Voor de thuisprintende liefhebber:
Main Stage
• 13:45 - 14:20 Radkey
• 14:50 - 15:45 Dropkick Murphys
• 16:15 - 17:15 Miles Kane
• 17:50 - 18:50 White Lies
• 19:35 - 21:00 Placebo
• 21:50 - 00:10 Metallica
• 01:00 - 02:30 Skrillex
KluB C
• 14:00 - 16:20 Daptone Super Soul Revue
• 16:50 - 17:40 Valerie June
• 18:10 - 19:00 London Grammar
• 20:15 - 21:35 Damon Albarn
• 22:45 - 00:00 Gesaffelstein
• 01:05 - 02:05 The Opposites
The Barn
• 14:20 - 15:10 The Wombats
• 15:40 - 16:40 Bombay Bicycle Club
• 17:10 - 18:10 Milow
• 19:00 - 20:15 Robert Plant and the Sensational Space Shifters
• 21:35 - 22:45 Warpaint
• 00:00 - 01:05 Arsenal
friday
Main Stage
• 13:35 - 14:20 The 1975
• 14:55 - 15:55 Puggy
• 16:35 - 17:35 Rodrigo y Gabriela
• 18:20 - 19:20 Ellie Goulding
• 20:05 - 21:20 Paolo Nutini
• 22:10 - 23:40 Arctic Monkeys
• 00:30 - 02:00 Major Lazer
KluB C
• 13:30 - 14:05 Coely
• 14:45 - 15:30 George Ezra
• 16:10 - 17:10 Trixie Whitley
• 18:10 - 19:10 Parov Stelar Band
• 20:10 - 21:10 Crystal Fighters
• 22:20 - 23:20 Katy B
• 00:30 - 01:30 The Subs
The Barn
• 14:05 - 14:45 The Strypes
• 15:30 - 16:10 Sam Smith
• 17:10 - 18:10 The Naked and Famous
• 19:10 - 20:10 Foster The People
• 21:10 - 22:20 Eels
• 23:20 - 00:30 Jack Johnson
saturday
Main Stage
• 13:00 - 13:40 The Temperance Movement
• 14:10 - 14:50 Kodaline
• 15:20 - 16:20 Haim
• 16:55 - 17:55 Biffy Clyro
• 18:30 - 19:30 Triggerfinger
• 20:10 - 21:15 The Black Keys
• 22:00 - 01:00 Pearl Jam
KluB C
• 13:00 - 13:40 Altrego
• 14:10 - 14:50 Twenty One Pilots
• 15:20 - 16:10 tUnE-yArDs
• 17:00 - 18:00 Melanie De Biasio
• 19:00 - 20:00 SBTRKT
• 21:15 - 22:15 Trentemøller
• 23:30 - 00:30 Moderat
The Barn
• 13:10 - 14:00 Jonny Lang
• 14:30 - 15:30 Midlake
• 16:00 - 17:00 Ozark Henry
• 18:00 - 19:00 Imagine Dragons
• 20:00 - 21:15 Agnes Obel
• 22:15 - 23:30 Pixies
sunday
Main Stage
• 13:15 - 14:05 Reignwolf
• 14:40 - 15:40 Babyshambles
• 16:20 - 17:20 Rudimental
• 18:00 - 19:00 Bastille
• 19:50 - 21:05 Franz Ferdinand
• 21:55 - 23:25 Kings Of Leon
• 00:15 - 01:15 Stromae
KluB C
• 13:00 - 13:40 Kuroma
• 14:10 - 15:00 Parquet Courts
• 15:30 - 16:30 Angus and Julia Stone
• 17:30 - 18:30 Passenger
• 19:30 - 20:30 Foals
• 21:30 - 22:45 MGMT
• 23:45 - 00:45 Interpol
The Barn
• 13:30 - 14:10 Oscar & the Wolf
• 14:50 - 15:30 Royal Blood
• 16:30 - 17:30 Metronomy
• 18:30 - 19:30 Birdy
• 20:30 - 21:30 Lykke Li
• 22:45 - 23:45 Chase and Status
Radkey
The Daltons of punk rock. Radkey consists of Dee Radke (guitar, vocals), Isaiah Radke (bass) and Solomon Radke (guitar); three brothers with a white father and a black mother from the southern United States who look like a fusion of the Jimi Hendrix Experience and The A-Team. They sound like sons of The Ramones who got extra lessons from Bad Brains and Living Colour. The wild sound of Radkey is strongly influenced by Dee's dark crooner voice. It reminds us of the deep growl of Glenn Danzig and the doom of Andrew Eldritch (Sisters Of Mercy). The Radke family is serious. They want to make their first album this spring and they are sure it will turn the world upside-down. ‘Like Nirvana's ‘Nevermind’ did.’ They also want to start a movement that will put rock music back on centre stage.
Dropkick Murpheys
The AC/DC of Celtic punk rock. Dropkick Murphys are from the U.S. city of Boston. They took their name from a local rehab clinic named after local sports hero John 'Dropkick' Murphy. Their speciality: punk x Irish folk. Obviously there are comparisons with Flogging Molly and The Pogues. But it is the ultimate ambition of Dropkick Murphys to be the AC/DC of Celtic punk rock. The seven-strong band are old hands at all the major festivals and have blazed a trail of unbridled fun around the world for almost 20 years. Belgium is a popular stop-over: all the major festivals, Lotto Arena, Forest National ... Boston is always their favourite. The song ‘I'm Shipping Up To Boston’ (2006) is the unofficial anthem of the city, and every year they give a number of concerts there around St. Patrick's Day. Last year they raised funds together with Bruce Springsteen for the victims of the bombing during the Boston Marathon.
Miles Kane
Unknown world star. Everyone has (already) heard of Miles Kane. He, bosom friend Alex Turner (Arctic Monkeys) and James Ford (Simian Mobile Disco) own The Last Shadow Puppets. “The Age of the Understatement” (2008) was a top single and a very solid album. At Glastonbury 2008 Jack White played at a rare live-concert. Shortly afterwards Kane left The Rascals, which had been his home base until then. He went solo. And how. “The Colour of the Trap” (2011) - with Noel Gallagher as guest of honour - summarises the best of the rich tradition of British pop. And on that subject: Kane told us last year that he had been asked to play the main role in “Nowhere Boy” (2009), a film about John Lennon’s youth. He said no because he thought it wouldn’t help him progress as an artist. But “Don’t Forget Who You Are’ (2013) certainly has. There’s pure rock on there, and inputs from Andy Partridge (XTC) and Paul Weller. This man is going global.
