MUZ Muziek
Het forum voor 's werelds enige universele hobby! Snaren of toetsen, vinyl of cd, eendagsvlieg of rasartiest, op de radio of op een festival! Hier kun je al je ongebreideld enthousiasme, maar ook je weldoordachte kritische noten kwijt over muziek
Ziggo Dome, 7 juli, 11 februari voorverkoop.
-edit: kaarten voor het Deens concert kosten:
PL1 ¤ 205 (zitplaatsen)
PL2 ¤ 125 (zitplaatsen)
PLU2 ¤1 24 (Golden Circle)
PL3 ¤ 97 (zitplaatsen)
PL3U ¤ 97 (staanplaatsen)
PL4 ¤ 70 (zitplaatsen)
PL5 ¤ 45 (zitplaatsen)
prijzen Ziggo nu ook gevonden:
¤ 175
¤ 125
¤ 99
¤ 95
¤ 85
¤ 45
[ Bericht 7% gewijzigd door Mylene op 07-02-2012 11:18:17 ]
-edit: kaarten voor het Deens concert kosten:
PL1 ¤ 205 (zitplaatsen)
PL2 ¤ 125 (zitplaatsen)
PLU2 ¤1 24 (Golden Circle)
PL3 ¤ 97 (zitplaatsen)
PL3U ¤ 97 (staanplaatsen)
PL4 ¤ 70 (zitplaatsen)
PL5 ¤ 45 (zitplaatsen)
prijzen Ziggo nu ook gevonden:
¤ 175
¤ 125
¤ 99
¤ 95
¤ 85
¤ 45
[ Bericht 7% gewijzigd door Mylene op 07-02-2012 11:18:17 ]
Pfoeh afgelopen zaterdag al in de stress voor Lowlands kaarten, deze zaterdag dus weer.. m'n hart! 
Zouden die Golden Circle kaarten dan 125 kosten?
Zouden die Golden Circle kaarten dan 125 kosten?
YEAAAHH! Heb VIP-tickets via de fanclub gescoord! Early access, dus voor het publiek naar binnen. Eindelijk helemaal vooraan bij Madonna in een kleine zaal! 
Nothing takes the past away like the future!
Verder geen golden circle, alleen staanplaatsen (99 euro)
Nothing takes the past away like the future!
Tof! Hoeveel betaalde je daarvoor?quote:Op dinsdag 7 februari 2012 13:11 schreef Hapertje het volgende:
YEAAAHH! Heb VIP-tickets via de fanclub gescoord! Early access, dus voor het publiek naar binnen. Eindelijk helemaal vooraan bij Madonna in een kleine zaal!
Oh, 245 euro dus?
Ticket+ = staanplaats, aparte ingang voor early access, 2 consumpties, parkeerplaats en 1 merchandise item
Nothing takes the past away like the future!
Zijn via de fanclub alle soorten kaarten te koop op dit moment? Ik ben geen lid maar zit te twijfelen om het te worden en alvast kaarten te bestellen..
Ja, van de goedkoopste (47 euro) tot 179 euro beste zitplaatsen. Veldkaarten 99 euro, geen Golden Circle. Wil je vooraan dan moet je in de rij liggen of anders de ticket+ voor 245 euro. Ook te koop via de fanclub!
Heb je een American Express dan mag je donderdag tussen 9 en 10 al kaarten kopen!
Heb je een American Express dan mag je donderdag tussen 9 en 10 al kaarten kopen!
Nothing takes the past away like the future!
Een live pass om kaarten te kunnen kopen via de fanclub kost 17 euro.
Ik ben gelukkig Lifetime Legacy Member, dus die kosten heb ik me kunnen besparen. Maar je krijgt wel een cadeau voor dat geld ;-)
Ik ben gelukkig Lifetime Legacy Member, dus die kosten heb ik me kunnen besparen. Maar je krijgt wel een cadeau voor dat geld ;-)
Nothing takes the past away like the future!
Dankje voor de info 
Ik hoef niet helemaal vooraan, maar wil het wel een beetje kunnen zien. Ben heel benieuwd naar de zaal, heerlijk dat we niet weer naar de Arena hoeven 
Ik hoef niet helemaal vooraan, maar wil het wel een beetje kunnen zien. Ben heel benieuwd naar de zaal, heerlijk dat we niet weer naar de Arena hoeven
Ja, heb Madonna in 2001 in Bercy gezien... was ook lekker intiem!
