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pi_21794511
quote:
Op maandag 6 september 2004 16:20 schreef kamagurka het volgende:

[..]

Dit is toch wel het ranzigste (beste) plaatje

Zat die in de film eigenlijk?
nee, die komt uit zijn privecollectie
pi_21795701
quote:
Op maandag 6 september 2004 23:36 schreef A.l.e.x het volgende:

[..]

nee, die komt uit zijn privecollectie
Hahaha, leuk man!
Domheid is de geestelijk vader van arrogantie
  dinsdag 7 september 2004 @ 00:40:52 #183
39256 Bonobo11
Have a good time, all the time
pi_21795932
OK! That would be terrrriffic


h;guireopkdew#redstapler:ghdf
Feyenoord!!! * Barça
pi_21815925
De korte animatie filmpjes over Milton die de oorsprong waren van deze film zijn ook erg grappig
Op deze DVD die ook meer leuks bevat trouwens
pi_22047611
Volgens mij is er iemand van id Software (Doom 3) fan van Office Space:



  zaterdag 18 september 2004 @ 23:20:54 #186
3288 MikeyMo
jou are een essol!
pi_22047859
stapler!
[b]Op vrijdag 7 november 2008 08:54 schreef santax het volgende:[/b]
[..]
Blij dat er nog mensen hier zijn waar ik me wel in herken.
U, meneer MikeyMo, bent mijn nieuwe FOK!-held _O_
pi_22049054
Ja En hij is nog rood ook!
pi_22201445
I bellieve you have my stapler?
Their eyes opaque.
pi_22490447
Sources at 20th Century Fox have just confirmed with me that the long-awaited Office Space: Special Edition is finally a go! The studio and director Mike Judge are currently hard at work on the disc, which is tentatively planned for release in early 2005. There's no other details available at the moment (so don't ask - it's too early in the process), but the title IS finally coming and you can bet we'll keep you up to date on this as things progress.




[ Bericht 5% gewijzigd door kinky_queen op 08-10-2004 15:18:17 ]
  woensdag 23 februari 2005 @ 09:07:22 #190
3288 MikeyMo
jou are een essol!
pi_25210564
quote:
Office space
Woensdag 23 Februari van 20:30-22:10 op Yorin
watch it people
[b]Op vrijdag 7 november 2008 08:54 schreef santax het volgende:[/b]
[..]
Blij dat er nog mensen hier zijn waar ik me wel in herken.
U, meneer MikeyMo, bent mijn nieuwe FOK!-held _O_
  zondag 21 augustus 2005 @ 09:04:33 #192
125126 Mr-Coffee
pissing people off since 1980
pi_29832241
Zeer gave film, maar wat wil je Mike Judge.
Ik heb em op dvd.
Ook wel leuk om Ron"Band Of Brothers"Livingston in de rol van complete nobody te zien.
En er zitten inderdaad degelijk herkenbare situaties in, zoals proberen weg te sneaken bij je chef, om gezeik of overwerk gezeur te voorkomen.
Set Sail, For Fail.
JA NOU EN,IS GOED VOOR JE!!
  zondag 21 augustus 2005 @ 09:05:33 #193
125126 Mr-Coffee
pissing people off since 1980
pi_29832247
quote:
Op zaterdag 15 maart 2003 19:05 schreef Bob.Ross het volgende:
Dat ie door die ouwe lul met dat looprekkie word ingehaald.
Set Sail, For Fail.
JA NOU EN,IS GOED VOOR JE!!
  zondag 21 augustus 2005 @ 09:18:51 #194
125126 Mr-Coffee
pissing people off since 1980
pi_29832329
Set Sail, For Fail.
JA NOU EN,IS GOED VOOR JE!!
pi_29839521
quote:
Op zondag 21 augustus 2005 09:04 schreef Mr-Coffee het volgende:
Zeer gave film, maar wat wil je Mike Judge.
Ik heb em op dvd.
Ook wel leuk om Ron"Band Of Brothers"Livingston in de rol van complete nobody te zien.
En er zitten inderdaad degelijk herkenbare situaties in, zoals proberen weg te sneaken bij je chef, om gezeik of overwerk gezeur te voorkomen.
Die gast zat toch ook in Tour of Duty?
  zondag 21 augustus 2005 @ 16:03:22 #196
125126 Mr-Coffee
pissing people off since 1980
pi_29840987
quote:
Op zondag 21 augustus 2005 15:04 schreef PDOA het volgende:

[..]

