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The last man standing?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Thema lijkt me wel 1 tegen de rest van het soepie.
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
ter ondersteuning van de recommendations:
What's the message? This is obviously and obtrusively a message film. Apparently, we're amoral, so we should learn something here. What have we learned? Perhaps, to forgive, especially one's self, or to not judge a book by its cover, or not to judge it after we've read it and discovered it has robbed us. I feel robbed, but not forgiving of the robber. should return to writing stupid screenplays instead of trying to hoodwink me with a "serious" film, as though I needed a lesson, or reinforcement.
ter ondersteuning van de recommendations:What's the message? This is obviously and obtrusively a message film. Apparently, we're amoral, so we should learn something here. What have we learned? Perhaps, to forgive, especially one's self, or to not judge a book by its cover, or not to judge it after we've read it and discovered it has robbed us. I feel robbed, but not forgiving of the robber. should return to writing stupid screenplays instead of trying to hoodwink me with a "serious" film, as though I needed a lesson, or reinforcement.
should return to writing stupid screenplays instead of trying to hoodwink me with a "serious" film, as though I needed a lesson, or reinforcement.
Kill Bill?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
, en
een geheel andere mening...
This movie absolutely amazed me. I thought that this movie was undeniably astounding and should be a part of anyones home video collection. plays an admirably solemn role that i was unaware of his capability to perform. It twists your mind and will leave you astounded. once again shows her ability to play unique roles and impact the movie. 's character is god-like, yet shows us that even a convict can have a positive influence. This movie is moralistically powerful and has changed my views on not only prison, but on repentance. Once again, anyone who desires to be amazed should purchase this.
een geheel andere mening...
This movie absolutely amazed me. I thought that this movie was undeniably astounding and should be a part of anyones home video collection. plays an admirably solemn role that i was unaware of his capability to perform. It twists your mind and will leave you astounded. once again shows her ability to play unique roles and impact the movie. 's character is god-like, yet shows us that even a convict can have a positive influence. This movie is moralistically powerful and has changed my views on not only prison, but on repentance. Once again, anyone who desires to be amazed should purchase this.
plays an admirably solemn role that i was unaware of his capability to perform. It twists your mind and will leave you astounded. 
's character is god-like, yet shows us that even a convict can have a positive influence. This movie is moralistically powerful and has changed my views on not only prison, but on repentance. Once again, anyone who desires to be amazed should purchase this.
Chicago?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Dead Man walking?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
allen
"...hard to tell where it went wrong the most, but I think it is in the script and the painfully slow pacing. Somebody seemed to have put in too much input into what might have originally been a decent idea, though not thoroughly reasoned out, and thus not too believable. How do you work past the idea that the character plays, never went to the trial of her brother's killer, or saw his face in the newspaper, or a line-up or what in two decades, and we believe it? That makes the movie too stupid to watch for long. Wonder who's idea it was to ignore this simple but obvious little detail, and not explain it as I remember. Maybe I missed it. No understanding of character development went on here, thus it was just an insulting, thoroughly ridiculous film. Maybe these folks need to find real writers instead of whatever process they chose. It ain't working! What a waste of too.... [filmtitel] must be thrashing around in his jail cell, or grave about now. They should have asked to take a look at the script. He is certainly more qualified than whoever did. And what was with 's ever changing voice effect? Ultimately it is the producer's job to know what they are producing, so really, the buck stops there. I've got a bridge in London for those investors! Proof positive that star power, does not a good film make. Hope they figure it out, quick, or spare us another one...."
"...hard to tell where it went wrong the most, but I think it is in the script and the painfully slow pacing. Somebody seemed to have put in too much input into what might have originally been a decent idea, though not thoroughly reasoned out, and thus not too believable. How do you work past the idea that the character plays, never went to the trial of her brother's killer, or saw his face in the newspaper, or a line-up or what in two decades, and we believe it? That makes the movie too stupid to watch for long. Wonder who's idea it was to ignore this simple but obvious little detail, and not explain it as I remember. Maybe I missed it. No understanding of character development went on here, thus it was just an insulting, thoroughly ridiculous film. Maybe these folks need to find real writers instead of whatever process they chose. It ain't working! What a waste of too.... [filmtitel] must be thrashing around in his jail cell, or grave about now. They should have asked to take a look at the script. He is certainly more qualified than whoever did. And what was with 's ever changing voice effect? Ultimately it is the producer's job to know what they are producing, so really, the buck stops there. I've got a bridge in London for those investors! Proof positive that star power, does not a good film make. Hope they figure it out, quick, or spare us another one...."
