Het Grote Beatles Topic - Deel 29

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Op zaterdag 15 augustus 2009 00:49 schreef Aisumasen het volgende:
Weer wat nieuwe remaster-samples op Amazon.com: http://www.amazon.com/The-Beatles/e/B000APTK6K Helaas te brakke kwaliteit om goed te oordelen.

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Op zaterdag 15 augustus 2009 11:25 schreef MrBadGuy het volgende:

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Ik zie nu dat de box set op de Amerikaanse Amazon een stuk goedkoper is dan de Britse...alleen dan zal er vast wel weer importheffingen over heen komen

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Q: Have the pan problems from the original stereo mixes been fixed?

Allan Rouse: This can only be achieved when mixing from the multi-tracks.

Q: What has been the toughest technological challenge facing the remastering of the Beatles recordings?

Allan Rouse: Recognising that it impossible to achieve most of the changes which are possible when re-mixing and not to want to try, regardless of the technology that is available today.

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Op zaterdag 15 augustus 2009 14:57 schreef Aisumasen het volgende:
Sja, dat is wat een remaster kan doen. Ik haal de quotes van Beatles remaster engineer Allan Rouse nog maar even aan:
[..]

Zegt genoeg. Maar 'gelukkig' klonken de meeste CD's uit 1987 zo beroerd, dat je een heel groot verschil gaat merken. Dat is alleen never nooit te horen op mp3-tjes van 64 kbps, zoals op Amazon.com staan.

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Op zaterdag 15 augustus 2009 15:24 schreef Aisumasen het volgende:
Ok, dus jij blijft liever luisteren naar "Eleanor Rigby" waarin de strijkers als een dof mono-bedje op de achtergrond van een van links naar rechts zwevende stem klinken ? Of de rest van Revolver, waarin alle instrumenten beetje op de achtergrond klinken, drums wegvallen, stemmen hard in stereo op je afkomen... "I Am The Walrus" in nep-stereo, of "Rubber Soul" met niets in het midden en de stemmen links of rechts...

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Op zaterdag 15 augustus 2009 18:29 schreef psychedelicate het volgende:
De remasters ga ik misschien gewoon via CDWow.nl bestellen. Een lange levertijd, maar wel vrij goedkoop (toch?). Wel dikke onzin, overigens, dat de stereo box op het Nederlandse gedeelte ¤223 ($319) kost, en op het Amerikaanse gedeelte maar $266 (¤186). Gewoon via het Amerikaanse gedeelte bestellen dus, aangezien je geen verzendkosten o.i.d. hoeft te betalen.

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Op zaterdag 15 augustus 2009 19:31 schreef hello_goodbye het volgende:
Als je naar Fame gaat, moet je het niet doen voor de box... Op hun site staat de stereo box voor 319.99 en de mono voor 379.99... Dat kan goedkoper!
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Misschien ligt het aan mij, maar ik kan die boxen niet vinden op hun site...

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Misschien ligt het aan mij, maar ik kan die boxen niet vinden op hun site...

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Op zaterdag 15 augustus 2009 20:50 schreef Aisumasen het volgende:
Mono boxset is waarschijnlijk in Amerika al volledig uitverkocht. Europa heeft er volgens berichten "een paar duizend". Het is ook een collector's item natuurlijk.

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Op zondag 16 augustus 2009 11:05 schreef hello_goodbye het volgende:

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Ja, ik begin me toch een beetje zorgen te maken of ik 'm niet ergens moet bestellen... Alleen wil ik 'm natuurlijk zo goedkoop mogelijk. Heeft iemand hier de mono box al besteld? Of weet iemand waar die mono box echt goedkop(er) te krijgen is? Tot nu toe is 300 euro de netste prijs (in Nederland dan).

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Op zondag 16 augustus 2009 13:23 schreef Xrenity het volgende:

Maar wat is er aan de hand bij oa 'I Saw Her Standing There'? Stem valt vrijwel helemaal weg? Of is dat gedaan om de muziek te showen ofzo?

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Op zondag 16 augustus 2009 13:23 schreef Xrenity het volgende:
Klinkt wel goed hoor die samples als je het mij vraagt.