Die gast zat toch ook in Tour of Duty?
Band Of Brothers, ongeveer het zelfde idee, maar dan een andere oorlog.
Set Sail, For Fail.
JA NOU EN,IS GOED VOOR JE!!
pi_34971168
What's happening?

quote:
I honestly don't think there's enough good things to say about Office Space. It has everything a great film needs: A great story, great acting, great jokes, great soundtrack, great everything! Hell, we even get to like the characters, as with most films no one cares. Even though this is a comedy, it actually deals with a very big issue: disillusionment. And most comedies of this type don't do that sort of thing.

The disillusioned Peter Gibbons (Ron Livingston) has an office job at Innitech that he really hates to the point where he confesses that everyday is the worse day of this life because of it. He has two disillusioned friends there: Michael Bolton (David Herman), who gets a lot of harassment due to him having the same name as the singer, and Samir (Ajay Naidu), an Indian immigrant who just wants to keep his job. Two other men who work with them are Tom (Richard Riehle), a man who wants to make a `Jump To Conclusions Mat' to get rich, and Milton (Stephen Root), a mumbling man who can't stand up for himself. Their boss is the evil Bill Lumbergh (Gary Cole), who makes them work on the weekend and torments everyone, especially Milton. Peter loves Joanna (Jennifer Aniston), a waitress at a restaurant he often goes to that he loves, but can't ask her out due to having no confidence and a pushy girlfriend named Anne (Alexandra Wentworth). After being hypnotized by a hypnotist that dies before he can complete the process, Peter gains all the confidence he needs to decide to not quit his job, but just not to go, ask Joanna out and leave Anne. But surprisingly, instead of getting fired, he gets promoted, while his hardworking friends get fired. After this, they decide to get their revenge by putting a computer virus in Innitech's computers to slowly make millions, but it goes horribly wrong.

I love this movie. I really do. Even when I first show the trailer for this in cinema about 5 or 6 years ago when I was about 11 years old I thought it'd be a good movie, and how right was I? Beyond 100% right! All the actors do a great job in this, especially Ron Livingston, who should've got a lot of acclaim for this film. I honestly hope his career becomes really successful someday. I also loved Peter's neighbor Lawrence (Diedrich Bader), who is hilarious. There are other great comedies out there, like Wayne's World (1992) and Joe Dirt (2001), but this is just movie magic! Director Mike Judge is a comic genius! Who thought that the toilet humour of Beavis and Butthead could be beaten by office humour? I hope everyone involved in this film continues to make great films like this.

Oh, and just before I finish this review, I have to say one thing. Even though I love this film to death, I honestly hope they don't make a sequel. This is just one of those rare films that are perfect, and I don't want an inferior sequel(s) to ruin this. A sequel should only be done if it's just as funny (if funnier) than this. And besides, the plot has no where to go, so they should leave this alone. The best way I can sum this film up: A brilliant classic!
Bron: een review op IMDB.com

Van Wikipedia:
quote:
[quote]
Office Space is a 1999 comedy film written and directed by Mike Judge, partially based on his 1991 animated short films of the same name. It pokes fun at work life in a typical software company during the 1990s by portraying individuals who are entirely fed up with their jobs. The movie was filmed in both Austin and Dallas, Texas, USA. Although the setting is not stated explicitly, a reference to Las Colinas, Texas, implies that the setting is the Dallas/Fort Worth Metroplex.

Office Space is based on the Milton series of cartoons Mike Judge created for Saturday Night Live. While not financially successful at the box office—just about breaking even—it has proven to be popular on home video and in rental stores. Most recently, a special edition DVD was released, with additional content.
Via Google kwam ik deze fansite nog tegen, met leuke geluidsfragmentjes.

De cast bestaat uit onder andere Ron Livingston, Jennifer Aniston, David Herman, Ajay Naidu, Stephen Root, Diedrich Bader en Gary Cole.

Trailers



Joanna en haar baas.



Michael Bolton: "That's the worst idea I've ever heard in my life, Tom."
(Samir, Michael, Peter en Tom.)



De printer moet er eindelijk aan geloven, alle frustraties eruit!



Peter Gibbons: "You see Bob, it's not that I'm lazy, it's that I just don't care. "



Peter Gibbons: Not right now Lumbergh, I'm kinda busy.



Damn It Feels Good to Be a Gangsta

O ja, de soundtrack van deze film is echt steengoed, de stoere rapmuziek in een perfect contrast met de kneuterigheid van het kantoorleven. Terrific.

