Techno! part 5 - offbeatmnmlschranzenaldatmeer

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Op dinsdag 7 juni 2005 14:41 schreef Sahko het volgende:
heb je die cd al wel eens gehoord dan ?
sowieso is de ric y martin release erg vet .. oftewel ricardo villalobos

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Op dinsdag 7 juni 2005 14:50 schreef teknomist het volgende:

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Nee, maar ik had heel veel tracks van hem en zijn stijl ligt me gewoon niet zo...

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Op maandag 6 juni 2005 15:32 schreef Sahko het volgende:

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om even terug te komen op de concepts.. die zijn al eens door thomas brinkman gere-edit, waardoor de kwaliteit een stuk beter is.

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Concept 1, composed by Richie Hawtin, marked a yearlong correlation between musical development and the progression of time. The original series (1996) of 12 monthly twelve-inch singles comprised of 24 tracks, strictly limited to 2000 copies per release, was a timely musical emission of that moment. Before the compiled CD release of Concept 1 96:CD in February 1998, Thomas Brinkmann (Cologne, Germany) visited Windsor to play Hawtin some of his "Variations" of Concept 1. The results unfolded a new structure from the original material, exposing a new side of Hawtin's compositions.
Explaining his custom system to produce the Concept 1 Variations, Brinkmann notes, "I used a self-made turntable with 30 kilo plate, and two SME 309 Tone Arms utilizing both Ortofon and Van den Hul moving-coil pickups." Using the original Concept 1 records on his two-arm turntable, Thomas found unheard dynamics within these recordings. Even the imperfections of the vinyl pressing process find new character within his Variations. "The interventions with the actual vinyl are few: I slowed down the speed of the record and used the left pickup (arm) for the left channel, and the right pickup (arm) for the right channel. I found out that the use of different pickup systems for both channels is important for the sound," Brinkmann adds. "It's possible to hear a melodic displacement between the channels."

Re-thinking the depth of sound, Thomas said, "I don't believe in creativity, but in sensibility. We have to invent the things to make them visible or audible, even though they had been there before, only invisible and inaudible." Through his unique angle of attention, Thomas has allowed us to hear what he hears, something that was there but unheard until now. Summing up his technique, Thomas mentions, "With a little intervention and displacement of elements, the Concepts are sounding different. The same information they had before, but two times present. Like the idea of cloning and twins: still Richie's DNA with a little mutation. A different groove."


In the spirit of MINUS, Thomas has used an untraditional technique based on theories of alternative listening and experimentation to produce an image of difference. A scientific yet natural way of revealing the complexity of what was originally deemed minimal.

Richie Hawtin

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Eulberg's star has been surely and steadily rising these last few months, showing up with a brace of twelves for Traum, some Trapez remixes and a twelve in their relentless limited series. Acclaim has been gathering, for the diamond hard beats and crystalline dancefloor shapes - here across seven track vinyl and ten track cd, Dominik unleashes a well-nigh essential dancefloor album for any self-respecting tec-floors. The mood is universally well controlled: no weak links, duff sounds or even average tracks - just mesmeric floor-frying techno, killer materials to rock parties late on, when the tempos are really taking flight. And throughout there's the definite sensation that Eulberg really is only just getting started. Fine album and no doubt a big one for Traum.

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Acclaim has been gathering, for the diamond hard beats and crystalline dancefloor shapes

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Op vrijdag 10 juni 2005 19:16 schreef teknomist het volgende:
Kan iemand deze voor mij ID-en?!

Ik zoek die plaat al zo lang...