The singer’s family confirmed his death in a statement to Variety. “The shining star of our family has dimmed his light for us in this life…After a prolonged and courageous battle with cancer, we are heartbroken to announce that Michael D’Angelo Archer, known to his fans around the world as D’Angelo, has been called home, departing this life today, October 14th, 2025. We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind. We ask that you respect our privacy during this difficult time but invite you all join us in mourning his passing while also celebrating the gift of song that he has left for the world.”
Associates close to D’Angelo remembered him on social media. DJ Premier, who produced his song “Devil’s Pie,” posted, “Such a sad loss to the passing of D’Angelo. We have so many great times. Gonna miss you so much. Sleep Peacefully D’ Love You KING.”
An elusive figure who burned bright in the spotlight, D’Angelo released three albums throughout his career including his 1995 debut “Brown Sugar,” 2000’s “Voodoo” and his last album, 2014’s “Black Messiah” with the Vanguard. He developed a signature sound with “Brown Sugar,” marrying classic R&B tropes with hip-hop influences, before developing a richer, soulful aesthetic for “Voodoo.” He won four Grammy Awards for his latter two records, and was a crucial figure in ushering the era of neo-soul.
Born Michael Eugene Archer in South Richmond, VA, D’Angelo embraced music at a young age, learning to play piano at the age of three and playing in the church alongside his father, who was a Pentecostal minister. Throughout his adolescence, he performed locally in groups including Three of a Kind, Michael Archer and Precise, and Intelligent, Deadly but Unique (I.D.U.).
In 1993, he signed to EMI and wrote the hit “U Will Know” for the group Black Men United (B.M.U.). D’Angelo released his debut album “Brown Sugar” in July 1995, spending 65 weeks on the Billboard 200 and spawning the hits “Lady,” “Cruisin’ and the title track. The album helped drive the “Neo-Soul” movement of the mid-1990s, and stellar albums with a similar sound and spirit, which fused the R&B of the ’60s and ’70s with contemporary, hip-hop-informed styles, followed by Maxwell, Erykah Badu and others. D’Angelo is also featured on Lauryn Hill’s multi-platinum, culture-shifting 1998 debut album, “The Miseducation of Lauryn Hill,” singing and playing electric piano on the song “Nothing Even Matters.”
During this time, D’Angelo found a kindred spirit in Ahmir “Questlove” Thompson, drummer and leader of the Roots, with whom he was to work for much of the rest of his career. The two of them would spend the next several years at work on the follow-up to “Brown Sugar,” “Voodoo,” which was finally released in January of 2000.
The album was the end product of many months of recording and mixing, primarily at New York’s Electric Lady Studio, with a group of musicians who came to be known as the Soulquarians — primarily D’Angelo, Thompson, horn player Roy Hargrove, keyboardist James Poyser, bassist Pino Palladino and producer J Dilla — who pushed the boundaries of R&B and also worked on albums by Badu and rapper Common at the time. “Voodoo” is considered a cornerstone of modern R&B and its influence has resonated over the decades.
https://variety.com/2025/(...)d-voodoo-1236552500/
Je kunt ook gewoon niet reageren als je niks zinnigs te melden hebtquote:
Op In mijn ogen een van de beste artiesten ooit. Voodoo en Black Messiah zijn platen die beide de perfectie naderen. Heb de tweede top 3 aller tijden geranked zelfs.
In 2015 was die in Paradiso en op North Sea Jazz. Was toen 20, dus had toen nog niet zoveel geld. De fout gemaakt om deze optredens te skippen, omdat ik het te duur vond. Les had ik allang geleerd hiervan, maar het toont nog veel meer aan dat je kansen moet grijpen zodra ze er liggen, want wie weet wanneer je de kans nog krijgt.
RIP, legende, veel te jong gegaan.
Idd, ik kende hem eigenlijk alleen van voodoo. Best een goed album, al ben ik geen grote liefhebber.quote:Op dinsdag 14 oktober 2025 20:08 schreef kladderadatsch het volgende:
WTF? Die gast zag er juist altijd super gezond en fit uit.
Bekijk deze YouTube-video
Spijt dat ik hier niet bij was destijds. En ook dat ik rond die tijd black messiah niet megenomen had uit de vinylbak
