De mooiste filmquotes ooit.....

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If we all go for the blonde and block each other, not a single one of us is going to get her. So then we go for her friends, but they will all give us the cold shoulder because no one likes to be second choice. But what if none of us goes for the blonde? We won't get in each other's way and we won't insult the other girls. It's the only way to win. It's the only way we all get laid.

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Op donderdag 13 januari 2011 19:00 schreef Iemand91 het volgende:

Oh, yes sir. Bit me right in the buttocks. They said it was a million dollar wound, but the army must keep that money 'cause I still haven't seen a nickel of that million dollars.

We was always taking long walks, and we was always looking for a guy named "Charlie".
Forrest Gump (1994)

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Op zaterdag 15 januari 2011 22:50 schreef Dulk het volgende:
shoot him again, his soul is still dancing!!

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Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl... interrupted.

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Op dinsdag 18 januari 2011 00:02 schreef Iemand91 het volgende:
'n goeie net in That 70's Show:
(Kitty zit net in de menopauze en zit hierdoor in de put)

Red: We still have Eric. He's sort of a baby.
I can make him cry if you want.

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Op vrijdag 14 januari 2011 13:33 schreef DragonFodder het volgende:
Serenity

[..]

De hele film Serenity is quotable wat mij betreft. Maar dat ligt ook aan de acteurs.

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Op zondag 16 januari 2011 05:52 schreef Outlined het volgende:

Aphex Twin ft Chris Cunningham - Windowlicker

film? niet echt, maar wel vol potentiėle quotes, check de eerste 5 minuten

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There are 127 uses of profanity in the dialogue segment of the video (which is under 4 minutes), including 44 uses of the word fuck. This averages to more than one use of profanity every two seconds.

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(Obscenity count, done just for shits and giggles: "nigger," 43 occurances; "motherfuck(er|ing)," 26 occurances; "fuck" (excluding the above), 46 occurances; "shit," 16 occurances.)

(Two homies roll along the street, one driving and one talking. The driving one is bald, has a moustache, is wearing a white undershirt, and looks Hispanic; the one talking is black, but has long wavy hair and a plaid shirt.)

Homie 1: How about we find some motherfucking bitches, old man? Nigger, I'm horny as a motherfucker, nigger, you know what I'm saying?

Homie 2: I don't give a fuck, holmes.

Homie 1: I don't give a fuck neither, motherfucker. Gonna be finding some bitches, man.

Homie 2: I don't give a fuck!

Homie 1: All right, motherfucker, we need to find us some hos up in this motherfucker, man, for real! You know what I'm s nigger, man, what the fuck is you slowing down for, nigger? Drive this motherfucker! Move! Roll, nigger, damn! We ain't getting nowhere

Homie 2: Man, fuck you, holmes.

Homie 1: We'll get nowhere, man, driving like a little

Homie 2: Fuck you, holmes!

Homie 1: driving like a little bitch, man, you ain't driving Miss motherfucking Daisy, nigger! Just roll, nigger, shit! Man, I get tired of rolling with your slow ass, nigger, just roll, man! ... Some nice ass, oh, look at some bitches right there, oh, hell, yeah! Nigger, let's roll. It's on, motherfucker, yeah, nigger. Damn, I just can't wait, man, nigger horny as a motherfucker, man, dick all hard, nigger, i'm ready to fuck, nigger, straight up, nigger! I'm ready to get my groove motherfucking on, you hear me, nigger? Nigger

Homie 2: Man, fuck you, holmes!

Homie 1: Nigger, quit slowing this motherfucking ride down, nigger, what's wrong with you, fool? Nigger, something wrong with your motherfucking feet? Nigger, drive this motherfucker, man, just get the fuck to where we got to go, nigger!

Homie 2: I don't give a fuck, holmes!

Homie 1: Damn! What the fuck going on up in this bitch? Let me play my shit, nigger! It's my motherfucking tape up in this bitch. Shit. (Homie 1 puts in some slow hip-hop groove music. Trivium: The bass line for this music is the same as the bass line for the Windowlicker song itself, only at half the speed.)