White lies
Fantastic sorrow. Life is never funny in White Lies’ numbers. ‘Life on earth is no party,’ according to guitarist Charles Cave, ‘Feeling sad is only to be expected.’ That makes sense. Groups such as Editors, Interpol and Joy Division have proven that sorrow can result in fantastic music. White Lies follow in their footsteps. In the autumn of 2008 the London trio made a name for themselves with ‘Death’. The single became a Studio Brussel Afrekening hit and the group sold out at AB (Brussels) on its first trip to Belgium. Their latest album ‘Big TV’ (2013) is all about how they hope to be as big as U2 one day. It is being discretely promoted with a tour in smaller venues. In November White Lies sold out at the AB two nights in a row and resulted in just as many standing ovations.
Placebo
7 out of 7. Wicked. Placebo have made seven albums and come to Werchter this year for the seventh time. To perform ‘Loud Like Love’ (2013) no less. The ties couldn’t be closer. Placebo are literally and figuratively an international phenomenon. The band of three results from a reunion in 1994 between Swede Stefan Olsdal and Brussels-born American Scot, Brian Molko. The two were at school together in Luxemburg and bumped into each other on the London tube. They started the band Ashtray Heart, which was renamed Placebo a year later. Drummer Steve Forrest replaced Steve Hewitt in 2007. He was formerly with the Californian punk band, Evaline. Fortunately, the band’s sound is less complex than all this would suggest. For twenty years Placebo has given us what good rock should be: intense, seductive, humorous and slightly risqué.
Metallica
Metallica are synonymous with metal. It’s the first name that springs to mind spontaneously. The American group have achieved so much. They brought metal into the mainstream and are already one of the best and most successful bands of all time. Metallica are currently starring in the 3D concert/film ‘Through The Never’ and will be working on the follow up to ‘Death Magnetic’ (2008) for most of 2014. In between all this, they are touring across the globe, so Rock Werchter was an essential stop. One reason is because 20 years ago Metallica played here for the first time – and they were the first metal band we’d had. They were spectacular in 1993 and will be again, this seventh time. And that’s because the fans are in charge. Everyone who buys a ticket will be asked to submit their favourite songs. No easy task because there are 10 albums, four live albums and almost 40 singles to choose from. Metallica, customised!
Skrillex
The prince of American dance. In 2010 Sonny John Moore sends out the first Skrillex demo. A year later he is nominated for five Grammy Awards. In 2012 he creates earth tremors at Rock Werchter and Tomorrowland. His creative path is just as curious. At the age of sixteen the young man from Los Angeles becomes the vocalist for the post-hardcore group From First To Last. Two albums later he goes solo. While working on his debut, Moore unexpectedly switches from metal to dance. His alter ego Skrillex becomes THE name when it comes to dubstep. Everyone comes knocking at the new guru’s door: not just Deadmau5, but Lady Gaga and Korn. The “dark lord of American EDM (Electronic Dance Music)" is also very pleased with his OWSLA label, to which he has signed Birdy Nam Nam and Crookers.
Daptone records
The house of soul. Daptone Records is the Motown or Stax of the 21st century. For the time being, it operates on a smaller scale. For the last 10 years, this New York record company has been publishing work by artists who are inspired by the high days of funk, gospel and soul. The two founders are musicians. Gabriel Roth plays the bass with soul priestess Sharon Jones and her Dap-Kings, Noel Sugarman is a saxophonist with the retro funk band The Sugarman 3. Charles Bradley, another Daptone celebrity, showed how relevant vintage soul can still be in KluB C last year. ‘Standing still was not an option,’ wrote Focus Knack. The Daptone Super Soul Revue is the over-the-top; a two and a half hour cocktail of ‘the house of soul’ that blows everyone away. Artists include Sharon Jones, Charles Bradley, The Sugarman 3 and the afrobeats of Antibalas. Don't forget your dancing shoes.
Valerie June
Cutting through everything. Valerie June demonstrates that the blues is not the preserve of old men and that it has its place in the 21st century. This young lady, a self-taught musician from Tennessee, tells us that she makes “organic moonshine roots music”. And that translates to black American folk music, best played under a full moon. Her mix of bluegrass, blues, folk and gospel is quite unique. June sings while playing the banjo, guitar or ukulele and has a raw voice that cuts right through everything. She had been warming up for this for over a decade, and it all came good with “Pushin’ Against The Stone” (2013), which she financed through crowd funding. The full amount went to Dan Auerbach, guitarist for The Black Keys, who rented out his studio in Nashville, took care of the production and helped write five of the songs. He might have been paid three times, but the result is an excellent return on the investment.
London Grammar
International allure. Hannah Reid’s voice is like a balm to the soul. It even works over the radio and the elegant “Strong” is the best evidence of this yet. The vocals soar over a sultry background reminiscent of the soundscapes of Massive Attack and Portishead. London Grammar owes its existence to Facebook. Reid and guitarist Dan Rotham went to the same university. Rotham saw a photo of Reid holding a guitar on Facebook. Keyboardist Dominic Major became the third member. The name London Grammar was chosen for its international allure. Mission complete. After one album everyone knows who they are. And so an already blossoming London pop scene (James Blake, Florence + The Machine, The xx, Jessie Ware) has got itself another highflyer.
Damon Albarn
Superman goes solo. Damon Albarn is the musical superman of the 21st century, though perhaps it is not that noticeable. The reason for the description is probable his high productivity. The Brit does so much that it is hard to keep up: rock, opera, African music... It's almost always interesting and cool. Plus: Albarn is getting better as the years go by. He is known first and foremost as the frontman of Blur, the group which staged such a fantastic performance at Werchter last year. And he has already been here with The Good, The Bad and The Queen. However, his greatest commercial successes have been achieved with Gorillaz. The second album “Demon Days” (2005) has been doing well on both sides of the Atlantic. Blur never managed that, or hasn't yet. After more than 20 years in the frontline, Albarn is releasing a first album under his own name. “Everyday Robots” (2014), he says, is a mix of folk and soul. Live, the new songs will be combined with the best of his earlier work.
Gesaffelstein
The new prince of French techno. Mike Lévy is gradually becoming incontournable. The almost 30-year-old DJ from Lyon is seen as the new prince of French techno, the successor to Laurent Garnier. He makes a sombre and overwhelming variation in which the hard mechanical beats of D.A.F., Front 242 and Nitzer Ebb can be heard. His stage name is Gesaffelstein, a contraction of Gesamtkunstwerk and Albert Einstein. He launched his first maxi single in 2008 on the label of The Hacker and worked contiguously under the tutelage of Tiga for a few years. Gesaffelstein took a big step in 2013. He worked on ‘Yeezus’ by Kanye West, was fantastic at I Love Techno and launched his first album. ‘Aleph’ is the soundtrack of a dark but intriguing world; a thriller put to music.