Gejat uit m'n eigen topic over deze film: Office Space



Had ik maar de search moeten gebruiken.
As the officer took her away, she recalled that she asked,
"Why do you push us around?"
And she remembered him saying,
"I don't know, but the law's the law, and you're under arrest."
pi_34971190
topfilm
feest
  zaterdag 11 februari 2006 @ 17:01:00 #199
94218 Zeitgeist
Es lebe die Freiheit!
pi_34971294
quote:
Op woensdag 6 augustus 2003 23:15 schreef MarkyB het volgende:

[..]

FOUT!!

Milton werd aangereden, en heeft een dikke schade vergoeding gekregen. De nietmachine werd op het einde gevonden door Peter.
Milton werd niet aangereden. Tom werd aangereden. Milton vond het geld en stak het gebouw daarna in de fik.

overigens voor de liefhebbers:
http://www.techcomedy.com(...)com/show_product.php
The Light Is Leaving Us All
pi_34971458
Echt een goeie film idd. Heb het ook op dvd hier.
pi_34971641
De fouten in de film:

Continuity: When he is playing Tetris, he is playing a different game every time. (Time visible to members)


Continuity: In the scene near the end of the movie where Peter apologizes to Joanna, Joanna is shown either in her red shirt and holding her blue jacket, or wearing her blue jacket. For instance, as Joanna is moving in to kiss Peter, she is holding the jacket, but as they embrace, she is wearing it. In the blue jacket cuts, it is much less windy, and Joanna's hair is styled differently than it is in the red shirt cuts, where her hair is blowing due to the wind. (Time visible to members)


Continuity: When Peter is shutting his computer down to try to escape his boss, one of the cuts shows that it's an OptiPlex monitor (us computer people will recognise this), then they cut back to Peter, back to the monitor and there's a piece of black electrical tape covering up the company logo on a completely different monitor.


Continuity: In the restaurant scene the volume of the water in the glass in front of Jennifer Aniston continually changes from full to half-full depending upon whether Aniston or Livingston is talking.


Continuity: When Peter goes to see the Bobs for the first time, he comes in, there's the Bobs sitting on the right side of the desk, and the row of empty chairs on the left. One of the chairs is not pushed in and turned left but when Peter comes back to sit down after getting his water it is pushed in and straight. (Time visible to members)


Continuity: During Tom's BBQ when Michael Bolton and Samir are asking Tom's lawyer about prison you see Michael lose grip and drop his cup with a piece of ice hitting Samir in the head. When the ice hits him he's holding the cup in his left hand but when the camera angle changes the cup shows up in his right hand. (Time visible to members)


Continuity: Toward the end of the scene where Michael, Peter and Samir are smashing the printer, the camera pulls back to show all the printer's parts around it on the grass, and its cover is off. When Michael goes back for one more blow, the printer's cover is still on it. Submitted by Lisa


Continuity: In the scene when Peter returns to the company and sees that it's on fire, his hair is coiffed and partially in his face. In the next shot, as he watches Milton skulk away, his hair is cut short and totally out of his face. Submitted by Lisa


Continuity: In the scene with Samir, Michael, Peter, and Tom in the office talking about Tom's 'jump to conclusions' mat, the army men in the background on Peter's cubicle change positions. Shots of Michael show the kneeling man with the bazooka on one side of the minesweeper, shots of Peter show them in reversed positions. (Time visible to members)


Continuity: In the scene where Michael and Peter are in Michael's apartment, sitting and talking, we see Michael has a blue shirt which is spot-free. Right before they cut to the scene at the bar, we see that he has 2 small stains on the upper right of his shirt

Continuity: In addition to the mistake about Joanna's hair on the way back from the party: on the way TO the party, when the camera is on Joanna her window is up and her hair is still. But when the camera is on Peter, Joanna's window is obviously down, because her hair is blowing. Submitted by Krista


Continuity: When the guys go to Flinger's for coffee, we see that the little cardboard triangle thing in the middle of the table advertising new additions to the menu (most restaurants have these) is facing the camera with 3 lines of text reading "Try our Jalapeno Poppers." In all the shots with that triangle thing in it after that, it has 5 lines of text facing the camera reading something different.


Continuity: In the scene where they are smashing the copier, they show a slow-motion of Samir lifting his right leg to smash the copier, the camera cuts away and then comes back showing him coming down with his left leg instead of his right.


Continuity: In the scene where Lumbergh is talking to Milton in the building basement, his ever-present cup of coffee switches hands between shots.