Ga denk Revolver en Abbey Road wel halen

/edit
Maar wat is er aan de hand bij oa 'I Saw Her Standing There'? Stem valt vrijwel helemaal weg? Of is dat gedaan om de muziek te showen ofzo?

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Op zondag 16 augustus 2009 14:32 schreef Aisumasen het volgende:

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Die originele stereo-mixen worden uitgebracht, dus je hoort de stemmen helemaal rechts, en de muziek links. Misschien is er iets mis in de instellingen van je boxen, en hoor je alleen de linkerkant ofzo ?

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Op zaterdag 15 augustus 2009 20:50 schreef Aisumasen het volgende:
Mono boxset is waarschijnlijk in Amerika al volledig uitverkocht. Europa heeft er volgens berichten "een paar duizend". Het is ook een collector's item natuurlijk.

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Op zondag 16 augustus 2009 15:59 schreef MrBadGuy het volgende:

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Hoe zeker ben je dan dat je hem krijgt als je hem pre-ordered? ik kan me voorstellen dat er wel meer dan een paar duizend Beatles fans in Europa zijn die zoiets bestellen. Ik heb gelezen dat er slechts 10.000 exemplaren wereldwijd zijn, dat lijkt me veels te weinig voor de pre-orders

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Op zondag 16 augustus 2009 16:14 schreef hello_goodbye het volgende:

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Dat van die 10.000 is een vals gerucht.

There are rumors that the mono box set will be limited to 10,000 units worldwide, but that is not true. The mono box set is only limited in that there are no future production runs planned. There should be sufficient copies available initially for those who want to buy it. But don't wait too long, because once it's gone, there are no plans for future manufacture.
Bron

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Op zondag 16 augustus 2009 15:59 schreef MrBadGuy het volgende:

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Hoe zeker ben je dan dat je hem krijgt als je hem pre-ordered? ik kan me voorstellen dat er wel meer dan een paar duizend Beatles fans in Europa zijn die zoiets bestellen. [..]

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Op zondag 16 augustus 2009 17:01 schreef Aisumasen het volgende:
Uit de nieuwsbrief:

[ afbeelding ]

Dus waarschijnlijk is die genummerde mono boxset uitverkocht .
[..]

Omdat hij bijvoorbeeld in de Amerikaanse Beatles Store en bij Amazon.com al uitverkocht is .

Zelf ga ik waarschijnlijk als eerst naar "Rubber Soul" luisteren. Want dat is nogal geheimzinnig, ze zijn er in het persbericht en in de interviews heel vaag over of het exact de mix uit 1987 is, of een nieuwe mix die lijkt op die mix... En dan koop ik "Revolver" los, en vind ik het wel prima .

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Op vrijdag 5 juni 2009 16:31 schreef Aisumasen het volgende:

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Je hoort in de verschillende demo's ook bepaalde partijen uitvallen zodra één van de spelers een fout maakt. Bij de eerdere nummers gaat dat wat moeilijk (2-track en 4-track), waardoor je bij "Day Tripper" bijvoorbeeld soms de complete ritme-sectie hoort wegvallen. Bij "I Saw Her Standing There" denk ik te horen dat ze gebruik hebben gemaakt van EQ-filtering om de bas weg te filteren wanneer de speler met de basgitaar de virtuose McCartney-baslijnen niet meer kan bijhouden. [..]

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To produce a song for Rock Band, however, Harmonix requires access to an original multitrack recording, in which individual instruments are put down on separate channels. But in the early '60s, when the Beatles were cutting classics like "I Want to Hold Your Hand," the band recorded multiple instrumental parts on a single track. Isolating McCartney's bass from Harrison's guitar was no easy feat. Further complicating matters, Apple Corps had given the team only hissing, low-bitrate audio files, which required extra time and care.

But they did get a little help from a friend. Jeff Jones, CEO of Apple Corps, suggested they turn to Giles Martin, the son of longtime Beatles producer George Martin, for help. Martin had just completed remixing a series of Beatles tracks for the 2006 album Love (featured in a popular Cirque du Soleil show) and was intimately familiar with the band's master tapes. "The stars just aligned," DeGooyer recalls. "It turned out Giles wasn't booked at that time, and he had the trust and confidence of the Beatles."

