Fok! Muziek Trivia deel CDXIV

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Op vrijdag 20 mei 2005 13:17 schreef cafca het volgende:
BB King en Eric Clapton / Riding with the King

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Op vrijdag 20 mei 2005 13:19 schreef Prep2Fight het volgende:

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Voor de andere, ik wilde wel graag de titel van het album

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Op vrijdag 20 mei 2005 13:23 schreef cafca het volgende:
BB King en Eric Clapton is niet echt een bandje trouwens...

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Op vrijdag 20 mei 2005 13:26 schreef Prep2Fight het volgende:
Ilse De lange - Dear john

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Op vrijdag 20 mei 2005 13:26 schreef Prep2Fight het volgende:
En met band bedoelde ik The Mavericks, van de vorige vraag Cafca..

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Op vrijdag 20 mei 2005 13:30 schreef cafca het volgende:

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En ik maar denken dat het onderdeel van je vraag was...

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An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, was born October 10, 1946 in Maywood, Illinois. Raised by parents firmly rooted in their rural Kentucky background, at age 14 began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, became a fixture on the Chicago folk music scene in the late 1960s

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Op vrijdag 20 mei 2005 13:31 schreef peaceman het volgende:

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Op vrijdag 20 mei 2005 13:42 schreef DaisyDuke het volgende:
Guy Clark

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Op vrijdag 20 mei 2005 13:42 schreef DaisyDuke het volgende:
Of Tom Rush?

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Op vrijdag 20 mei 2005 13:44 schreef Berkery het volgende:
Ik heb 'm maar opgezocht, never heard of

-laat maar-

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Op vrijdag 20 mei 2005 13:44 schreef Prep2Fight het volgende:
_{Guy Clark heeft geen snor}

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Op vrijdag 20 mei 2005 13:46 schreef DaisyDuke het volgende:

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Maar Tom Rush wel

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"While his history of depression is compatible with suicide, and the location and direction of the stab wounds are consistent with self-infliction, several aspects of the circumstances (as are known at this time) are atypical of suicide and raise the possibility of homicide. These include the absence of hesitation wounds, stabbing through clothing, and the presence of small incised wounds on the right arm and left hand (possible defensive wounds). Additionally, the girlfriend's reported removal of the knife and subsequent refusal to speak with detectives are all of concern."

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Op vrijdag 20 mei 2005 13:56 schreef Prep2Fight het volgende:
Elliott Smith

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Ride the blue wind high and free
she'll lead you down through misery
leave you low, come time to go
alone and low as low can be

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Op vrijdag 20 mei 2005 14:12 schreef DaisyDuke het volgende:
Aha, Townes Van Zandt!

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Op vrijdag 20 mei 2005 14:19 schreef Grobbel het volgende:
Gang Starr

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Op vrijdag 20 mei 2005 15:19 schreef Berkery het volgende:
Killing Joke

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Op vrijdag 20 mei 2005 15:21 schreef belsen het volgende:

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Punt en vraag voor Daisy Duke!

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Op vrijdag 20 mei 2005 15:23 schreef Berkery het volgende:

[..]

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" " begins with a melancholy ballad feel in spite of the busy bass lines underneath; a clean-toned guitar plays a haunting melody over synthesizers mimicking a gothic choir. The electronic beats begin to kick in with greater prominence during the first chorus, and immediately afterwards there is a funky percussion break which alerts the listener to the song's rhythmic underpinning. When the rest of the instrumentation returns, it's suddenly just as danceable as it is gloomy. The lyrical subject matter of " " is typical bleakness, in this case with a more personal slant. Its main point is that the more people talk, the more likely they are to hurt each other, and so a sense of doom hangs over the romance alluded to in the chorus. On a deeper level, " " suggests that getting to know someone more intimately destroys any romantic illusions about them, and the singer seems to prize those illusions as a form of perfection that doesn't exist in the outside world. It's a little solipsistic and all very dramatic, but the music supports those ambitions with a chilly sadness and an austere grandeur that perfectly expresses the sentiments of the lyrics.