Audio problem: In the scene where Peter, Michael and Samir are talking about Joanna sleeping with Lumbergh, Peter realizes that he had the wrong Lumbergh and says, "you mean Ron Lumbergh, the Innatrode guy, the young guy?" But if you watch his lips, he does not say Innatrode. (Time visible to members)


Continuity: In the scene where Peter and Michael are in Michael's apartment discussing his idea for a virus, we see Michael put down his beer on the table. The camera cuts to a shot of Peter and we see Michael from the side. He puts his beer on the table and just as he sets it down the camera goes back to a shot of Michael from the front and his hand is behind the beer in a sort of fist. There's no possible way he could have set the beer down and removed his hand from it in the time it takes to switch camera shots.


Continuity: When Peter and Michael are in Peter's house talking about how Michael is about to get fired, Michael is sitting on the couch holding a beer with two red X's on it. All through the scene the X's keep changing location on the bottle, from facing Peter to facing Michael.


Continuity: When Michael gets pulled away from beating the copier, he has a cord in his hand which he drops before going back. They pull him away again and the cord is gone, but in the last shot it in his hand again.


Continuity: When Peter is on the freeway thinking of changing into the left lane, the vehicles are different between the shots of his face and the shots looking ahead. Then when he changes lanes there was a Mitsubishi Mirage in front of him and a blue Dakota truck a few cars ahead, yet both are gone when we see the lane he left begin to move. Then when he changes back into the right lane, we see a motorcycle up ahead in the lane he left, yet in the next forward shot, the motorbike is gone. (Time visible to members)


Continuity: In the beginning of the movie, when we see Peter talking to Lumburgh, he has a clip on his computer monitor which has some writing on it (I believe it actually reads "Initech"). Later in the movie, when he's trying to shut off his computer and get away from Lumburgh, the clip has no writing on it.

Continuity: When Peter and the guys are walking back from the restaurant, we see he has his ID card on the left side of his pants (our right). When he gets back and is talking to the guys and Tom, we see his ID card is now on his right side of his pants.


Factual error: When the guys go to see Tom at the BBQ, he has his head in a support cage. Every time he moves, and particularly when he laughs, this cage moves around and wobbles. The point of these cages is to keep the head still and in line with the spine, and are bolted into the bone itself. Therefore, not only should it be impossible for it to be moving, it would seriously hurt if it was.


Continuity: In the scene where Peter goes to the ATM to check the balance, he inserts his ATM card and gets the print out of his balance. When he grabs the receipt, he turns to leave (before he notices that there is too much money in the account) without getting his ATM card back. (Time visible to members)


Continuity: In the scene in the beginning of the movie where Peter is talking to Bill about the TPS reports, we see his computer monitor and the text on it is blue. Later, when he's trying to shut his computer down to escape work early, we see that the text is now yellow.

bron: www.moviemistakes.com
Xbox Live: koenpijl
pi_34971811
Xbox Live: koenpijl
pi_34971879
Geweldige film Vooral de soundtrack is ontzettend droog terwijl ik normaal niet zo van dat soort muziek houd. Ik heb me helemaal kapot gelachen bij deze film.
And you know I might
Have just flown too far from the floor this time
Cause they calling me by my name..
  zaterdag 11 februari 2006 @ 17:32:32 #204
103590 dvdfreak
geen dvdfreak maar kc27
pi_34972209

Lawrence: [as Peter leaves to confess to Lumbergh about stealing money, knowing he may go to prison] Peter... watch out for your cornhole, man...

[ Bericht 26% gewijzigd door dvdfreak op 11-02-2006 18:35:13 ]
pi_34973574
71 van de 100 goed bij die quiz.
As the officer took her away, she recalled that she asked,
"Why do you push us around?"
And she remembered him saying,
"I don't know, but the law's the law, and you're under arrest."
  zaterdag 11 februari 2006 @ 19:36:03 #206
51679 Mar10Segovia
Interspectacular
pi_34976082




Toffe film trouwens!
  zaterdag 11 februari 2006 @ 20:18:13 #207
94218 Zeitgeist
Es lebe die Freiheit!
pi_34977643
quote:
Op zaterdag 11 februari 2006 18:11 schreef heiden6 het volgende:
71 van de 100 goed bij die quiz.
vet Ik had 80 en was een Experienced viewer. Sommige vragen zijn echt lastig. Dat nummerbord enzo en gegevens op die personel files
The Light Is Leaving Us All
pi_34983203
geniale film, vooral bij die autowas neger in het begin gelachen.
pi_35024430



Goeia fillum
"Welfare culture is bad not just because, as in Europe, it's bankrupting the state, but because it enfeebles the citizenry, it erodes self-reliance and resourcefulness."
-Mark Steyn
pi_35024474
As the officer took her away, she recalled that she asked,
"Why do you push us around?"
And she remembered him saying,
"I don't know, but the law's the law, and you're under arrest."
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