Martin had discovered a way to isolate the individual instruments and voices using software developed by Cedar, a company based in Cambridge, England. Originally created for audio forensics, the software allowed Martin and the Harmonix team to zero in on the exact frequencies of McCartney's vocals, for instance, and filter out the rest. After weeks in Abbey Road Studios, they disassembled five songs—enough to make the demo.

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http://www.wired.com/gami(...)ne/17-09/mf_rockband

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Op maandag 17 augustus 2009 03:21 schreef Aisumasen het volgende:


Dat is echt next level!

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Op maandag 17 augustus 2009 09:01 schreef hello_goodbye het volgende:

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Nou, op zo'n manier kunnen ze dus alsnog alles remixen...

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Never-heard-before Beatles chat and rare footage unveiled as Beatles Week comes to BBC Two And BBC Four

A new documentary featuring never-heard-before fragments of conversation, along with interviews and rare footage of The Beatles in the studio, will form the centrepiece of a season of programming as BBC Two and BBC Four join forces for Beatles Week.

The joint season, celebrating the Fab Four's enduring legacy and continuing influence, begins on BBC Two on Saturday 5 September 2009.

Kicking off an evening of programming on BBC Two on 5 September, The Beatles On Record offers a concise history of The Beatles in the studio and sits alongside other highlights including the first TV showing of The Beatles: The First U.S. Visit, the Maysles brothers' film charting the Fab Four's arrival in America in 1964.

BBC Four's programming includes Storyville's extraordinary story of how The Beatles' music may have contributed towards the collapse of the USSR; a documentary on the making of The Beatles' First U.S. Visit; and a new compilation of archive footage featuring an eclectic range of artists who have covered Beatles songs over the decades.

In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century.

The Beatles On Record, directed by Bob Smeaton, charts The Beatles' extraordinary journey from Please Please Me to Abbey Road and reflects on how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh in 2009 as the time it was recorded.

Narrated entirely by John, Paul, George, Ringo and their producer Sir George Martin, the documentary features more than 60 classic songs, rare footage and photos from The Beatles' archives and never-heard-before out-takes of studio chat from the Abbey Road recording sessions.

This is followed on the same evening on BBC Two by The Beatles: The First U.S. Visit.

It is 1964, Beatlemania is beginning in America and from airport to hotel to TV studio, the pioneering Maysles brothers are at The Beatles' shoulders on their first US visit. This is the inside story of the two remarkable weeks when Beatlemania first ignited in America.

BBC Two will also be reshowing Timewatch: Beatlemania, the inside story of the rise and fall of Beatlemania. By 1966 the Beatles had played more than 1,400 gigs, toured the world four times and sold the equivalent of 200 million records. At the height of their popularity, and without warning, they pulled the plug and never toured again.

There's also another chance to see the action adventure spoof Help!, directed by Richard Lester.

The season continues with a week of programming on BBC Four from Sunday 6 September.

Storyville: How The Beatles Rocked The Kremlin tells the extraordinary unknown story of how The Beatles' music may have contributed to the collapse of the USSR.

In August 1962 director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers – The Beatles. He arranged their first live TV appearances on a local show in Manchester and then watched as the Fab Four phenomenon swept the world.

Twenty five years later, while making films in Russia, Woodhead became aware of how – even though they were never able to play in the Soviet Union – The Beatles legend had soaked into the lives of a generation of youngsters.

This film meets the Soviet Beatles generation and hears stories about how the Fab Four changed their lives.

Other programming throughout the week on BBC Four includes Sings Beatles, a new compilation of archive footage featuring a diverse range of artists – from Sandie Shaw to Siouxsie and the Banshees and The Carpenters to Candy Flip – who have covered Beatles songs over the years.

Plus there's an opportunity to see Filming The Beatles' First U.S. Visit: Albert Maysles, which takes viewers behind the scenes with the legendary documentary director of The Beatles: The First U.S. Visit that screens on BBC Two on 5 September.

George Entwistle, Controller, Knowledge Commissioning, says: "This is a chance for viewers to enjoy some rare footage and fascinating insights into the career of the greatest pop group of all time.

