Fans van Burial?

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AllMusic described Burial's recordings as "gloomy, dystopian soundscapes" which blend "fractured breakbeats with mysterious, pitch-shifted voices and loads of vinyl crackle, rainfall, and submerged video game sound effects."[9] His work is inspired by British club music such as garage, jungle, and hardcore, while his first album was one of the first prominent dubstep albums.[9] He was associated with the mid-2000s hauntology trend, in which British artists explored elements of "spectral" cultural memory.[28]

Bevan claims to compose his music in SoundForge, a digital audio editor, and to eschew the use of trackers and sequencers. As he describes the process in an interview, "Once I change something, I can never un-change it. I can only see the waves. So I know when I’m happy with my drums because they look like a nice fishbone. When they look just skeletal as fuck in front of me, and so I know they’ll sound good."[29] He also said that he didn't use a sequencer, because if his drums were timed too perfectly, they would "lose something" and "sound rubbish".[29] Discussing his rhythmic affinities in an interview with writer Mark Fisher, Burial stated that:

Something happens when I hear the subs, the rolling drums and vocals together. To me it’s like a pure UK style of music, and I wanted to make tunes based on what UK underground hardcore tunes mean to me, and I want a dose of real life in there too, something people can relate to.[1]

Of his production techniques, journalist Derek Walmsley wrote in The Wire:

Burial decided at the outset to avoid at all costs the rigid, mechanistic path that eventually brought drum 'n' bass to a standstill. To this end, his percussion patterns are intuitively arranged on the screen rather than rigidly quantized, creating minute hesitations and slippages in the rhythm. His snares and hi-hats are covered in fuzz and phaser, like cobwebs on forgotten instruments, and the mix is rough and ready rather than endlessly polished. Perhaps most importantly, his basslines sound like nothing else on Earth. Distorted and heavy, yet also warm and earthy, they resemble the balmy gust of air that precedes an underground train.[30]

Archangel

Claustro

Burial- Stolen Dog (hq)

Come Down to Us

Rough Sleeper

State Forest

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Op dinsdag 17 november 2020 15:17 schreef Citizen.Erased het volgende:
Ik heb Untrue nog vrij regelmatig opstaan.

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Op dinsdag 17 november 2020 15:12 schreef Bosbeetle het volgende:
Fan is een groot woord maar ik (mijn vriedin) heeft wel EPtjes in de kast. Zij vind burial sowieso wel tof ja

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Op woensdag 18 november 2020 13:03 schreef Gretzl het volgende:

[..]

Jazeker, een van mijn favoriete electronica-artiesten

In mijn persoonlijke omgeving ken ik ook maar weinig mensen die zijn muziek kennen, maar op MusicMeter zijn er wel meer fans te vinden.

Burial & Four Tet - Nova

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Op donderdag 19 november 2020 00:44 schreef Gretzl het volgende:
Over de persoon William Bevan weet ik eigenlijk nog steeds ontzettend weinig, heb me nauwelijks verdiept in de informatie die er nu over hem bekend is.

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Op zondag 10 januari 2021 22:21 schreef Hexagon het volgende:
Ook leuk trouwens dat hij vorig jaar een onnavolgbare remix heeft gemaakt van Love, een classic van Luke Slater

Luke Slater - Love (The 7th Plain Remix)

Luke Slater - Love (Burial Remix)

Commix - Be True (Burial Remix)

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Op vrijdag 15 januari 2021 12:29 schreef Bill_Hillie het volgende:
Burial vind ik heel erg goed. Ik weet nog dat ik er eerst niet veel mee kon, maar na jaren viel ineens het kwartje.