quote:Yep.
Op donderdag 4 december 2003 17:02 schreef bukgeit het volgende:
los limbos?
Vanwege hun overeenkomst met Los Lobos, naam is bedacht door de KRO dj's.
bukgeit + 1
quote:idd, maar popinstituut.nl houdt het bij Los Limbos
Op donderdag 4 december 2003 17:04 schreef bukgeit het volgende:
Maar 'Pogues van de Peel' is veel mooier.
'IN DECEMBER 1989 THE BAND SCRAPED TOGETHER ENOUGH MONEY FOR FORTY MINUTES OF STUDIO TIME AND RECORDED A DEMO. THEY PRESSED 500 COPIES OF 'NEW ART RIOT' AND 'REPEAT AFTER ME'. IAN BALLARD, MANAGER OF DAMAGED GOODS, WAS SO IMPRESSED BY A
GIG
AT THE HORSE AND GROOM (GREAT PORTLAND STREET, LONDON) THAT HE OFFERED THEM A DEAL OVER A HANDSHAKE.'
Sorry voor de kapitalen - copy/paste.
Maar welke band moet hier
staan?
quote:Nee hoor klopt, hij is flauw. Maar het is wel een heel vroeg singletje.
Op donderdag 4 december 2003 17:12 schreef Grobbel het volgende:
Ligt het nou aan mij of is die vraag wat aan de flauwe kant?Maar het zijn (wederom) de Manic Street Preachers volgens mij.
Grobbel +1
quote:De Grobbel-vragen liggen me wel
Op donderdag 4 december 2003 17:30 schreef Grobbel het volgende:[..]
Dat ie snel zou worden opgelost zat er natuurlijk dik in, maar dit is toch een stuk sneller dan verwacht.
de_man_in_beige +1
Welke band is dit?
quote:nee. elk puntje staat voor een letter.
Op donderdag 4 december 2003 18:21 schreef Jan035 het volgende:
Fountains of wayne?
quote:idd
Op donderdag 4 december 2003 18:26 schreef Z het volgende:
Ah, één in mijn straatje! Built to Spill!
Z +1
quote:revolutionized American indie rock in the mid-'90s by playing down tried-and-true punk and rock & roll influences, emphasizing instead the incorporation of a variety of left-field music genres from the past 20 years, including Krautrock, dub, avant-garde jazz, classical minimalism, ambient and space music, film music, and British electronica. At odds as well with the shambling framework of alternative rock's normal song structure, the group as large as a septet, with at times two vibes players relied on a crisp instrumental aesthetic, tied to cool jazz, which practically stood alone in American indie rock by actually focusing on instrumental prowess and group interaction.
quote:
Although the group's unique vision is to an extent the creation of drummer and master producer John McEntire, most of the other members are well-connected producers and/or participants in Chicago's fraternal indie rock community, which consists of numerous side projects and ongoing bands. After debuting in 1993 with several singles and an LP,underground prestige emerged above terra firma with their second album Millions Now Living Will Never Die; the 21-minute opening track "Djed" was a sublime pastiche of Krautrock, dub, and cool jazz.
then linked themselves with the cream of European electronica (Luke Vibert, Oval, U.N.K.L.E., Spring Heel Jack) to remix the album on a series of 12" singles. Despite the band's growing reliance on studio engineering,
began re-emphasizing their instrumentalist bent in 1998 for third album, TNT.
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