Hit shocks 'Sopranos' fansBy MARISA GUTHRIE
DAILY NEWS STAFF WRITER
Fatal Admission: Adriana (Drea de Matteo) revealed to Christopher (Michael Imperioli) that she's talking to the feds. The ghastly whacking of Adriana left "Sopranos" fans reeling and online message boards abuzz yesterday.
HBO went to great lengths to keep the most dramatic plot twist of the season under wraps, deleting pages of the script and trusting no one with advance screeners of the episode, "Long Term Parking."
It paid off, because fans were blindsided when Adriana [Drea de Matteo], after revealing to Christopher [Michael Imperioli] that she was talking to the feds, was rubbed out by Silvio Dante.
Still, many fans yesterday wrapped themselves in the fantasy that Adriana somehow escaped Silvio's bullets.
"We didn't actually see the bullets enter her body. I'd love to think that Silvio let her go," wrote one fan on HBO's "Sopranos" bulletin board.
Indeed, one of the sticking points for fans was the absence of body disposal, leaving plenty of room for conjecture.
"Ade crawled away and the wounded Russian is taking care of her now," wrote one fan referring to the famed "Pine Barrens" episode, where Paulie Walnuts [Tony Sirico] and Christopher battled with a mobster and eventually lost track of him.
Some fans also found comfort in the possibility it was all a dream.
"Is it possible she is really on the lam and dreamed what would have happened if she stayed," asked a fan.
Wishful thinking.
Adriana's demise had been rumored since news surfaced that de Matteo had been signed to co-star opposite Matt LeBlanc in next season's "Joey," NBC's "Friends" spin-off.
But the languid pace of the last few episodes of HBO's mob drama and Adriana's emergence this season as a star player rendered the dénouement of "Long Term Parking" all the more shocking.
But just as many fans were gratified to see Adriana go.
"No more whining about Ade being dead," wrote a fan. "She was a rat. She got it in the back of the head begging for her life ... that's exactly what she deserved."
And many conceded that it was inevitable.
"It may be hard to stomach, but let's face it, no character is safe from being whacked on that show," said another. "No character."
In the end, wrote a viewer on the "Sopranos" forum on NJ.com, "Adriana suffered from IBS: Irritable Bullet Syndrome."
With only one episode left ("The Sopranos" is off next week and returns June 6 for the season finale), fans are feverishly deconstructing everything from the odds of video surveillance at Newark Airport catching Christopher ditching Adriana's car, to the identity of the (rumored) second confidential informant (Tony B, Meadow's fiance), to the possible deadly results of Tony's rift with Johnny Sack (bullets for Chris, Carmela, A.J.).
But for all the hypothesizing on the Net, the "Sopranos" still manages to shock.
And the season finale in two weeks is sure to pack another round of gut shots. (EINDE)
LAND, HO!By BARBARA HOFFMAN
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"Sopranos" fans are blasting Carmela for reconciling with Tony in exchange for a $600,000 piece of property.- Abbott Genser/HBO
May 25, 2004 -- ADRIANA'S gotten the ax - and now "Sopranos" fans seem ready to whack Carmela. In what aficionados of the HBO drama see as an unveiling of "the real Carmela," the well-manicured Mafioso hausfrau agreed to let Tony return to their home provided he remains faithful - and shells out $600,000 for some land she can build a house on.
Carm (Edie Falco) called it a creative project.
Outraged viewers called her a "mercenary," a "using bitch" - and worse.
Not since that tryst with her son's guidance counselor have the "Sopranos" faithful been so incensed.
"I dunno about the rest of you, but I think Carm is worse than Tony," fumed one "Sopranos" bulletin board poster.
"The fact that she is now sacrificing her 'morals' for a piece of real estate really shows what kind of person she is."
Cracked another: "Apparently, infidelity has a price - $600K in undeveloped land."
Naturally, therapists tend to be more understanding.
"This is a tit-for-tat relationship," contends Manhattan couples therapist Diana Adile Kirschner. "[Carmela] gets power and an upper-middle-class life by putting up with him. That's why this couple is so believable."
In fact, Kirschner says, she's seen it herself:
"This kind of bartering goes on all the time with upper-middle-class couples," she says.
"The man has the money and power, and the woman compromises - looking the other way from his infidelity to maintain her status and power."
Nevertheless, she adds: "Carmela also loves him, and he loves her very much - to the extent that they can love anyone."
Lynn Harris, an advice columnist and specialist in relationship issues - she runs the breakupgirl.net site - is more concerned about the other side of the couple's bargain: Tony's pledge to be faithful.
Or, as he cannily told Carm last night: "I swear to you on our children that my midlife-crisis problems will no longer intrude on you anymore."
Analyze that!
Harris has, and she says it doesn't look good. "I don't think he's being insincere, but I just don't think he can stick to it."
Still, viewer enchantment dies hard. As the postings show, Carm and Tony and the kids aren't the only ones affected by their breakup: We're involved, too.
"There's a little Carmela in all of us," says Manhattan marriage therapist Sharyn Wolf. "We don't want to think that, but it's there.
"We all make certain trade-offs, and what might make it so repulsive for us is that we've empathized with her throughout the series and it's hard to see the other parts of her - to see she's not just a victim, but a player.
"We've developed relationships with these people; we have deeper feelings for them. So it seems like a personal affront when Carmela shows other parts of who she is and who she's always been."
And at least one viewer wasn't ready to write the "Stepford wife" off completely:
"I don't think Carmela is really reconciling with Tony. Once the lot closes with her name on the deed and his name on the mortgage, she's all set ...She's smart and looking out for herself and Tony be damned."
"Ik voel dat ze medelijden met me hebben, ik zou hun willen zeggen dat het niet mijn schuld is dat ik wreed geworden ben, we zijn allemaal wreed geworden."