Fok! Muziek Trivia deel DCCCLXXXIV

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Op woensdag 18 juli 2007 09:40 schreef Z het volgende:
OK Computer?

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Op woensdag 18 juli 2007 10:25 schreef Z het volgende:
Daar lijkt het wel op inderdaad. Wellicht is hij wat te obscuur.

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Op woensdag 18 juli 2007 10:37 schreef Z het volgende:
Ik zat op je te wachten Biggie.

bigshadow +1

Leuk filmpje:
klil

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Synth pop revisionist duo formed in Montreal in the early 21st century, a project of Audio Research honchos Dave One and Pee Thug (news flash: not their given names). Dave handled the electronics; Pee was the frequently processed vocalist. From the beginning, made it clear that artful detachment, cheesy electro-funk breakdowns, and gleaming plastic beats — not serious intent or aggressive musical regime change — were the name of their well-dressed game.

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Op woensdag 18 juli 2007 13:13 schreef MadMaster het volgende:
Chrome?

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Op woensdag 18 juli 2007 14:17 schreef iggy_in_the_house het volgende:
Componist ofzo?

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Op woensdag 18 juli 2007 14:38 schreef NJlo het volgende:
is dat niet Boom (nieuwe gast van Pearl Jam)?

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Op woensdag 18 juli 2007 14:38 schreef NJlo het volgende:
is dat niet Boom (nieuwe gast van Pearl Jam)?

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Op woensdag 18 juli 2007 14:34 schreef RoofingBurner het volgende:
Hij lijkt op Michael Kamen, maar die zal het wel niet zijn.

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Kamen became a highly-sought arranger in the realms of pop and rock music. In fact in Great Britain he was among an illustrious and small group of arrangers whose names constantly appeared on popular releases by major artists. His contemporaries in this field included Academy Award winner Anne Dudley, Richard Niles, and Nick Ingman. His successes include his work with Pink Floyd, David Gilmour, Roger Waters (he is one of the few people to have been invited to work with both former Pink Floyd members, after their acrimonious split), Queen, Eric Clapton, Roger Daltrey, Aerosmith, Tom Petty, David Bowie, Eurythmics, Queensrÿche, Rush, Metallica, Herbie Hancock, The Cranberries, Bryan Adams, Sting and Kate Bush. For Bush, Kamen delivered an orchestral backing for "Moments of Pleasure" from her The Red Shoes album, substantially building upon a simple piano theme Ms. Bush had composed. He achieved dramatic impact by varying the textures of the delivered line (by layering the instruments for harmonic effect, modulating the key, subtle "riffing" of the played notes, and other displays of the arranger's art form). In this instance, and many others, he conducted the orchestra personally for the recording. In 1984 Kamen had similarly heightened the impact of a pop recording for the Eurythmics "Here Comes the Rain Again", that score relying as much on his compositional skills as his arranging talents. Five years later, he did the music For Queen and Country.

In 1990 Kamen joined many other guests for Roger Waters' massive performance of The Wall in Berlin.

In 2002 he was part of the Concert for George as string conductor.

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Fine! Let the rock off begin!hahahahaa
I'm the devil i love metal!
Check this riff it's fucking tasty
I'm the devil i can do what i want,
whatever i got I'm gonna flaunt

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Op woensdag 18 juli 2007 15:01 schreef MaJo het volgende:
Kom hier ook maar weer eens een kijkje nemen

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Op woensdag 18 juli 2007 15:01 schreef RoofingBurner het volgende:

[..]

Nou, welkom danmaar hé. Weet je het antwoord?

Overigens deed ik vroeger wel mee hier hoor

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Op woensdag 18 juli 2007 15:03 schreef MaJo het volgende:

[..]

Nee Klinkt niet echt als het type muziek waar ik naar luister

_{Overigens deed ik vroeger wel mee hier hoor}

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Op woensdag 18 juli 2007 15:12 schreef n0r het volgende:
Das van Tenacious D, kan alleen niet op de titel komen :x

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he gonna make you his sex slave,
you're gonna gargle mayonnaise
unless we bust a massive monster mamma-jam.

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we know your weakness our rocket-sauce
we rock the casbah, and blow your mind
we will defeat you, for all mankind
you hold the scepter,
we hold the key
you are the devil,
we are the D

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Op woensdag 18 juli 2007 15:40 schreef n0r het volgende:
Pick Of Destiny, Beelzeboss?

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Like their name, the group's sound was of the psychedelic variety. They released singles on smaller labels, like Ganim Records and Verve Records, but those singles did not gain the band much recognition. However, Mercury Records signed the band to a record deal in late 1966 and the group's debut album, (...) was released shortly thereafter. It was one of the first records to contain the word "Psychedelic" on the sleeve (along with the 13th Floor Elevators' first album, The Psychedelic Sounds of the 13th Floor Elevators).

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In a tour of the US in 1967 they were the opening act followed by The Who and then the headliners Hermans Hermits. The group's biggest song, "(We Ain't Got) Nothin' Yet", whose Farfisa riff bears an uncanny resemblance to "Black Night" by Deep Purple, was released as a single in 1967 (albeit from their 1966 album), with "Gotta Get Away" as the b-side. The song hit number 5 on the US charts, although it did not fare nearly as well in the UK. It was used for the movie Easy Rider in 1968. Incidentally, (Band)'s "(We Ain't Got) Nothin' Yet" was released as a single in February 1967 by British group The Spectres (later to become The Status Quo). The record did not chart.

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Although they were only "one hit wonders", (...), with their electric suits and giant, onstage lava lamps, are fondly remembered as a classic example of the "psychedelic" music era.