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REVIEW: TERMINATOR: THE SARAH CONNOR CHRONICLES
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by Tom McLean
Full of action and attractive actors, the debut episodes of Fox’s new series Terminator: The Sarah Connor Chronicles do their best to evoke the intensity of the film franchise that inspired it, but ultimately fall short of both living up that legacy and staking out satisfyingly fresh territory.
Picking up after the events of 1991’s Terminator 2: Judgment Day, the series begins with Sarah Connor (played by Lena Headey of 300) and her son, John (Thomas Dekker of Heroes fame) living under fake identities in America’s heartland in 1999. When yet another cybernetic Terminator from the future shoots up John’s school in an attempt to stop him from leading a future, post-nuclear war rebellion against intelligent machines, the Connors are forced to run. Aiding them is Cameron (Summer Glau of Firefly) — another “good” Terminator sent to protect John — who shows up to take the Connors into the supposedly safe time period of 2007 so they can renew their efforts to prevent the coming apocalypse. (Just to clarify, this series is ignoring the events of the 2003 sequel Terminator 3: Rise of the Machines, in which Sarah Connor is said to have died, and the planned fourth Terminator film now in development.)
These episodes borrow heavily from the feature films’ iconic imagery and action, which should be a good thing and is, in a limited way. Watching a classic, metal-skulled Terminator in a full-blown action sequence is pretty cool and it’s been a long time since machine guns, explosions and car chases of this type were seen on TV. Both hours are packed with lots of this sort of thing, as well as real stunts that see characters fall from buildings and throw each other through walls in fistfights. Fun as it is, there’s a retro feeling to it that lacks the some of the polish and a lot of the intensity that fans have come to expect from the Terminator franchise.
There are areas where the series is trying to establish its own identity as a weekly TV series that have potential to pay off. Among them are plots involving the return of Sarah’s ex-boyfriend, who once proposed to her and was a father figure to John. There’s also John’s attraction to Cameron and the question of whether this Terminator’s rudimentary emotions are capable of returning his affection; an FBI agent, played by Richard T. Jones, on the Connors’ mysterious trail; and the re-awakening of a once-destroyed Terminator determined to accomplish its mission of killing John.
But cramming all this into two episodes makes for choppy viewing that also gets in the way of getting to know these characters, which do deviate from the film versions. Headey, for example, lacks the tough-as-nails physical presence of Linda Hamilton, making up for it by playing up Connor’s intelligence. Unfortunately, in these episodes, her character is shunted to the side a lot, reacting to events more than shaping them. Similarly, Glau’s portrayal of Cameron is excessively normal – the sense that she’s a dangerous weapon primed to kill to protect John fails to come through. Dekker has perhaps the easiest role to adapt to TV, though his John Connor also is a bit too mundane for having grown up in such extreme circumstances.
The result is two episodes of TV that are a big old mess: There is potential here for a cool series, but the diamonds in the rough need to found and polished quickly to avoid degenerating into a boring footnote to the history of the film franchise.
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