MUZ Muziek
Het forum voor 's werelds enige universele hobby! Snaren of toetsen, vinyl of cd, eendagsvlieg of rasartiest, op de radio of op een festival! Hier kun je al je ongebreideld enthousiasme, maar ook je weldoordachte kritische noten kwijt over muziek
die lijst is waarschijnlijk de 100 meest geliefde gitaristen denk ik want okeey hendrix op 1 snap ik maar (om een voorbeeld te noemen) kurt cobain op 12 t is een toffe gozer hoor maar dus echt neit dat ik zeg van woow wat een gitarist teminste ik heb nog nooit moeilijke solo's van hem gehoord
over de top 10 ben ik het wel eens alleen had bijv. van halen randy rhoads buddy guy richie blackmore wat hoger gemogen en waar zijn steve vai en joe satriani gebleven.
als het een lijst zou zijn van meest invloedrijke gitaristen dan zou het zijn denk ik hoor
1.Robert johnson
2.Jimi Hendrix
3.BB king
4.Charlie christian
5.T-bone Walker
6.Elmore James
7.Missisippi John Hurt
8.Eddie Van Halen
9.Eric Clapton
10.SRV
als het een lijst zou zijn van meest invloedrijke gitaristen dan zou het zijn denk ik hoor
1.Robert johnson
2.Jimi Hendrix
3.BB king
4.Charlie christian
5.T-bone Walker
6.Elmore James
7.Missisippi John Hurt
8.Eddie Van Halen
9.Eric Clapton
10.SRV
ik weet hoe deze lijst tot stand gekomen is er zijn genoeg gitaristen die kurt kobain wegspelenquote:Op maandag 29 augustus 2005 01:35 schreef horned_reaper het volgende:
die lijst is waarschijnlijk de 100 meest geliefde gitaristen denk ik want okeey hendrix op 1 snap ik maar (om een voorbeeld te noemen) kurt cobain op 12 t is een toffe gozer hoor maar dus echt neit dat ik zeg van woow wat een gitarist teminste ik heb nog nooit moeilijke solo's van hem gehoord
voor mensen die geen optredens hebben gezien kunnen hier kijken
http://www.jimihendrix.dk/index.php?lang=da&page=videoer.php
daar zijn oa. te bekijken.
1.Hey Joe/Sunshine Of Your Love, Lulu Show
2.Foxy Lady, Hakaluka
3.Purple Haze, Interlude & Villa Nova Junction
Woodstock
4.Hear My Train A Coming rah
5.Hey Joe monterey
6.Voodoo Chile
Woodstock
7.Wild Thing, Monterey
8.Foxy Lady rah
9.Johnny B. Goode berkeley
10.Fire - Woodstock
11.I Don't Live Today rah
12.Voodoo Chile, Lulu show
13.Red House
Woodstock
14.Lover Man rah
15.Purple Haze Marquee Club
16.Interview
17.Star Spangled Banner
Woodstock
18.Stone Free Atlanta
19.Izabella - Woodstock
20.Foxy Lady - Atlanta
21.Jam Back at the House
Woodstock
22.Se video Wild Thing, London rah
23.The Wind Cries Mary stockholm
Wel interssant dus want de atlanta, the lulu show en van royal albert hall vind je niet zo snel
http://www.jimihendrix.dk/index.php?lang=da&page=videoer.php
daar zijn oa. te bekijken.
1.Hey Joe/Sunshine Of Your Love, Lulu Show
2.Foxy Lady, Hakaluka
3.Purple Haze, Interlude & Villa Nova Junction
Woodstock
4.Hear My Train A Coming rah
5.Hey Joe monterey
6.Voodoo Chile
Woodstock
7.Wild Thing, Monterey
8.Foxy Lady rah
9.Johnny B. Goode berkeley
10.Fire - Woodstock
11.I Don't Live Today rah
12.Voodoo Chile, Lulu show
13.Red House
Woodstock
14.Lover Man rah
15.Purple Haze Marquee Club
16.Interview
17.Star Spangled Banner
Woodstock
18.Stone Free Atlanta
19.Izabella - Woodstock
20.Foxy Lady - Atlanta
21.Jam Back at the House
Woodstock
22.Se video Wild Thing, London rah
23.The Wind Cries Mary stockholm
Wel interssant dus want de atlanta, the lulu show en van royal albert hall vind je niet zo snel
Ik denk sowieso dat Clapton boven van halen hoort, evenals Blackmore. Maarja, dit zijn allemaal van die persoonlijke mening lijstjes. Kun je niet veel mee.quote:Op maandag 29 augustus 2005 21:52 schreef hendrixfan het volgende:
over de top 10 ben ik het wel eens alleen had bijv. van halen randy rhoads buddy guy richie blackmore wat hoger gemogen en waar zijn steve vai en joe satriani gebleven.
