Fok! Muziek Trivia deel CDLXXIX

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Op dinsdag 12 juli 2005 14:52 schreef bigshadow het volgende:
Gollum?

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Musician, writer, historian, and cosmic shaman was born in October 1957 in Deri, South Glamorgan, Wales. He was raised in Tamworth, England, and like many a young artist, suffered through academia as a perpetual outsider. In 1976, upon attending college in Liverpool, Cope found himself part of a community of musicians — and kindred souls — including Ian McCulloch, Pete Burns, and Pete Wylie.

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It's a bit facile to say that if Tom Waits were a young guy in 1992 he might have formed this band, but there's something agreeably impassioned and rough about which calls to mind Waits' own avant- garage jazz efforts in the mid-'80s. Having songs that sample Frank Zappa ("Little Umbrellas," surfacing in the slow burn of the title track) and Don Cherry gives an idea of both the members' backgrounds, and the desire to see what to do with them rather than simply be reverential. 's singing hits both loud, full-bodied shrieks, and low-and-slow as needed, while the band in general strike a great balance between straight-ahead performance and subtle studio trickery, especially courtesy of percussionist , playing everything from drums to "gas heating." When the quintet turns in a sassy, snarling performance, it's not too hard to see them as European cousins of Girls Against Boys or even Rocket From the Crypt.

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Op dinsdag 12 juli 2005 15:27 schreef bartrid het volgende:
deus - worst case scenario?

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Op dinsdag 12 juli 2005 16:37 schreef Z het volgende:
Music om precies te zijn
_{volgens wiki dan}

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Right on the tails of the Beau Brummels and the Byrds, were among the first American groups to challenge the domination of the British Invasion bands in the mid-'60s. Between mid-1965 and the end of 1967, the group was astonishingly successful, issuing one classic hit single after another.

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Like most of the folk-rockers, were more pop and rock than folk, which didn't detract from their music at all. Much more than the Byrds, and even more than the Mamas & the Papas, exhibited a brand of unabashedly melodic, cheery, and good-time music, though their best single, " " was uncharacteristically riff-driven and hard-driving. More influenced by blues and jug bands than other folk-rock acts, their albums were spotty and their covers at times downright weak. As glorious as their singles were, they lacked the depth and innovation of the Byrds, their chief competitors for the crown of best folk-rock band, and their legacy hasn't been canonized with nearly as much reverence as their West Coast counterparts.

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Op dinsdag 12 juli 2005 20:48 schreef Berkery het volgende:
Ik kan even niks anders verzinnen dan the Monkees

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Op dinsdag 12 juli 2005 20:48 schreef Berkery het volgende:
Ik kan even niks anders verzinnen dan the Monkees

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Op dinsdag 12 juli 2005 20:55 schreef ranja het volgende:
Moody blues? of zijn die ook engels

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Op dinsdag 12 juli 2005 20:57 schreef dolle_hond het volgende:
animals

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Op dinsdag 12 juli 2005 20:59 schreef bartrid het volgende:
lovin spoonful?

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Op dinsdag 12 juli 2005 21:12 schreef Sack_Blabbath het volgende:
Danzig?

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Op dinsdag 12 juli 2005 21:20 schreef bartrid het volgende:
op basis van linksvoor zeg ik offspring maar da's fout.

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Op dinsdag 12 juli 2005 21:23 schreef Sack_Blabbath het volgende:

[..]

Ech nie....

Bartrid+1

_{ik zou ze zelf echt niet herkend hebben....en ik was vroeger....heel vroeger, toen ze er nog zo uitgezien moeten hebben, toch best wel een fan}

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Evolving from a garage punk band in the vein of the Replacements, Dinosaur Jr., and Mudhoney to a literate, pretentious, soul-inflected post-punk quartet, were one of the most critically acclaimed alternative bands of the early '90s.

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Op dinsdag 12 juli 2005 21:36 schreef DaisyDuke het volgende:
Soul-inflected wordt vaak gebruikt voor Afghan Wigs...

Afghan Wigs dus?