Nothing takes the past away like the future!
Bercyquote:
Ja, heb Madonna in 2001 in Bercy gezien... was ook lekker intiem!
For the last three years it has seemed as if The Queen of Pop was a title we only bestowed on Madonna as an affectionate courtesy for all the work she's put in, and that the real crown was actually now firmly on the head of Lady Gaga (when she isn't wearing a cup, some ham or a fascinator made out of beagles and moon rocks).
At the half-time of a sporting event we can't begin to fathom, Madonna changed the game.
Or more accurately, Madonna used the 2012 Super Bowl to remind everyone that the game is hers and that she is still the best pop star we've got, and any young pretender, no matter how ambitious/creative/deranged, is going to have to work a whole lot harder for a whole lot longer to even get near the ball.
Long gone are the days when the pop world was ruled by giants. Madonna, Michael Jackson and Prince once strode about the Earth performing vast, dazzling, theatrically thrilling, stadium-busting concerts other acts could only dream about (as their accountants pointed to the bank balance and shook their heads).
Now, even our biggest stars seem to exist on a more manageable scale.
"Now, even our biggest stars seem to exist on a more manageable scale"
Certainly pop concerts are still big, flashy, laser-filled, dancified affairs, packed to the popcorn-odoured rafters with costume changes, trap doors, daft props and glitter canons.
But such fripperies are now commonplace, expected and done on the cheap.
That was until Gaga decided it was a perfectly shrewd business move to lose money on a tour - such were her extravagant technical tastes.
PA
Madonna takes it to 'a whole other level'
Yet while Gaga's gigs are a riot of high camp, gore and awe (recently revealed stage plans for the Born This Way tour suggest the action will take place in a castle), Madonna's Super Bowl show was on a whole other level.
We'd go so far as to call it her most inventive and impressive display since 1990's Blond Ambition concerts and the best use of a video floor since the Beijing Olympics.
Most importantly she made several million dollars worth of excessive, advertiser-attracting, attention-demanding spectacle look almost effortless and hugely entertaining. Did you clock that smile during Music?
Madonna genuinely looked to be having the time of her life up there with the hyper-real Nicki Minaj, M.I.A. and her naughty finger, the frat-buffoons LMFAO, the Reverend Cee Lo Green, Roman centurions, cheerleaders, marching bands, and... oh my, we had forgotten what we were missing.
Madonna makes pop fun; now we remember!
Because no matter how fascinating The Haus of Gaga's work is (and we're not bored yet, despite the media saturation), their creative director sure goes a long way to make it seem like a thankless task.
In her interviews she's always keen to stress just how much "hard work" goes into being this otherworldly superstar.
And while we appreciate the extra effort, her job is simply to make some nice pop records, wear daft clothes and emerge from an egg from time to time.
"Her job is simply to make some nice pop records, wear daft clothes and emerge from an egg from time to time"
PA
Gaga doesn't seem to enjoy herself
And yet we don't get the sense Ms Germanotta is actually enjoying herself from the über-serious and often incomprehensible way she discusses her art. To borrow a phrase from an old editor of ours, we don't want to hear the labour pains; we just want to see the baby.
The main difference between Madonna's approach to her work and Gaga's is that Ms Ciconne never makes it feel like a task. Being Madonna is always what Madonna has wanted to do, and it's what she does best. She positively revels in being Madonna. Or at least she used to before the marriage, religion and film directing made her boring.
The first sign that the fun, solipsistic Madonna was back came when she was overheard expressing her disgust at the flowers presented to her by a fan. It was the Madonna of In Bed With Madonna - hilariously callous and particular.
The second sign was when she responded to the media brouhaha about hydrangea-gate with a tongue-in-cheek video begging for absolution (once a Catholic...)
The third indicator that the Queen of Pop was returning to her throne was a literal one: her arrival onto the Super Bowl stage on a colossal, man-pulled chariot - fit for a Cecil B. DeMille directed Cleopatra.
These are good signs.
"What are you looking at?"
