MUZ Muziek
Het forum voor 's werelds enige universele hobby! Snaren of toetsen, vinyl of cd, eendagsvlieg of rasartiest, op de radio of op een festival! Hier kun je al je ongebreideld enthousiasme, maar ook je weldoordachte kritische noten kwijt over muziek
Oh ik ook hoor, er was niks mis mee, maar het meeste had ik al eens gehoord/gezien/gelezen dus echt een openbaring was het niet.quote:Op woensdag 15 juni 2011 17:31 schreef Mansjester het volgende:
[..]
Klopt, en ik mis ook zeker artiesten in de afleveringen. Zo zijn er altijd wel opmerkingen. Ik vond het wel leuk om te kijken
Andere documentaires:
Get Thrashed (over thrash metal)
House of the rising Punk (NY punk en CBGB's)
I need that record (over de ondergang van de independent platenwinkel
Flight 666
NY77 The coolest year in hell (1977 in New York)
Rage 20 years of punk rock west coast style (lijkt me duidelijk)
Until the light takes us (black metal)
Semi0n is dead, long live Stress Techniques. New project: LLB - JG
http://http://llbinc.bandcamp.com/
http://http://llbinc.bandcamp.com/
quote:a documentary film based on electronic producer, performer and industry icon, Richie Hawtin. The film draws from the important stages and events in Richie Hawtin's personal and artistic life, revealing the journey of an introverted and transplanted computerminded teen that develops by way of Detroit's radio and records fueled by pure driven passion into a successful techno-entrepreneur and global DJ entertainer.
http://beta.uitzendinggemist.nl/afleveringen/1076542#
Classic Albums, documentaireserie over pop- en rockalbums. Bob Marley & The Wailers: Catch A Fire. Met dit album verwierf Bob Marley internationale erkenning. Elk nummer van het album wordt besproken.
Classic Albums, documentaireserie over pop- en rockalbums. Bob Marley & The Wailers: Catch A Fire. Met dit album verwierf Bob Marley internationale erkenning. Elk nummer van het album wordt besproken.
Some Kind Of Monster 
En er is een Classic Album Docu over The Black Album van Metallica, en volgens mij over een album van Iron Maiden.
En er is een Classic Album Docu over The Black Album van Metallica, en volgens mij over een album van Iron Maiden.
Sometimes the journey is the goal
I don't care about my soul
Sometimes life is just pure rock 'n roll!!
I don't care about my soul
Sometimes life is just pure rock 'n roll!!
De classic album over ace of spades is ook er tof
En mochten we vallen dan is het omhoog. - Krang (uit: Pantani)
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
En trouwens, It Might Get Loud. Super gave docu met Jack White, The Edge en Jimmy Page.
Sometimes the journey is the goal
I don't care about my soul
Sometimes life is just pure rock 'n roll!!
I don't care about my soul
Sometimes life is just pure rock 'n roll!!
You're travelling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination—next stop, the Twilight Zone!
met oa Napalm Death, Paradise Lost, Godflesh.
Semi0n is dead, long live Stress Techniques. New project: LLB - JG
http://http://llbinc.bandcamp.com/
http://http://llbinc.bandcamp.com/
Niet helemaal een docu, eerder een film. Maar wel op echt gebaseerd.
http://www.imdb.com/title/tt0274309/
http://www.imdb.com/title/tt0274309/
24 Hour Party People, over Madchester. De muziekscene van manchester in de jaren 80. Opkomst van Joy Division, Happy Mondays. Begin dagen van the Hacienda club e.d. Spil hierin was het Factory platenlabel waar de film in feite over gaat. Erg tof om eens te zien als deze muziek je interesseertquote:Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.
Oh, ik was deze nog vergeten.
[ Bericht 0% gewijzigd door MajorTom. op 15-06-2011 23:21:25 ]
[ Bericht 0% gewijzigd door MajorTom. op 15-06-2011 23:21:25 ]
You're travelling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination—next stop, the Twilight Zone!
Dat is natuurlijk wel een klassiekertje.quote:
This is spinal tap (mockumentary)
[ afbeelding ]
Geef angst en haat een stem
Ranja: "mijn bukgeit begrijpt mj niet. "
Ranja: "mijn bukgeit begrijpt mj niet. "
dat is meer een muziekfilm (nagespeeld) niet echt een docu, Geweldige film trouwensquote:
Niet helemaal een docu, eerder een film. Maar wel op echt gebaseerd.
[ afbeelding ]
http://www.imdb.com/title/tt0274309/
[..]