Las Oppositas
An attractive contrast. Twan van Steenhoven (aka Big2) is tall and white. Willem de Bruin (aka Willy) is short and dark. That's why they are called The Opposites. Aside from their appearance, they have almost everything in common. They met at school when Willem had to write a rap song as a punishment. Twan rushed to his aid and a phenomenon was born. Their debut album ‘De Fik Der In’ (2005) was cleverly positioned as ‘not some soft shit, just foreign funk with an ultra-Dutch flavour’. Humour is the glue that binds them. Willy and Twan are sublime when laughing at one another's differences. They have foul mouths yet are politically correct. ‘Broodje Bakpao’ (2010) piqued an interest in Flanders. It was a big hit thanks to the ambassadorship of radio producer Sam De Bruyn (Studio Brussel). But The Opposites are more than a one-hit wonder; ‘Licht Uit’, ‘Slapeloze Nachten’, ‘Sukkel Voor De Liefde’ and ‘Thunder’ are also bellowed loudly south of the Dutch border.
The wombats
The dancefloor fillers. These are two Englishmen and a Norwegian who studied at the Liverpool Institute Of Performing Arts (LIPA), a course initiated in 1996 by Paul McCartney. Matthew, Daniel and Tord love indie rock, electro, punk and new wave, and they put their case very persuasively. In 2008 “Let’s Dance to Joy Division”, one of their first singles, won the NME’s Best Dancefloor Filler Award. This track came before hits like “Flux” by Bloc Party and “D.A.N.C.E.” by Justice. Not long afterwards The Wombats appeared on the main stage at Pukkelpop and in Studio Brussel’s “De Afrekening”. The second album “This Modern Glitch” (2010) has made the trio really big in Australia. A dream to some extent come true: because a wombat is a lovely marsupial that only lives “down under”. Album number 3 is under construction. In the meantime, Paul McCartney is a massive fan.
Bombay Bicycle club
Join the club. The Bombay Bicycle Club consists of four dreamy guys from northern London. The group's name comes from a distant past. In the 19th century the club was a popular place for the British army officers in India to meet. The group was founded in 2006 with the ambition to make sophisticated pop. And there’s rock nobility in the band: the grandfather of guitarist Jamie MacColl wrote ‘Dirty Old Town’ and his aunt is the late Kirsty MacColl. Bombay Bicycle Club got off to a fantastic start. The group performed at all the right festivals and the first two albums went to gold. It took longer for them to become known in Belgium. ‘Shuffle’ (2011) is an ingenious song that got lots of airplay. On ‘So Long, See You Tomorrow’ (2014) samples and fragments of world music sharpen their musical course. It was their first #1 in the British charts.
Milow
Playing it cool. Milow currently lives in Los Angeles most of the time, but Werchter remains a home match. He grew up in neighbouring Wespelaar and in the festival park he dreamt about what it could become. Rock Werchter was a benchmark. Images of his performance in 2007 convinced his American manager. The rest is national history. Milow quickly became the most popular European singer-songwriter. After a long conquest he moved to Los Angeles in 2011. Not to start conquering America, but to charge his batteries in a sun-drenched city where he had lived before. He worked on the next step in seclusion. ‘Silver Linings’ was recorded live in the studio with a few renowned American musicians. It is an album that plays it cool but is convincing, and that offers him endless possibilities for the future.
Robert Plant en z’n matties
The legend lives on. Robert Plant is and will always be Led Zeppelin’s singer. That means he has one of the best and most popular voices in rock. His solo career has been twice as long and represents an insatiable quest for adventure. Plant is exploring the world and accumulating huge recognition along the way. “Raising Sand” (2007), his collaboration with Alison Krauss, led to six Grammy Awards and is now counted among the best country records of recent years. But it is folk, Americana and rock at the same time. Plant’s band projects are hybrid constructions too. With his latest band, the Sensational Space Shifters, he explores Delta blues and gospel and breathes exciting new life into the Led Zeppelin classics. It all ties in with his life’s philosophy: “Keep it fresh, dig deep and celebrate the past. But beware of nostalgia.”
Warpaint
Sitting pretty. Bassist Flea of the Red Hot Chili Peppers referred to Warpaint’s album ‘The Fool’ (2010) as sublime. As did his former colleague Pepper John Frusciante. In 2007 he did the mixdown for the four ladies from Los Angeles’ first EP. That led to a great contract with Rough Trade (see Anthony and The Johnsons, The Strokes, The Libertines) and a remarked appearance at the American showcase festival, South By Southwest. As a bonus British journalists included them in the BBC Sound Of 2011, the – greatly hyped and as a result effective – annual list full of big promises. Warpaint sat pretty and continue to do so in the wake of their latest album ‘Warpaint’ (2014). In musical terms the group isn’t all that far from The xx but has something different about it. The ladies also share a lot of common ground with the lethargic postpunk of ESG and the dizziness of the Cocteau Twins. The best ever.
Arsenal
The party continues. Arsenal is back. John Roan and Hendrik Willemyns are picking up where they left off three years ago. 2011 was a bumper year: the group had five sold-out concerts in the Ancienne Belgique (10,000 spectators), was the final act after Kings Of Leon at Rock Werchter and filled the Lotto Arena in the autumn. The party resumed in the Lotto Arena. Arsenal performed the live première of its new album 'Furu' in Antwerp in April. As usual it is cosmopolitan and full of well-chosen guest vocals. True to form, it will also be surprisingly different from what they have already done. Album # 6 is also their sixth visit to Werchter. Nationally, this brings Arsenal up to the same number of performances as dEUS and 2manydjs. Globally they are at the same level as The Cure, Faithless, Muse and Queens Of The Stone Age. There are only a handful of groups that have done better.
VRIJDAG
The 1975
Group of a/the year. British indie rock band, The 1975, aim to become one of the biggest bands in the world, which they reckon they can do because they are so tightly bonded. The four old friends from Manchester have been playing together since they were teenagers. In 2012, after countless experiments, they came up with The 1975, a name taken from a book of poetry. The singles “Sex” and “Chocolate”, as well as supporting acts for Muse and the Rolling Stones, opened the door to the big time. Their self-titled debut album, made by Mike Crossey (Arctic Monkeys, Jake Bugg), hit the # 1 spot in the UK charts. The band sold more than 200,000, an incredible figure these days. Influences are extremely wide ranging: Boards Of Canada, Michael Jackson, the Rolling Stones and Sigur Ros. A curious combination. Two little bits of trivia: a) drummer George Daniel was born in Brussels and b) Rock Werchter took place for the first time in 1975.