als het een lijst zou zijn van meest invloedrijke gitaristen dan zou het zijn denk ik hoor
1.Robert johnson
2.Jimi Hendrix
3.BB king
4.Charlie christian
5.T-bone Walker
6.Elmore James
7.Missisippi John Hurt
8.Eddie Van Halen
9.Eric Clapton
10.SRV
"I think greed is healthy. You can be greedy and still feel good about yourself" - Ivan Boesky.
'Only government can take perfectly good paper, cover it with perfectly good ink and make the combination worthless.' - Milton Friedman
'Only government can take perfectly good paper, cover it with perfectly good ink and make the combination worthless.' - Milton Friedman
Ik heb gisteren "Martin Scorsese presents the blues: Jimi Hendrix" gekocht. Toffe CD!
http://www.jimihendrix.co(...)scorsese,tracks.html
http://www.jimihendrix.co(...)scorsese,tracks.html
feest
free record shop bol.com van leestquote:Op dinsdag 30 augustus 2005 17:14 schreef super-muffin het volgende:
Waar kan ik een DVD kopen van Jimi Hendrix op Woodstock?
Ik heb hier een CD en een videoclip, zou hier erg graag een DVD van willen hebben
Als je een beetje rond shopt bij MM, Van Leest, Plato kun je 5 euro in de zak stelen. Zit nogal een prijsverschil in.quote:Op dinsdag 30 augustus 2005 17:14 schreef super-muffin het volgende:
Waar kan ik een DVD kopen van Jimi Hendrix op Woodstock?
Ik heb hier een CD en een videoclip, zou hier erg graag een DVD van willen hebben
Jep ik heb 'm ontvangen. Bedankt!!quote:Op dinsdag 30 augustus 2005 17:12 schreef hendrixfan het volgende:
Big boss man ik had je gemaild over een album heb je em niet ontvangen?
feest
Hendrix and Dylan
They became famous playing very different music, but there are remarkable similarities between Bob Dylan and Jimi Hendrix. Both grew up in backwater locales — Bob in Hibbing, Minnesota and Jimi in Seattle, Washington. Each was immersed in 1950s rock 'n' roll — Jimi loved Elvis Presley and Bob Dylan was a big fan of Buddy Holly.
I used to play rock and roll a long time ago, before I even started playing old-fashioned folk.
— Bob Dylan, 1965 (Bob Dylan: In His Own Words by Christian Williams, © 1993 Omnibus Press).
After leaving their respective small towns, both young musicians eventually found their way to New York's thriving Greenwich Village club scene, which each was able to use as a springboard to international acclaim.
The first time I saw him, he was playing with John Hammond (Jr.). He was incredible then. I'd already been to England and beyond, and although he didn't sing, I kinda had a feeling he figured into things…
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
Though Dylan and Hendrix eventually followed different musical paths, both artists spoke unique musical languages and were ahead of their time. Dylan made his name as a post–beat generation poet/folk rebel, whereas Hendrix combined Chitlin' Circuit showmanship with psychedelic blues and extreme volume to form a new type of music altogether.
Though they were not close friends, Jimi was a huge fan of Bob Dylan and covered at least four of his tunes, both live and in the studio. These tracks include "Like a Rolling Stone," "All Along the Watchtower," "Drifter's Escape" and "Can You Please Crawl Out Your Window?" In addition, Dylan's free-form lyrical style had a profound influence on Jimi's original material. Hendrix songs such as "Angel," "The Wind Cries Mary" and "Little Wing" all show a distinct Dylan-esque approach. Jimi had an effect on Bob's music as well, as evidenced by the live version of "All Along the Watchtower" from Dylan's 1974 live album Before the Flood. When comparing this later version with the original from 1967's John Wesley Harding LP, it is immediately apparent that Bob and his band had been listening to and implementing the structure of Jimi's interpretation of the song.