When Michael Jackson played the same show in 1993, he pulled off the illusion of darting from one side of the stadium to the other, as if to say, "You think you see me but you don't. I'm elusive. You can't pin me down". By contrast, Madonna's entrance was slow, stately and supremely confident. All eyes were on her as she drawled, "What are you looking at?"
It was the entrance of someone at ease with her self, her stardom and her sense of humour.
And no, we don't think Give Me All Your Luvin' (don't you just hate that spelling?) is going to trouble any 'best songs of all time' charts. Personally, we'd rank it as only our 59th favourite Madonna single, although we appreciate the Daphne & Celeste influence (we'll never forget you, girls).
And judging by the titles on her upcoming album MDNA (that joke isn't funny anymore, is it?) we're not looking at classic songwriting (Gang Bang? Really?)
"And if you think singing live is more important than being spun upside your head by impossibly elastic dancers, then you don't understand pop at all"
But it doesn't matter if these new songs aren't the best songs of her career, because we've 11 previous albums to pick from. There's no shame in trading on past glories if no one else's current glory comes close.
Lady Gaga has made two and a half albums so far, and while she's racked up a few cracking singles, at this point in her career Madonna had given us Holiday, Lucky Star, Borderline, Like A Virgin, Material Girl, Crazy For You and Into The Groove.
There's no comparison.
It seems ludicrous and unfair to Gaga that we even began to consider her worthy of pop royalty so soon. She's achieved an awful lot in a very short amount of time, but let's give it 30 years before we see if Madonna needs to abdicate.
And no, as we're tired of reading in the comments sections of websites, Madonna didn't sing live for the majority of the performance, but then you can't be spun upside your head by impossibly elastic dancers and still hold a note immediately afterwards.
It's one or the other.
And if you think that singing live is more important than being spun upside your head by impossibly elastic dancers, on a night like that, then you don't understand pop at all.
However, for those of you who still think singing is a competitive sport, her rendition of Like A Prayer was all her own live voice and it was faultless.
Touchdown Madonna.
At the half-time of a sporting event we can't begin to fathom, Madonna changed the game.
Or more accurately, Madonna used the 2012 Super Bowl to remind everyone that the game is hers and that she is still the best pop star we've got, and any young pretender, no matter how ambitious/creative/deranged, is going to have to work a whole lot harder for a whole lot longer to even get near the ball.
Long gone are the days when the pop world was ruled by giants. Madonna, Michael Jackson and Prince once strode about the Earth performing vast, dazzling, theatrically thrilling, stadium-busting concerts other acts could only dream about (as their accountants pointed to the bank balance and shook their heads).
Now, even our biggest stars seem to exist on a more manageable scale.
"Now, even our biggest stars seem to exist on a more manageable scale"
Certainly pop concerts are still big, flashy, laser-filled, dancified affairs, packed to the popcorn-odoured rafters with costume changes, trap doors, daft props and glitter canons.
But such fripperies are now commonplace, expected and done on the cheap.
That was until Gaga decided it was a perfectly shrewd business move to lose money on a tour - such were her extravagant technical tastes.
PA
Madonna takes it to 'a whole other level'
Yet while Gaga's gigs are a riot of high camp, gore and awe (recently revealed stage plans for the Born This Way tour suggest the action will take place in a castle), Madonna's Super Bowl show was on a whole other level.
We'd go so far as to call it her most inventive and impressive display since 1990's Blond Ambition concerts and the best use of a video floor since the Beijing Olympics.
Most importantly she made several million dollars worth of excessive, advertiser-attracting, attention-demanding spectacle look almost effortless and hugely entertaining. Did you clock that smile during Music?
Madonna genuinely looked to be having the time of her life up there with the hyper-real Nicki Minaj, M.I.A. and her naughty finger, the frat-buffoons LMFAO, the Reverend Cee Lo Green, Roman centurions, cheerleaders, marching bands, and... oh my, we had forgotten what we were missing.
Madonna makes pop fun; now we remember!
Because no matter how fascinating The Haus of Gaga's work is (and we're not bored yet, despite the media saturation), their creative director sure goes a long way to make it seem like a thankless task.
In her interviews she's always keen to stress just how much "hard work" goes into being this otherworldly superstar.