Puggy
A special Belgian group. Puggy’s singer-guitarist is a Brit, the bass player is a Frenchman and the drummer is a Swede. They call themselves a Belgian group because that’s where they got to know each other. Brussels is their habitat and it played a decisive role at the beginning of their career. Puggy initially made a name for themselves in the French-speaking part of Europe. They played at the famous Olympia in Paris in 2011. In Belgium their second album ‘Something You Might Like’ (2010) is in the top 100 best-selling albums of the last 20 years in Francophone Belgium. That status was upheld in 2013 with four sold-out concerts in the AB. In early 2014 they filled Vorst Nationaal to bursting. Puggy’s pop rock sound is slowly shifting northwards. Their latest album ‘To Win The World’ (2013) was in the Flemish Ultra Top 50 for several weeks and they sold-out the Paradiso in Amsterdam.
Rodrigo Y Gabriela
Heavy classic. Rodrigo Sánchez and Gabriela Quintero play classical guitar with the drive of a rock band. The two were initially in a trash metal group. The genre was not really a success in their homeland, Mexico. That's why they decided to try their luck in Ireland. In the pubs and streets of Dublin they became Rodrigo y Gabriela. A byword for rhythmic and percussive guitar-playing that hovers on the verge of world music, folk, jazz and hard rock. They cover songs by Led Zeppelin and Metallica. Damien Rice, who got to know them while busking, introduced them to the general public. ‘Rodrigo y Gabriela’ (2006) pushed Arctic Monkeys out of the first place in the Irish charts. The rest of the world followed. A concert review raved about “a seldom seen ambiance.” Their new album ‘9 Dead Alive’ (2014) was called ‘straight rock’ and they sound ‘like one voice from two guitars’.
Ellie Gouldin
Part bonfire, part disco. Ellie Goulding got off to a great start. Her first single (2009) was deliberately launched without fanfare. To test the water. “Under The Sheets” made the hit lists and led to a not unnoticed appearance on the TV show “Later… With Jools Holland”. Not long after that she topped The Sound Of 2010, the annual talent list compiled by the UK music press. Her debut album “Lights” (2010) came in at #1 in the UK charts. It features sparkling, folk-based pop with an electronic edge. Part campfire, part disco. A singer-songwriter on the dance floor. On “Halcyon” (2012) she really showcases her fine soprano voice. Goulding has already sold 3 million records and managed to sell out Vorst Nationaal with ease. But that’s all as predicted and as it should be. A UK music magazine wrote the following telling words at the outset. “Imagine Björk, Kate Bush and Stevie Nicks sharing an apartment in London’s trendy Shoreditch”. That’s Ellie through and through.
Paolo Nutini
For the hat trick. A Scot with Italian roots. Paolo Nutini’s great grandfather fled Tuscany during the First World War and opened a fish and chip shop near Glasgow. Castelvecchi is still going strong and was ready to be taken over by Paolo. Grandfather Giovanni is such a big fan of the Scottish folk group The Corries that the enthusiasm ended up rubbing off on his grandson. On his 17th birthday he set off for London and worked his way up via the pub circuit. An immense ball began to roll. As many as 1.5 million copies of his first album ‘These Streets’ (2006) were sold in Great Britain. The album ‘Sunny Side Up’ (2009) did just as well. Nutini creates incredibly infectious pop music which draws its inspiration from soul, folk, ska and ragtime swing. He is back after a five year studio break and his latest album ‘Caustic Love’ (2014) is going for the hat trick.
Arctic Monkeys
Arctic Monkeys are the spokesmen of a generation. “A great selfie of a generation this was. There was funky sorrow, cultivated desire, prickly sentiment. And there was maths: riff + melody = euphoria.”This is how Humo described an Arctic Monkeys concert in Vorst Nationaal in November 2013. For nearly ten years it has been said that front man Alex Turner expresses the joys and sorrows of his generation like no other. Since ‘AM’ (2013) he seems to have made the role his own. The record has just as much genius as its four predecessors, but the atmosphere is much more exuberant. The Monkeys have given up the Sheffield rain for the Los Angeles sun and it shows. Their concerts were always technically superb but maybe a little aloof. See their previous performances at Werchter. But today, all that has changed. Alex Turner is now a true performer and seeks real contact with his audience. It will be a hot evening on 4 July 2014.
Major Lazor
The hottest party machine. A few press responses to the Major Lazer performance at Rock Werchter 2013: “... the hottest place in Western Europe ...” ( Focus Knack ) , “... damn , what a bomb ...” (Gazet van Antwerpen) and “... the hottest alternative to sex ...” (De Morgen). The idea of a 'show' was completely rewritten in the new Klub C. Creator Diplo loved it and poured oil on the fire. The American DJ is best known for his work - and his former relationship - with M.I.A. A few years ago he and his British colleague, Switch, moved to Jamaica . The two returned with the album ‘Guns Don’t Kill People ... Lazers Do’ (2009 ), a tribute to the raggamuffin of the 70s. The digression turned into a party machine. Hits like ‘Bubble Butt’, ‘Watch Out For This (Bumaye)’ and ‘Pon De Floor’ will blow away even the straightest of the straight. And yet 'Get Free', a slow reggae number featuring a beautiful female voice, was the biggest hit. A point of national pride: Nowhere is Major Lazer as popular as in Belgium.
Coely
A complete artist. It is always good to hear it from someone else: ‘The Belgian Coely is only 19 years old but she is currently a big shot in the Belgian rap scene.’ That’s how the native of Antwerp was announced in January of this year in the programme of Eurosonic in Groningen, the most important place to discover young talent in Europe. Coely was dispatched by the listeners of the radio station Studio Brussel. It was her first major international appearance and it was a success. This summer she will be exploring Europe. Last summer, in Belgium, she was declared the ‘queen of the festival summer’ by StuBru. That was a high point after 34 performances all over the place. Coely works hard and the best is yet to come. On her single ‘My Tomorrow’ she expands her palette from hip-hop to R&B and soul, thereby revealing that she is a complete artist. Smashing!