I love Dylan. I only met him once, about three years ago, back at the Kettle of Fish [a folk-rock era hangout] on MacDougal Street. That was before I went to England. I think both of us were pretty drunk at the time, so he probably doesn't remember it.
— Jimi Hendrix, Rolling Stone magazine interview, November 15, 1969.
He did a lot of my other songs too from that period… "Drifter's Escape," "Like a Rolling Stone," "Crawl Out Your Window"…
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
Sometimes I do a Dylan song and it seems to fit me so right that I figure maybe I wrote it. Dylan didn't always do it for me as a singer, not in the early days, but then I started listening to the lyrics. That sold me.
— Jimi Hendrix, from Beat Instrumental magazine, 1969.
They became famous playing very different music, but there are remarkable similarities between Bob Dylan and Jimi Hendrix. Both grew up in backwater locales — Bob in Hibbing, Minnesota and Jimi in Seattle, Washington. Each was immersed in 1950s rock 'n' roll — Jimi loved Elvis Presley and Bob Dylan was a big fan of Buddy Holly.
I used to play rock and roll a long time ago, before I even started playing old-fashioned folk.
— Bob Dylan, 1965 (Bob Dylan: In His Own Words by Christian Williams, © 1993 Omnibus Press).
After leaving their respective small towns, both young musicians eventually found their way to New York's thriving Greenwich Village club scene, which each was able to use as a springboard to international acclaim.
The first time I saw him, he was playing with John Hammond (Jr.). He was incredible then. I'd already been to England and beyond, and although he didn't sing, I kinda had a feeling he figured into things…
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
Though Dylan and Hendrix eventually followed different musical paths, both artists spoke unique musical languages and were ahead of their time. Dylan made his name as a post–beat generation poet/folk rebel, whereas Hendrix combined Chitlin' Circuit showmanship with psychedelic blues and extreme volume to form a new type of music altogether.
Though they were not close friends, Jimi was a huge fan of Bob Dylan and covered at least four of his tunes, both live and in the studio. These tracks include "Like a Rolling Stone," "All Along the Watchtower," "Drifter's Escape" and "Can You Please Crawl Out Your Window?" In addition, Dylan's free-form lyrical style had a profound influence on Jimi's original material. Hendrix songs such as "Angel," "The Wind Cries Mary" and "Little Wing" all show a distinct Dylan-esque approach. Jimi had an effect on Bob's music as well, as evidenced by the live version of "All Along the Watchtower" from Dylan's 1974 live album Before the Flood. When comparing this later version with the original from 1967's John Wesley Harding LP, it is immediately apparent that Bob and his band had been listening to and implementing the structure of Jimi's interpretation of the song.
I love Dylan. I only met him once, about three years ago, back at the Kettle of Fish [a folk-rock era hangout] on MacDougal Street. That was before I went to England. I think both of us were pretty drunk at the time, so he probably doesn't remember it.
— Jimi Hendrix, Rolling Stone magazine interview, November 15, 1969.
He did a lot of my other songs too from that period… "Drifter's Escape," "Like a Rolling Stone," "Crawl Out Your Window"…
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
Sometimes I do a Dylan song and it seems to fit me so right that I figure maybe I wrote it. Dylan didn't always do it for me as a singer, not in the early days, but then I started listening to the lyrics. That sold me.
— Jimi Hendrix, from Beat Instrumental magazine, 1969.
Like a Rolling Stone
"Like a Rolling Stone" was a huge hit for Bob Dylan in 1965. It was also the first track on an album that defined a generation, Highway 61 Revisited. Until Dylan released that album, rock 'n' roll's aim had been pure fun, periodically interrupted with a song or two about sappy heartache. Rock was music to dance to — catchy tunes that sounded great on your car's AM radio. Generally speaking, music containing personal and social commentary had been left to folk artists such as Woody Guthrie. However, "Like a Rolling Stone" changed all that. Here was a guy singing words he wrote himself, about things he really felt, with a big thumping rock beat behind it. Jimi picked up on it in a big way, and quite possibly, it could have been the very moment he first dropped the needle on the copy of that 1965 LP pictured here.
