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Is dat nou Sergio Leone? (of maak ik nu een heel domme opmerking)
[ Bericht 5% gewijzigd door Doff op 01-05-2006 20:08:07 ]
[ Bericht 5% gewijzigd door Doff op 01-05-2006 20:08:07 ]
My dear, it's only a movie.
Miles Davis: "Mingus was something else, man. A pure genius. I loved him."
Miles Davis: "Mingus was something else, man. A pure genius. I loved him."
hehe 't zal wel heel gemakkelijk zijn, maar ik weet echt niks van Aziatische films. Écht niks dus. Maar dat is nu waarschijnlijk wel duidelijk .
.
My dear, it's only a movie.
Miles Davis: "Mingus was something else, man. A pure genius. I loved him."
Miles Davis: "Mingus was something else, man. A pure genius. I loved him."
quote:Op maandag 1 mei 2006 21:54 schreef dolle_hond het volgende:
kurosawa?
Dit is inderdaad zijne grootheid Akira Kurosawa.
Akira Kurosawa. Dolle Hond +1
Nou jah!!! Zoiets simpels verzint toch niemand.... Zelfs een überleek had dit nog kunnen gokken. Waarom heb ik dat dan niet gedaan?quote:Op maandag 1 mei 2006 22:02 schreef Lonewolf2003 het volgende:
[..]
Dit is inderdaad zijne grootheid Akira Kurosawa.
Dolle Hond +1
Nou jah!!! Zoiets simpels verzint toch niemand.... Zelfs een überleek had dit nog kunnen gokken. Waarom heb ik dat dan niet gedaan? 
Ik dacht eigenlijk ook dat het feit dat ik in eerste instantie ook 8 films vroeg, genoeg hint was dat het hier om een bekende Jappaner ging.quote:Op maandag 1 mei 2006 22:11 schreef wyccie het volgende:
[..]
Nou jah!!! Zoiets simpels verzint toch niemand.... Zelfs een überleek had dit nog kunnen gokken. Waarom heb ik dat dan niet gedaan?
Of misgrijp ik de ironie in je post.
door die 8 films dacht ik eigenlijk dat het een ander was.quote:Op maandag 1 mei 2006 22:17 schreef Lonewolf2003 het volgende:
[..]
Ik dacht eigenlijk ook dat het feit dat ik in eerste instantie ook 8 films vroeg, genoeg hint was dat het hier om een bekende Jappaner ging.
Of misgrijp ik de ironie in je post.
anderzijds was ik vanmiddag ivm problemen eigenlijk niet met mijn hoofd er bij
Nee hoor. Maar die 8 films, daar had ik al niet eens meer aan gedacht, aangezien ik eigenlijk al was afgehaakt bij Japanner En voor Snobolsky zullen 8 films van een willekeurige Japanse regisseur geen probleem zijn (en dan ook nog eens in het Japans).quote:
En voor Snobolsky
Brief Encounter?
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
Titel?
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
Nee.
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
Ja.quote:Op maandag 1 mei 2006 22:45 schreef dolle_hond het volgende:
is dat GT rechts?
links ziet er ook bekend uit
De meneer is bekend van vrij luchtig werk.
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
quote:Op maandag 1 mei 2006 23:30 schreef Batman2k het volgende:
tvp
Mine is the last voice you'll ever hear. Don't be alarmed.
Ik accepteer ook 2 films per persoon op het plaatje.
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
De snelste F5-er wint wederom .quote:Op dinsdag 2 mei 2006 12:13 schreef dolle_hond het volgende:
ik bedacht vannacht ergens dat ik the ghost and mrs muir moet gokken
.dolle_hond +1
De meneer is dus Rex Harrison uit My Fair Lady en Cleopatra, tevens bekend als een versie van Dr. Dolittle.
The average burglar breaks in and leaves clues everywhere. But not me. I'm completely clueless.
ow jaquote:Op dinsdag 2 mei 2006 12:33 schreef SaintOfKillers het volgende:
[..]
De snelste F5-er wint wederom .
dolle_hond +1
De meneer is dus Rex Harrison uit My Fair Lady en Cleopatra, tevens bekend als een versie van Dr. Dolittle.
vraag komt zo
lap tekst als comment
welke film?
A brilliant an original film. It unites current fads in art cinema, the frequent long take and multiple, interlocking storylines, both of which are in danger of becoming cliché. The way that these interlocking stories begin and end is very interesting. It gives us so little, and leaves us to figure out so much for ourselves. It's like a cinematic test of the psychological principle of closure. We ourselves have to connect the scenes and build the stories. In a way, it's kind of a game, and a fun one, at that. But it does cover some serious and important topics, namely the interaction of the various, and constantly increasing variety, of peoples in Europe. Most of the action takes place in France, although it does journey to Eastern Europe often and even Africa at one point. And, thankfully, isn't happy about simply making blanket political statements about the situation. For example, in the film's second scene, a white boy throws a piece of paper into a homeless woman's lap. A young black man, an immigrant from Africa, sees him and tries to force him to apologize to the woman. They get into a fight when the white boy refuses, the police see it and haul the black man, the white boy, and the homeless woman away. The black man is charged, the homeless woman, a refugee from Romania, is deported, and the white boy is let go. The criticism seems clear and obvious, until we find out that the piece of paper, which the audience is originally to think is garbage, is money. We learn this from the woman, who tells someone else about it and how she had once done nearly the same thing to someone below her in class. None of the stories are resolved. We are left to finish them for ourselves. This is one of the best films of recent years. Really, there have been a ton of highly-praised directors who rely entirely on bags of gimmicks. It's so nice to see a modern film that actually achieves something resembling a re-imagining of how narrative works in the cinema.
welke film?
A brilliant an original film. It unites current fads in art cinema, the frequent long take and multiple, interlocking storylines, both of which are in danger of becoming cliché. The way that these interlocking stories begin and end is very interesting. It gives us so little, and leaves us to figure out so much for ourselves. It's like a cinematic test of the psychological principle of closure. We ourselves have to connect the scenes and build the stories. In a way, it's kind of a game, and a fun one, at that. But it does cover some serious and important topics, namely the interaction of the various, and constantly increasing variety, of peoples in Europe. Most of the action takes place in France, although it does journey to Eastern Europe often and even Africa at one point. And, thankfully, isn't happy about simply making blanket political statements about the situation. For example, in the film's second scene, a white boy throws a piece of paper into a homeless woman's lap. A young black man, an immigrant from Africa, sees him and tries to force him to apologize to the woman. They get into a fight when the white boy refuses, the police see it and haul the black man, the white boy, and the homeless woman away. The black man is charged, the homeless woman, a refugee from Romania, is deported, and the white boy is let go. The criticism seems clear and obvious, until we find out that the piece of paper, which the audience is originally to think is garbage, is money. We learn this from the woman, who tells someone else about it and how she had once done nearly the same thing to someone below her in class. None of the stories are resolved. We are left to finish them for ourselves. This is one of the best films of recent years. Really, there have been a ton of highly-praised directors who rely entirely on bags of gimmicks. It's so nice to see a modern film that actually achieves something resembling a re-imagining of how narrative works in the cinema.