George Ezra
Past and present. He’s 20 but has the voice of a 50 year old, and that’s a compliment! The voice of George Ezra (real surname: Barnett) sounds just as rough and granular as that of his two greatest idols: Bob Dylan and Woody Guthrie. A couple of years ago he was discovered on BBC radio Bristol. Following the invitation to play a session in London he was given a spot on Glastonbury’s neophyte stage. His bluesy acoustic songs proved a success. Ezra elegantly combines past and present, British and American. His boundless energy does the rest. Since then things have been going so well for him that he has put his university studies on hold. Ezra came fifth on the prestigious BBC Sound Of 2014 list and is working hard on his first album.
Trixie Whityley
Highly gifted musically. ‘Even when you cannot immediately follow it, it remains intense.’ This is how Jon Pareles, the New York Times’ head of music, concluded a favourable critique of ‘Fourth Corner’ (2013), Trixie Whitley’s debut album. Shortly afterwards the album went gold in Belgium. A good start to her career in both her native countries. Whitley was born in Ghent, grew up in New York and has commuted between both cities since her youth. ‘I am from everywhere, but I have never known what it feels like to come home.’ Her musical talent was tangible from a young age. She is the daughter of singer-songwriter Chris Whitley and the niece of bassist Alain Gevaert (dEUS). But she rapidly made a name for herself as Trixie Whitley. Imploring, sincere, personal, sensitive. And always surrounded by the right people: Meshell Ndegecello produced her first EP, Daniel Lanois asked her to join his super group Black Dub… She soon found her own feet and has made quite a name for herself in the meantime.
Parov Steler band
Back to the future. Marcus Füreder leaves a trail of entrancement through Europe with his Parov Stelar Band. Their electro-swing drives people to do the strangest things. It is a new word that stands for a combination of music from the roaring 20s and the swinging 60s with modern beats and grooves. Füreder is not nostalgic. The Austrian looks at the past from the future. He doesn't simply put a beat under an old song; he samples old sounds and gives them a new destination. Motown Records was so enthusiastic about Füreder's approach that he was allowed to use a Marvin Gaye sample. He started out listening to Motown then started exploring ska, soul and jazz. The Parov Stelar Band combines all these genres. Jazzy electronic sounds from a six-man live band that accentuates the vocal skills of the ravishing Cleo Panther.
Crystal fighters
Glorious chaos. “Frenzied, sultry, unruly”. Nothing but the fieriest of descriptions spring to mind when it comes to Crystal Fighters concerts. Many say that these concerts are among the best experiences of their life. The British band say they had their greatest moment at a rave in Zugarramurdi. In that Spanish village they held a wild party in a cave through the shortest night of the year. Ah, so that explains the title of their second album “Cave Rave” (2013)! The band has its roots in Spain. One of the - former - members found an unfinished opera in her granddad’s country house in the Basque Country. The band went to work on it back in London. It is coloured by Spanish folk music, and combined with today’s fat baselines it makes for glorious chaos. They describe the sound as: “The Velvet Underground and the Gipsy Kings cut a record in the Pyrenees produced by Skream, Madlib and Luciano”.
Kate B
An ode to the dance floor. The BRIT School in London is a major breeding ground for vocal talent. Some talent that it has nurtured over the last 10 years includes Adele, The Kooks and Amy Winehouse. Jasper Erkens also attended the BRIT School. Kathleen Brien graduated as Katy B, a black kernel in a white shell. Her voice contains a lot of gospel and soul. Erykah Badu and Jill Scott showed her the way initially. She has made strong translations to the present; first as a guest vocalist for dubstep mastodon Magnetic Man then on her own two feet with pop music that uses modern resources like dub, electro, grime and urban. The final result is a euphoric ode to nightlife and the dance floor. Her lyrics are terse and very correct. When reviewing her debut 'On A Mission' (2011), Humo magazine wrote: ‘perhaps the new Mike Skinner (The Streets) is a woman.’
The Subs
Super Subs. The musical world of The Subs is rich. They have worked with both ‘homies’ (Goose, Soulwax) and Walloon friends (Party Harders), and play a wide range of genres from French flair (Cassius, Daft Punk) to heavy guitars (QOTSA, Tame Impala). The result: deafening electro-violence (‘Face Of The Planet’, ‘The Pope Of Dope’) with surprising samples and a hyperkinetic front man. They have run amok from Antwerp to Australia. “Our live reputation is our DNA, our unique numeric code.” On ‘Hologram’ (2014) the three beat bastards are headed in a new direction: less fiery punk, more subtlety. They do not stick to existing success formulas and they try out new things. Front man Jeroen De Pessemier lives in London and you can hear that. The result is accessible yet experimental. From Subs to Super Subs. Exciting!
The strypes
Cool suits. Young as in just out of the cradle. The average age of The Strypes is 17. And they have already been together for six years! The Irish lads’ taste in music is many times older than they are. Their first single was a cover of ‘You Can’t Judge A Book By Its Cover’, a 1962 number by ageing rocker Bo Diddley. Their first album ‘Snapshot’ (2013) includes traditional blues music from 1929. Their most recent influences are The Spencer Davis Group and The Yardbirds, dating back almost 50 years. In their cool suits The Strypes also have a 1960s look. A first single led to uproarious scenes. Anyone with any fame and influence wanted to take the young kids under their wing. Elton John is a big fan and his management company succeeded in securing the deal. Other big names who also wanted a piece of the action include: Jeff Beck, Dave Grohl, Noel Gallagher and Paul Weller. Long live youth.
Sam Smith
A well-known unknown. Sam Smith is quite a guy. Before his solo career got off to a start, he already had two big hits and two valuable awards. The British singer is the soulful voice of ‘Latch’ (2012), the first big hit for dance duo Disclosure, and of ‘La La La’ by Naughty Boy, one of last year's best selling British singles. Smith remained a well-known unknown until he won the Critics’ Choice award at the last Brit Awards. It is awarded by a team of experts to an artist who will debut the following year. Previous winners include Adele, Florence and the Machine and Ellie Goulding. The Critics’ Choice award is closely related to BBC Sound Of… People in the industry select the most promising artists. Smith is the tip for 2014. We look forward to his kickoff. ‘In The Lonely Hour’ will be launched just before summer.
The naked and famous
Catchy electropop from New Zealand. The Naked And Famous picked up almost all the prizes at the New Zealand Music Awards in 2011. Shortly afterwards they moved to the United States. Back home in New Zealand, people were both sad and pleased. The Kiwis had lost their best group since The Datsuns. On the other hand, the catchy electropop by the quintet from Auckland has a real chance of realising a global dream. Think MGMT, Passion Pit and The Temper Trap. The acclaim for their debut album 'Passive Me, Aggressive You' (2010) in their home country was echoed in the UK. British critics picked out The Naked And Famous along with James Blake, Anna Calvi and Jamie Woon as the most promising artists for 2011. The singles ‘Punching In A Dream' and ‘Youngblood’ immediately found a way onto the airwaves. The new album ‘In Rolling Waves’ (2013) sounds like the start of something much bigger.