24 Hour Party People, over Madchester. De muziekscene van manchester in de jaren 80. Opkomst van Joy Division, Happy Mondays. Begin dagen van the Hacienda club e.d. Spil hierin was het Factory platenlabel waar de film in feite over gaat. Erg tof om eens te zien als deze muziek je interesseert
En mochten we vallen dan is het omhoog. - Krang (uit: Pantani)
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
Die laatste 2 vind ik niet echt grindcore maar na het zien van deze docu moet ik mijn gedachte van grindcore bijstellen ik zat te denken aan onluisterbare onzin maar wat in deze docu voorbij komt is allemaal nog wel vrij mildquote:
met oa Napalm Death, Paradise Lost, Godflesh.
en leuk Dat sonic violence omschrijft een beetje was sunn e.d. nu doen
klinkt wel erg lekker.van deze docu zou ik alleen carcass onder grind scharen
[ Bericht 6% gewijzigd door Bosbeetle op 16-06-2011 00:08:17 ]
En mochten we vallen dan is het omhoog. - Krang (uit: Pantani)
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
My favourite music is the music I haven't yet heard - John Cage
Water: ijskoud de hardste - Gehenna
Daarom ook de eerste zin in m'n postquote:
[..]
dat is meer een muziekfilm (nagespeeld) niet echt een docu, Geweldige film trouwens
Maar dat geldt ook voor Spinal Tap dus vandaar dat ik em toch maar postte
Die is volgens mij ook al aardig oud, als we dezelfde bedoelen, die is van begin jaren '90 al meen ik. Zit hij met Kiedis en de gitarist van destijds in een bootje (in A'dam denk ik) terwijl ze Under the bridge doen.quote:
Twee jaar geleden of zo was er een VPRO docu over de Chili Peppers, die vond ik vooral mooi omdat die Van Splunteren de band over hele lange periode had gevolgd. Het is nu natuurlijk wel echt een hele grote naam, en dan heeft hij nog een paar uur film liggen van toen ze bij -6 met autopech langs de autobahn stonden en dat soort beslommeringen van een beginnende band. Ik weet ook niet hoe die heet.
Maestro
Over disco en house in New York, ofwel de roots van de dance muziek
quote:Maestro is a thorough documentary about House music and how it all started in New York’s underground clubs in the 70-80′s. The film takes you back to the first clubs (Paradise Garage, The loft etc.) and to the people who were involved in the DJ/club culture back then.
It contains interviews with legends such as Frankie Knuckles, David Mancuso, Francis Grasso and Nicky Sciano to drop a few names. You can also spot some of the first House dancers in the video footages.
It’s definitely worth watching if you’re into House music or other club music genres and if you’re into house dance this movie is obligatory!
http://www.maestro-documentary.comquote:DVD 1 (TRT: 1 Hour 17 Minutes)
Feature length documentary film featuring appearances by Larry Levan, David Mancuso, Frankie Knuckles, Nicky Sciano, Francois K, Francis Grasso, Jellybean Benitez, Danny Tenaglia, Tony Humphries, Tee Scott, Dimitri From Paris, Danny Krivit, Pete Tong, Joe Claussell, Little Louie Vega, Keith Haring> ...>
DVD 2 (TRT: 2 Hours 26 Minutes)
Bonus Short Films:
Paradise Garage Footage : never before seen footage of the closing weekend of the Paradise Garage (1987), commented by Larry Levan`s close friend, videographer Michael Sampson.
Sound Systems : An audiophile look with DJ David Mancuso and renowned sound engineers on the history of club sound and DJ equipment
Making of Maestro : Director Josell Ramos on his journey through making the film
[ Bericht 16% gewijzigd door tjoptjop op 15-06-2011 23:54:17 ]
Op
Style Wars (1983) - Een documentaire over graffiti in New York City in de eerste plaats, een van de onderdelen van de hip hop cultuur. Muziek speelt daarnaast ook een belangrijke rol.
Style Wars is an early documentary on hip hop culture, made by Tony Silver and Henry Chalfant, made in New York City in 1983. The film has an emphasis on graffiti, although breakdancing and rapping are covered to a lesser extent. The film was originally aired on PBS television in 1983, and was subsequently shown in several film festivals to much acclaim, including the Vancouver Film Festival.
Style Wars shows both the young artists struggling to express themselves through their art, and their points of view on the subject of graffiti, as well as the views of then New York City Mayor Ed Koch, one-armed graffiti writer Case/Kase 2, graffiti writer Skeme and his mother, graffiti "villain" Cap, now deceased graffiti writer Dondi, Seen and Shy 147, graffiti documentarian (and director of the film) Henry Chalfant, breakdancer Crazy Legs of Rock Steady Crew, police officers, art critics, subway maintenance workers, as well as several "people on the street".
Style Wars gives a view into the graffiti subculture (as well as urban New York City life in the 1980s), documents the stages of New York City Hip Hop, and posits that its members were a racially and ethnically diverse group of creative young artists, albeit being mostly African-American.
