Fok! Muziek Trivia deel DCCLIX

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Op zaterdag 12 augustus 2006 18:10 schreef jerver73 het volgende:
rod stewart in zn jonge jaren?

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Op zaterdag 12 augustus 2006 18:34 schreef placebeau het volgende:
lijkt wat op ryan adams?

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Op zaterdag 12 augustus 2006 18:37 schreef placebeau het volgende:
ah, conor oberst

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Op zaterdag 12 augustus 2006 19:21 schreef knars het volgende:
ik mag hopen op Bob Dylan, of tagt de meerderheid van last.fm niet zo logisch?

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Op zaterdag 12 augustus 2006 19:22 schreef Skanqua het volgende:
Zal wel Elliott Smith of Sufjan Stevens zijn...

Ik gok maar op de eerste... is die fout, dan is Sufjan de tweede gok...

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The music sounds like a deranged circus taking place inside of a mentally ill child’s mind and surprisingly (or not) that seems to more or less be the concept behind the band. So filled with bells, chimes and child like vocals, are most likely to put you in the same state of mind as the character involved in the band.

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has very strange goals and an even stranger purpose. Band leader Jason Walton (best known for his project Nothing and his work with Sculptured and Agalloch ) claims to be possessed by an eight-year old mentally handicapped child named Chriss Cobb when composing and performing the music of .
He states that the goal of Chriss Cobb is to preach the gospel of the new hell - the hell that exists now after Satan had revamped it to make it more torturous - and is Chriss' vehicle for this message. Apparently, Satan thought that because the world has become fraught with violence, famine and disease, that hell started to pale in comparison and something needed to be done to make hell a threat again.

Releases:
2001 'Panda Rescue'
2003 'But What If He'll What Ant'
2005 The Unlistenable Series:
#1 "Paper: I Reek Of Butter".
#2 "Ketchup: If It's Yellow, It's Not Mellow"
2005 Untitled EP
200X 'Put These On So Grandma Can See'

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(...) one of the most befuddling, undeniably bizarre releases in quite some time with Panda Rescue. This six song release is the type of recording that would make the members of the Residents scratch their head in puzzlement and makes Mr. Bungle look downright tame on Disco Volante. Skip easy classification or comparisons because exists in a bizarro world of its own where music is cast oblong onto its side and sounds like an eight year old savant on a lethal dose of mushrooms and acid. PCP is quite possibly added in for good measure, but that's only a guess. The music has a childlike, but incredibly manic, ADD-infused edge to it. The voices are distorted into something sounding like Alvin and the Chipmunks during a bad LSD trip. Without a doubt, most sane listeners will develop a psychotic disorder during the course of Panda Rescue. If you don't, chances are your stereo's volume was set at zero.

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Op zondag 13 augustus 2006 15:05 schreef bartrid het volgende:
Ik heb hem opgezocht

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Op zondag 13 augustus 2006 19:46 schreef belsen het volgende:
Especially Likely Lockh?

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Op zondag 13 augustus 2006 19:46 schreef belsen het volgende:
Especially Likely Lockh?

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Op zondag 13 augustus 2006 20:33 schreef belsen het volgende:
Sloth, dus...

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By the end of the '70s, British punk was splintering into several distinct strains, most of them arty or ambitious in their own ways. music was an attempt to keep punk a populist, street-level phenomenon; most of it came from the Cockney working class of London's East End. Likely taking its name from the Cockney Rejects' 1980 song (before which it was simply known as street-punk), was loud, brutal, and extremely simple, with loads of shout-along, almost football-chant choruses. In essence, it was punk rock that was most at home in a rowdy pub. It was somewhat similar to hardcore, but not quite as extreme; stuck much more closely to the original punk blueprint laid out by the Sex Pistols and early Clash. In fact, critics frequently disdained the style for its punk-purist lack of adventurousness, and the way its political statements often replaced the Pistols' wit and intelligence with angry rabble-rousing. The latter wasn't universally true, but all the same, acquired a bad reputation when it was adopted by racist skinheads aligned with the neo-fascist National Front organization. Most bands (and skinheads) took pains to distance themselves from this unsavory element, especially after a number of violent incidents at live gigs; however, a few genuine white-supremacist bands (most notoriously Skrewdriver) were enough to give a stigma which it never completely shed. The band that brought /street-punk to prominence in 1978-79 was Sham 69, and they in turn gave career pushes to stalwarts like the Angelic Upstarts and the Cockney Rejects. The mid-'90s punk revival led to a renewal of interest in ; many favorite early albums were reissued, and a number of new bands popped up both in the U.K. and overseas.

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Op zondag 13 augustus 2006 20:47 schreef Captain_Redbeard het volgende:
oi ?

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Based almost entirely in England, (also known as ) is a permutation of hardcore techno that emerged in the early '90s. is the most rhythmically complex of all forms of techno, relying on extremely fast polyrhythms and breakbeats. Usually, it's entirely instrumental -- it is among the hardest of all hardcore techno, often consisting of nothing but fast drum machines and deep bass. As its name implies, does have more overt reggae, dub, and R&B influences than most hardcore -- and that is why some critics claimed that the music was the sound of black techno musicians and DJs reclaiming it from the white musicians and DJs who dominated the hardcore scene. Like most techno genres, is primarily a singles genre designed for a small, dedicated audience,

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Op zondag 13 augustus 2006 21:05 schreef bartrid het volgende:
Jungle?