Jimi's incendiary version of "Like a Rolling Stone" from Live at Monterey starts with a few thrashing chords, and then settles into a nice groove — one that even he enjoys enough to ask the audience to "excuse me for a minute, just let me play my guitar!" Just before the first verse, he introduces the song as a "little thing by Bob Dylan… and that's his Grandma over there," jokingly referring to bass player Noel Redding. Listening to Jimi's version of the first chorus, it's hard not to wonder if he didn't relate closely to Dylan's lyrics:
How does it feel
How does it feel
To be on your own
No direction home
Look at you, a complete unknown
Yeah, like a rolling stone
The Monterey gig was the first performance of the Jimi Hendrix Experience on US soil after he took England and the rest of Europe by storm. Prior to this epic performance, Jimi was virtually unknown to the US music audience, having only previously worked as an almost invisible sideman in various American R&B bands throughout the mid-sixties. But by the time the final notes of "Wild Thing" (the set's closing number, played on Jimi's hand-painted Stratocaster, to which he then set fire and destroyed) faded into the Monterey night, Jimi had transformed himself into a bona fide international rock sensation.
"Like a Rolling Stone" was a huge hit for Bob Dylan in 1965. It was also the first track on an album that defined a generation, Highway 61 Revisited. Until Dylan released that album, rock 'n' roll's aim had been pure fun, periodically interrupted with a song or two about sappy heartache. Rock was music to dance to — catchy tunes that sounded great on your car's AM radio. Generally speaking, music containing personal and social commentary had been left to folk artists such as Woody Guthrie. However, "Like a Rolling Stone" changed all that. Here was a guy singing words he wrote himself, about things he really felt, with a big thumping rock beat behind it. Jimi picked up on it in a big way, and quite possibly, it could have been the very moment he first dropped the needle on the copy of that 1965 LP pictured here.
Jimi's incendiary version of "Like a Rolling Stone" from Live at Monterey starts with a few thrashing chords, and then settles into a nice groove — one that even he enjoys enough to ask the audience to "excuse me for a minute, just let me play my guitar!" Just before the first verse, he introduces the song as a "little thing by Bob Dylan… and that's his Grandma over there," jokingly referring to bass player Noel Redding. Listening to Jimi's version of the first chorus, it's hard not to wonder if he didn't relate closely to Dylan's lyrics:
How does it feel
How does it feel
To be on your own
No direction home
Look at you, a complete unknown
Yeah, like a rolling stone
The Monterey gig was the first performance of the Jimi Hendrix Experience on US soil after he took England and the rest of Europe by storm. Prior to this epic performance, Jimi was virtually unknown to the US music audience, having only previously worked as an almost invisible sideman in various American R&B bands throughout the mid-sixties. But by the time the final notes of "Wild Thing" (the set's closing number, played on Jimi's hand-painted Stratocaster, to which he then set fire and destroyed) faded into the Monterey night, Jimi had transformed himself into a bona fide international rock sensation.
All Along the Watchtower
Hendrix was able to truly transform a cover tune and make it his own. This is particularly evident on "All Along the Watchtower" from 1968's Electric Ladyland. It is remarkable that Jimi was able to extract original, flowing guitar melody lines out of Bob's relatively skeletal harmonica part. Listen carefully to the very beginning of each version of the song.
Bob Dylan's "All Along the Watchtower"
Jimi Hendrix's "All Along the Watchtower"
In Dylan's version from 1967's John Wesley Harding, a slight harmonica part wafts in and out as the song builds momentum. In the Hendrix version, Jimi deftly appropriates a melody from Dylan's original harmonica line and sends it to the stratosphere. His confident lead guitar lines weave their way through the tune, making it hard to imagine that the song wasn't Jimi's all along. What was definitely Jimi's all along was the copy of John Wesley Harding pictured here, which comes from the guitarist's personal record collection
Hendrix was able to truly transform a cover tune and make it his own. This is particularly evident on "All Along the Watchtower" from 1968's Electric Ladyland. It is remarkable that Jimi was able to extract original, flowing guitar melody lines out of Bob's relatively skeletal harmonica part. Listen carefully to the very beginning of each version of the song.