Wild Style (1983) - Eigenlijk een film, geen documentaire. Maar deze film kijk je als een documentaire over de hip hop cultuur. Legendarische mensen en muziek.
Wild Style was the first hip hop motion picture. Released theatrically in 1983 by First Run Features and later re-released for home video by Rhino Home Video, the movie was directed by Charlie Ahearn (director of the feature films Deadly Art of Survival and Fear of Fiction) and featured Fab Five Freddy, Lee Quinones, the Rock Steady Crew, The Cold Crush Brothers, Patti Astor, Sandra Fabara and Grandmaster Flash. The protagonist "Zoro" is played by the legendary New York graffiti artist "Lee" George Quinones.
The film depicts several prominent figures from the early hip hop culture, engaging in activities such as MCing, turntablism, graffiti and breaking.
Style Wars is an early documentary on hip hop culture, made by Tony Silver and Henry Chalfant, made in New York City in 1983. The film has an emphasis on graffiti, although breakdancing and rapping are covered to a lesser extent. The film was originally aired on PBS television in 1983, and was subsequently shown in several film festivals to much acclaim, including the Vancouver Film Festival.
Style Wars shows both the young artists struggling to express themselves through their art, and their points of view on the subject of graffiti, as well as the views of then New York City Mayor Ed Koch, one-armed graffiti writer Case/Kase 2, graffiti writer Skeme and his mother, graffiti "villain" Cap, now deceased graffiti writer Dondi, Seen and Shy 147, graffiti documentarian (and director of the film) Henry Chalfant, breakdancer Crazy Legs of Rock Steady Crew, police officers, art critics, subway maintenance workers, as well as several "people on the street".
Style Wars gives a view into the graffiti subculture (as well as urban New York City life in the 1980s), documents the stages of New York City Hip Hop, and posits that its members were a racially and ethnically diverse group of creative young artists, albeit being mostly African-American.
Wild Style (1983) - Eigenlijk een film, geen documentaire. Maar deze film kijk je als een documentaire over de hip hop cultuur. Legendarische mensen en muziek.
Wild Style was the first hip hop motion picture. Released theatrically in 1983 by First Run Features and later re-released for home video by Rhino Home Video, the movie was directed by Charlie Ahearn (director of the feature films Deadly Art of Survival and Fear of Fiction) and featured Fab Five Freddy, Lee Quinones, the Rock Steady Crew, The Cold Crush Brothers, Patti Astor, Sandra Fabara and Grandmaster Flash. The protagonist "Zoro" is played by the legendary New York graffiti artist "Lee" George Quinones.
The film depicts several prominent figures from the early hip hop culture, engaging in activities such as MCing, turntablism, graffiti and breaking.
full stops and exclamation marks
Paris Is Burning (1990) - Niet direct een muziekdocumentaire, maar het heeft er wel mee te maken. We kennen allemaal Madonna's Vogue, deze documentaire laat onder meer zien waar de oorsprong ligt.
Paris Is Burning is a 1990 documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the various ethnicities, including African American, Latino gay and transgender community involved in it. Many consider Paris Is Burning to be an invaluable documentary of the end of the "Golden Age" of New York City drag balls, as well as a thoughtful exploration of race, class, and gender in America.
The film explores the elaborately-structured Ball competitions in which contestants, adhering to a very specific category or theme, must "walk" (much like a fashion model's runway) and subsequently be judged on criteria including the "realness" of their drag, the beauty of their clothing and their dancing ability.
Most of the film alternates between footage of balls and interviews with prominent members of the scene, including Pepper LaBeija, Dorian Corey, Anji Xtravaganza, and Willi Ninja. Many of the contestants vying for trophies are representatives of "Houses" (in the fashion sense, such as "House of Chanel") that serve as intentional families, social groups, and performance teams. Houses and ball contestants who consistently won in their walks eventually earned a "legendary" status.
The film also documents the origins of "voguing", a dance style in which competing ball-walkers freeze and "pose" in glamorous positions (as if being photographed for the cover of Vogue). Pop star Malcolm McLaren would, two years before Paris Is Burning was completed, bring the phenomenon to the mainstream with his song "Deep In Vogue", which directly referenced many of the stars of Paris Is Burning including Pepper Labeija and featured dancers from the film including Willi Ninja. One year after this, Madonna released her number one song Vogue, bringing further attention to the dancing style.
Paris Is Burning is a 1990 documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the various ethnicities, including African American, Latino gay and transgender community involved in it. Many consider Paris Is Burning to be an invaluable documentary of the end of the "Golden Age" of New York City drag balls, as well as a thoughtful exploration of race, class, and gender in America.
The film explores the elaborately-structured Ball competitions in which contestants, adhering to a very specific category or theme, must "walk" (much like a fashion model's runway) and subsequently be judged on criteria including the "realness" of their drag, the beauty of their clothing and their dancing ability.