"Through BBC Two and BBC Four's close working relationship we will be inviting our audience to join us on a rich and colourful journey across two TV channels, through new and archive content, shown in just one week in September."

http://www.bbc.co.uk/pres(...)ust/17/beatles.shtml

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Op maandag 17 augustus 2009 18:56 schreef Aisumasen het volgende:
Dus dan besteed ik dat geld liever aan een McCartney-concert, mocht hij nog eens buiten Amerika optreden...

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Op maandag 17 augustus 2009 21:09 schreef MrBadGuy het volgende:
Ziet er idd heel mooi uit, ben alleen ook niet (meer) zo'n gamer, maar ik zou het bijna alleen al gaan kopen om de clips

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* “Boys” / Cavern Club
* “A Hard Day’s Night” / Ed Sullivan Theater
* “I’m Looking Through You” / Shea Stadium
* “Ticket to Ride” / Shea Stadium
* “Drive My Car” / Budokan
* “Lucy in the Sky with Diamonds” / Abbey Road Dreamscape
* “Getting Better” / Abbey Road Dreamscape
* “Good Morning” / Abbey Road Dreamscape
* “Hello, Goodbye” / Abbey Road Dreamscape
* “Hey Bulldog” / Abbey Road Dreamscape
* “Dear Prudence” / Abbey Road Dreamscape
* “While My Guitar Gently Weeps” / Abbey Road Dreamscape
* “Helter Skelter” / Abbey Road Dreamscape
* “Something” / Abbey Road Dreamscape
* “Come Together” / Abbey Road Dreamscape
* “Don’t Let Me Down” / Rooftop Concert
* “I Want You (She’s So Heavy)” / Rooftop Concert
* “I Me Mine” / Rooftop Concert

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Op dinsdag 18 augustus 2009 15:49 schreef Aisumasen het volgende:
Al bekend, maar nu ook officieel, 19 van de 20 overgebleven Rock Band tracks:


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Één track blijft een verrassing. Dit is wat ik denk: "The End". Dit is wat ook mogelijk is: "In My Life". Dit is wat prachtig zou zijn: "Real Love", een nieuwe versie, waarin één van de 20 goed klinkende Lennon-demo's is gebruikt. Dit is wat onwerkelijk zou zijn: "Now And Then". Erg benieuwd!

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Meet the Beatles, Again
Inside Abbey Road, as the Beatles' albums get their first sonic upgrade in 22 years.
By Bryan Hiatt

Ever since the Beatles' albums first appeared on CD, in 1987, fans have complained about the discs' anemic sound quality. After a 22-year wait, the caretakers of the band's legacy are finally doing something about it - with remasters of all 14 albums hitting stores on September 9th. "I remember going into a museum and seeing Winston Churchill's old papers, and they were getting yellower and crinklier," says Paul McCartney. "And what the joy for me is, our stuff is going the other way. It's getting clearer, and as long as the mixes and stuff are carefully followed, which the guys at Abbey Road do, you know it's not as if it's just a bunch of people in China doing it."

Rolling Stone's July 1987 review of the original CD releases complained that they were "shriller and more grating" than the vinyl versions. And as digital sound improved over the years, the CDs' shortcomings only became more obvious. (In contrast, the Rolling Stones' catalog has been remastered at least three times since its original release.) But it wasn't until four years ago that McCartney, Ringo Starr, and Beatle widows Yoko Ono and Olivia Harrison finally approved the idea of remasters - and a team of Abbey Road engineers (headed by Allan Rouse, who worked with George Martin on 1995's Beatles Anthology) immediately went to work.

The first step was to transfer the original master tapes - housed in "a vault with two steel doors, both with combination locks, an alarm, two cameras, and a smoke detector," says Rouse - to digital files, one song at a time. The remastering team spent much time debating how much to clean up the recordings by removing hiss and other flaws. "What we did agree was that if it was part of the Beatles' performance, we weren't going to remove it," says Rouse. "The squeaky chair at the end of 'A Day in the Life,' breaths, coughs, anything that was actually really part of the performance, those stayed. Anything that we considered to be technical - clicks, sibilance, pops, bad edits, drop-outs, hum, things that were a technical problem - we would either try and improve them, or, if possible, remove or repair them."