Bob Dylan's "All Along the Watchtower"
Jimi Hendrix's "All Along the Watchtower"
In Dylan's version from 1967's John Wesley Harding, a slight harmonica part wafts in and out as the song builds momentum. In the Hendrix version, Jimi deftly appropriates a melody from Dylan's original harmonica line and sends it to the stratosphere. His confident lead guitar lines weave their way through the tune, making it hard to imagine that the song wasn't Jimi's all along. What was definitely Jimi's all along was the copy of John Wesley Harding pictured here, which comes from the guitarist's personal record collection
Drifter's Escape
On "Drifter's Escape," Jimi Hendrix takes a different approach entirely. Dylan's original features the tried and true formula of drums, bass, and acoustic guitar — with the odd harmonica riff thrown in between each verse. Jimi, however, recorded the song as an all-out funk-rock assault, rife with searing lead guitars which begin during the first verse and don't let up until the song's blistering finale.
Bob Dylan's "Drifter's Escape" http://www.emplive.org/au(...)rifters_verse_56.asx
Jimi Hendrix's "Drifter's Escape"
http://www.emplive.org/au(...)rifters_verse_56.asx
This previously unreleased track was originally recorded at Electric Lady Studios in July of 1970 and can now be heard on 1997's South Saturn Delta. Like "All Along the Watchtower," Dylan's original take of "Drifter's Escape" comes from the album John Wesley Harding. The EMP Collection happens to contain Jimi Hendrix's handwritten lyrics to "Drifter's Escape" and one can imagine Jimi jotting down the lyrics as he played the cut over and over from his copy of the LP.
On "Drifter's Escape," Jimi Hendrix takes a different approach entirely. Dylan's original features the tried and true formula of drums, bass, and acoustic guitar — with the odd harmonica riff thrown in between each verse. Jimi, however, recorded the song as an all-out funk-rock assault, rife with searing lead guitars which begin during the first verse and don't let up until the song's blistering finale.
Bob Dylan's "Drifter's Escape" http://www.emplive.org/au(...)rifters_verse_56.asx
Jimi Hendrix's "Drifter's Escape"
http://www.emplive.org/au(...)rifters_verse_56.asx
This previously unreleased track was originally recorded at Electric Lady Studios in July of 1970 and can now be heard on 1997's South Saturn Delta. Like "All Along the Watchtower," Dylan's original take of "Drifter's Escape" comes from the album John Wesley Harding. The EMP Collection happens to contain Jimi Hendrix's handwritten lyrics to "Drifter's Escape" and one can imagine Jimi jotting down the lyrics as he played the cut over and over from his copy of the LP.
Can You Please Crawl Out Your Window?
"Can You Please Crawl Out Your Window?" as performed by Hendrix on BBC Sessions follows Dylan's original take fairly closely. The Experience rarely performed this track live, and they seem to be enjoying a leisurely blast through the up-tempo tune during a late 1967 BBC radio session.
Bob Dylan's "Can You Please Crawl Out Your Window?"
http://www.emplive.org/au(...)_crawl_chorus_56.asx
Jimi Hendrix's "Can You Please Crawl Out Your Window?"
http://www.emplive.org/au(...)_crawl_chorus_56.asx
Jimi changes a few lyrics around on this one — during the chorus he adds a word: "Please come crawl out your window" and exchanges "arms and legs" for "hands and legs" during the second line of the chorus.
"Can You Please Crawl Out Your Window?" as performed by Hendrix on BBC Sessions follows Dylan's original take fairly closely. The Experience rarely performed this track live, and they seem to be enjoying a leisurely blast through the up-tempo tune during a late 1967 BBC radio session.