Foster the people
Like a rocket. ‘Pumped Up Kicks’ (2011) by Foster The People is the prototype of a summer hit. Think of ‘Kids’ by MGMT and ‘Young Folks’ by one hit wonder Peter, Bjorn and John. Then think of a cross between the two and it shoots into the sky like a rocket. A simple free download on his own website led to a worldwide hit and a nomination for a Grammy Award. During the awards ceremony the group got to play with The Beach Boys. Their eponym Mark Foster can now die happy. After doing far too many adverts to keep the wolf from the door it has finally worked out for him, strangely enough with a song about a teenager who has gone off the rails. Foster turned it into cheerful indie pop. The next time he stopped to draw breath he had played 350 concerts and it was time to start on a second album. According to the group ‘Supermodel’ (2014) is inspired by David Bowie, The Clash and The Kinks. Sounds good already.
Eels
For all eternity. Eels is part of a small pack of artists for whom a trip through Belgium is always a moment of glory. The match has been won hands down. Other artists in the pack include the Editors, Elbow and Agnes Obel. Their last visit to Werchter was very special for Eels. “I feel like a Beatle,” said Mark Oliver Everett, the brain and driving force behind Eels. He was visibly touched upon receiving a roar of applause for ‘The Look You Give That Guy’. Belgians love Eels for many reasons. The fantastic way that he oscillates between underdog and genius, the subtle balance between humour and melancholy … But Everett's most important weapon is timelessness: every album has at least one song that remains printed in fans' memories. The new album, ‘The Cautionary Tales of Mark Oliver Everett’ (2014), promises the same. It is recommended for young and old.
Jack Johnson
Singer-songwriter on solar energy. Enter 'surf', 'guitar' and 'do-it-yourself' to Google and you get Jack Johnson. He starts by following in the professional footsteps of his father, Jeff, a surfing legend in Hawaii. A serious accident - 150 stitches and a few lost teeth - render a sporting career impossible. His guitar becomes his new surfboard. JP Plunier, who discovered Ben Harper, heard a demo and set Johnson on his way. With his fourth album 'Sleep Through The Static’ (2008), the singer-songwriter goes worldwide. The album is produced using solar energy and is released on his own, highly artist friendly Bushfire Records. That typifies Johnson completely. He uses the positive effects of his success to support the causes he believes in. The "surfing soft rock superstar” is currently touring the world with 'From Here To Now To You’ (2013), yet another treat of styles and moods.
Zaterdag
The Temperance movement
The emotion of the blues. A ‘temperance movement’ is a social movement that attempts to push back or prohibit the use of alcohol. The phenomenon has been around for a few centuries; it mostly occurs in the Anglo-Saxon world. “That will be our name,” the founders of the British blues rock band thought. They have enough humour, charisma and expertise too. Last year the British magazine Classic Rock proclaimed them the Best New Band. The eulogy read: ‘Marinated in the emotions of the blues, they are Britain’s next great rock band’. By rock they mean the steeds of the golden 1970s: The Band, The Faces, Free, The Stones and Led Zeppelin. The Temperance Movement continues a tradition of deafening guitar pleasure. Recommended for those who want to know what it is like to be blown away by music.
Kodaline
Best new Europeans. Steve Garrigan and Mark Pendergrast have been inseparable for three quarters of their lives. They collaborated artistically for the first time as boys in the school choir in Dublin. That fact that they were the only boys in the choir strengthened the bond even more. Ten years later they found another two spotty-faced kids who, like them, were mad about The Beatles, Radiohead and The Strokes. The four of them had a megahit in Ireland as 21 Demands. But they weren’t quite there yet. In 2011 they renamed themselves Kodaline. Half Mumford & Sons, half early Coldplay, with the sort of drive and pathos that goes with being Irish. “All I Want” became a huge radio hit in Belgium and The Netherlands and led to Pukkelpop and Lowlands. But the story goes on. In January of this year they won “best new European name” at the European Border Breaker Awards. After which they set about conquering Australia and the United States.
Haim
Real talent. The Haim sisters enjoyed a carefree childhood in Los Angeles. Alana, Danielle and Este grew up listening to the best albums of the 1970s. So there is some real substance behind their frequent comparison to Fleetwood Mac. But the girls cannot stress enough their strong influence by Destiny’s Child, Kendrick Lamar and TLC. Musically, Haim is somewhere in the middle of all that: folk rock with a hip hop / R&B edge. The three gained initial stage experience in the family band, Rockinhaim. Father Mordechai played the drums, mother Donna the guitar. After a period of study and artistic experimentation, the three daughters came together again as Haim. Shortly afterwards they found themselves touring with Mumford & Sons and Florence + the Machine, which brought them into the Champions’ League of music. Simple. That’s evidence of real talent.
Biffy Clyro
The Scottish equivalent of Foo Fighters. Last year, British magazine NME named Biffy Clyro as Best Live Band. This wasn’t the trio’s first ever accolade. They also have a BRIT Award and a truckload of awards from Kerrang! metal magazine. The band has sold more than 1 million albums in Great Britain and easily fills stadiums that seat 20,000 people. Five albums later and the power rock produced by the Scottish equivalent of Foo Fighters has finally crossed the Channel. “Opposites” (2013) was their passport to the rest of Europe. This was said of their performance at The Barn last year: “…a very tight set with a monumental sound…”, “…everything a festivalgoer could wish for…”, “… as contagious as a cold…” And what about that strange name? They have no explanation for it themselves.
Triggerfinger
Belgium's finest. Triggerfinger is a trio. But a trio with a drummer, two guitarists, two bass players, three session musicians, two producers, a drum teacher and two former roadies. Between them they have 75 years of service and certificates from the likes of Hooverphonic, Noordkaap, Sin Alley and The Wolf Banes. Trigger Finger is a phenomenon. Three unpretentious blokes who put everything they owned into their big dream. And that dream has come true. Their peppery roots rock develops its greatest brake horsepower on stage. There, the group is gradually becoming untouchable. It brought them onto the bill opening for the Red Hot Chili Peppers and on the same line-up poster as the Rolling Stones. An impression from their own country: "If we were Michelin, we would give them three stars." In Los Angeles the three stars have - finally - made the successor to “All This Dancin' Around” (2010). Party Time!
