Het Mike Patton & Ipecac Records topic

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Op dinsdag 5 juni 2018 20:25 schreef bartrid het volgende:
Mijn Spotify Discover Weekly geeft mij een track hiervan:
https://mikepatton.bandca(...)n-picture-soundtrack

Klinkt best goed, klassieke horror film muziek.

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Op vrijdag 13 juli 2018 19:52 schreef OMG het volgende:
Voor het eerst in jaren nieuw materiaal van heldenband Daughters, en ze zitten nu ook op Ipecac. .

https://ipecac.com/news/541

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Planet B

Dropped down amongst the knobs and dials of Penguin Studio in San Diego, rogue avatars Justin
Pearson (Dead Cross, Retox, The Locust) and Luke Henshaw (Sonido de la Frontera) have created
Planet B with the shared purpose of creating music both mischievous in sound and sobering in
message. The two had worked together in varying capacities prior to Planet B’s formation, including
Luke’s remix of Justin’s “A Pig’s Orphan”, contributions to the soundtrack of Asia Argento’s film
Incompresa, as well as “Variations in the Key of Afterlife”, an otherworldly opus featuring Gabe Serbian
and Luke. Planet B, however, marked the beginning of a full-on melding of these preternatural minds,
successfully integrating key aspects of these musicians’ stylistic strengths and playing off of one
another with purpose.

The duo’s music lays somewhere just out of reach of genre, with aesthetics rooted in hip hop, hardcore
punk, turntablism, and 70s-80s horror movie soundtracks. It is catchy, heavily percussive, and eerie all
at once. Henshaw’s fantastical sci-fi accompaniments utilize Justin’s whistling UFO vibrato, for
example, and apply it to dark and distorted electrical hums, claps, and marching band drum beats.
Here, no sound is beyond their experimental scope.

After releasing a solo 7” as well as a split 7” collaboration with legendary turntablists Invisible Skratch
Piklz, Planet B’s latest album is the impressively imaginative outcome of all their interdimensional
efforts and collaborations. Here, they have created their first full-length LP, with no shortage of
assistance from a slew of incredibly influential and unique musicians including Kool Keith (Dr.
Octagon), Nick Zinner (Yeah Yeah Yeahs, Head Wound City), Gabe Serbian (The Locust, Head Wound
City), Sonny Kay (Year Future, creator of GSL Records), Martin Atkins (PIL, Killing Joke), and Joseph
Karam (The Locust).

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Op woensdag 10 oktober 2018 16:33 schreef bartrid het volgende:
Mary Elisabeth Winstead

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Mike Patton (Faith No More, Mondo Cane) and renowned French composer Jean-Claude Vannier, who is perhaps best known for his work with Serge Gainsbourg, release Corpse Flower, a 12-song album featuring the song “On Top Of The World” (http://smarturl.it/CorpseFlower).

“Jean-Claude and I met while working together on a Gainsbourg retrospective at the Hollywood Bowl in 2011,” explains Patton. “We bonded immediately. I could see he had a dedication and attention to detail that was relentless so the respect I had for him in my mind was magnified in person. We spoke loosely about working together in the future… and it took some time, but after a few years I contacted him and we began to ignite some sparks.”

“I would send Mike rough versions of the songs to get his thoughts, then I’d wait impatiently, staring at the clock, until I received his response,” offers Vannier about the process the duo used to create Corpse Flower. “He made my music awaken with his unique perspective and interpretations of my songs. A formidable vocalist, with a sense of humor, Mike and I created a strong, beautiful and sincere collection of music, as well as a friendship.”

A variety of musicians, both in Los Angeles and Paris, took part in the recording of Corpse Flower with the Los Angeles team including Smokey Hormel (Beck, Johnny Cash), Justin Meldal-Johnsen (Beck, Air, Nine Inch Nails) and James Gadson (Beck, Jamie Lidell). The Parisian players are Denys Lable, Bernard Paganotti (Magma), Daniel Ciampolini, Didier Malherbe, Léonard Le Cloarec and the Bécon Palace String Ensemble. The lyrics for “Ballad C.3.3.” are drawn from Oscar Wilde’s “The Ballad of Reading Gaol” poem, which was initially published using the name C.3.3.