And while we appreciate the extra effort, her job is simply to make some nice pop records, wear daft clothes and emerge from an egg from time to time.
"Her job is simply to make some nice pop records, wear daft clothes and emerge from an egg from time to time"
PA
Gaga doesn't seem to enjoy herself
And yet we don't get the sense Ms Germanotta is actually enjoying herself from the über-serious and often incomprehensible way she discusses her art. To borrow a phrase from an old editor of ours, we don't want to hear the labour pains; we just want to see the baby.
The main difference between Madonna's approach to her work and Gaga's is that Ms Ciconne never makes it feel like a task. Being Madonna is always what Madonna has wanted to do, and it's what she does best. She positively revels in being Madonna. Or at least she used to before the marriage, religion and film directing made her boring.
The first sign that the fun, solipsistic Madonna was back came when she was overheard expressing her disgust at the flowers presented to her by a fan. It was the Madonna of In Bed With Madonna - hilariously callous and particular.
The second sign was when she responded to the media brouhaha about hydrangea-gate with a tongue-in-cheek video begging for absolution (once a Catholic...)
The third indicator that the Queen of Pop was returning to her throne was a literal one: her arrival onto the Super Bowl stage on a colossal, man-pulled chariot - fit for a Cecil B. DeMille directed Cleopatra.
These are good signs.
"What are you looking at?"
When Michael Jackson played the same show in 1993, he pulled off the illusion of darting from one side of the stadium to the other, as if to say, "You think you see me but you don't. I'm elusive. You can't pin me down". By contrast, Madonna's entrance was slow, stately and supremely confident. All eyes were on her as she drawled, "What are you looking at?"
It was the entrance of someone at ease with her self, her stardom and her sense of humour.
And no, we don't think Give Me All Your Luvin' (don't you just hate that spelling?) is going to trouble any 'best songs of all time' charts. Personally, we'd rank it as only our 59th favourite Madonna single, although we appreciate the Daphne & Celeste influence (we'll never forget you, girls).
And judging by the titles on her upcoming album MDNA (that joke isn't funny anymore, is it?) we're not looking at classic songwriting (Gang Bang? Really?)
"And if you think singing live is more important than being spun upside your head by impossibly elastic dancers, then you don't understand pop at all"
But it doesn't matter if these new songs aren't the best songs of her career, because we've 11 previous albums to pick from. There's no shame in trading on past glories if no one else's current glory comes close.
Lady Gaga has made two and a half albums so far, and while she's racked up a few cracking singles, at this point in her career Madonna had given us Holiday, Lucky Star, Borderline, Like A Virgin, Material Girl, Crazy For You and Into The Groove.
There's no comparison.
It seems ludicrous and unfair to Gaga that we even began to consider her worthy of pop royalty so soon. She's achieved an awful lot in a very short amount of time, but let's give it 30 years before we see if Madonna needs to abdicate.
And no, as we're tired of reading in the comments sections of websites, Madonna didn't sing live for the majority of the performance, but then you can't be spun upside your head by impossibly elastic dancers and still hold a note immediately afterwards.
It's one or the other.
And if you think that singing live is more important than being spun upside your head by impossibly elastic dancers, on a night like that, then you don't understand pop at all.
However, for those of you who still think singing is a competitive sport, her rendition of Like A Prayer was all her own live voice and it was faultless.
Touchdown Madonna.
Nothing takes the past away like the future!
Hoeveel kaarten mag je via de fanclub kopen ? weer maximaal vier ? of mag je er nu wel meer kopen ?
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fanserie voor en door fans van WIDM
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Kaarten via American Express zijn UITVERKOCHT! Iedereen succes zaterdag bij de start van de reguliere verkoop!
Nothing takes the past away like the future!
En Sjimmie... ze hebben een bepaald aantal kaarten beschikbaar voor de fanclub, daarna voor AMEX-kaarthouders en zaterdag gaat de rest (dus ook staanplaatsen) in de verkoop!
Nothing takes the past away like the future!
Zit enorm in de stress voor zaterdag 
Ik vermoed een tweede datum op zondag 8 juli. Ze hoeft pas op 10 juli weer in Keulen te zijn namelijk!
Nothing takes the past away like the future!
quote:
Hoeveel kaarten mag je via de fanclub kopen ? weer maximaal vier ? of mag je er nu wel meer kopen ?