The Black keys
Vintage noise from two battering rams. According to the American magazine Rolling Stone, The Black Keys are a “supercharged stomp machine”. Singer / guitarist Dan Auerbach and drummer Patrick Carney have developed supersonic powers together. These powers brought them from obscure concerts in empty factory buildings in their hometown of Akron to the world’s biggest stages. It went even better when they upped the pace of their sewer blues by adding soul and grooves. The albums 'Brothers' (2010) and 'El Camino' (2011) blasted The Black Keys to out-and-out headliners. They do need two extras to make it sound as good as possible live, but it was an easy sacrifice. At the recent Grammy Awards, the duo took home Best Rock Performance, Best Rock Song and Best Rock Album. That's the Lottery, the Keno and the Euro Millions.
Pearl Jam
These days the best marathon shows are given by U2, Bruce Springsteen and Pearl Jam. The UK’s Q magazine recently gave Eddie Vedder & Co. 5 stars for a concert in New York. Above all, the music magazine praised the almost homely welcome they gave the fans. Pearl Jam combine the energy of fledglings with the blessings of twenty-five years’ experience. They are superstars who play like it might be their last concert. Not one note too many, furious and compelling. Constant touring has perfected the band and given them a huge and fanatical following. More than 20 years after the magnificent ‘Ten’ (1991), Pearl Jam is still very ‘Alive’. In that time they have sold about 60 million albums. Did you know: ‘Lightning Bolt’ (2013), the tenth studio album, was their first number 1 in Belgium. Pearl Jam are planning just 11 shows in Europe next summer. They’ll play at only 2 festivals - Open’er in Poland and Rock Werchter.
Altrego
Beats and basses. His Facebook page says ‘Altrego is a London-based artist’. We know him as Jasper Erkens, the youngest performer ever at Rock Werchter. He set the Pyramid Marquee ablaze in 2009 when he was just 16 years old. Up until then, being young was the leitmotiv of the singer-songwriter from Diest. He wrote his first songs when he was 12. When he was 15 he shot up to #2 in Humo’s Rock Rally 2008. That provided enough financial resources to launch his first album largely on his own. ‘The Brighter Story’ (2009) was in the hit lists for 30 weeks and surprised with the singles ‘Crazy’ and ‘Waiting Like A Dog’. After that, everything changed. Erkens was admitted to the BRIT School in London in March 2010. That's where Adele, Kate Nash and Amy Winehouse were moulded. He became Altrego, a trio under his command that moves ‘on the crossroads between dance funk and the dirtiest sound of the 1980s’ (dixit Humo). Beats and basses are diluted with Erkens' natural talent for creating catchy pop songs.
21 pilots
Ready to soar. Their name is misleading; it comes from ‘All My Sons’, a play written by Arthur Miller. The play is about a man who unintentionally sent 21 pilots to their death during WWII; a serious moral dilemma that sharply contrasts the spirit of Twenty One Pilots. The line-up offers a hint. Josh Dunn is the drummer and Tyler Joseph sings and plays the piano, ukulele and synthesizer. That's the entire line-up, but they sound very complete. They are unparalleled on stage. They grab everyone's attention by dressing up and using all kinds of tricks. Their music is special: energetic pop that sprouts wings via Joseph's raps. Ben Folds meets Eminem meets The Venga Boys. Last year they were a hit at Lowlands (NL); according to the producer of their debut album ‘Vessels’ (2014) they are ready to soar. That man is Greg Wells and he played an important role in the careers of Adele and Mika.
Tune Yards
Wild ideas. In the past it was not obvious that Merrill Garbus would go into pop music. She used to put on a puppet show in an American theatre and later played ukulele with Sister Suvi, a group from Montréal. The ideal leg up to children's theatre but Merrill switched course. tUnE-yArDs - notice the spelling - leave many people dumbfounded. Garbus signed with 4AD, a high-quality record label that represents interesting names like Bon Iver, Efterklang and The National. Her debut ‘BiRd-BrAiNs’ (2009) was treated like a discovery. She makes a kind of lo-fi world music that relies on loops, African rhythms (she worked in Kenya for a while), wind instruments, the bass of permanent band member Nate Brenner and, you guessed it, a ukulele. It is playful music full of wild ideas that constantly inches towards pop music. Her new album ‘Nikki Nack’ is proof enough!
Melanie De Biasio
A clever switch. Nobody saw her coming. Melanie De Biasio came from an unexpected corner. She studied voice and flute, initially in her hometown of Charleroi and later in Brussels. Her first steps were 100 % jazz. Aside from a guest performance with Sophia at Pukkelpop 2007, she had no ties with pop or rock. Last year she made a clever switch with her second album ‘No Deal’. It appeared on the rock label Play It Again, Sam! (Balthazar, dEUS, Soulwax) and was linked to Beth Gibbons (Portishead), Talk Talk and Scott Walker. De Biasio makes music with a highly sentimental value that touches a large audience. ‘No Deal’ became the album of the month in the French music magazine Les Inrocks and it was applauded by the entire Belgian rock press. Last year she sold-out the AB and combined Jazz Middelheim with a few rock tinted festivals. We anticipate big things from her.
SBTRKT
The masked man. SBTRKT (pronounced subtract) is the stage name of Aaron Jerome. The British producer/remixer tries to maintain anonymity, that's why he hides his face behind tribal masks on stage and on album covers. SBTRKT brought dubstep and post-dubstep to the hit parade, together with James Blake and Magnetic Man. The next stop is the hereafter. The refined beats and bleeps on his debut album ‘SBTRKT’ (2011) are of very high quality and suitable for every moment of the day. Guest roles - Jessie Ware and Yukimi Nagano (Little Dragon) - are well-chosen and frequent collaborator Sampha continues to perform with him on stage. People call SBTRKT ‘a new Timbaland’. In other words, someone who can sum up everything musical that is happening around them in powerful pop music
Trentemoller
A dance specialist with a rock heart. Anders Trentemøller is a celebrated Danish electronics specialist and computer whiz who is also very devoted to indie rock. His all-time favourite group is The Smiths and his favourite albums include work by Joy Division, Mazzy Star and The Velvet Underground. That love is expressed very emphatically in his work. Half of the songs on his latest album ‘Lost’ (2013) have a traditional song structure. As guest voices he booked alternative rock artists like Kazu Makino (Blonde Redhead), Low and Jonathan Pierce (The Drums). Once again, it is an interesting twist from a man who is determined never to repeat himself. The most famous musical Dane - together with Agnes Obel and Volbeat - will play with a real band that includes the crème de la crème of the Danish rock scene.