One of the most fraught issues was loudness. The 1987 CDs are dramatically out of step with current trends in mastering - they sound puny next to more current rock releases, which make extensive use of audio limiting to reduce dynamic range and make songs seem louder. After extensive debate, the engineers ended up using a "tiny amount" of limiting - which still had a major effect on the sound: "I Am the Walrus," the title track from Sgt. Pepper's Lonely Hearts Club Band, and other rock tunes have a newfound heft and thump. "It gave it a little lift," says Rouse.

The remasters mostly offer improvements that are subtle but noticeable. "Love Me Do," for instance, loses its dusty, distant haze of age, and "The Long and Winding Road" no longer has what Rouse described as a "muffled" quality to it. Otherwise, it's a matter of suddenly noticing details: McCartney's nimble bass line on "And Your Bird Can Sing," the vivid three-dimensionality of Starr's opening and closing hi-hat on "While My Guitar Gently Weeps," the cinematic quality of the choirs and orchestra on "Good Night."

But even before the engineers began tweaking them, the digital transfers immediately sounded better than the 1987 versions, for two reasons: Analog-to-digital converters have vastly improved since then, and they were also able to work at a higher resolution than before: specifically, 24-bit, 192 kHz, which is used in the Blu-ray audio format. At that bit rate, the engineers say, the digital version is indistinguishable from the original masters - but, alas, there are no plans yet for a Blu-ray release. ("There's plenty of time," McCartney says.)

The engineers were well aware that many listeners won't even spend much time listening in CD quality, let alone Blu-ray - they'll rip the CDs to their iPods and listen to them in lossy MP3 and AAC formats. "It's like if you clean up a painting, and then you photocopy it or something," says engineer Paul Hicks. "The thing is, it's still going to look better, even though it's a photocopy. It was definitely worth doing this, because the resolution might not be as good, but it will still be clearer and better, and hopefully there will be things people are going to hear that they haven't previously."

In addition to the stereo remasters, the team assembled a box set, The Beatles in Mono, which collects every existing mono mix of the band's music. It's the first time that the mono mixes of Sgt. Pepper, the White album, and Magical Mystery Tour have been released on CD. (Confusingly, the 1987 CD releases of the Beatles' first four albums - Please Please Me, With the Beatles, A Hard Day's Night, and Beatles for Sale - used the mono mixes. The new releases will use the stereo ones instead, with the monos relegated to the box set.)

The mono versions are no mere curiosity. They can be radically different, to the point where there's entirely different vocal effects on, say, "Lucy in the Sky With Diamonds" - and rock songs like "Helter Skelter" hit with a revelatory, garage-y force. Up until Abbey Road, the Beatles themselves focused almost entirely on mono versions. "In the main, we thought mono," McCartney says, noting that the band spent weeks on the mono mix of Sgt. Pepper, and then left the stereo to George Martin and engineer Geoff Emerick. "The stereo mix wasn't really important to us - we figured, well, you just spread the mono."

Some Beatles fans will be eager to compare the new remasters to their original vinyl - but while the engineers did make their own comparisons to the LPs, matching them wasn't the point. "No one's heard the master tapes apart from us," says Guy Massey, one of the engineers. "And you have to remember some of the limitations of vinyl - they had to cut some of the low end off to master it." Adds Rouse, "These releases are closer to the master tape than you've heard before."

McCartney judges the reissues by an even higher standard. "It sounds like it did in the room when we recorded it," he says. "We had this pure sound, then the minute it goes down a bunch of wires it's going to get ****ed up to some degree. So now it sounds like I'm back in the room, in the session."

The remastered albums come with new liner notes and mini making-of documentaries. After the outtakes-filled Anthology release, the Beatles are reluctant to dig deeper into the vaults - which include hundreds of hours of unreleased recordings, from unheard Beatles tracks to early versions of tracks that ended up on solo records. "George Harrison and I were joking when we did Anthology - we were saying, you know, the next album should be called 'Scraping the Bottom of the Barrel," says McCartney. "Because there is that element to it like, 'Come on, guys, ****, we made all these Beatles records sound lovely and shiny and terrific, and now we're looking for the outtake that got away.'" Still, there is material McCartney would like to release, including "Now and Then," an extra Anthology-era song that (like "Free as a Bird") found Harrison, McCartney, and Starr adding to a John Lennon recording. "George didn't like it - basically, he didn't think it was good enough," says McCartney.

