Chille muziek (ambient, acid jazz, trip-hop etc.)

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Op maandag 19 januari 2009 12:42 schreef Detroit het volgende:
Shuttle 358 is ook vetjes:

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Frank Bretschneider - Walking on Ice

Savvas Ysatis & Taylor Deupree - Reservoir

Kit Clayton - W-Shape ( W Shape )

Andreas Tilliander - Bonnadub

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BACK IN STOCK!!! *ONE OF THE MOST IMPORTANT BODIES OF WORK IN ELECTRONIC MUSIC IS FINALLY AVAILABLE IN ONE INCREDIBLE PACKAGE - PRETTY MUCH THE ENTIRE GAS DISCOGRAPHY IS COMPILED ACROSS 4 CD'S CLOCKING IN AT ALMOST 5 HOURS OF THE MOST IMMERSIVE MUSIC YOU'LL EVER HAVE THE PLEASURE OF HEARING. THINK OF IT AS THE DARKEST DRONES FROM TWIN PEAKS CROSSED WITH BASIC CHANNEL AND ARVO PART FOR A VERY VAGUE IDEA OF THE GENIUS AT WORK HERE* This four-disc retrospective anthologises one of the seminal bodies of work in the recent history of electronic music. Wolfgang Voigt's recordings under the name Gas have gone down in folklore as one of the key ambient/techno/drone touchstones of the nineties, providing the Mille Plateaux imprint with some of its finest ever output, which in certain quarters (namely Boomkat HQ) is regarded as just about as good as it gets. First thing's first, it should be pointed out that 'Nah Und Fern' collects the four principal Gas albums, electing to miss out 1995's Modern EP and other scraps from short-form releases. This should be regarded as a good decision, because the consequent four-part cycle feels very much like its own, self-contained catalogue. The first of these constituents, the eponymous, debut Gas album somehow sounds more current than ever. You can hear the current generation of Kompakt artists striving for the sounds Voigt mapped out 12 years ago, that thunderous bass pulse destabilises the notion that this is ambient music in any passive sense, instead injecting a sense of pace and motion to a music that's otherwise difficult to interpret in any structural sense - and it's certainly far too richly layered and abstract to be filed under the banner of techno along with some of Voigt's other work. 1997's Zauberberg established the Gas language as we currently know it, based around an effulgent blend of samples, noises, treated recordings and clever filtering all locked in place by that stately bass drum pulse. It was this album that started making explicit links between forest imagery and the thicket of sound Voigt concocted, but as signposted by the surreal colour schemes of the album's original sleeve, this is a dream forest - a psychotropic... tropic, with hints towards nightmarish oppression intimated by the deep, dark dissonances that occasionally reach out from the torrent of sound. The last of these albums, 'Pop' takes this forest imagery to its natural conclusion, rendering an environment so verdant and teeming with life you can literally hear it dripping, in all its gooey fertility. Samples of flowing waters intermingle with dense air currents and synthetic landscapes, resulting in a more vivid picture of Voigt's hyper-real forests than perhaps ever before. Pop is probably Voigt's most accessible album, and the record that can most directly be attributed to establishing ground rules for the famed Kompakt Pop Ambient sound. A special mention should be given to 1999's Konigsforst, however. Of all the Gas releases this has to be the most enduring and resonant. Somewhere within that album's configuration of sounds lies a magical balance between neo-romantic orchestration and the more esoteric, electronic ambient elements Voigt brings to the table - and moreover, the individual tracks making up Konigsforst fit together into a single long-form narrative so beautifully, it represents an undeniably special musical voyage. Compiled together in this ineffably wonderful package, and 'lightly' remastered, the Gas catalogue - slightly abridged as it may be - stands as a singular and totemic body of work within the great canon of ambient music. As essential as essential gets.

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Op maandag 19 januari 2009 17:28 schreef On het volgende:
Is dat dezelfde gas als die van Gas 0095? Die plaat heb ik wel namelijk, en die is uiterst fijn.

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Collection of four Gas albums previously released on Mille Plateaux between 1996 and 2000

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Killer album from Twerk, elongating his belief system into deep microid house textures and an evolved, whispered mechanism of textured ambience (in a Shuttle 358 sorta way) - and a malfunctioned re-alignment of broken house constructions. San Francisco’s Twerk has achieved the highest respect amongst the electronic music community due to his innovative and software inventive approach in creating music and software for the most deviated corners of the techno dancefloor. Lovely stuff.

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Op maandag 19 januari 2009 16:39 schreef Twerk het volgende:

[..]

Idd ook erg cool.

Check ook:

Frank Bretschneider

Frank Bretschneider - Walking on Ice

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Taylor Deupree

Savvas Ysatis & Taylor Deupree - Reservoir

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Kit Clayton - W-Shape ( W Shape )

Andreas Tilliander - Bonnadub

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Op maandag 19 januari 2009 19:18 schreef Yorrit het volgende:

[..]

yeah Raster-Noton ftw

Bretschneider + Steinbrüchel - status is ook de shiiit

Signal @ Sonic Acts XII

Byetone - av live at Paradiso (Amsterdam, NL)

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Op maandag 19 januari 2009 19:42 schreef Twerk het volgende:

[..]

Check Bretschneider ook onder zijn Komet-alias (Ook nog enkele platen op het Nederlandse label audio.nl)
en in de groepsformatie Signal:

- Frank Bretschneider
- Carsten Nicolai
- Olaf Bender

Signal @ Sonic Acts XII

En Olaf Bender als Byetone:

Byetone - av live at Paradiso (Amsterdam, NL)

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Op maandag 19 januari 2009 19:58 schreef Dubbelzuurrr het volgende:
[ afbeelding ]

Bohren & der Club of Gore - Prowler

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Op maandag 19 januari 2009 19:49 schreef FictionalFenna het volgende:
Gas Nah und Fern is prachtig.

Null+Void - LAKEFOREST TRANSIT CTR [audio by GAS]

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Op maandag 19 januari 2009 09:43 schreef teknomist het volgende:
Tvp. Vanavond eens wat shit posten.

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Op woensdag 21 januari 2009 11:26 schreef ehqo het volgende:
Ik verwacht deze elk moment op vinyl.

Nu vermaak ik me met Octex:

Octex: Emergon

Liagon is de shit.