De grote Theater, taal en kunst-kwis # 6

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Op zondag 2 oktober 2005 18:30 schreef tong80 het volgende:
GVD Pyl.je blijft me verbazen

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Op woensdag 5 oktober 2005 19:37 schreef Tokay het volgende:
Nee, echtgenote en muze van...

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Op woensdag 5 oktober 2005 21:20 schreef pyl het volgende:
Pablo Picasso?
Jacqueline nogwat heette ze, geloof ik.

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Jacqueline Roque was the last of the women in his life, living with him until his death in 1973, dominating his last 20 years of work. Jacqueline became a necessity in Picasso's life, playing the role of secretary, interpreter, agent, cook, driver, nurse, and model. She dedicated this part of her life to Picasso's creativity, and is seen as yet another tragic story.

She seemed to be quite damaged from the intensity and the closeness and the violence of having a relationship with Picasso, as were many of the women in his life. Many people dismiss these last decades of Picasso's life as of much importance, for they only saw the isolation of himself down in the south of France with Jacqueline, and his obsessive paintings of images of women, which are in some way, about Jacqueline and about the relationship between the artist and the muse.

Following Picasso's death, Jacqueline shot herself. And that is the end of the women in Picasso's life.

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Op woensdag 5 oktober 2005 21:59 schreef pyl het volgende:
Tokay!!! Wat doe je nu?

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Op woensdag 5 oktober 2005 22:04 schreef pyl het volgende:
_{Ik zie een gemutileerd paars/rood onthoofd hoofd.......}

Maar ik neem aan dat dat de bedoeling is.

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Op woensdag 5 oktober 2005 22:31 schreef pyl het volgende:
Uhm........dat ging over een ingevroren lijk dat per abuis ontdooide, meen ik.

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Marc Quinn (born 1964) is a British artist, probably best known for Self, a sculpture of his own head made from his own frozen blood, and Alison Lapper Pregnant, a statue of Alison Lapper currently installed on the fourth plinth at Trafalgar Square.

Quinn was born in London. He studied history and the history of art at Cambridge University, and worked as an assistant to the sculptor Barry Flanagan.

Quinn emerged in the early 1990s as one of the so-called Young British Artists (yBas). He did not show in the 1988 Damien Hirst-curated Freeze exhibition which brought the yBas together for the first time (although he did once share a flat with Hirst), but did show in the Sensation exhibition of 1997 which brought the yBas into the public eye.

Like his contemporary Antony Gormley, Quinn often uses his own body to cast his sculptures. Unlike Gormley, however, Quinn retains distinguishing features, uses unusual materials such as rubber, and presents his sculptures in unconventional ways. The No Visible Means of Escape series, for example, are rubber casts of Quinn's body, some split from the feet to the neck and hung from one half of the feet.

Quinn's best known piece is probably Self (1991, recast 1996), a sculpture of the artist's head made from 4.5 litres (9.5 US pints) of his own frozen blood which he had donated over a period of five months.

As well as modelling himself, Quinn has made a series of sculptures of people either born with limbs missing or who have had them amputated. His portrait of John Sulston, who worked on the Human Genome Project, is in the National Portrait Gallery. It consists of bacteria containing Sulston's DNA in agar jelly.

Self, like many other pieces by the yBas, was bought by Charles Saatchi. There was a rumour in 2002 that the sculpture had been destroyed by builders employed to expand the kitchen for Saatchi's partner, the celebrity chef Nigella Lawson, when they unplugged the freezer in which it was being stored. This proved to be untrue, however, as the piece was exhibited intact by Saatchi when he opened his new gallery in London in 2003.

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Op woensdag 5 oktober 2005 22:38 schreef tong80 het volgende:
Pyl lult hier vrolijk door

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Op donderdag 6 oktober 2005 22:04 schreef tong80 het volgende:
Welke prijs won dit boek ?

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Op vrijdag 7 oktober 2005 14:28 schreef tong80 het volgende:
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