Homie 2: Man, I don't give a fuck.

Homie 1: Man, shut the fuck up, nigger! You get on my motherfucking nerves, nigger! (looking out the side of the car) Oh, shit, hey, nigger, hey. Hey, hey, m hey, man, turn this motherfucking car around. Hey, turn this motherfucker around, fool! Oh, shit, aw, yeah. Oh, it's on, nigger. It's on up in this motherfucker, man. Nigger, nigger, come on, man.

Homie 2: All right, fool. (Homies pull up to two hoochies standing on the curb.)

Homie 1: Hey, what's packing, bitch?

Homie 2: Damn!

Homie 1: What the fuck going on up in this motherfucker?

Hoochie 1: Ooh, not your broke ass, nigger!

Hoochie 2: Ooh!

Homie 1: Why don't you two meet us in the car? Let's go! Oh, come on, girl, why you got to be broke, girl? What's happening? (I can't really tell what he's saying here; someone please enlighten me.)

Hoochie 1: Why, 'cause you ain't got but some broke trash-basket, you simple-ass fool, coming up, talking that shit to me!

Homie 2: What, what shit are you confused like that for, bitch?

Homie 1: Nigger, slow your roll, you just drive, nigger! (turning back to hoochies) Girl, you can get in, you can sit right here on my motherfucking lap, and let's roll. 'Cause it's party n

Homie 2: Damn.

Homie 1: Hey, nigger, slow down, nigger, hold on, man, let me do this shit, just sit down!

Homie 2: I didn't say nothing, fool! What?

Homie 1: Girl, go on, get in this car, girl, we can have a good time, handle our business.

Homie 2: Good loving, fool!

Homie 1: Nigger, just shut the fuck up, nigger!

Homie 2: Shit, you shut the fuck up, holmes.

Homie 1: Girl, go on and get in the car, girl, so we can handle this business, girl. You make a nigger wanna fuck, girl. Get on in the car

Hoochie 1: Say what? You ain't got shit coming!

Hoochie 2: Nothing.

Hoochie 1: You ain't got shit coming.

Hoochie 2: Not a motherfucking thing.

Hoochie 1: How do you think I'm gonna talk to you with your fake-ass jewelry?

Hoochie 2: Oh, wait, wait, wait, wait, wait.

Hoochie 1: You can't even have gold?

Homie 1: Hey, girl, y

Hoochie 1: I mean, what can you do for me?

Homie 1: Girl, what the f Girl, what the fuck are you talking about, broke? You see something broke about this, girl? (holds up his necklace)

Hoochie 1: Keep rolling. You ain't got nothing to offer me but your broke ass. And take your mama's car home, nigger.

Homie 1: Man, stop trying to diss me, ho! There's no trying to diss me, girl, I'm a player, girl, for real. Player, player, girl!

Homie 2: Man, shut the fuck up, fool.

Homie 1: Man, would you shut the fuck up, man?

Homie 2: Shut the fuck up, fool.

Homie 1: Let me handle this business, man.

Homie 2: Man, fuck you, holmes.

Homie 1: We ain't gonna get no pussy riding with your broke ass, nigger.

Homie 2: Man, fuck that. I don't give a fuck.

Hoochie 1: Nigger, you ain't gonna get no pussy no way! Don't nobody want to talk to your broke trifling ass. Look at you! Nigger, look at your hair!

Homie 1: Aw, girl, don't talk about my motherfucking hair, no the fuck you didn't talk about my hair. (Raucous laughter from hoochies.) Bitch, fuck you, girl!

Hoochie 1: Look at his hair! Nigger, you need to get something done to your shit. That's right, that's what I said, nigger! You ain't about shit, and your hair ain't neither.

Homie 1: Bitch! Don't be acting like no fucking stuck-up ho, like you're from Beverly Hills or some shit! Go on, get in the car, and let's roll.

Homie 2: Man, what you talking about, holmes?

Homie 1: Fuck you hos. Don't be putting your motherfucking nose up in the air, bitch!

