MUZ Muziek
Het forum voor 's werelds enige universele hobby! Snaren of toetsen, vinyl of cd, eendagsvlieg of rasartiest, op de radio of op een festival! Hier kun je al je ongebreideld enthousiasme, maar ook je weldoordachte kritische noten kwijt over muziek
Hij is terugquote:Op maandag 11 juli 2005 00:54 schreef bukgeit het volgende:
THC dan?
Tuindorp hustler connection, om snel weer te vergeten
Bukgeit +1
Van Mccoy
The only true wisdom is in knowing you know nothing. -- [b]Socrates [/b]
I know nothing, I come from Barcelona. -- [b]Manuel[/b]
I know nothing, I come from Barcelona. -- [b]Manuel[/b]
en dan ga je mij quotenquote:
The only true wisdom is in knowing you know nothing. -- [b]Socrates [/b]
I know nothing, I come from Barcelona. -- [b]Manuel[/b]
I know nothing, I come from Barcelona. -- [b]Manuel[/b]
quote:Op maandag 11 juli 2005 01:05 schreef newbiedoobiedoo het volgende:
Van wie is het nummer Hang On Sloopy?
Ja, dan zijn bukgeit en NBDBD weer eens een keer online, trekken ze het niveau nog verder omlaag dan het al was met dat geglibber van daarstraks.quote:
nee, ik ging slapenquote:Op maandag 11 juli 2005 01:12 schreef bukgeit het volgende:
En wie schreef het boek 'Get in the van?'
nee, ik ging slapen
Laatste vraag voor mij, ga zo naar bed toe.
Wie?quote:While punk rock was always supposed to be about pushing the envelope, few post-punk bands seemed willing to go quite so far to creatively confront their audience as . The group's guitars alternately sliced like a machete and ground like a dentist's drill, creating a groundbreaking and monolithic dissonance in the process. Their use of a drum machine, cranked up to ten and sounding a tattoo that pummeled the audience into submission, was a crucial precursor to the coming industrial music scene while creating a sound which was far more challenging and organic than what groups such as Ministry and Nine Inch Nails would achieve with similar ingredients. 's songs, which openly dealt with such topics as mutilation, murder, rape, child molestation, arson, immolation, racism, and misogyny, established them as a group that acknowledged no taboos; and while they didn't seem to be advocating the anti-social or criminal behavior they sang about, there was also a level of familiarity with their subject matter which made more than a few listeners blanch. was a band that went where few bands dared to go (and where many felt bands shouldn't go), and for good or ill their pervasive influence had a seismic impact on indie rock. At the same time, was a group who maintained firmly held ideals when it came to doing business; they paid for their own recordings, booked their own shows, handled their own management and publicity, and remained stubbornly independent at a time when many independent bands were eagerly reaching out for the major-label brass ring.
. The group's guitars alternately sliced like a machete and ground like a dentist's drill, creating a groundbreaking and monolithic dissonance in the process. Their use of a drum machine, cranked up to ten and sounding a tattoo that pummeled the audience into submission, was a crucial precursor to the coming industrial music scene while creating a sound which was far more challenging and organic than what groups such as Ministry and Nine Inch Nails would achieve with similar ingredients. 