McCartney admits he's no audiophile. "I can listen to a record on the radio on the beach and it sounds OK to me," he says, sitting in Abbey Road studios, where he's co-producing a new album by his son James' band, The Light. "I'm probably the least tech person in the universe, you know. And John wasn't an audiophile either. It was always George Harrison who spotted when Capitol re-EQ'd our albums [in the Sixties]." So McCartney sees the remasters in emotional terms, not technical ones. "Now I hear John and think, 'There he is,'" he says. "Like, you can almost close your eyes and you can kind of see him, because the quality is so real. So I like that about it."

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In January 1994, Paul McCartney was given two tape cassettes by John Lennon's widow Yoko Ono that included home recordings of songs Lennon never completed or released commercially. The songs on the tape included the eventually completed and released "Free as a Bird" and "Real Love", in addition to two other songs "Grow Old With Me" and "Now and Then". In March 1995, the three surviving Beatles began work on "Now and Then" by recording a rough backing track that was to be used as an overdub. However, after only two days of recording, all work on the song ceased and plans for a third reunion single were scrapped permanently.

According to Paul McCartney, George Harrison "didn't want to do it," possibly because new verses would have had to be written. Producer Jeff Lynne reported that "It was one day – one afternoon, really – messing with it. The song had a chorus but is almost totally lacking in verses. We did the backing track, a rough go that we really didn't finish." An additional factor behind scrapping the song was a technical defect in the original recording. Like Real Love, a 60 cycles mains hum can be heard throughout Lennon's demo recording. However, it was much louder on the Now and Then recording, therefore making it much harder to remove.

Throughout 2005 and 2006, press reports speculated that McCartney and Starr would release a complete version of the song in the future. On April 29, 2007, it was reported in the Daily Express that the song may be released to coincide with the Beatles catalogue being released for the first time via digital download. Additional reports circulated that same year that Paul McCartney was hoping to complete the song as a "Lennon/McCartney composition" by writing new verses, laying down a new drum track recorded by Ringo, and utilizing archival recordings of George Harrison's guitar work.

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Op woensdag 19 augustus 2009 18:32 schreef blckbb het volgende:
Van de week een engels muziekblaadje gezien met een 12-pagina Beatles special en een CD met ''inspiratie-nummers'' van the Beatles (nummers van Chuck Berry, Elvis Presley, etc.)
Kost 9 euro, waard om te kopen?

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Op woensdag 19 augustus 2009 18:53 schreef webfreak het volgende:

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Uncut zeker?
[ afbeelding ]

Voor die CD's hoef je 't niet te doen, daar staat nooit zoveel bijzonders op.
Dus even doorbladeren of die artikelen wat waard zijn. Vaak is het informatie die al 1000 keer is gepubliceerd. Al maakt dat niet persé uit, toch kan zo'n special in een blad erg leuk leesvoer zijn.

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Op woensdag 19 augustus 2009 16:10 schreef Honky het volgende:
Kan ik hier uit opmaken dat tijdens de Anthology-sessies Now and Then uberhaupt (af)gemaakt is?

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Op woensdag 19 augustus 2009 18:40 schreef psychedelicate het volgende:
Volgt er nog iemand die samples op Cual Es?

Tot zover heb ik Please Please Me, With The Beatles, Beatles For Sale en Sgt. Pepper's Lonely Hearts Club Band gehoord, en ik wil zo graag Revolver horen. Het klinkt allemaal wel mooi, trouwens, vooral die heldere stemmen en instrumentatie die ik voorheen nog niet (zo duidelijk) heb gehoord.

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Op donderdag 20 augustus 2009 00:49 schreef Arn0 het volgende:

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Waar staat die poll? Het gaat dus zeker tussen die 4?

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Op donderdag 20 augustus 2009 13:40 schreef psychedelicate het volgende:
Volgens mij is alleen All You Need Is Love exlusief voor Xbox Live.

The Beatles: Rock Band - Trailer #3

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Op donderdag 20 augustus 2009 13:54 schreef psychedelicate het volgende:
Trouwens net ook eindelijk de stereo box besteld. Op CDwow.com besteld, wat betekent dat ik wel eerst zo'n 7 werkdagen moet wachten, maar het scheelt me ook ¤35.

