David Gray

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You could be forgiven for thinking that this was the difficult second album but in truth it is the (comparatively) painless sixth. Just to throw some context on the impact and scale of its predecessor, White Ladder is certified seven times platinum in the UK with sales of over 2.2 million accrued over more than 100 weeks in the Top 40. In Ireland, at the time of writing, the album has spent 175 weeks on the chart and is the biggest selling, non-compilation album of all time. Beyond statistics, the essence of White Ladder's creation contributed to its unique status. Here was a record made at home after a series of thwarted excursions into the mainstream and certainly not one fashioned with a view to reaping success on such a scale; an album of unlikely and homespun origins whose instinctive honesty and simplicity found favour around the world. In America to date, two million copies have been sold and David received a Grammy nomination for 'Best New Artist' to compliment Ivor Novello and Q awards for the single 'Babylon' back home. Clearly its successor would never have the luxury of consensus, building on such dramatic terms.

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When most people think of English music, the Beatles obviously come to mind, along with the punk of the Sex Pistols, the glam rock of David Bowie, and maybe the soft pop of Elton John. Few would immediately think of David Gray and his acoustic guitar, but he's on a mission to change all that. Born in Manchester in 1970, Gray grew up in Wales before attending the University of Liverpool. While in school, he dabbled in a few punk bands, and then began exploring new styles of writing, eventually uncovering his own poetic penmanship. Following a move to London, Gray signed to Hut Records in the United Kingdom and Caroline Records in the United States, releasing the single Birds Without Wings in 1992. The next year saw his debut album, A Century Ends. Through his emotional tales of anger and passion, love, and solitude, Gray's trademark style of fiery intensity countered with tender poignancy started to find an audience. However, despite solo touring and an opening slot for Shawn Colvin, the wonderfully raw and powerful Flesh was released in 1994 to an underwhelming response. Although he was dropped from his label, EMI Records saw his potential and talent and quickly signed him to a new deal. Meanwhile, a quiet buzz was building in Ireland thanks to support from No Disco, an alternative music video program that showcased Gray every chance it got. Hanging on to that thread, Sell, Sell, Sell came out in 1996 in limited release. Gray hitched up his touring boots and hit the road again, this time opening for such heavy hitters as Radiohead and Dave Matthews Band. That still didn't do the trick, and he again parted ways with his major label. Recapturing and embracing his independence, Gray self-financed his fourth album, White Ladder, and released it on his own IHT Records in 1998. Recorded in a London apartment with an easy blend of samplers and acoustic guitar, White Ladder is a sublime leap forward for the artist. Ireland certainly recognized its brilliance, as the record immediately went into the Irish Top 30. Gray found other outlets, as well, offering five tunes to the soundtrack of This Year's Love. To further move things along, former road pal Dave Matthews, who had taken a liking to Gray, made White Ladder the debut release on his own ATO Records imprint in 2000. Celebrating his mounting success with his fourth multi-platinum album, The EPs 92-94 album followed in July 2001 and coincided the reissues of A Century Ends and Flesh. Gray became a moderate success in the States due to Matthews' promotional attempts, and A New Day at Midnight followed up his successful international breakthoughs in the fall of 2002.

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Op woensdag 30 maart 2005 15:51 schreef bigshadow het volgende:
Goede artiest maar heeft hij niet al een eigen topic?? Ik heb white ladder en New day at midnight van hem, vooral white ladder is een zalig album. Ben benieuwd wat zijn nieuwe album ons gaat opleveren. Mooie OP btw