Most of the film alternates between footage of balls and interviews with prominent members of the scene, including Pepper LaBeija, Dorian Corey, Anji Xtravaganza, and Willi Ninja. Many of the contestants vying for trophies are representatives of "Houses" (in the fashion sense, such as "House of Chanel") that serve as intentional families, social groups, and performance teams. Houses and ball contestants who consistently won in their walks eventually earned a "legendary" status.
The film also documents the origins of "voguing", a dance style in which competing ball-walkers freeze and "pose" in glamorous positions (as if being photographed for the cover of Vogue). Pop star Malcolm McLaren would, two years before Paris Is Burning was completed, bring the phenomenon to the mainstream with his song "Deep In Vogue", which directly referenced many of the stars of Paris Is Burning including Pepper Labeija and featured dancers from the film including Willi Ninja. One year after this, Madonna released her number one song Vogue, bringing further attention to the dancing style.
full stops and exclamation marks
Rockers (1978) - Oorspronkelijk een documentaire over de reggaecultuur, later omgevormd tot een film. Met veel reggaelegendes en muziek.
Rockers is a 1978 Jamaican film by Theodoros Bafaloukos. Several popular reggae artists star in the movie, including Leroy "Horsemouth" Wallace, Burning Spear, Gregory Isaacs, Big Youth, Dillinger, and Jacob Miller.
Rockers was originally to be a documentary but blossomed into a full-length feature showing the reggae culture at its peak.
In this film, the culture, characters and mannerisms are authentic. The main rocker Leroy "Horsemouth" Wallace, for example, is shown living with his actual wife and kids and in his own home. The recording studios shown are the famous Harry J Studios where many roots reggae artists recorded during the 70s including Bob Marley.
Rockers is a 1978 Jamaican film by Theodoros Bafaloukos. Several popular reggae artists star in the movie, including Leroy "Horsemouth" Wallace, Burning Spear, Gregory Isaacs, Big Youth, Dillinger, and Jacob Miller.
Rockers was originally to be a documentary but blossomed into a full-length feature showing the reggae culture at its peak.
In this film, the culture, characters and mannerisms are authentic. The main rocker Leroy "Horsemouth" Wallace, for example, is shown living with his actual wife and kids and in his own home. The recording studios shown are the famous Harry J Studios where many roots reggae artists recorded during the 70s including Bob Marley.
full stops and exclamation marks
Ja grindcore dekt de lading eigenlijk helemaal niet, het is gewoon de harde muziek die toen aan het opkomen was. SV is inderdaad erg lekker.quote:
[..]
Die laatste 2 vind ik niet echt grindcore maar na het zien van deze docu moet ik mijn gedachte van grindcore bijstellen ik zat te denken aan onluisterbare onzin maar wat in deze docu voorbij komt is allemaal nog wel vrij mild
Dat sonic violence omschrijft een beetje was sunn e.d. nu doen
van deze docu zou ik alleen carcass onder grind scharen
Semi0n is dead, long live Stress Techniques. New project: LLB - JG
http://http://llbinc.bandcamp.com/
http://http://llbinc.bandcamp.com/
tv-tip: When you’re strange- vanavond op canvas om 23u15
Iemand al gezien? aanrader?
quote:Documentaire van Tom DiCillo (2010) over de iconische 60ies-band The Doors, naar aanleiding van de 40ste verjaardag van het overlijden van hun legendarische frontman Jim Morrison (8.12.1943 – 3.7.1971). Het commentaar wordt ingesproken door Johnny Depp.
The Doors waren in grote mate een band van hun tijd. Hun muziek reflecteert de sociale en politieke bewogenheid van de late jaren ’60 en het begin van de jaren ’70. Toch heeft de groep ook nu nog een grote aantrekkingskracht, dankzij zijn hypnotiserende sound en de charismatische persoonlijkheid van leadzanger Jim Morrison, de rebelse profeet en ‘poète maudit’ van de seks, drugs & rock ‘n roll.
Morrison richtte The Doors in 1965 op, samen met gitarist Robby Krieger, toetsenist Ray Manzarek en drummer John Densmore. De eerste plaat kwam er in 1967 en toen ging het razend hard. Maar het was al even snel voorbij: door het overlijden van Jim Morrison in Parijs in 1971 was de band als het ware onthoofd en twee jaar later hield de groep ermee op.
Aan de hand van zeldzame archiefbeelden reconstrueert de documentaire het verhaal van The Doors, van de wandelgangen in de filmschool van Los Angeles, waar Morrison en Manzarek elkaar in het midden van de jaren ’60 ontmoetten, tot de coulissen van de uitverkochte concertzalen waar de groep in het begin van de jaren ’70 zijn glorietijd beleefde.
Iemand al gezien? aanrader?
