Fok! Muziek Trivia deel MXXXVII

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Op maandag 3 augustus 2009 21:07 schreef bartrid het volgende:
Een klasgenoot van Herman Brood?

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Op maandag 3 augustus 2009 21:22 schreef cafca het volgende:
Frank Zappa? maar wie is er nog groter dan Zappa?

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Op maandag 3 augustus 2009 21:36 schreef cafca het volgende:
Hm, ik weet niet of iedereen het daarmee eens is.....

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Op maandag 3 augustus 2009 22:06 schreef Berkery het volgende:
Jose Gonzalez?

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Op dinsdag 4 augustus 2009 10:19 schreef cafca het volgende:
Allebei grote handen?

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Op dinsdag 4 augustus 2009 10:25 schreef belsen het volgende:
Of allebei een grote mond.

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Op dinsdag 4 augustus 2009 10:30 schreef belsen het volgende:
Is de onderstaande de originele artiest van Willem?

Frankie Miller - Darlin' [totp2]

Poor old Frankie Miller trouwens: hij heeft in 1994 een hersenbloeding gekregen en is daar nooit van hersteld: hij leeft nog wel. Dat was nog eens een vocalist

Frankie Miller Sail Away

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Op dinsdag 4 augustus 2009 09:12 schreef schaap001 het volgende:
Stilstkin?

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Op dinsdag 4 augustus 2009 10:36 schreef belsen het volgende:
Ah, Frankie Miller, die ken ik alleen van zijn foto in de Popencyclopedie.

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Op dinsdag 4 augustus 2009 10:40 schreef schaap001 het volgende:
Klaus Voormann

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Op dinsdag 4 augustus 2009 12:31 schreef cafca het volgende:
Ja, da's zo'n hele bekende vroege van een later bekende band

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REM- Reckoning?

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Described as a "wake-up call," by , their fourth album presents the most accomplished version of their gripping, anthemic sound yet. Appropriate to its title, comes in sweeps and swells, ranging from searching, uncompromising rock like "Killed By an Angel" and "One" to gentle, beautiful ballads like "Rain Song" and even pop-tinged songs like "Television," which sounds a bit like a more propulsive version of the Police's early '80s singles.

Though the album was recorded with a trio lineup, it's some of the band's fullest-sounding work, rich with strings and keyboard flourishes that add extra depth to the shimmering, Eastern-inspired drones of "Fool in the Photograph" and "Faces in Disguise." Lou Giordano's production gives an unabashedly big, clean sound that frames 's detailed songwriting and arrangements perfectly, giving the restrained, reflective "Tearing in My Heart" and "The Ocean" as much impact as driven tracks like "Snibe" and "Disappear."

Best of all is the title track, which blends a beautiful melody, heartfelt vocals, and an insistent rhythm into a sweeping, affecting finale.

Expansive and complex without compromising the band's focused, impassioned style, is one of 's — and 2000's — most impressive albums.

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Op dinsdag 4 augustus 2009 12:51 schreef cafca het volgende:
dit is wel een heel bekende ....

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Op dinsdag 4 augustus 2009 14:08 schreef Burnett het volgende:
Staat gewoon in de kast, maar kom er niet op...

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Op dinsdag 4 augustus 2009 14:25 schreef Burnett het volgende:
sunny day real estate the rising tide

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Op dinsdag 4 augustus 2009 15:17 schreef schaap001 het volgende:
john lennon + julia (mama)

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More than any other album, is born of a particular time and place — it could only have been created in the aftermath of , which shattered sales records, which in turn gave the group a blank check for its next album.

But if they were falling apart during the making of , they were officially broken and shattered during the making of , resulting in a sprawling, incoherent, and utterly brilliant 20-track double album. At the time of its release, it was a flop, never reaching the top of the charts and never spawning a true hit single, despite two well-received Top Ten hits.

This is the ultimate cocaine album — it's mellow for long stretches, and then bursts wide open in manic, frantic explosions, all of which are relieved by smooth, reflective work from all three songwriters.

owns this record with his nervous energy and obsessive production, winding up with a fussily detailed yet wildly messy record unlike any other. This is mainstream madness, crazier than 's idol Brian Wilson and weirder than any number of cult classics. Of course, that's why it bombed upon its original release, but is a bracing, weirdly affecting work that may not be as universal or immediate as , but is every bit as classic. As a piece of pop art, it's peerless.

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Op dinsdag 4 augustus 2009 16:36 schreef cafca het volgende:
Tusk van Fleetwoord Mac?

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I been up, I been down.
Take my word, my way around.
I aint askin for much.
I said, lord, take me downtown....

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Op dinsdag 4 augustus 2009 21:03 schreef Mark het volgende:
ZZ Top Tush?