Next up is de Epiphone Casino, en ik zoek nog steeds naar een winkel die de TB:RB (Limited Edition) op 09-09-09 kan leveren, anders gaat het gewoon via het oude vertrouwde Bol.com.

@Bovenstaande post; de twee oude nummers zijn nu vervangen door Hey Jude en Revolution.

Edit: Rain en Hey Jude klinken nu wel zeer lekker. Revolution is helaas niet zo explosief als op LOVE, maar dat wisten we al.

The Beatles: Rock Band E3 09: Day Tripper On Stage Demo HD

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Op donderdag 20 augustus 2009 18:14 schreef psychedelicate het volgende:
Probeer nu mijn bestelling bij CDwow te cancelen, zodat ik bij Amazon voor ¤140 (incl. verzendkosten) de stereo box kan kopen. Dat zou me weer ¤45 besparen.

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Op donderdag 20 augustus 2009 18:14 schreef psychedelicate het volgende:
Probeer nu mijn bestelling bij CDwow te cancelen, zodat ik bij Amazon voor ¤140 (incl. verzendkosten) de stereo box kan kopen. Dat zou me weer ¤45 besparen.

De Epiphone Casino is onderhand ook al besteld. Alleen de game nu nog.

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Op vrijdag 21 augustus 2009 14:51 schreef blckbb het volgende:
Salaris valt hoger uit als verwacht, Xbox 360 gaat er dus wel komen En dan daarna Rockband

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Op vrijdag 21 augustus 2009 15:05 schreef satecl het volgende:

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Tip: Playstation 3 is sinds deze week in prijs verlaagd, 299,- en je kan gratis online games met mede-beatles

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Op vrijdag 21 augustus 2009 15:06 schreef blckbb het volgende:

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Ik koop een Xbox 360 tweedehands rond de 125 euro
Daarna nog geld genoeg om Beatles Rockband te kopen, en dan pas later een gitaar.. Tsja 't moet helaas in stapjes

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Op vrijdag 21 augustus 2009 15:08 schreef Blinker het volgende:

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Voor 125 euro hoop ik wel da tje er een harde schijf bij hebt. Heb de arcade wel eens in de actie gezien voor 140 euro nieuw

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Op vrijdag 21 augustus 2009 15:02 schreef warpozio het volgende:

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Is Amazon het goedkoopste voor de box? (stereo of mono)?

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Op vrijdag 21 augustus 2009 15:06 schreef blckbb het volgende:

[..]

Ik koop een Xbox 360 tweedehands rond de 125 euro
Daarna nog geld genoeg om Beatles Rockband te kopen, en dan pas later een gitaar.. Tsja 't moet helaas in stapjes

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Op vrijdag 21 augustus 2009 15:29 schreef Honky het volgende:

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Zonder gitaar valt er weinig te spelen...

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Op vrijdag 21 augustus 2009 15:32 schreef psychedelicate het volgende:
Voor ¤20/30 gewoon even zo'n lelijk Guitar Hero (Xplorer o.i.d.) gitaartje erbij halen. Een spel zoals GH of RB spelen met een gewone controller is inderdaad niks aan.

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Op vrijdag 21 augustus 2009 16:07 schreef psychedelicate het volgende:
Alles behalve "Made in Germany" is goed.

@blckbb: http://www.voordeelreus.nl/guitar-hero-gitaar-bedraad-p-357.html

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Op vrijdag 21 augustus 2009 16:18 schreef psychedelicate het volgende:
Als je zolang kan wachten, dan zou ik daarvoor gaan. Ik bedoel, een miniatuur Hofner bass, een Pearl drumset en (nog onbekende) extra's? Hell yeah!

(De hele set is trouwens wel een 'Limited Edition', voor zover ik weet, dus misschien moet je 'm al bestellen.)

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Op vrijdag 21 augustus 2009 16:56 schreef Arn0 het volgende:

[..]

Ik dacht dat het gewoon een Special Edition was?

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"The Beatles Stereo Box Set"

Total for this Order: $198.97

Delivery estimate: September 21, 2009 - October 1, 2009

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Op vrijdag 21 augustus 2009 18:20 schreef psychedelicate het volgende:

Heil Amazon.