Project Update #53: On T-Shirts & Test Screenings
For backers only Posted by Rob Thomas ♥ Like
Good news, gang:
T-shirts and stickers started shipping today!
We know it took a lot longer than we ever expected – and we appreciate all of your patience -- but all of the kinks have been worked out, and most of the shirts have now been printed. In fact, we've been printing between 5,000 - 10,000 shirts per day for the last week or so, and are still going -- and the first wave of shirts and stickers just went into the mail today.
We also know that a lot of you still have questions, so please read this carefully:
• Shirts started going in the mail today, October 16!
• We're able to mail about 6-8k shirts each day, so it'll take us about 10 days to get them all in the mail.
• As a result, some shirts will not go in the mail until as late as October 25.
• So, depending on where you live...
Your shirt should arrive sometime between October 18 and November 13.
This next part is important: please do not send questions about your shirt until at least November 13. Answering more questions would just slow us down from getting the remaining shirts in the mail, so:
Questions about shirts sent before November 13 will not be answered.
Around November 13th, we will send another Backer Update, and will include specific instructions for what to do if you haven't yet received your shirt.
IF YOU HAVE MOVED OR STILL NEED TO CHANGE YOUR ADDRESS, we're happy to help you change it for future rewards, but since shipping labels have already been printed, we can no longer change the address before the shirts go into the mail. If you've moved, please be sure to contact your local post office, and provide your forwarding address. If you do, your shirt should still find its way to you.
What about the movie?
Most of the work happening right now still takes place in the editing room, where Dan Gabbe (our editor) and I are sequestered. We have now exhausted most of the good lunch options near the editing facilities, but we're making great progress on the cut. In the most recent pass, we've been starting to replace more and more of the temp music with sections of Josh Kramon's final score.
Speaking of which: in the past month, we've gotten a lot of letters asking to hear more about Josh's approach to composing and recording the score. In a future update -- and on the Backers' Website -- we'll do our best to give you a closer look at his process, and he'll explain how the score evolves throughout the editing process.
For now, he sent along this shot of his studio, where the score is coming together:
In the past month, we've screened the film for a few trusted friends and colleagues, and after that, for our partners at Warner Bros. Showing work in progress tends to be nerve-wracking, but it's also essential: when you spend all of your time in front of an editing monitor, watching the same scenes over and over, it's hard to keep a fresh perspective on what you're watching. These screenings have been helping me get a better sense of which sections of the movie are working, and which still need a little more work.
Earlier today, we also held our first test audience screening. I wish we could have stacked the audience with our backers, but Warner Bros wants to see how the movie plays for a general audience before determining a marketing strategy. Is it a film just for the fans or could complete Veronica Mars virgins enjoy the movie? That's a large part of what the studio hopes to find out.
It's what I'm hoping to find out, too. Every day in the editing room, I'm faced with this predicament: keep it or lose it? There are moments I believe VM fans will really enjoy that I know newbies won't get, and I ask myself, "Do I keep that in? Does it slow down the movie for non-fans? Would fans hate me if I cut it?"
This screening should tell me a lot.
Also, here's the thing that always terrifies me about test screenings: the movie is far from finished. It hasn't been color-timed, so it's not as "pretty" as it'll be when it's completed. None of the visual effects are in, so the audience is looking at blank computer and phone screens, or green screens where, eventually, tigers will be mauling centurions in the background. (Okay, that may be an exaggeration.) There are lines of temp dialogue read by the editor where an actor is supposed to be speaking. Some of the score is temp. We haven't done foley for the movie, so things like foot steps and punches sound kind of out of sync or canned.
When I first moved out to Hollywood in my late 20s, I was an audience member at a test screening, and the person running the test warned us about all of this. He said, "the movie will look unfinished. Everything is temp. Music. Color. Sound. But please try to put that out of your head."
I couldn't do it. I kept getting taken out of the movie watching experience by the temp elements. I ripped that movie to shreds in my comment card. I didn't think they'd ever be able to fix that dog.
And that little movie turned out to be Aliens.*
Thanks to the advice I gave them on my comment card.
* Okay, that last part is not true. It was the Ted Danson-Mary Steenburgen indie Pontiac Moon, and it was lovely. Thanks to my comment card there's an entire zombie subplot that was trimmed from the movie. I think it was a good lift. You're welcome, America.
Veronica at the AFF
One last thing: if you happen to be attending the Austin Film Festival later this month, I'll be there on October 26, for a discussion about translating Veronica Mars from television to film. Joining me on stage will be Mr. Chris Lowell, who will also be at the Festival to show off his own directorial debut, a feature film called Beside Still Waters. Chris let me see it a couple of months ago, and he did a masterful job with it. That kid has a bright future.
If you're at the Festival, we'd love to meet you, so be sure to come say hello.
Rob
Spoilers!