Corpse Flower is available now for pre-orders (http://smarturl.it/CorpseFlower), including special embossed versions featuring Kenro Izu’s stunning cover photo. The album will be available on180gram colored vinyl, as well as a CD digipak and digitally.

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“To have Scott and Dave with us on this suicide mission is more than an honor,” Patton said “THEY are a big part of the reason we wrote this stuff in the first place, and to realize it 30-plus years later with these maestros is an absolute miracle … we can finally play this teenage nonsense correctly! A total catharsis for us.”

“I mean, are you kidding?? We WORSHIPPED those guys!” said Spruance. “And now they’re gonna PLAY in our band?”

Spruance elaborated on the inspiration to play the demo album on these limited tour dates. He spoke of practicing the album in preparation for the tour in the same city and house he’d written and recorded the album.

“Ever since Trevor hatched The Raging Wrath of the Easter Bunny v.2 idea a few years back, Patton, Lombardo, he and I had each been incubating some idea of that egg,” he said. “Lombardo called me one day and asked me to make some guitar demos so he could learn the songs. He had this generous idea to surprise the other guys with being totally ready to go with the tunes. It just so happened that I was in Eureka at the time. So, I found myself re-visiting all of those riffs in the same goddamned town and in the same goddamned house where I recorded all the original guitars on that demo 33 years earlier. There was something about actually physically working out the mania of those riffs again at DAVE LOMBARDO’S request, in that environment — it just split my head open. It wasn’t long before the train of destiny had picked up too much speed for any of us to jump off.”

The band will be playing their 1986 self-produced, self-released demo album The Raging Wrath of the Easter Bunny on the tour, which will find the band performing at the Fonda Theatre in Hollywood, the Warfield Theatre in San Francisco and Brooklyn Steel in Brooklyn, NY. Tickets go on sale August 16 at 10 AM.

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WHEN DID YOU FIRST MEET THE GUYS IN TOOL?
We were all members of the Kansas fan club and met at a Kansas Krazies convention in Topeka in 1978. We were hanging out in the hotel bar at the Holiday Inn and Adam started playing a reggae version of "Carry On Wayward Son" on the piano. Justin and Danny picked up the bar band's instruments and joined in and Maynard grabbed the mic and let it rip dressed in this Kansas state trooper uniform. I was in awe!

I introduced myself and told them about my band Mr. Bungle. They said that they were in a band called Theremin Toolbelt. I told them that they were great but that the band name was a little goofy. To be taken serious they should pick a serious-sounding name like Hammer or Wrench.

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C*NTS
C*NTS
NOVEMBER 1

C*nts, the snarling LA-based punk band featuring Michael Crain (Dead Cross/Retox) and Matt Cronk (Qui), release their self-titled debut album on Nov 1st. Check out their first track, ‘A Hero’s Welcome’ and pre-order the self-titled release HERE

Michael Crain explains about the formation of the band, “We were reminiscing about early Cows, Jesus Lizard and Die Kreuzen performances and how organically dangerous and uncontrolled they were. That was our hugest source of inspiration for starting this band, to try and recreate that magic. A few of us have been in bands with each other before, so we already knew we had chemistry but as soon as we all got together to jam for the first time, we knew that this was going to be a fun project.”

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Op dinsdag 17 september 2019 09:58 schreef bartrid het volgende:
Ah Qui, daar heb ik alleen Love's Miracle van met David Yow als zanger. Die hebben meer gedaan dan dat zo te zien..

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Op dinsdag 10 december 2019 15:37 schreef bartrid het volgende:
Die blijkt dus pas in maart uit te komen, maar die ene track op bandcamp doet me erg aan Cop Shoot Cop denken dus dat is erg prima

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Op maandag 30 december 2019 10:47 schreef bartrid het volgende:
En van BGK had ik ook nog nooit gehoord

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Op dinsdag 31 december 2019 10:17 schreef bartrid het volgende:
Dit ook nooit geweten
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