norrage het volgende:
Belle & Sebastian begint een beetje te groeien.

quote:

Op donderdag 15 januari 2015 17:30 schreef Norrage het volgende:
Iemand de plaat van Malcolm Middleton(Arab Strab) met David Shigley (geen idee wie dat is) geluisterd? Een heel vaag luisterbaar album met rare verhaaltjes over onthoofde konijnen en heel veel fuck. Doet me beetje denken aan Sleaford Mods.

Check dit nummer voor een leuk verhaaltje:

Malcolm Middleton & David Shrigle - Story Time

Malcolm Middleton - a brighter beat

quote:

Op donderdag 15 januari 2015 20:35 schreef Moody het volgende:

[..]

Volgende keer meer pluggen

quote:

Op donderdag 15 januari 2015 20:34 schreef Lord-Ronddraai het volgende:

[..]

Nog niet gehoord maar Malcolm Middleton is wel baas

Malcolm Middleton - a brighter beat

Dat is wel een van mijn favoriete nummers, goed album ook.
Hij is vaak wel een beetje depri alleen

quote:

The Last Transmission is an interplanetary space/love odyssey told in twelve chapters; it comes nearly ten years after Van Peebles’ appearance as the third member of Quasimoto on Stones Throw Records’ 2005 release The Further Adventure of Lord Quas. For the Heliocentrics, The Last Transmission represents their third Now-Again album, following Out There in 2007 and 13 Degrees of Reality in 2013.

Van Peebles makes for the Heliocentrics’ ideal foil: he did graduate work in astronomy in Holland in the 1950s and maintains an avid interest in cosmology. The Heliocentrics, as their name conveys, draw inspiration from both the philosophic leanings of the likes of Stephen Hawkings and interstellar mysteries, like those surrounding the Malian Dogon tribe’s knowledge of the Sirius B star hundreds of years before it was discovered. Their music is as indebted to Sun Ra’s interstellar jazz as it is inspired by psychedelia’s spiritual expanse.

The Last Transmission, presented as a vocal album and an expanded instrumental selection on a bonus disc, can be taken as both the band’s interpretation of Van Peebles’ poem and a musical voyage inspired by Van Peebles’ vivid imagery. The band considers it their defining work, the result of more than a decade of playing and recording together. They’ve found a voice as a band, one that meshes with Van Peebles,’ as he weaves an intergalactic “Rime of the Ancient Mariner.”

In between producer/drummer Malcolm Catto’s thunderous syncopation and producer/bassist Jake Ferguson’s bellowing bass lines, amidst the analog electronics and atmospheric interference naturally accorded by their organic analogue process, Van Peebles’ voice floats in and out, spectral in its tone, complete in its conviction in the unfathomable sense that life’s eruption in the cosmic expanse made, and in love’s ability to transform and transcend death.

quote:

Op vrijdag 16 januari 2015 06:25 schreef Grobbel het volgende:
Gisteren ontdekt, nu al een plaat die makkelijk tot de beste van 2014 hoort. Stoere hoes ook.

[ afbeelding ]

The Heliocentrics ken je wellicht al van hun werk van Mulatu Astatke en Orlando Julius (met die laatste tourt de band nu). Melvin van Peebles is filmmaker, acteur, poeet, muzikant etc.

[quote=Now-Again Records:]
The Last Transmission is an interplanetary space/love odyssey told in twelve chapters; it comes nearly ten years after Van Peebles’ appearance as the third member of Quasimoto on Stones Throw Records’ 2005 release The Further Adventure of Lord Quas. For the Heliocentrics, The Last Transmission represents their third Now-Again album, following Out There in 2007 and 13 Degrees of Reality in 2013.

Van Peebles makes for the Heliocentrics’ ideal foil: he did graduate work in astronomy in Holland in the 1950s and maintains an avid interest in cosmology. The Heliocentrics, as their name conveys, draw inspiration from both the philosophic leanings of the likes of Stephen Hawkings and interstellar mysteries, like those surrounding the Malian Dogon tribe’s knowledge of the Sirius B star hundreds of years before it was discovered. Their music is as indebted to Sun Ra’s interstellar jazz as it is inspired by psychedelia’s spiritual expanse.

The Last Transmission, presented as a vocal album and an expanded instrumental selection on a bonus disc, can be taken as both the band’s interpretation of Van Peebles’ poem and a musical voyage inspired by Van Peebles’ vivid imagery. The band considers it their defining work, the result of more than a decade of playing and recording together. They’ve found a voice as a band, one that meshes with Van Peebles,’ as he weaves an intergalactic “Rime of the Ancient Mariner.”

In between producer/drummer Malcolm Catto’s thunderous syncopation and producer/bassist Jake Ferguson’s bellowing bass lines, amidst the analog electronics and atmospheric interference naturally accorded by their organic analogue process, Van Peebles’ voice floats in and out, spectral in its tone, complete in its conviction in the unfathomable sense that life’s eruption in the cosmic expanse made, and in love’s ability to transform and transcend death.

quote:

Op vrijdag 16 januari 2015 14:29 schreef BoerBert het volgende:
Je bedoelt Chiel Ottink.