Jahovaquote:Op maandag 20 februari 2012 23:47 schreef Avaron het volgende:
Deze niet vergeten:
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Die sfeer, heerlijk!
En daar gaat het dus misquote:Op maandag 20 februari 2012 23:43 schreef Juminelle het volgende:
Ohja en Doctor P en Flux Pavillon inderdaad
quote:Op maandag 20 februari 2012 23:49 schreef luckass het volgende:
[..]
Jahova.
En The Others zijn toch wel de grootste bazen voor mij.
Sfeerquote:Op maandag 20 februari 2012 23:47 schreef Avaron het volgende:
Deze niet vergeten:
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Die sfeer, heerlijk!
Oopsie, die heb ik er standaard staan. Fixed!quote:Op maandag 20 februari 2012 23:59 schreef luckass het volgende:
[..]
Waarom de [ afbeelding ]?
En dit alles![]()
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Gelukkig maar, anders had ik niet kunnen slapen hoor.quote:Op dinsdag 21 februari 2012 00:01 schreef Avaron het volgende:
[..]
Oopsie, die heb ik er standaard staan. Fixed!
smaken verschillen, ik vond ze beter toen ze nog alleen dnb maaktequote:
juist wel. Over de top mid en high range wobbels..quote:Op dinsdag 21 februari 2012 00:43 schreef rumiii het volgende:
Als ik het topic zo lees zou Skrillex niet in dat lijstje met artiesten mogen staan?
quote:In 2011, dubstep gained significant traction in the US market by way of a post-dubstep style known as 'brostep' with the American producer Skrillex becoming something of a figurehead for the scene. In September 2011 a Spin Magazine EDM special referred to brostep as a "lurching and aggressive" variant of dubstep that has proven commercially successful in the United States.[108] Unlike traditional dubstep production styles, that emphasize sub-bass content, brostep accentuates the middle register and features "robotic fluctuations and metal-esque aggression." According to Simon Reynolds, as dubstep gained larger audiences and moved from smaller club based venues to larger outdoor events, sub-sonic content was gradually replaced by distorted bass riffs that function roughly in the same register as the electric guitar in heavy metal.[109]
The term brostep has been used by some as a pejorative descriptor for a style of popular Americanised dubstep.[110] Dubstep purists have leveled criticisms at brostep because of its preoccupation with "hard" and aggressive sounding timbres. In the UK brostep has been jokingly called "bruvstep" and "mid-range cack". US artists often drew inspiration from British producers who tended to work less with sub-bass and more with mid-range sounds such as Caspa and Rusko, and Vexd.[111] Rusko himself has claimed in an interview on BBC's 1Xtra radio show that "brostep is sort of my fault, but now I've started to hate it in a way...It's like someone screaming in your face for an hour...you don't want that."[112] Commenting on the success of American producers such as Skrillex, Skream has stated: "I think it hurts a lot of people over here because it's a UK sound, but it's been someone with influences outside the original sound that has made it a lot bigger. The bad side of that is that a lot of people will just say 'dubstep equals Skrillex'. But in all honesty it genuinely doesn't bother me. I like the music he makes."[113]
Other North American artists that have come to be associated with the brostep sound are Canadian producers Datsik and Excision. Their production style has been described by Mixmag as "a viciously harsh, yet brilliantly produced sound that appealed more to Marilyn Manson and Nine Inch Nails fans than it did to lovers of UK garage." Other noted producers include 12th Planet and Bassnectar, who are considered by some to be early pioneers of the subgenre.[114]
Haha wel mooi wat Rusko zegt.. Hij was wel ongeveer het begin van het einde jaquote:
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