Bob Dylan's "Can You Please Crawl Out Your Window?"
http://www.emplive.org/au(...)_crawl_chorus_56.asx
Jimi Hendrix's "Can You Please Crawl Out Your Window?"
http://www.emplive.org/au(...)_crawl_chorus_56.asx
Jimi changes a few lyrics around on this one — during the chorus he adds a word: "Please come crawl out your window" and exchanges "arms and legs" for "hands and legs" during the second line of the chorus.
All Along the Watchtower '74
In closing, a comparison must also be made between Dylan's original studio version of "All Along the Watchtower" and his live version recorded with The Band on 1974's Before the Flood. The most notable difference is that the 1974 version is a 100–mile–per–hour barnburner when compared with the mid-tempo original. Robbie Robertson's furious lead guitar and Garth Hudson's synthesizer can be heard copping Hendrix's guitar solo parts throughout the song.
Bob Dylan's live version of "All Along the Watchtower"
http://www.emplive.org/au(...)tchtower_solo_56.asx
Jimi Hendrix's "All Along the Watchtower"
http://www.emplive.org/au(...)tchtower_solo_56.asx
"All Along the Watchtower" became a US Top 20 hit for Jimi Hendrix during the fall of 1968, and by 1974 it had become an FM radio staple. Had his version become the quintessential representation of the song? Could it be that by that time even Dylan wasn't able to separate the two versions? He answers these questions in the following quote:
I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way. Funny though, his way of doing it and my way of doing it weren't that dissimilar, I mean the meaning of the song doesn't change like when some artists do other artists' songs. Strange though how when I sing it I always feel like it's a tribute to him in some kind of way.
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
In closing, a comparison must also be made between Dylan's original studio version of "All Along the Watchtower" and his live version recorded with The Band on 1974's Before the Flood. The most notable difference is that the 1974 version is a 100–mile–per–hour barnburner when compared with the mid-tempo original. Robbie Robertson's furious lead guitar and Garth Hudson's synthesizer can be heard copping Hendrix's guitar solo parts throughout the song.
Bob Dylan's live version of "All Along the Watchtower"
http://www.emplive.org/au(...)tchtower_solo_56.asx
Jimi Hendrix's "All Along the Watchtower"
http://www.emplive.org/au(...)tchtower_solo_56.asx
"All Along the Watchtower" became a US Top 20 hit for Jimi Hendrix during the fall of 1968, and by 1974 it had become an FM radio staple. Had his version become the quintessential representation of the song? Could it be that by that time even Dylan wasn't able to separate the two versions? He answers these questions in the following quote:
I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way. Funny though, his way of doing it and my way of doing it weren't that dissimilar, I mean the meaning of the song doesn't change like when some artists do other artists' songs. Strange though how when I sing it I always feel like it's a tribute to him in some kind of way.
— Bob Dylan, from the liner notes to the Biograph CD box set, © 1985 CBS Inc.
ik heb weer wat albums erbij
27 June 1970 Hendrix/ Cox/ Mitchell Boston Garden
1. Stone Free
2. Lover Man
3. Red House
4. Freedom
5. Foxy Lady
6. Purple Haze
7. Star Spangled Banner
8. All Along The Watchtower
9. Message To Love
10. Fire
11. Spanish Castle Magic
12. Voodoo Child (slight return)
Jimi Hendrix
Ellis Auditorium Amphitheatre
Memphis,TN april 18 1969
Aud reel-tape > ?gen cass > CDwave > Flac6
51:21 min
01 Fire
02 I Don't Live Today
03 Hear My Train A Comin'
04 Sunshine Of Your Love (cut very end) *
05 Stone Free
06 Foxy Lady
07 Star Spangled Banner >
08 Purple Haze **
09 Voodoo Chile (Slight Return)
Jimi Hendrix Experience
New York Rock Festival
Singer Bowl, Flushing Meadow Park,
Queens, New York
August 23, 1968
1. Are You Experienced ?
2. Fire
3. Red House
4. I Don't Live Today
5. Foxy Lady
6. Like A Rolling Stone
7. Purple Haze
8. Star Spangled Banner
9. Hey Joe
10. Wild Thing
Jimi Hendrix - Woodstock Rehearsals July-September1969
Jimi's rented house
Shokan, NY
Artist: Jimi Hendrix
Source: SB recordings
Tracks
01. izabella 4.35
02. izabella 4.35
03. message to love 5.51
04. the dance 11.53
05. sundance 2.22
06. jam back at the house 6.42
07. jam in E 4.26
08. jam back at the house 10.20
09. machine gun 0.50
10. if six was nine 2.03
11. izabella 3.52
12. izabella 4.38
Jimi's rented house
Shokan, NY
This material was recorded at Jimi's house on Traver Hollow Road, Shokan sometime between July
and September in 1969. These tracks are usually referred to as 'The Woodstock Rehearsals.'