<a href="http://www.pantsman.nl" rel="nofollow" target="_blank">www.pantsman.nl</a>
fanserie voor en door fans van WIDM
fanserie voor en door fans van WIDM
Je mocht er 4 kopen. Helaas is de fanclub presale uitverkocht en gesloten! Maar morgen dus nieuwe kansen. Maar Keulen komt nog in de verkoop (concert 10 juli!) en daar komt nog wel een presale voor!
Nothing takes the past away like the future!
twee staanplaatsen zijn binnen, early acces is al vol 
de dame aan de telefoon heeft bevestigd dat er de 8e een tweede concert is!
de dame aan de telefoon heeft bevestigd dat er de 8e een tweede concert is!
Pff, ik had twee goedkope kaarten te pakken en toen werd ik er bij de betaling uitgegooid, nu zijn er alleen nog maar kaarten voor ¤ 175, en dat vind ik echt te duur...
Volgens mij is het nu helemaal uitverkocht. Ik zou bij de computer in de buurt blijven voor de 8e, extra data gooien ze altijd direct in de verkoop.
yeah!!! heb tickets...
vak 203
vak 203
Blessed is he who reads aloud the words of the Prophecy.
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
Ik ben erbij!! Staanplaats gescoord! was een enorme stress maar ik was op tijd!
Staanplaats gescoord! was een enorme stress maar ik was op tijd!
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Idd drama, vond het postkantoor beter. Good old times!quote:
Oooh wat een DRA-MA dat ticketmaster.. maar ik heb een staanplaats gescoord
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
haha mijn hart is nog steeds op hol geslagen..wat een stress!!
Blessed is he who reads aloud the words of the Prophecy.
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
Hier ook stress, wanneer krijg je je kaartje eigenlijk heb zo snel besteldquote:
haha mijn hart is nog steeds op hol geslagen..wat een stress!!
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Heb je via postbezorging? Ik krijg ze meestal di/wo daarop.
Pff ik krijg eigenlijk nu pas last van stress met terugwerkende kracht
Pff ik krijg eigenlijk nu pas last van stress met terugwerkende kracht
ik heb ze uitgeprint. heb ze besteld via ticketmaster, moest als de sodemieter meteen een account aanmaken en via dat account heb ik ze geprint. wat een stress. Vroeger lag ik altijd een nacht voor het postkantoor, maar met deze temperaturen. LOLquote:
[..]
Hier ook stress, wanneer krijg je je kaartje eigenlijk heb zo snel besteld
Blessed is he who reads aloud the words of the Prophecy.
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
Ik heb nog niks in me e-mail..quote:
[..]
ik heb ze uitgeprint. heb ze besteld via ticketmaster, moest als de sodemieter meteen een account aanmaken en via dat account heb ik ze geprint. wat een stress. Vroeger lag ik altijd een nacht voor het postkantoor, maar met deze temperaturen. LOL
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Duurt 10 minuten ofzoquote:
[..]
Ik heb nog niks in me e-mail..
heb je wel een ordernummer gekregen?quote:
[..]
Ik heb nog niks in me e-mail..
Blessed is he who reads aloud the words of the Prophecy.
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
And blessed are those who hear.
Do not seal up the words of the Prophecy, for the time is near.
Behold, I am coming soon
Had ik allang moet hebben,had het kaartje gekocht rond 10.18quote:
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Jaquote:
[..]
heb je wel een ordernummer gekregen?
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Als je bent ingelogd even bij je transacties kijken, daar kun je ze ook vinden als het goed isquote:
[..]
Had ik allang moet hebben,had het kaartje gekocht rond 10.18
Ja, daar is het! Pfff, weer stress! Eerste keer via internet en dan ook nog eens alleenquote:
[..]
Als je bent ingelogd even bij je transacties kijken, daar kun je ze ook vinden als het goed is
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Ik heb echt vaak geprobeerd te bellen, kwam er niet doorheenquote:
wij waren met twee maar oh man wat een stress
ik heb maar 2 keer hoeven bellen trouwens
Een vriend is iemand die je verleden kent, in je toekomst gelooft en je vandaag accepteert zoals je bent.
Ik ga ook
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