Homie 2: Man, fuck that, bitch!

Homie 1: Hey, nigger, slow down, nigger!

Homie 2: Man, fuck this bitch, holmes!

Homie 1: Girl

Homie 2: Girl, don't buy that!

Homie 1: Man, slow your motherfucking roll, fool!

Homie 2: Who do you think she is?

Homie 1: Slow your roll, nigger!

Homie 2: Go away, man, let me talk to her. Go away, go away.

Homie 1: Let me handle this. Let me handle this. Girl, go get in this motherfucking ride, get in the fucking car, and let's roll and do this shit. Nigger, you slow down and let me do this shit.

Homie 2: Man, fuck you, holmes.

Homie 1: Girl, we want to fuck, you know what I'm saying? Get on in the car, we'll get some liquor, and go get it on, girl!

Hoochie 1: You simple-ass niggers just better roll on.

Homie 1: Look, we ain't never gonna get no pussy because of your stupid-ass mouth, man. Shut the fuck up, man. Man, fuck that bitch!

Homie 2: This is you, man. 'Cause you can't get no play, motherfucker. No, none of it, you can't get no motherfucking play. You can't (At this point, the Longest Limousine Ever crashes into their car. Hilarity ensues and Richard D. James gets all the women he wants.)

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Op dinsdag 18 januari 2011 00:02 schreef Iemand91 het volgende:
'n goeie net in That 70's Show:
(Kitty zit net in de menopauze en zit hierdoor in de put)

Red: We still have Eric. He's sort of a baby.
I can make him cry if you want.

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Why do I fall in love with every woman I see who shows me the least bit of attention?

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I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad.

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Op dinsdag 18 januari 2011 12:43 schreef Haarklip het volgende:

[..]

Uit Network (1976)

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Don't beat yourself up over this, Mitch. It's not your fault. Dammit, Blue was old. That's what old people do. They die.

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Alright, let me be the first to say congratulations to you man; you have one vagina for the rest of your life. Real smart Frankie. Way to think it through.

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I love you. And no, not in a friendly way, although I think we're great friends. And not in a misplaced affection, puppy-dog way, although I'm sure that's what you'll call it. I'm in love with you. Very simple, very truly. And I know that you think of me as just a friend, and crossing that line is the furthest thing from an option you're willing to consider. But I need to say it. I just can't take this anymore. I can't stand next to you without wanting to hold you. I can't, I can't look into your eyes without feeling that longing you only read about in trashy romance novels. I can't talk to you without wanting to express my amazement for everything you are.

And I know this will probably queer our friendship, no pun intended, but I have to say it, because I haven't often felt this way before, and I don't care. I like who I am because of it. And if bringing this to light means we can't hang out anymore, then that hurts me. But it gets harder letting the days go by without just getting it out there, regardless of the outcome, which, judging from your face, is to be the inevitable shoot-down. And I'll accept that. But I know... I know that some part of you is hesitating for a moment. And if there's even a moment of hesitation, then that means you feel something too.

All I ask, please, is that you just, you just not dismiss that - and try to dwell in it for just ten seconds. There isn't another soul on this fucking planet that makes me half the person I want to be when I'm with you, and I would risk this friendship for the chance to take it to the next plateau. Because it is there between you and me. You can't deny that. Even if you don't want to talk to me anymore after this, please know that I am changed because of who you are and what you mean to me, which - while I do appreciate it - I'd never need a painting of birds bought at a diner to remind me of.

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Op woensdag 12 januari 2011 07:17 schreef Weissman het volgende:

The Boondock Saints II: All Saints Day; Fragment

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Op dinsdag 18 januari 2011 13:16 schreef Splackavellie02 het volgende:

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- Chasing Amy.

Misschien wel de meest oprechte liefdesverklaring die ik in een film gezien heb

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Op woensdag 19 januari 2011 00:12 schreef heiden6 het volgende:

[..]

Die film heb ik liggen, en moet ik nog steeds een zien, maar dit klinkt toch vooral erg afgezaagd en vooral sneu.