Moderat
An electronic super group. Berlin forever! Moderat is a contraction of the names of two electronic heavyweights from the German capital. Modeselektor has been the daily life of Gernot Bronsert and Sebasitian Szary for almost 20 years. The duo loves booming and lashing out. They are brilliant, according to Thom Yorke of Radiohead. Apparat is the pseudonym of Sascha Ring, who evolved from pumping beats to soft sound carpets. Modeselektor + Apparat = Moderat. It is a collaboration that goes back more than 10 years but only came into full bloom in 2009. The collision between hard and soft ensures sparks and is touching. The phrasing follows German rules of thoroughness.
And if this isn't enough: for their live show the three masterminds joined forces with high acclaimed artist collective Pfadfinderei.
Johnny ang
A jack-of-all-trades. Real talent always appears at a young age. The exceptional gifts of American guitar god Jonny Lang were already recorded before he had a driving licence. ‘Smokin’’ (1995) by Kid Jonny Lang & The Big Bang came out when he was just 14. His second album, ‘Lie To Me’, brought him to Belgium for the first time. He was only 16 when he set fire to the AB Club in Brussels. Lang returned to Belgium last year. In the meantime he became a legend in his own country. The man is a jack-of-all-trades: he is a fabulous (blues) guitarist with a voice that suits blues and gospel songs perfectly. In the beginning he gained a lot of attention because he played barefoot. After a few too many electric shocks, he stopped doing that. Now in his thirties, he has toured with Jeff Beck, Sting and The Rolling Stones. He received his first Grammy Award in 2006 for the album ‘Turn Around’. He is a young veteran.
Midlake
The new line. Midlake moves in mysterious ways. The band is forever shifting shape and colour. They started as a group of Texas jazz students who were mad about Grandaddy and Radiohead. Things started getting serious after ‘The Trials Of Van Occupanther” (2006). On that album the band painted a 19th century, imaginary world of hunters, shepherds and troubadours. Very British, very romantic and very strange for five Texans. On “The Courage Of Others” (2010) the tempo slowed and the acoustic guitars took over. Midlake now sounds like the British folk rock of the late 60s. Fairport Convention, Steeleye Span, even Jethro Tull at times. But the latest change of tack was entirely unexpected. Singer Tim Smith left the band while making “Antiphon” (2013). The remaining band members started from scratch and guitarist Eric Pulido took over the vocals. The new line is progressive rock à la Pink Floyd.
Ozark Henry
Many fruitful years. Piet Goddaer had too many ideas a long time ago and that was a problem. His first steps as Ozark Henry were greeted with cheers by the press but turned out to be too difficult for a wide audience. Just when he considered giving up, the tide turned. On ‘Birthmarks’ (2001) Goddaer adjusted his many influences into layered music with a huge emotional impact. It was the beginning of many fruitful years. The man developed into one of the most popular Belgian artists of his generation. Every album went platinum and spent at least six months in the hit parade. Goddaer stopped working in 2007. He was exhausted. A voyage around the world resulted in new insights. The previously strict director loosened his grip and attempted some collaborations. For his latest album ‘Stay Gold’ (2013) Piet recruited vocalist Amaryllis Uitterlinden. Ozark Henry now has two voices and sounds revived. The line of successes continues.
Imagine Dragons
THE new American band of 2013. According to music magazine Billboard and music video channel MTV, Imagine Dragons is the breakthrough American band of 2013. The group is from Las Vegas and they were cast in the same mould as Editors, The Killers and Snow Patrol. Robust songs, great emotions, a rough edge. Outlandish stories about the indie rockers are doing the rounds. Such as that they learned their trade by playing in Vegas for uninterested gamblers. And that Imagine Dragons is an anagram of their real, secret name. If that's marketing, then it worked pretty well. The singles 'It's Time' and 'Radioactive' are worldwide sing-alongs and their debut ‘Night Visions’ was the fourth-best selling album of 2013 in America. They worked on it with Alex da Kid. An odd choice, because the British producer/songwriter is from the opposite end of the spectrum, working with Eminem, Dr. Dre and Rihanna. But it appears to have been a wise decision. Da Kid complements the indie rock with influences from dubstep, folk and hip-hop.
Agnes Obel
Pure art. Danish artist Agnes Obel was discovered in Germany by the boss of a Belgian record label that has made her a major new European name. Almost 500,000 copies of her debut album 'Philharmonics' (2010) were sold. The follow-up 'Aventine' (2013) was a chart success in a dozen countries. Her greatest success has been in her native land Denmark, France and Belgium. The love affair with the Belgians is very intense indeed. It is a remarkable success story. Obel is on the alternate side of the musical spectrum. Her most famous song 'Riverside' is a kind of Lykke Li-meets-Cat Power. She is also a trained pianist who adores classics such as Claude Debussy and Eric Satie and who feels silence is just as important as sound. Last year, she held The Barn spellbound with nothing more than a piano and a cello. It is art so pure that it is irresistible.
Pixies
A wave of pleasant frenzy. "I tried to imitate the Pixies," said the late Kurt Cobain of "Smells Like Teen Spirit“. And "Paranoid Android" by Radiohead was an attempt to cross Queen’s "Bohemian Rhapsody" with the Pixies. The foursome from Boston was undoubtedly the most exciting rock phenomenon of the 80s. Though the audience remained unconvinced in the American homeland. And then just when it started to happen for them, Black Francis (later Frank Black) blew the group up. He did it live on BBC Radio 5, without telling the rest beforehand. So at that time relations became heavily soured between Black and bassist Kim Deal, the group’s other genius. In 2004 everything was hunky dory again and a wave of pleasant frenzy swept over Werchter. Encore! Only this time Deal won’t be there. She left last year for a reunion of The Breeders, her other group and was replaced with Paz Lenchantin, who previously played Werchter with A Perfect Circle.
Zondag
Reignwolf
Man with a wolfish appetite. According to Rolling Stone magazine he is one of the ‘10 New Artists You Need To Know’. The rumours that precede Jason ‘Reignwolf’ Cook are extremely promising. The Canadian's stage performances are said to be "amazing". He runs across the stage like a maniac, makes daring leaps and regularly dives into the audience. Cook becomes one with his guitar and with the bass drum that he plays with his feet. He howls into the microphone, plays endless solos and easily makes as much noise as an entire group. According to North American trade journals, he outclasses Jon Spencer Blues Explosion and The White Stripes. Cook recently expanded his one-man show with a bassist and a drummer. That doesn't mean he will calm down. After all, this man has a wolfish appetite.