plays, never went to the trial of her brother's killer, or saw his face in the newspaper, or a line-up or what in two decades, and we believe it? That makes the movie too stupid to watch for long. Wonder who's idea it was to ignore this simple but obvious little detail, and not explain it as I remember. Maybe I missed it. No understanding of character development went on here, thus it was just an insulting, thoroughly ridiculous film. Maybe these folks need to find real writers instead of whatever process they chose. It ain't working! What a waste of 
In the name of the father?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
The Hurricane?
Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven.
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Mathilda: I am already grown up, I just get older.
Mathilda: I think we'll be OK here, Leon.
Winnaar Josh Holloway Award 2009 en Remy Bonjasky Award 2009
Die lijkt op Billy Bob.
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
dacht ik vanwegequote:Op maandag 6 december 2004 13:44 schreef twentemeisje het volgende:
(althans mij niet bekend)
quote:[filmtitel] must be thrashing around in his jail cell, or grave about now.
Dus:
Een film met BBT, waarin er een ex-con (BBT?) is, die ooit iemand heeft vermoord en jaren later in contact komt met de nabestaanden, zonder dat zij weten dat hij de moordenaar is?
Een film met BBT, waarin er een ex-con (BBT?) is, die ooit iemand heeft vermoord en jaren later in contact komt met de nabestaanden, zonder dat zij weten dat hij de moordenaar is?
Audioscrobbler -[ A Nervous Tic Motion of the Head to the Left ]-
quote:Op maandag 6 december 2004 14:37 schreef EricusMaximus het volgende:
Dus:
Een film met BBT, waarin er een ex-con (BBT?) is, die ooit iemand heeft vermoord en jaren later in contact komt met de nabestaanden, zonder dat zij weten dat hij de moordenaar is?
, de dame in kwestie is drie jaar jonger dan SPquote:Op maandag 6 december 2004 14:39 schreef ranja het volgende:
doet me denken aan Sarah Polley
Kom op mensen!!!
De hoofdpersonen....
.... Manuel Jordan
.... Miles Evans
.... Adele Easley
.... Sofia Mellinger
De hoofdpersonen....
.... Manuel Jordan
.... Miles Evans
.... Adele Easley
.... Sofia Mellinger
Zegt me niks
Ik denk dat ik die fotot van Kirsten wel eens eerder gezien heb en dat het me daarom een beetje bekend voorkwam. Maar de film, nee.
Ik denk dat ik die fotot van Kirsten wel eens eerder gezien heb en dat het me daarom een beetje bekend voorkwam. Maar de film, nee.
Tja, dan nog, je kunt niet alles kennen. Er zijn ook Johnny Depp films die ik niet ken. Er zijn zelfs Juliette Lewis films die ik niet ken Ok dan herken ik bij hun de titel misschien van hun imdb lijstje, maar dan nog.
sorryquote:Op maandag 6 december 2004 15:58 schreef twentemeisje het volgende:
en dat terwijl BBT, MF, KD en HH toch niet de minste namen zijn in filmland....
Stel jij nou een nieuwe vraag TM?
of mag ik het doen?
of mag ik het doen?
Audioscrobbler -[ A Nervous Tic Motion of the Head to the Left ]-
[ Bericht 55% gewijzigd door EricusMaximus op 06-12-2004 16:34:59 (Niet de bedoeling) ]
Audioscrobbler -[ A Nervous Tic Motion of the Head to the Left ]-
Wie zien we hier? op de voorgrond
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
Nee, ze is jonger.quote:Op maandag 6 december 2004 19:46 schreef ranja het volgende:
Sherylin Fenn?
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
Jonger dan Theron. En zoals zichtbaar op 't plaatje, ook iets grotere borsten.quote:Op maandag 6 december 2004 20:02 schreef ranja het volgende:
Charlize Theron?
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