There are are other tracks from these sessions in circulation, some having little or no
involvement by Jimi
Jimi Hendrix Experience
Maple Leaf Gardens
Toronto, Ontario, Canada
May 3, 1969
1. Fire
Hear My Train A Comin
Spanish Castle Magic >
Third Stone From The Sun >
Little Miss Lover
Red House
2. Foxy Lady
Room Full of Mirrors >
Crash Landing >
Keep On Groovin >
Gypsy Eyes
Purple Haze
Voodoo Chile (slight return)
dus ik heb de komende tijd wel wat te luisteren
27 June 1970 Hendrix/ Cox/ Mitchell Boston Garden
1. Stone Free
2. Lover Man
3. Red House
4. Freedom
5. Foxy Lady
6. Purple Haze
7. Star Spangled Banner
8. All Along The Watchtower
9. Message To Love
10. Fire
11. Spanish Castle Magic
12. Voodoo Child (slight return)
Jimi Hendrix
Ellis Auditorium Amphitheatre
Memphis,TN april 18 1969
Aud reel-tape > ?gen cass > CDwave > Flac6
51:21 min
01 Fire
02 I Don't Live Today
03 Hear My Train A Comin'
04 Sunshine Of Your Love (cut very end) *
05 Stone Free
06 Foxy Lady
07 Star Spangled Banner >
08 Purple Haze **
09 Voodoo Chile (Slight Return)
Jimi Hendrix Experience
New York Rock Festival
Singer Bowl, Flushing Meadow Park,
Queens, New York
August 23, 1968
1. Are You Experienced ?
2. Fire
3. Red House
4. I Don't Live Today
5. Foxy Lady
6. Like A Rolling Stone
7. Purple Haze
8. Star Spangled Banner
9. Hey Joe
10. Wild Thing
Jimi Hendrix - Woodstock Rehearsals July-September1969
Jimi's rented house
Shokan, NY
Artist: Jimi Hendrix
Source: SB recordings
Tracks
01. izabella 4.35
02. izabella 4.35
03. message to love 5.51
04. the dance 11.53
05. sundance 2.22
06. jam back at the house 6.42
07. jam in E 4.26
08. jam back at the house 10.20
09. machine gun 0.50
10. if six was nine 2.03
11. izabella 3.52
12. izabella 4.38
Jimi's rented house
Shokan, NY
This material was recorded at Jimi's house on Traver Hollow Road, Shokan sometime between July
and September in 1969. These tracks are usually referred to as 'The Woodstock Rehearsals.'
There are are other tracks from these sessions in circulation, some having little or no
involvement by Jimi
Jimi Hendrix Experience
Maple Leaf Gardens
Toronto, Ontario, Canada
May 3, 1969
1. Fire
Hear My Train A Comin
Spanish Castle Magic >
Third Stone From The Sun >
Little Miss Lover
Red House
2. Foxy Lady
Room Full of Mirrors >
Crash Landing >
Keep On Groovin >
Gypsy Eyes
Purple Haze
Voodoo Chile (slight return)
dus ik heb de komende tijd wel wat te luisteren
Begint met een t en eindigt op een tquote:Op zaterdag 10 september 2005 14:07 schreef Big_Boss_Man het volgende:
Waar vind jij al die dingen??
gewoon op het internet jonge maar ik mag geen sites zeggen dusquote:Op zaterdag 10 september 2005 14:07 schreef Big_Boss_Man het volgende:
Waar vind jij al die dingen??
Big Boss man kan je een nieuwe topic openen?
[ Bericht 9% gewijzigd door hendrixfan op 11-09-2005 13:28:24 ]
