Idd de film zelf was niet zo heel veel aan, in de film viel de soundtrack ook niet op trouwens.quote:Op dinsdag 5 juni 2018 20:25 schreef bartrid het volgende:
Mijn Spotify Discover Weekly geeft mij een track hiervan:
https://mikepatton.bandca(...)n-picture-soundtrack
Klinkt best goed, klassieke horror film muziek.
Jef Goldblum op de affiche maakt het wel helemaal afquote:Op maandag 18 juni 2018 19:11 schreef Bosbeetle het volgende:
[ afbeelding ]
Circkeltje rond, mr bungle gebruikte een heel stuk uit blue velvet en nu staat mike op lynch zijn festival disruption
las het jaquote:Op vrijdag 13 juli 2018 19:52 schreef OMG het volgende:
Voor het eerst in jaren nieuw materiaal van heldenband Daughters, en ze zitten nu ook op Ipecac. .
https://ipecac.com/news/541
quote:Planet B
Dropped down amongst the knobs and dials of Penguin Studio in San Diego, rogue avatars Justin
Pearson (Dead Cross, Retox, The Locust) and Luke Henshaw (Sonido de la Frontera) have created
Planet B with the shared purpose of creating music both mischievous in sound and sobering in
message. The two had worked together in varying capacities prior to Planet B’s formation, including
Luke’s remix of Justin’s “A Pig’s Orphan”, contributions to the soundtrack of Asia Argento’s film
Incompresa, as well as “Variations in the Key of Afterlife”, an otherworldly opus featuring Gabe Serbian
and Luke. Planet B, however, marked the beginning of a full-on melding of these preternatural minds,
successfully integrating key aspects of these musicians’ stylistic strengths and playing off of one
another with purpose.
The duo’s music lays somewhere just out of reach of genre, with aesthetics rooted in hip hop, hardcore
punk, turntablism, and 70s-80s horror movie soundtracks. It is catchy, heavily percussive, and eerie all
at once. Henshaw’s fantastical sci-fi accompaniments utilize Justin’s whistling UFO vibrato, for
example, and apply it to dark and distorted electrical hums, claps, and marching band drum beats.
Here, no sound is beyond their experimental scope.
After releasing a solo 7” as well as a split 7” collaboration with legendary turntablists Invisible Skratch
Piklz, Planet B’s latest album is the impressively imaginative outcome of all their interdimensional
efforts and collaborations. Here, they have created their first full-length LP, with no shortage of
assistance from a slew of incredibly influential and unique musicians including Kool Keith (Dr.
Octagon), Nick Zinner (Yeah Yeah Yeahs, Head Wound City), Gabe Serbian (The Locust, Head Wound
City), Sonny Kay (Year Future, creator of GSL Records), Martin Atkins (PIL, Killing Joke), and Joseph
Karam (The Locust).
Is zij die van fargo dan ben ik helemaal blij dat ik die plaat gekocht heb Leuke rol was dat!quote:
Ramonaquote:Op woensdag 10 oktober 2018 16:40 schreef bartrid het volgende:
Dat was zij ja En in Scott Pilgrim is ze ook niet onprettig om naar te kijken
Toch wel erg benieuwd naar.quote:Mike Patton (Faith No More, Mondo Cane) and renowned French composer Jean-Claude Vannier, who is perhaps best known for his work with Serge Gainsbourg, release Corpse Flower, a 12-song album featuring the song “On Top Of The World” (http://smarturl.it/CorpseFlower).
“Jean-Claude and I met while working together on a Gainsbourg retrospective at the Hollywood Bowl in 2011,” explains Patton. “We bonded immediately. I could see he had a dedication and attention to detail that was relentless so the respect I had for him in my mind was magnified in person. We spoke loosely about working together in the future… and it took some time, but after a few years I contacted him and we began to ignite some sparks.”
“I would send Mike rough versions of the songs to get his thoughts, then I’d wait impatiently, staring at the clock, until I received his response,” offers Vannier about the process the duo used to create Corpse Flower. “He made my music awaken with his unique perspective and interpretations of my songs. A formidable vocalist, with a sense of humor, Mike and I created a strong, beautiful and sincere collection of music, as well as a friendship.”
A variety of musicians, both in Los Angeles and Paris, took part in the recording of Corpse Flower with the Los Angeles team including Smokey Hormel (Beck, Johnny Cash), Justin Meldal-Johnsen (Beck, Air, Nine Inch Nails) and James Gadson (Beck, Jamie Lidell). The Parisian players are Denys Lable, Bernard Paganotti (Magma), Daniel Ciampolini, Didier Malherbe, Léonard Le Cloarec and the Bécon Palace String Ensemble. The lyrics for “Ballad C.3.3.” are drawn from Oscar Wilde’s “The Ballad of Reading Gaol” poem, which was initially published using the name C.3.3.
Corpse Flower is available now for pre-orders (http://smarturl.it/CorpseFlower), including special embossed versions featuring Kenro Izu’s stunning cover photo. The album will be available on180gram colored vinyl, as well as a CD digipak and digitally.
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